Nisekoi 2 – 09

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This episode’s super-easy to summarize: Part One: Pool Cleaning. Part Two: Nursing the Onodera Sisters. But both halves paired those basic activities with some welcome, if minor, character development.

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The first half put everyone in swimsuits, which is nice and all, but the part I liked most was the fact that Paula, a seasoned assassin, doesn’t do well in groups, and kept her distance. Enter Haru, who likes Paula and wants her to join in the fun. Interestingly, it’s Haru and Raku who both work, albeit independently, to bring Paula around.

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Sick Kosaki’s reaction to seeing Raku at the door was adorable, as was her not-all-that-reluctant acceptance of his help. Ruri may have set Raku up, but he’s still not going to abandon an ill Kosaki; even if Haru is there to take care of her. And Kosaki vacuuming her room was even more adorable.

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At first, Haru treats Raku as usual: like a two-timing man-monster, constantly casting aspersions or teasing him with her built-in closeness to Kosaki. But then Raku notices Haru is also running a fever, orders her to bed, and proceeds to dote on her, from delicious rice gruel to a cold compress.

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In his care, Haru’s opinion of Raku gradually improves, as his behavior just doesn’t mesh with the Raku she invented in her head and more closely resembles the kind and gentle soul her sis adores so. Her opinion of him improves so much, she decides to give him his locket back, though she still refuses to accept that he was the prince that saved her.

Instead, she’s putting it in his protective custody until such a time as her prince returns, whereupon she’ll ask for it back. It’s quite a roundabout, ass-covering way of non-admitting Raku was and is her prince. Between reaching out to Paula, her devotion to her sister, and coming around on Raku, this was a nice episode for Haru.

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Nisekoi 2 – 08

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Whew, talk about a grab bag. Not only is this week split into two completely different stories, but the first half doesn’t even take place in Nisekoi’s world. Instead, it tries its hand at the magical girl genre, with Kosaki as a pastry-themed heroine, Marika is a kind of magical cop, and Chitoge is a gorilla girl.

The running gag is that their case worker Rurin, who is some kind of mouse thing, not only piles a bunch of bureaucratic paperwork onto Kosaki, who won leadership by rock-paper-scissors, but also seems to take a kind of perverse glee in watching the meek Kosaki transform, which requires a moment of stark nakedness she never really gets used to (though Marika couldn’t care less about being naked).

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The villain, “Dr.” Maikou, is also motivated by wanting to watch the girls transform fight, and beat him, because he’s a bit masochistic that way. When the finishing move to get rid of his minion requires five straight minutes of nakedness, we never actually see it, and Maikou himself is defeated when the mouse flips Kosaki’s skirt and then punches him into orbit.

To borrow Kosaki’s pastry theme, while the show successfully pokes fun at the maho shojo genre here and there, the whole thing is pretty half-baked and inconsequential, which is appropriate as it only takes up a half-episode. It felt like one long omake.

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The second half of the episode is just as thin, as it rehashes Haru’s determination not to give Raku the time of day, even as he volunteers to fill in at the Onoderas’ sweet shop. At least we see from the girls’ mother that Haru is indeed a “little man-hater” who will only be “cured” if she actually interacts with guys, rather than craft elaborate narratives about them in her head.

Raku wants to play nice, and they even connect over their shared love of and devotion to Big Sis Kosaki, who strategically left them alone so they’d have no choice but to gel more. Raku even thoughtfully praises Haru’s skills, while demonstrating he has some of his own, borne from his past experience helping Kosaki at the shop.

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There are signs, then, that Haru is ever-so-slowly coming around to maybe accepting and even tolerating Raku’s existence, even if she still (rightfully) thinks it’s wrong for him to be going after her sister when he already has a girlfriend. And that’s kinda the pall cast over this whole Onodera situation: Raku has been wrong in spinning all these girl-plates without giving any of them the answers they deserve, and the broken locket is a poor excuse for his continued inaction.

Raku has no one to blame than himself if an outside observer like Haru sees him as a playboy, because he kinda is. Yet, as he gets close and personal with Haru—by necessity—when she tries to carry too much, it seems Haru is on her way to being one more member of the harm; albeit not by choice.

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