Shoujo-tachi wa Kouya wo Mezasu – 03

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Both Kuroda and this show’s title make reference to the “wasteland” / “wildlands”, but this show covers precisely zero new ground and blazes no new trails. Its premise and themes have already been thoroughly explored by other shows. There’s no uncharted territory here; only a retracing of steps.

KOYA also continues to paint its six main characters with the broadest of strokes in the dullest and least adventuresome of tones. This week features an interminable “training camp” that is supposedly intentionally aping the Hot Spring Inn cliché for comedic effect, but really only comes off as a Hot Spring Inn cliché, full stop.

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There are two main developments at play here: the constant philosophical clashing of Kuroda and Andou, and feelings for Bunta awakening in Yuuka, depsite her hard friendzone status in his eyes (as far as one can tell). I personally prefer the raw, spunky Yuuka to the more muddled raven-haired maiden that is Kuroda, but portraying Yuuka as suddenly so blushy and weak-kneed around Bunta – who is barely a character at all at this point – does her no favors.

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As for the conflict between Kuroda and Andou, well…Kuroda’s a hard one to figure out. Her character has a couple of distinctive ticks and qualities that don’t mesh into a cohesive whole. She’s more of a promising idea of a character not fully thought out. As for Andou, well…she is a character driven by one thing and one thing only: BL. And using the word “fangirl” as a verb; she really digs doing that.

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She loves BL so much, in fact, she’s willing to see the treatment of Kuroda’s game through BL eyes, labeling it a “Yuri-homo” rather than a straight-laced shoujo story. Her constant reminders to everyone that she’s obsessed with BL even seems to wear on the cipher Bunta.

No, the most impactful moment of this increasingly dreary episode was when Andou got fed up with sparring with Kuroda, said “I’m done”, and peace’d out. Bunta managed to very easily lure her back to the inn from Akiba (he spends a lot on rail travel this week!), but I fear no amount of convincing will bring me back to KOYA. There’s just not enough here to sink my teeth into. To borrow Andou’s phrase: “I’m done.”

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Shoujo-tachi wa Kouya wo Mezasu – 02

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Now that Bunta has agreed to make a bishoujo game with Kuroda, he must be properly initiated into the world, which Kuroda achieves by leaving a choice selection of games in his shoe locker. She also shows him where the magic will eventually happen: the room she has reserved for the “Marketing Research Club”, which she helpfully points out is just a front in another quirky discussion between the two.

The Bishoujo Club has a producer in Kuroda and a writer in Bunta, but they’re short, a minimum, four more staff positions: for lead animation, programming, CG Art, and voice acting. She uses English-based acronyms to describe these jobs, but since this isn’t my first otaku rodeo, I found her explanations to Bunta somewhat redundant.

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Despite Kuroda’s belief his social skills would make him the perfect recruiter, Bunta brings back a bunch of unmotivated poseurs. Then Yuuka and Atomu barge into the club to look around, and Bunta realizes Yuuka would be perfect for the voice actress role (of course she is; she’s Hanazawa!) and Yuuka herself is interested in voice acting, even if she doesn’t much care for games.

That leaves Atomu, who isn’t sure how he can contribute, and fails to impress Kuroda…until the subject of dating comes up, and he goes on a bitter rant about how fickle girls are and how he wants nothing more but to abandon the 3D world for 2D paradise. That gets Kuroda’s applause, and she appoints him assistant director.

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Kuroda continues the initiation of her new club members by returning to Akiba. Strangely, Bunta acts like he’s there for the first time despite having gone there just last week with Kuroda alone. Maybe now that he’s into games he’s seeing the place with freshly opened eyes?

There, Kuroda shows them some very nice doujin works (including some by pros) and boldly proclaims they’ll create a game that will leave all the others in the dust. This isn’t a labor of love for her, results matter. Especially when her brother runs a highly successful game company.

After the group breaks up for the day, Bunta visits a maid cafe…where his classmate Andou Teruha just happens to work part-time in secret under the work name “Luka.” I thought sparks would fly, but both parties keep their cool, with Teruha switching from her normal deep voice to the bubbly Luka at the drop of a hat, while making clear her job will remain a secret (she doesn’t have to say “…or else”).

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After spending all night playing games he’s legitimately into, Kuroda’s next task is for him to acquire an artist. He’s not that good at discerning good art from bad, but that’s the person she wants searching for talent: if he’s moved by something, than it’s going to be something special.

Sure enough, while perusing the wares at a bookstore, he comes across a little sign drawn in a style that makes his heart flutter. His research determines it was done by  “Hokikiyo”, alias of the top-ranked-on-Pixi Yuuki Uguisu, who also just happens to attend their school as a first-year, and works at the bookstore Bunta visited.

However, she’s also a painfully skittish milquetoast, however, so the club’s aggressive attempts to recruit her fail at first (i.e., drawing her out with a love letter and then surrounding her menacingly).

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It’s when Teruha sits beside a frustrated Bunta and learns he’s making a girl game and looking for “Hokekiyo”, Teruha reveals she’s a fujoshi (another term defined by side-chatter), is familiar with her work, and helps recruit her, cornering her in the girl’s lavatory and bringing her to the club room. Everyone praises her enough to convince her to createart for their game, though she quietly confesses she really wants to draw for an eroge.

Teruha herself also joins the club as a programmer, and just like that, the team has been assembled, presumably leaving the rest of the show to the production of the game. On this efficiency, I’m a little torn: quickly getting the “building the team” out of the way is satisfying in its way, but it relied on an awful lot of convenient coincidences.

Also, and this is could be an ongoing thing if the two episodes are any indication: the characters all feel rather smoothed over, subdued; as if they lack sharp edges; Atomu’s “breaking”moment being the lone exception. The characterization and accompanying comedy often walks a fine line between understated and overly buttoned-up, even to the point of tedium.

I hope it doesn’t stray too far to the latter side. What with all the intros, there wasn’t a lot of time to go in depth with anyone. Perhaps the show will find a stronger voice once the game-making gets underway in earnest.

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Meet the Staff!

(This isn't what we really look like.)

Starting with the Spring 2014 season, the reviewing duties around here will be split between three authors, who will watch, review, and rate three to four shows each. They’ll continue to deliver the concise, insightful anime reviews RABUJOI is known for. They will not always succeed.

We felt the change from Winter to Spring was the ideal time for the staff to step out from behind the monolithic rabujoistaff moniker, and take their places behind new, distinct identities. Where there once was one voice, soon there will be three. Please be nice to them…or don’t; they can take it!

Braverade

Handle: Braverade | Real Name: Hannah Brave | Gender: Female | Birthday: 3 July | Blood Type: O- | Favorite Food: Steak Tartare | Favorite Anime: Evangelion, Macross Frontier, Kill la Kill, Eureka Seven, Book of Bantorra

Greetings. Hannah here, and I like watching things explode, or at the very least moving very fast. To that end, I’ll be focusing on action, adventure, space, and sci-fi genres. This spring, I’ll be watching Akuma no RiddleBlack Bullet (here’s hoping they’re any good), and the second cour of Nobunaga the FoolYoroshiku onegaitashimasu.

sesameacrylic

Handle: sesameacrylic (no caps) | Real Name: Zane Kalish | Gender: Male | Birthday: 12 May | Blood Type: AB+ | Favorite Food: Ceviche | Favorite Anime: Toradora!, Haruhi Suzumiya, Kare Kano, Zetsubou-Sensei, Nazo no Kanojo X, Sket Dance

My focus will be on comedy, romance, school, and slice-of-life; less explosions and punching, more jokes and hand-holding. Where those overlap with genres of Hannah or Preston, we’ll play Jan-ken-pon, but come Spring I’ll be checking out Mekaku City Actors, Ryuugajou Nanana no Maizoukin, and the final seven eps of Nisekoi‘s odd 20-episode run. I wanted the school series Mahouka Koukou no Rettousei, but Preston claimed it because it’s a magic school… :P

magicalchurlsukui

Handle: MagicalChurlSukui | Real Name: Preston Yamazuka | Gender: Female | Birthday: 22 Jan | Blood Type: B+ | Favorite Food: Tamagoyaki | Favorite Anime: Mawaru Penguindrum, Puella Magi Madoka Magica, AnoHana, Serial Experiments Lain, From the New World, Shiki

If Hannah is Strength and Zane is Stamina (you need it, getting through some of those will-they-won’t-theys), then I’m Magic. I’ll be delving into the realms of fantasy, magic, mystery, and the supernatural. My Spring watchlist will consist of Gokukoku no Brynhildr, Hitsugi no Chaika, and Mahouka Koukou no Rettousei, in addition to the second cour of Nagi no AsukaraDouzo yoroshiku!

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On the eve of the Bonbori festival, it appears that Kissuiso is overbooked. The staff is overworked, accidents are happening, and everyone is more focused on “winning” the battle with the Madam Manager. Ohana is caught in the middle, but little by little, everyone realizes they don’t have the guests’ comfort at heart. When Tomoe sprains her ankle, The manager fills in, Ohana’s mom volunteers to help, and they get back to “festing it up”, rather than just grinding.

The Battle for Kissuiso was fought for all the wrong reasons. Last week I sided with the staff for wanting to keep the inn open, not thinking about how it would have to change to become profitable. This week, I was on Ohana’s side, who was basically on her own side. The frantic inn where the customers’ needs were obstacles to overcome was not the Kissuiso she loved. Overwork was making the staff short with her, and clumsy in their duties. Tomoe’s ankle sprain provided the catalyst to snap everyone out of it. Jiromaru’s corny narration was icing on the cake.

On the evening of the festival, Sui, Satsuki, and Ohana marching three abreast down the hall is a triumphant sight, and unlike the first half of the episode, everyone is working like a well-oiled machine. Not only that, they’re enjoying what they’re doing, rather than just doing it mindlessly in the pursuit of profit. This was a great final “inn arc” episode that brough everything and everyone together beautifully, and was simply oozing with emotions. It’s still in the air whether Kissuiso can make it, but it seems the finale will deal primarily with Ohana and Ko.


Rating: 4

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At one point in this week’s proceedings, in which Ohana arrives to the rescue of the same inn her class is staying at, she proclaims with surprise: “I’ve learned my job!” She was taught so well, she wasn’t even aware of when she transformed from more of a Yuina-like liability to a serious inn professional. Her “waitress’ instinct” wouldn’t allow her to stand by and let the inn’s service suffer. So in her free time, she volunteers to work.

Nakochi and Minchi soon join her, and they do what they do best. Yuina goofs off around town a little longer, but eventually returns to the inn to find that her friends are hard at work preparing dinner for the class. She stops by the bath, where an annoyed Yosuke tells her if she doesn’t want to work by his side in the inn when he inherits it, there’s no way they can marry. What’s interesting is that Yuina laid out her desired future so confidently and bluntly, and it turns out she isn’t nearly as sure about everything as she would let on.

All it takes is Yosuke praising Ohana and even suggesting a girl like her would be more suited to be his wife, and Yuina grabs a mop and starts scrubbing. This is a girl whos classmates call her princess, and she is in a lot of ways, having never done much manual labor. But she’s determined not to let Yosuke fall (settle?) for Ohana: she can work to, she just chose never to do so.

Yuina indeed helps Yosuke finish cleaning the bath just in time, and the dinner is a success thanks to the Kissuiso staff. The experience not only makes Yuina rethink whether an inn has no place in her future, but also leads to Yosuke rethinking his managing style. It also reinforces the friendship of the three Kissuiso girls, who proved that no matter where the inn is, they can make it rain, so to speak. Rating: 3.5