TONIKAWA: Over the Moon For You – 13 – Love In the Time of LINE

It’s been over eight months since the last TONIKAWA but this extra OVA episode doesn’t skip a beat, delivering all of the notes that made the first twelve episodes so endearing and comforting, especially at the end of one of the worst years of many peoples’ lives. Things are going a bit better now, so it’s especially nice to check in on these two sweet young lovebirds in that context.

Tsukasa’s smartphone finally arrives, which means she’s finally arrived in the 21st century (though she still contemplates how much one could accomplish with a smartphone in the Sengoku era, one more hint that she’s either lived a very long time or carries the memories of past lives).

Something as simple as adding contacts is made much more profound as only one person in their address books can occupy the “spouse” category. But no sooner does she gain a smartphone (and LINE app) than she loses Nasa…if only for the day, as he’s summoned to his old work for a last-minute project.

Tsukasa goes in to work at the bathhouse, only to get bored and start wavering over whether to send Nasa a text or sticker. Aya doesn’t help matters by saying she’s sure he’ll message Tsukasa, since when he doesn’t do so all day, it only adds to her loneliness and anxiety.

While sitting out on the back patio after dark, she tries and fails to hold back tears despite knowing how ridiculous it is to be crying. But is it so ridiculous? Tsukasa and Nasa have been together—and close—for most of their married lives, and love each other dearly. So it’s no surprise that they both feel lonely.

That intensity of their love also makes it that much more satisfying and relieving when we finally hear that little alert sound and Nasa confirms he couldn’t use his phone while working. He misses her every bit as much as she misses him; smartphones or no, their hearts remain tightly connected.

When Nasa shambles home at four in the morning, he fully expects Tsukasa to be asleep, but she’s wide awake, having not been able to sleep “for some reason”. His futon is out, so they lie down together, and Tsukasa, still out of sorts from being without her darling for so long, takes the initiative for the first time by giving him a passionate goodnight kiss.

Nasa is wide awake at this point, contemplating how his wife suddenly seems more aggressive, only for Tsukasa to visit his futon and insist that he hold her tight. Now, I’m not saying they go on to make full-on love for the first time in that early morn, nor am I saying they don’t, but this is definitely the most hot and heavy we’ve seen them.

Even in the morning, with the couple’s faces beet red and smoking it’s not clear exactly how far the two went a few hours prior, but it is clear from Kaname that they “had fun” in the early morn. She’d love the details (as someone with a “sexy radish” as her LINE picture), but also knows these two well and how easily they’re embarrassed whenever they contemplate the prerogatives of their status as husband and wife.

Because this is a check-in OVA, we also check in on Chitose and her maids Aurora and Charlotte, the latter of whom was at the bathhouse and overheard about Tsukasa’s potentially fun night. Charlotte, despite being an adult, has no idea what that “fun” entailed.

After doing a coffee spit take Chitose tells her it’s “far more intense” than the horseplay she and Char get up to. Chitose demonstrates her growth from last season as she doesn’t immediately head to Tsukasa’s house to investigate/put a stop to it. After all, Tsukasa is married; it’s perfectly normal for things to get intense.

After a parting scene of Char teasing Aurora, who actualy would like to hold hands in bed, the standard credits roll. While a couple of decent romances like Horimiya showed up in Tonikawa’s wake, that series grew more scattered and disinterested in its main couple down the stretch. It was nice to be reminded how good, steady, and consistent Tonikawa always was, and how deftly it portrayed young love—or in Tsukasa’s case, very very old young love! XD

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 12 (Fin) – I Want You to Live

In the first half, Nasa lets his tendency to get really involved in something get the best of him, and he works on a computer project all day and through the night. When he’s done, he has a fever, and Tsukasa is committed to being the “cute newlywed wife” who sees to his every need until he’s better.

That includes making him food and administering medicine, but also more intimate things like having him strip (as much as he dares to) so she can wipe down his sweat. By the end of the day, he’s feeling much better…better enough to get frisky in bed.

But Tsukasa again warns him to know when to “apply the brakes”—she’ knows he’s still not fully recovered enough for strenuous activity. As for Tsukasa, she drops one last hint about her mysterious origins by declaring she “can’t get sick or hurt”.

The remainder of the episode is actually the reason Nasa worked so hard he got sick: he wanted to be able to go to the summer festival with Tsukasa. He makes what he believes is not an unreasonable request to watch Tsukasa change into the yukata Kaname lent her, and doesn’t forget his camera—mostly to take pictures of his cute wife, not fireworks.

Nasa shows he’s not good at everything when he instantly fails at goldfish scooping, and Tsukasa confesses that the way they made takoyaki at their party is not her favorite way, and she’s super stoked to get the traditional kind at a food stall. Finally the two make and offering and pray for a long and happy marriage, for their health, and for better luck scooping fish in the future.

Then they join the others to watch the fireworks, Nasa looks forward to going to next year’s festival with his wife, and they return home together, husband and wife. Nothing too fancy! Certainly no other further revelations about Tsukasa’s possibly immortal status are revealed.

In this regard, TONIKAWA ends just the way it should have, with the lovely status quo of a happy Nasa and Tsukasa continuing to enjoy their lives with one another and their little circle of friends. It’s simple and mundane, but in the very best way, and I wouldn’t mind more heartwarming comfort food of this kind at some point in the future.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 11 – Perfect T.A.K.O.

Chitose is about to drop in on Tsukasa when she discovers her apartment is gone. She spots Tsukasa passing by, and Tsukasa tells her she’s living in the park now, lures Chitose into one of those big plastic domes with holes, and leaves her there.

Back home, Nasa has found a pan for grilling takoyaki, and suggests they have a takoyaki party (or Takopa), since that’s what the young people are into these days. Tsukasa isn’t sure where Nasa learned that, but thinks a party will be a good opportunity to get to know Aya. I’m also reminded of the similar fondue parties that were so popular in America back in to 60s.

Chitose and her maids track Tsukasa to the bathhouse, where Kaname tells them to have a nice refreshing bath to cool their jets. Chitose and Aya clash over the worthiness of Nasa to be with Tsukasa and vice versa, respectively. Chitose very nearly insults the bath, but insists to Kaname she wasn’t.

Tsukasa and Nasa decide to invite everyone to their little home for the Takopa, and the maids have helpfully done the extra shopping needed. Tsukasa proves she’s prime wife material to Aya when every single thing she makes is delicious.

But culinary skills aren’t all it takes, so Aya decides to test Tsukasa another way: with video games, specifically Street Fighter V: Champion Edition. Not a parody, mind you: the actual real-life game, released back in February.

I’m not sure if Capcom provided promotional consideration, but the episode is able to avoid feeling like a commercial because it’s the personalities of the characters, not the game, that take center stage, especially when the maids propose a competition among the girls with the prize of having Nasa do any one thing they ask.

Kaname backs out due to her inexperience, and while Chitose is game, she is quickly torched by Aya. Tsukasa puts up a better fight but ultimately Aya beats her too, and Tsukasa hates losing so she keeps playing. Soon, the contest format is forgotten.

Once it’s clear she can’t beat Aya at SFV she whips out the original game, for which she had Nasa use his electronics expertise to create the necessary retro proprietary controllers. Tsukasa gets a lot of early wins, but Aya is a natural gamer and soon figures out the controls, resulting in a Double K.O. in their final game.

Tsukasa and Aya do a fist-bump to express their mutual respect, and Kaname reminds them that, as it’s a takoyaki party, perhaps they should start making some takoyaki? Chitose watches as Tsukasa shows Nasa the proper way to turn them, sees how much fun they’re having and how happy she is, and decides to more or less drop her disapproval of the marriage.

A good time is had by all, and once everyone is gone, and Tsukasa and Nasa clean up in the kitchen, Nasa asks Tsukasa what she would have done if she’d won the video game contest. Rather than tell him, she just does it: she leans in and kisses him.

Stating that she can do that whenever she wants, she responds “Sometimes, then…”, and the two shift a little bit closer to each other and lean on one another. They’re in an adorable state of true spousal bliss, brought on by the fact they were able to pull off one hell of a lively party—an indication of further growth in an otherwise slice-of-life episode. After all, entertaining isn’t just about having fun with friends, but showing yourselves off as a couple.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 07 – Matrimonial Proof

As she and the maids observe the happy couple from a bush, Chitose declares without evidence that Tsukasa and Nasa’s honeymoon will end in divorce. Each time she believes the first crack in the armor has appeared, Tsukasa and Nasa quickly make up and continue being lovey-dovey.

TONIKAWA is many things: cute, endearing, heartwarming, pure…but is also very often quite funny, consistently delivering some of the better jokes of a Fall 2020 season that’s light on comedies. For instance, I enjoyed Tsukasa scolding Nasa for settling for a chain restaurant at the food court while ordering something local and bold, only to be thoroughly disappointed in her choice.

Does Nasa gloat to her? Nope! He tastes it (she feeds him) and agrees with her, then snaps a cute photo of her sour face after biting into a lime. Even when she’s cross about this and demands he “regain her favor”, he proceeds to do just that. As the maids observe, the couple’s micro-arguments only serve to make them a closer, cuter couple.

With the passive approach not working, Chitose reveals her presence to Tsukasa and reprimands her for being “in such a place” and falling for “such a guy”. Tsukasa retreats back to the bus with Nasa, but not because of Chitose; she wants to avoid appearing in the same morning show that burned her with the lime udon.

In a nice bit of irony, the maids enjoy the honest grub of the food court as much as Tsukasa and Nasa, and are in no hurry to pick up the chase (their luxury car can easily catch up to the bus). In the payoff of the morning show joke, someone declares the lime udon to be great…even though it wasn’t anything special!

Still, the words Nasa heard Chitose yell: “Why did you marry that guy?” still ring in Nasa’s ears. Tsukasa chalks it up to a marriage rarely involving only the two people getting married, but with the insinuation that you can’t please everyone; particularly Chitose.

The next morning Nasa wakes up on Tsukasa’s shoulder to find they’ve arrived in Kyoto. Calculating that they have a half-day of sightseeing in Kyoto before taking the train to Nara, Nasa asks Tsukasa where she’d like to go first, and she suggests a bakery or café. In a fun reversal, Nasa is as passionately opposed as she was to him ordering chain beef bowl at the rest area.

He beseeches her to avail herself of Kyoto’s unique attractions, which leads to her suggestion of visiting the Manga Museum, so he resorts to rapping to tell her Kyoto’s all about the history and culture. She relents, and decides to look the part by dressing traditionally. Unsurprisingly considering her still-unknown true age and origin, she knows exactly how to put on the kimono without assistance.

Just when she and Nasa are ready for sightseeing, Chitose arrives, flanked by her maids, resembling a trio of old-timey anime villains (which anime I am not sure). If Chitose’s goal is to judge Nasa’s worthiness to be married to Tsukasa, Nasa suggests they have a talk so he can provide what she needs. Charlotte and Aurora agree to take Tsukasa to the cafe and Manga Museum.

While going into the episode I was dreading the constant interruption of the happy couple’s honeymoon by an interfering brat, I’m actually really glad Chitose showed up in Kyoto! For one thing, it shows that Tsukasa and Nasa can and really should split off at times and do their own thing; independence is key to a lasting marriage.

More importantly, Nasa is able to demonstrate to Chitose that Tsukasa didn’t choose him on a whim; he truly is a prepared, thoughtful, and positive fellow, i.e. precisely Tsukasa’s type. The fruits of his extensive research of Kyoto leads to an enjoyable fake date for Chitose…even if she doesn’t openly admit it to him.

Charlotte and Aurora aren’t particularly tactful in asking Tsukasa about why she married Nasa, but they’d prefer to stop hounding her, so anything that will get Chitose off her back would help. Tsukasa starts by blushing up a storm and simply saying Nasa is “just…really cute”, and as she describes Nasa the maids realize that yup, he’s exactly her type.

But that’s not enough for Chitose, who knows a whole lot more about Tsukasa than he does, and ultimately feels it comes down to her having been in Tsukasa’s life first, and it’s not fair that an interloper should “claim” her. Yet even when Nasa learns for the first time that Tsukasa is athletic, he isn’t disheartened; he’s delighted!

When Nasa tells Chitose that Tsukasa saved his life, Chitose replies that Tsukasa saved hers as well—whether she means literally and how remain to be seen. Then Nasa tells her he felt—and feels—lucky, not because she saved his life, but because he met her. Then he launches into a monologue about math—but not to prove his love of Tsukasa to Chitose!

The Drake Equation, used to determing the likelihood of extraterrestrial planets, was modified to express the likelihood of finding the person you’re “fated to be with”. In both cases, the likelihood is 0.0000034%. But the moment he met her, he knew he’d beaten the odds. He’d found someone he felt he’d been searching for since before he was born.

He then mentions concepts like prime numbers and gravitational waves, which were intuited by scientists long before they were scientifically proven. In that same vein, he didn’t marry Tsukasa because he’d already proven his love for her, but because he intends to spend his entire life proving it, day by day. Chitose may yet still be swayed by the bitterness of “losing” Tsukasa to Nasa, but after that presentation she doesn’t have much of a logical argument to oppose the marriage.

Nasa’s worthiness to be with Tsukasa and vice versa is not in question, except for those like Chitose who are driven by personal interest and emotion. And Nasa assures Tsukasa that if his parents aren’t sure about their marriage, then he’ll simply convince them. It’s all part and parcel of his lifelong effort to prove his love is real. Anyone doubting his commitment or discounting his track record do so at their peril!

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 05 – Any Old Ring Will Do

Tsukasa and Nasa’s marital bliss is suddenly, sharply interrupted by Tsukasa’s realization that Nasa doesn’t own a television. On one level, that’s quite admirable for a studious young man; on the other, if he’s going to be married to Tsukasa, there’s going to have to be a TV in the house, because she’s a TV and movie buff, with particular enthusiasm for the oeuvre of one James Cameron. But like her futon, she doesn’t need the best; a god cheap TV will do just fine.

While waiting for Tsukasa at the baths, Nasa tells Kaname that he proposed, though they don’t have rings yet. Kaname stops Nasa before he spews one of the three main husband clichés she so wonderfully proceeds to recite: that their wife doesn’t care about fancy trips, going out for fancy food, or fancy jewelry. Yet when Tsukasa emerges fresh from the bath, both she and Nasa exchange looks that suggest rings really aren’t necessary.

Nasa has to go in to work, which means leaving Tsukasa alone for the day. He feels bad about this, and can sense that she’s feeling a little lonely when they stop to sit on a lakeside bench in the park. That’s when the two both lean in for a long, sweet kiss—just as Chitose’s maids are ready to pounce on them anew. Where this scene kicks so much ass is that the kiss isn’t interrupted at the last second, and the maids don’t interfere. In fact, they aren’t seen again!

Instead, the balance of the episode centers on Nasa’s insistence he procure not one or two but three rings—an engagement ring for Tsukasa and wedding bands for the two of them—to serve as reminders of one another and symbols of their enduring love. The ever-practical Tsukasa only sees it as a waste of money…but just how much money remains unknown to Nasa.

She takes him to the fanciest jewelry store in a fancy district to try to dissuade him from his crusade, but Nasa harbors the foolish belief the brilliance and cost of the diamond must be proportional to the amount of love he feels for Tsukasa. The attendant’s sales pitch is so strong he almost liquidates all his assets. Worse still, when Tsukasa takes him to a budget jewelry store, he starts to think ¥680,000 is “cheap”—which I guess it is, after seeing ¥9,000,000 rings!

When Tsukasa discovers that Tsukasa is doing this far for her, so she won’t be lonely, she kisses him and tells him, essentially, that if they absolutely must have diamond wedding rings, the cheapest ones will do. They settle on a pair costing a total of ¥32,000—which is still a lot of money for “little rocks!”

But Nasa need not despair that the rings aren’t worthy of symbolizing their love. Tsukasa tells him every time she’ll look at her new ring she’ll remember the day he bought it for her, how kind he is, and how much he takes care of her, and those thoughts will make give the ring a surpassing shine that won’t fade. Nasa never had to buy the moon for Tsukasa. It’s the thought—and his love—that counts!

TONIKAWA: Over the Moon For You – 04 – Never Gonna Let You Down

After a haunting cold open in which Tsukasa is staring at the moon and seeking a warm home, she comes home to an empty apartment. While she’s waiting for Nasa to come home she decides to pass the time with domestic chores. The place is already spotless, so she prepares to cook something.

That’s when the doorbell rings. Tsukasa assumes it’s her husband, but it’s Kaginoji Chitose, her “little sister” from her previous home, who has come to bring her back. The only problem is, Tsukasa has no intention of going back. Also, she’s married!

Chitose is crying on the steps to Nasa’s apartment when he arrives, and offers her a hanky like a gentleman. Chitose mentions the person she’s looking for as a “glass butterfly”; so delicate and fleeting you might lose her if you blink.

As we’ve seen, Nasa understands that, which is why he had Tsukasa spend their first wedded night together. Despite his kindness, once Chitose learns he is the person Tsukasa married, she becomes engulfed in flames of outrage. Simply put, Chitose won’t let Nasa have her Tsukasa.

Tsukasa watches in amazement as Nasa takes total command of the conversation, having clearly studied conflict resolution and mediation among his many other interests. He puts on a high-level rhetoric clinic by not refuting what Chitose says, objectively address her concerns, and propose a practical solution.

Alas, Chitose isn’t interested in discourse, and has her chauffeur pull up, tie Nasa up, and drive them to her mansion, leaving Tsukasa in the dust. Nothing like a spot of abduction to spice up a dull afternoon, eh?

At said mansion, Chitose tasks her two maids, Charlotte and Aurora, to scrape up some tabloid photography of Nasa she can use to convince Tsukasa to divorce him immediately. Charlotte initially takes the request literally and strips; while Chitose covers her back up, Nasa flees.

He comes across a room that smells vaguely of his wife, and there he finds something not just special, but otherworldly: a genuine moon rock, displayed within a nitrogen-filled case to prevent oxidation. Charlotte finds him and swings a huge RPG sword at him, damaging the case and causing a leak. What a klutz!

Fortunately, Nasa is also well-versed in nitrogen museum cases, and is able to repair it, MacGyver-style as Chitose and the maids watch in amazement. Chitose explains that her great-grandmother acquired the rock to “soothe Tsukasa’s heart”—another new hint that could suggest Tsukasa is actually Princess Kaguya from the moon.

Charlotte offers her thanks by pressing Nasa into her bust, and Aurora snaps pictures and rapidly ‘shops them to look like compromising photos, just in time for Tsukasa to arrive. While her voice is calm and controlled, Nasa detects a threatening aura. Did Chitose succeed in torpedoing their union?

Uh, no…duh! Chitose pretends to be mad and takes Tsukasa somewhere private to talk, but in reality she’s giving Chitose the slip. She shows Nasa a secret passage and leads him by the hand to a beautiful but defunct church atop a hill. It’s there where Nasa realizes that while he knows next to nothing about his new wife’s past, it’s their future that matters.

To that end, he makes use of the gorgeously-lit church setting to make a formal proposal to Tsukasa, complete with a kiss. He’ll promise to share everything happy that happens to him with her, and also share in her sadness when applicable. Nasa may be a studied guy, but it’s clear his words come from the heart—and he can be counted on to keep his promises.

I was worried when Tsukasa and Nasa were apart for most of the episode and the focus was once more on new characters. But the madcap comedy of Chitose and the maids was surprisingly decent, and the episode finished strong when Tsukasa rescued Nasa and he proposed.

Rating: 4/5 Stars

Re: Zero – 31 – Not Unfolding as Specified

You didn’t think he’d set things right in one try, did you? That isn’t the Re:Zero’s style. Subaru and his friends will have to suffer and die a lot more until this latest puzzle is solved. Things will get much worse before they get better. Let’s just say I’m glad I have CCS to balance the “ani-negativity”!

Subaru returns to the tomb where he’d just completed the first trial, and finds a shuddering Emilia in over her head. When he later tells everyone he passed the first trial, there are two more, and he can do it in Lia’s stead, nobody, especially Lia, is okay with that plan.

Roswaal, whom everyone there but him serves, wants Emilia to liberate the sanctuary, no doubt as a necessary test that she’s worthy of the throne, but perhaps for other reasons as well. Subaru understands, and meanwhile there’s still the possibility Frederica is up to something.

He decides to head to the manor so he arrives two days earlier than last time, hoping to head Elsa off. Ram grudgingly accompanies him, and is as dry and withering in her disapproval of Barusu as you’d expect when they set off on Patrasche.

Still, Subaru notices something “off” with Ram, and oddly enough, when he made an offhand joke about throwing her as a decoy, she too is surprised how much it bothered her; as if it was something that actually happened.

In truth, it did happen, but in a previous loop but Ram can’t remember clearly, perhaps due to losing all memories of Rem. Speaking of which, Subie decides to tell Ram everything he can about her lost twin sister before they reach the manor.

The two are greeted by Petra, who is too cute for Subie to resist hugging, while Ram is pleased with her manner. Subie gives Ram some time alone with the sleeping Rem and speaks to Frederica, who is pleasant and polite as always, even when Subie starts questioning her.

Frederica claims not to know anything about a teleport trap or conservatives who want to keep the sanctuary barrier up, but as Ram notes (and her and Freddie’s back and forth is great), she could not tell them anything even if she wanted to, due to her oath. Subaru will have to use force to break that oath. For her part, Frederica says she won’t resist.

Their exchange is interrupted by the appearance of Elsa, holding her knife at Petra’s throat. Frederica reveals her beast transformation ability, which proves more effective than Ram’s Al Huma El Fula magic. Still, all they manage to do is flee from Elsa briefly, and Subaru is stabbed in the shoulder by a needle-like blade dipped in who-knows-what.

Ram breaks it to Subie that sacrifices will have to be made if some of them are going to survive this. To that end, Frederica uses the blue crystal to fully transform into a stylish blonde lion-like beast (I’m sure she and Kero-chan would get along famously) and leaps back into the manor to stall Elsa.

Despite Ram’s logic, Subaru (and Petra) are determined to save Rem and Beatrice if they can. They’re immediately confronted by a Mabeast, which Ram manages to lure away, leaving just Subaru and Petra. Moments after dressing each others wounds, things get very violent and fuzzy, as we follow events from Subaru’s POV.

When things come back into focus, Subaru is still holding Petra’s hand, but her arm is no longer attached to anything; we then see she’s been crushed by rubble. Subaru runs to Rem’s room, but is once again stopped by Elsa. She talks as though both she and her unnamed client (the Witch’s Cult?) are aware of Return by Death, and that they’d planned for another attempt by Subaru.

Subaru is prepared for Elsa’s killing strike when he’s suddenly thrust through a door, only it doesn’t lead to Rem’s room, but to Beatrice’s library. Beatrice, the one person in that manor with sufficient power to stand against Elsa, even if things didn’t go so smoothly last time she and Subie met.

Only Subie is not happy about being saved. He’s ready to scrap this loop and use Return by Death, not yet willing to accept the sacrifices of Ram, Petra, and Frederica. But as Ram said earlier, he may not have a choice, and is only delaying the inevitable.

Re: Zero – Memory Snow

Firstly, this OVA/Movie isn’t new: it was released back in October 2018…but it’s new for me! And frankly, after one and a half seasons of watching the cast of Re:Zero in chibi form sharing the screen with the casts of 3-4 other isekai shows, it’s a rare pleasure to finally see Subaru, Rem, Ram, Emilia, Roswaal, and Beako in their normal proportions, in a more slice-of-life setting.

While these initial screenshots are disconcerting, one can be rest assured that neither Subie nor anyone else goes through anything horrible or traumatic in this Memory Snow side story; the worst thing that happens is he wakes up to an increasingly cold manor. Turns out the cold is emanating from Puck, who is undergoing Hatsumaki, a periodic semi-controlled bleeding-off of mana. It’s fun to learn that Ram shares Subie’s extreme dislike of the cold.

Subaru’s first date with Lia is postponed until the Hatsumaki is over, but he makes the best of a chilly situation by taking a page from his homeland and organizing a snow festival on the manor grounds. Everyone makes a snow sculpture while Subie, the village elder and Roswaal serve as judges. Even Beako gets in on the action, while Ram and Rem’s collaboration of a Subaru-Roswaal hybrid statue gets middling scores for being so creepy.

At the post-festival banquet, Roswaal cracks open a stash of booze hidden under the floorboards of Subaru’s bedroom. This results in what I believe is our first taste of both Tipsy Emilia and Tipsy Rem, who while unassailably adorable in their playful drunkenness, have limited energy stores and it’s not long before both are using Subie’s lap as a pillow. Ram, on the other hand, can mostly hold her liquor.

The group migrates outside, where Puck expands the Hatsumaki to give the villagers and surrounding lands a lovely late night snowfall; the spirits soon appear, thousand points of light dancing around the sky. Beako and Rem deliver their barbs to Subaru regarding his being named after a star of all things, but by night’s end everyone can jump in bed content after a very full, fun day spearheaded by Barusu.

With Puck’s Hatsumaki waning, the story closes with Subaru and Emilia finally having their date—and Lia unveiling her adorable outfit for the occasion. While this outing lacked its parent anime’s sadistic bite or any measurable stakes, it was a strong affirmation of the real reason why I kept watching Re:Zero, and will be tuning in to its second season: the characters. Subaru, Rem, Emilia & Co. are eminently fun to watch, whether they’re chibis in a high school or playing in the snow without a care in the world.

Overlord III – 07 – Ain’t No Party Like a Nazarick Party

Just as the loose alliance of worker teams begins their infiltration of the mysterious ancient tomb, Momon leaves the rest to Narbarel and teleports back home to Nazarick…which is the tomb all the workers are infiltrating. Ains has orchestrated a kind of “open house” to test the mettle of the unsanctioned adventurers, and no doubt this is also part of Demiurge’s larger plan to create a name for Nazarick that will echo throughout the land.

Lord Ains watches from his throne room monitors with Albedo as the teams move in—all but one, led by a grizzled elder who decides to cede the exploration of the tomb to the other teams in exchange for ten percent of what each of them find. In this way, he’s making his party a tidy profit without risking any of his comrades’ safety.

Making the other teams their “canaries” would be a great plan…if five of the Pleiades Six Stars weren’t waiting for them outside. The five-man party would be no match for even one of the maids, but they’re not there to fight, only observe as the undead “Nazarick Old Guards” rise from the ground and take care of business. I must say, it is pretty cool to see so many powerful maids assembled, even if they don’t even lift a finger in the battle.

The parties within the tomb don’t fare much better. Some are teleported to some god-forsaken sub-dungeon of the tomb where a Cockroach King (possibly voiced by Hiroshi Kamiya?) greets them enthusiastically before feeding them to his vast “family” (who tire of cannibalism).

Another unfortunate worker ends up the singular captive of Nazarick’s “special intelligence collector” Neuronist, who fancies herself far more suitable a mate for Lord Ains than either Shalltear or Albedio. And then there’s the samurai-esque shitbag whose name I intentionally did not remember, because I didn’t like the fact he had three elf slaves (whose ears he apparently clipped).

Mr. Charming ends up facing off against Hamasuke, who’s been training hard with the Lizardman and has something to prove, which makes him far more dangerous than if is head wasn’t in the game. It’s great to see Hammy in action after so long, and hear his old-fashioned manner of speaking.

Hamasuke’s opponent proves no match for his speed, claws, and the Slashing Strike martial art taught to him by Zaryusu. As for the slave elves, after healing and buffing him once, he rushes back in and gets both hands sliced off, and from then on they wash their hands of him, grinning with glee as their master and tormentor is polished off by a giant magic hamster.

Thus ends a very small and minor mini-story within the story of a skilled but arrogant warrior who was also a monster. We were shown rather than told what the dynamic was, and were as pleased as the three elves when he got what he deserved.

Finally, the team we spend a lot of time learning about last week, led by the pauper noble Arche, end up teleported to an arena, where Aura serves as MC announcing the impending battle between them and the leader of the Tomb of Nazarick, Lord Ains Ooal Gown…whom I’m assuming will be holding back quite a bit.

Overlord III – 05 – Battle of Carne

With her village about to be invaded by monsters, Enri is sure some kind of “evil god” is watching over her, testing her as soon as she takes up the mantle of leadership. But whatever shortcomings she may think she has, she’s stand and fight for her village.

As the civilians flee to a safe-ish gathering place, Enri’s Goblin/Human/Ogre army prepares for an opposing force of other ogres, wolves, and with a combination of archery and siege tactics, they make quick work of the dumber among their foes.

Then the Giant of the East shows up and they start to wonder if they can win this thing. Funny how someone who seemed so powerless last week against Ains is such a fearsome enemy this week. It’s all relative.

As her soldiers fight, Enri ensures everyone is evacuated, but she and Nphi end up cornered by a big blue troll with an excellent sense of smell. The two play a game of cat-and-mouse with him (he’s dumb, but not as dumb as an ogre) but eventually they run out of options and Nphi volunteers to stay behind and buy time for Enri to get reinforcements.

He also picks perhaps the perfect time to finally confess by very cooly asking her to let him protect the woman he loves. Between his potions and spells, Nphi hangs in there, but he always knew one good blow is all the troll would need to kill him. Thankfully, the one good blow he is dealt doesn’t kill him, but he’s definitely in the red.

Enter Beta Lupusregina, for whom neither the Troll nor his boss the Giant are any match. She stops his blow with one hand, thus fulfilling the duty Lord Ains assigned her. Enri returns with unneeded backup, and she embraces Nphi, happy beyond words that he’s still alive. I love how their lovey-doviness is interrupted by Beta showing them a very gross flaming mass of dead troll.

Later that night (the goblins give the couple some time alone), Enri gives Nphi and answer, which is that she’s not quite sure what love is, but she does know she never wants him to leave her side, so if that’s love, she’s in love with him. That’s good enough for him.

The next morning, Enri, Nphi and Nemu are escorted to the Tomb of Nazarick by Yuri Alpha and Beta, and Nemu absolutely loses her shit with how big and clean and awesome everything is. Lord Ains, his skeletal form hidden by a mask and cloak, is perhaps the jolliest we’ve ever seen him, like a proud rich uncle. He makes a note to tell Beta that Nemu is also on the list of people he wants protected.

Among such power, splendor, and charm, Nphi feels a bit outmatched, and that admits that he never had a chance in the first place. But while Ains may be a superior man in many ways, he is inferior in the most important one: he’s not Enri’s type. Nphi is, and so they walk into the dining hall for their George R.R. Martin-esque multi-course bougie meal with hands intertwined. Glad to see these two figure it out!

Hundred – 12 (Fin)

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That’s all, folks; Hundred is over! At least its first season; there’s no mention of a second but certainly talk of “more things happening in the future” which could be just that; talk. And we never learn why hundreds are called hundreds…I guess they just thought “hundred” sounded cool? It kinda does!

Anyway, if this is the last episode, it goes out with a bang; several bangs, in fact, from Vitaly’s hand cannon. She only uses one of the three hunter “tools”, Nakri, to get through an electrical security barrier. After that, a revived Mai-Mai trades gunfire and forces her to flee. So yeah, about all those possibilities with the three conditioned Hunters on her side…that didn’t pan out.

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In fact, Vitaly’s grand master revenge plan comes to a screeching halt just as quickly as it totally overwhelmed the rest of Little Garden’s defenses and Slayers…all thanks to Judar. Seems like she has some kind of romantic past with him (gross!) and the reason she’s here is because she’s A Woman Scorned.

Ultimately, she just wants to kill Liza by shooting her. You’d think such a science and technology whiz would have a backup plan if Liza’s shielding was bulletproof. Not only that, Liza takes semi-corporeal form to shield her brother so he can shoot Vitaly, killing her and ending what had been a pretty built up threat with all the finesse of air coming out of a balloon.

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Speaking of unappealing noises, Vitaly’s last gasp tactic is have all her replicants emit a loud screeching sound, but Liza kisses Karen, giving her use of her legs (hey! why not?) and Karen and Sakura neutralize the noise with their non-animated singing.

Ethereal Liza also kisses a KO’d Hayato in order to give him the strength to take down not only Vitaly’s flagship replicant, but a Nesat who’s gone absolutely berserk due to her siblings getting hurt.

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Nesat threatens to explode after a predetermined period of time, taking the ship with her, but Hayato is able to reach into her subconscious and calm her down by telling her they’re friends now, and the final threat is dealt with without much fuss. Glad the Hunters didn’t end up getting hurt or worse, and now that they’re free, they can be useful members of garden society.

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That just leaves the resumption of the festival, culminating in, what else, a fireworks show, under which Emilia and Hayato dedicate themselves to being with one another. Unfortunately, while they’re kissing, the entire rest of the cast comes topside, and their myriad reactions are priceless.

Suffice it to say, Emilia’s secret is out: she’s a girl, and a princess, and loves Hayato. Of course, Claire isn’t okay with that, and unleashes her Hundred cannon at the lovebirds to close the episode, and possibly the series. The goofy slapsticky mood of the scene indicates she’s not really going to murder Emilia and Hayato, just scare them. Still, she’s not exactly setting a good example as captain of Little Garden, is she?

Sooo…Hundred: Definitely a show. With stuff that happened in it. Totally inconsequential and derivative stuff that hardly ever went anywhere interesting, but mostly fun stuff nonetheless. Will I be tuning into any possible second season? Maybe…if nothing else is on.

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Hundred – 11

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Though shit was going to hit the fan immediately after Vitaly activated her  army of Evil Roombas? Nope! That doesn’t happen until five minutes into the episode.

Instead, we get more of Karen and Sakura’s concert, which consists of several slow pans over still images set to music that seems to be coming out of a handheld Dictaphone speaker. Needless to say, the shit can’t hit the fan soon enough.

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Claire is actually made aware of Wendy’s unconsciousness, short-term amnesia, and talk of coreless savages, and for a second there, one hoped that she’d lock down the entire Garden before Vitaly could accomplish too much, but…NAH.

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Yeah, time to go up a shirt size, AMIRITE? One thing’s for sure: VItaly knows a good villain tailor.

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Anywho, when the Roombas start turning into giant robotic bees, they’re treated as a nuisance…until they turn out to be much more than that, and the Garden is literally brought to its knees.

One assumes Vitaly has been planning this multi-pronged attack since she left the Garden…which begs the question: why the heck was she allowed to roam free and buy up so many warplanes? Where’d she get the money and raw materials in a world supposedly beset by the scourge of the Savage?

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I loved this: Karen and Sakura informing their crowd of 100,000 that they’re going to evacuate, but everyone else should stay right where you are! Never mind if a giant plane crashes into the stadium – The Slayers Will Protect You!

Somehow, if I were in that crowd, Sakura’s assurances wouldn’t be very comforting. I mean, she doesn’t even bother to lip-sync; she just stands or flies around smiling while the music plays?

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I do love Claudia’s attitude: she doesn’t care what’s happening, because she wasn’t able to share a chocolate banana with Emilia. Sure, she springs into action when Vitaly’s robots storm the flight deck, but it’s clear that she’s only attacking them because she’s less likely to hang with Emilia if Emilia’s city-ship sinks.

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Claire orders Hayato and Emile—who are on the sidelines this entire episodefor some reason—to protect the three captive Hunters, but with the Garden’s shields failing, Hayato decides to go topside instead, and Claire lets them go, hoping Mai-Mai will suffice as prisoner guard.

She doesn’t; Vitaly takes her out without much difficulty, then activates some kind of sonic torture device that bends the three initially reluctant kids to her will. I tellya; this Vitaly is one omnipotent villain, and this episode doesn’t reveal any obvious flaws in either her plan or her many powers.

She basically made Charlotte, Claire, Judar, and Little Garden look pretty damned weak and foolish all by herself. Now that she has three obedient (for now) Hunters flanking her, stopping her is going to be a bitch. But if anyone can do it, it’s Hayato…with some help from his friends, of course.

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Re:Zero kara Hajimeru Isekai Seikatsu – 11

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Re:Zero continues to dominate our Spring schedule, blasting ahead of the field and lapping it numerous times with its awesomnitude. Last week set things up for another potential heartbreaking reset, but instead there was no death nor Return by Death; only victory and sweet sweet closure.

It begins, surprisingly enough, with the origin story of Ram and Rem. We’e only known the relatively inept-at-everything Ram, but she was once a demon prodigy, despite only having one horn. Indeed, a display of her power kept her and Rem from being killed in the cradle. All Rem could do was try to be content in standing behind her sister as she dazzled everyone with her talents.

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But one day, when their house was attacked and their parents killed, Ram lost her horn while protecting Rem. This Rem-centric flashback makes a point of showing the tiniest of smiles of relief on Rem’s face when that damn horn, which had caused her so much grief and self-hatred to that point in her life, finally broke.

And yet, back in the present, Rem has never forgiven herself for smiling, or for envying her sister, or for putting her in the position of having to protect her at the cost of her horn. The “inept, less-than” Rem is a product of Ram’s weakness and worthlessness, and she’s been trying to make up for that ever since, including going after the Mabeasts alone.

Upon coming to, her first reaction is distress that Ram and Subie are there, rejecting her whole notion of sacrificing herself for them. But they can’t change the fact they’re there, here and now, and aren’t going to abandon her.

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Instead, Subie promises he has a plan for the mabeast boss, and sends Rem away on Ram’s back to safety. Rem, however, can’t help but call back to Subaru, which just so happens to imbue him with the courage and confidence to pull off his trump card: a Shamanic spell that gives him the opening he needs to stick his broken sword in the mabeast’s throat.

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Unfortunately, that’s not enough to kill it, but just before he passes out from using all his mana, Roswaal arrives to mop up, grateful his subordinates were able to hold their own as long as they did, and all too happy to help.

Rem pounces on Subaru, happy beyond words he’s still alive, and though he passes out and wakes up in his bedchamber, the curse is lifted, so he didn’t die and the same timeline continues on, much to my delight.

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He wakes with Rem’s hand in his, and he then must endure an extended monologue filled with self-loathing and inadequacies stemming all the way back to when Rem and Ram were newborns about to be killed. Even then, Ram saved them, while she just laid there.

Obviously, Rem is being far too harsh on herself, undermining the wonderful, powerful individual she became by her own efforts, and far too quick to dwell on the past. Subaru tells her she should focus more on the future, value herself more as others like him do, and smile and laugh that life turned out as well as it did. And Rem eventually lets herself laugh, albeit with tears in her eyes. BAWWWW.

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With all the talk of leaning on one another, this sure looks like the start of a Subie x Rem romantic arc, but the next time we see Subie, he’s asking Emilia on a date like he did before, and again she accepts, even with her fuzzy concept of what a date is. So I guess Subie’s primary love interest remains Emilia.

As for Ram, now far less than she once was, but at peace with it, we see that her sessions sitting in Roswaal’s lap are so he can restore her mana. Since Roswaal brought her and her sister into his home, Ram has always been utterly devoted to him, and he makes it clear that he may be away for a while, so Ram must continue to take care of her little sister and Subaru in his stead.

I don’t know what tragedy might befall our friends next (and I’m sure they’re in for more trouble), I’m glad for an ending without a taste of what’s to come, that I may simply revel in the progress that Subaru has made. He and Rem have come so far, but the evolution of their friendship couldn’t have happened more naturally, as if it was always meant to be this nice. Also, hopefully Subaru will get to actually go on a date with Emilia!

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