The dragon that shows up at the end of last week isn’t just a dragon, but a great ancient dragon, who is the force behind the Empire’s invasion. When talking with the dragon (with a giant drone-projected image of herself) fails, Mitsuha and her military contractors let him have it.
Small arms fire doesn’t do much, but heavy machine gun fire and a bazooka to the mouth does. Once sufficiently beaten up, the dragon flies off with its tail between its legs, and the imperial army retreats. It’s an unqualified victory for the Messenger of Lightning.
Because of her contribution to that victory, the king and nobles are very generous when it comes to providing recompence for Mitsuha’s use of soldiers from her homeland. She makes up a story about them fighting against the laws of their land, and sits back and waits for each and every noble to contribute enough.
The thing is, Wolf Fang didn’t even need Mitsuha to pay them anything, because the dragon fang they’re allowed to take home, along with the patent rights from Harvard research, fetch a more than hefty enough sum for their services.
Mitsuha and Alexis (who makes a “miraculous” recovery thanks to modern medicine) are both bestowed the title of viscountess and viscount, respectively. Her new lands happen to be just a half-day’s walk from Colette’s village, and Mitsuha pays her a visit to invite her to work as her retainer.
Colette is not only over the moon to see Mitsuha is safe and sound from the war, but delighted to come live with her in her territory; her parents are also fine with it. And so now Mitsuha finds herself a powerful viscountess in another world, responsible for the upkeep and development of a large swath of fertile land.
That means there will be quite a few more expenses involved than maintaining a small general store in the capital. As they say, more money, more problems. Mitsuha is now well on her way to that 80,000 gold she needs for retirement. Despite her new station in life and the riches that may lend, she seems determined to stick with that relatively humble goal.
There’s no news of whether there will be a second season of 80,000 Gold, and due to its animation and character shortcomings (Mitsuha’s a little too perfect), it’s not a given that I’ll be tuning back in if one were to be announced. That said, it wasn’t a bad show for what it was: an exploration of the economic and social intricacies one would face in a new world.
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