Mahoutsukai no Yome – 12

As a restless Elias lounges around the house, lacking the energy to do anything even though there are things to be done, Chise completes her wand (an exhausting process) and basically “contracts” with it by sharing a bond of fate with Nevin, source of the wand’s wood.

She and Nevin meet in a nebulous space between the worlds of the living and dead. There, Nevin hears Chise out, then gets her to address her appalling lack of self-worth and confidence, believing as she has since her mother discarded her that she is readily disposable.

But rather than curse the parents who messed their kid up so much, Nevin thanks them for everything they did, because that string of actions and inactions led Chise to him, and she allowed him to fly again in his last moments.

Nevin also asks Chise to consider everything she’s done and the people she’s met and saved. If a savior such as Chise believes herself of so little value, that reflects poorly on the value of those she saved.

Having concluded her talk with Nevin, Chise returns to the regular world, and wishes to head back home so she can say the things she needs to say to Elias. Can I just say how it feels like she gives us this spiel about wanting to say things left unsaid in every episode, and yet it never happens.

This episode is no exception, though I can forgive it for using the conceit of Chise simply running out of energy, because she did, after all, use her wand to fly home by herself, utilizing fire faeries to transform herself into an elegant phoenix.

Visual similarities to Ghibli films notwithstanding, Phoenix-Chise’s extended journey through the sky was a high point of the episode, with Chise relying on her own power and embracing both the freedom her new wand allows her and the more advanced magic she, a sleigh beggy, can pull off with ease.

The trip knocks her out, and she has a dream involving her parents unlike any other she’d had before: a dream in which her mother isn’t crying or angry, but rather happy and smiling, even at Chise.

We see a glimpse of her life that she had forgotten, as it had likely been buried under years of emotional trauma. Her mom, pregnant with her little sister, and her dad, enjoying a lovely sunny day.

That’s the day that awaits Chise back home in the waking world, albeit with a sky full of floating sheep insects waiting to be shorn. After a bath and breakfast, Chise slips back into the warm comfort of her life as an ancient mage’s apprentice. Realizing the “bride” part, however, will require more time.

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Ao no Exorcist: Kyoto Fujouou-hen – 06

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Who’s cuter than Mamushi? LIL’ MAMUSHI! XD

As soon as we were in flashback mode with Mamushi, I knew Ao no Exorcist had a better story to tell than her turn to the dark side and ultimate demise. It was also an early indicator I was in for a good episode, and this turned out to be the best Ao 2 to date. For once, I wasn’t feeling impatient or shortchanged during the credits. Instead, I was pumped up.

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Whether intentional or not, the backstory of Master Tatsuma meeting Fujimoto, and the resulting expanding of his world (and evolution of his beliefs) is, at least so far, the best thing to come out of this Ao 2. I’d say it’s done Rin & Co. a disservice by sidelining and outshining them, if it wasn’t such a good backstory.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people.

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Despite his bluster and stated plans to kill a kid with the Koma Sword, Fujimoto spends enough time with Fujimoto to know he won’t actually kill the kid he speaks of (the, ahem, spawn of satan, as it turns out). And Tatsuma is done praying to a sword he knows is empty, having unsheathed it as a curious youth.

By being exposed to Fujimoto, Tatsuma learns there may be a better way to protect his people other than strict, at times self-destructive orthodoxy. So ever since his father died and passed on the ultimate secret of the Myoda sect to him, he’s been looking for a way to exit the sect from its 150-year obligation.

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To Mamushi’s surprise, that obligation turns out to be holding the shriveled body of the Impure King, employing the power fire demon Karura and removing the King’s eyes to keep him in a dormant state. Karura not only demands but draws its power from the secrets of men—the more and bigger the better.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people. Those secrets have done nothing but allow the Myoda to keep, essentially, a nuke in their sub-basement.

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Mamushi, who is also determined to protect her people, is quickly betrayed by her former teacher when he takes the eye she was carrying and re-awakens the Impure King himself, Akira-like in form and expanding to ginormous size.

The twist is that the titular Fujouou isn’t even Todou’s target. He only awakened the King to force Suguro Tatsuma out and compel him to summon Todou’s true target: Karura, whom Todou devours and from whom he gains youth and vigor.

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Todou is now more powerful than ever, but to my relief, Mamushi is no longer his acolyte, now that she knows their interests don’t align at all. Before Karura is taken from him (and before he’s stabbed through the throat) Tatsuma manages to seal the Impure King with a powerful spell. But using that spell means he can no longer defeat him.

He entrusts that task, in his hastily-scrawled letter, to Rin, knowing it’s an unenviable task to be saddled with, and indeed that it could result in Rin’s death, either by failing to take down the King or by being executed by the authorities for using his blue flames. Of course, we all know Rin isn’t just going to sit back and save himself.

Tatsuma saw a good man in Fujomoto, and clearly saw a good young man in Rin. I doubt Rin will let him down.

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Nisemonogatari – 11 (Fin)

Shinobu opens by describing what Tsukihi is – a “Dying Bird” – like a phoenix, but more like a cuckoo that lays its eggs in the nests of other birds. Thus Tsukihi is fake and immortal, but ultimately harmless. After leaving Karen to guard Tsukihi, Koyomi and Shinobu go to the cram school to confront Yozuru and Yotsugi, respectively. After much discussion, Yozuru brutally beats Koyomi, but he doesn’t die. Shinobu handily defeats Yotsugi, and a heartfelt declaration of commitment from Koyomi makes Yozuru philosophically conflicted, such that she retreats, content to let Tsukihi live with Koyomi as her mentor. Life returns to normal for the Araragi siblings, and Koyomi promises he’ll let his sisters meet his girlfriend.

One thing we’ve learned from watching several of Akiyuki Shinbo’s works: he doesn’t skimp on endings. He didn’t skimp here. This was an impressive finale, blending bold, fast-paced, dramatic animation and music with lots of smart and intriguing philosophy (Yozuru even breaks out Mencius and Xun Zi), and wrapping up the story nicely by getting to the root of things. Shinobu drinks some Koyomi blood and powers up to her adult size, which is a dead giveaway she means business (Her exchange of taunts with Yotsugi prior to their duel is priceless). Finally, Yozuru proves to be far more flexible than she originally seemed. Rather than having to kill or defeat anyone, Koyomi gets off with a severe beating (he quickly heals from) and a goodbye.

We were expecting a nonfatal outcome, though. Koyomi’s dealings with Oshino and Kaiki, combined with the resolve bourne from his unconditional love of his sisters, lend him the strength to stand up to Yozuru’s verbal sparring and come out the victor, making her forfeit. It’s not surprising she was university buds with Oshino and Kaiki, and it’s neat how the three of them have totally different beliefs when it comes to the value of real versus fake – crucial in the climax. Yozuru believes the real is worth far more. Oshino believes they’re equal. Kaiki believes the fake is worth far more. It really sums up their respective M.O.s. Koyomi seems closest to Oshino on this point: his sister may be a fake, but she has always been his sister and he has always loved her, so it makes no difference to him.


Rating: 4

Nisemonogatari – 10

Koyomi takes Shinobu to Mister Donut, where they bump into Kaiki he learns that Yozuru and Yosugi are a onmyouji/shikigami pair specializing in immortal creatures. Initially he suspects they’re after them, but when he arrives at his house, Yozuru and Yosugi are ringing the doorbell. When Tsukihi answers the door, Yosugi slices the top half of her off, killing her instantly. Koyomi lashes out in rage, but when Yozuru tells him to look at Tsukihi again, her body has completely regenerated. Yozuru tells him she’s not his real sister, she’s an evil phoenix taking human form. Shinobu convinces them to leave, but they’ll be back tomorrow to finish the job, and they’ll eliminate anyone who gets in their way.

This arc is called “Tsukihi Phoenix.” A pair of eccentric ladies were looking for Oshino’s lair. This week Tsukihi tells Koyomi her justice is “fake.” When a Koyomi strips her down, he notices no scars (that last bit in the now requisite Sister-Grope-of-the-Week). Our mamas ain’t raised no fools. Tsukihi has an oddity; it’s an immortal phoenix, and the lady pair is here to deal with her. In fact, Yozuru seems amused that Koyomi would think they’re after either him or Shinobu; he’s only part-vampire, and Shinobu has lost most of her powers (though we like how they temporarily withdrew out of respect for her fame, or infamy as it were.)

Karen is AWOL this week; potentially having horrible things done to her by Kanbaru. But Karen was apparently victim to hypnosis administered by a con man that made her believe she was possessed by a bee. Tsukihi’s situation seems different, in that this is a real oddity being hunted by real ghostbusters. Running won’t work, as they’re pros and no one to be trifled with – Yotsugi’s vicious halving assault on Tsukihi is proof of that. Will Koyomi be able to talk them out of killing his sister? Can’t they just bring the real Tsukihi back…if she ever existed??

Rating: 3.5


Car Cameo:
A motorcade of white 1960s-era Nissan Fairlady roadsters (we’re guessing ’63 1500s) – ubiquitous in Bakemonogatari –
drive by while Koyomi bikes home with Shinobu