Dororo – 18 – Demon Shark, Doo Doo Doo Doo Doo Doo

(Source of this post’s title here. You’re welcome ;)

This week is a clash of numerous parties with conflicting interests, first among them Crazy Shark Boy, whose shark brother Jiroumaru eats the other shark and becomes a demon with legs. Dororo seems totally hosed until Hyakkimaru arrives in the nick of time to save him.

This demon Jiroumaru is a nasty customer, but no where near the toughest Hyakki has had to deal with, and so he’s able to dispatch him without much trouble.

I love his reunion with Dororo, pinching his cheek and touching foreheads as a sign he’s glad he’s okay. Dororo’s many morphing facial expressiosn and tsundere reaction (“took you long enough!”) are all priceless. Hyakki also gains back his left leg.

With the dynamic duo back together, the next item of business is catching up with Itachi and his crew before they find and steal Hibukuro’s treasure. But they run into a snag: the entrance to the cave containing said treasure is booby trapped.

If this weren’t enough going on, a small Daigo flotilla suddenly arrives at the cove with Tahoumaru, Mutsu and Hyougou ready to wreck up the place. Dororo and Itachi put their heads together (literally), but Hyakkimaru suggests they use explosives to divert the Daigo samurai.

Itachi and what’s left of his men escape as Hyakkimaru battles Tahoumaru and Hyougou (at close range) and Mutsu (long range) at once; and before he knows it his right arm blade has been snapped off. Itachi becomes a pincushion for arrows shielding Dororo behind some Buddha statues, which Dororo accidentally topples onto advancing samurai.

If anyone held out any hope Hyakki and Tahou could work out their differences, well…hope no longer. It ain’t happening as long as the latter consider’s the former’s mere existence a threat to the people of Daigo.

Crazy Shark Boy comes back into play when he stands atop a cliff with a pile of grenades, setting them off in a final suicide blaze of glory to destroy those who killed his beautiful sharks.

The blast injures Hyougou gravely, and Tahou, Mutsu, and the Daigo samurai withdraw, while Dororo and Itachi fall into the very cavern where Hibukuro’s treasure is located. Itachi gets the glimpse he wanted, then dies with a smile on his face.

With all immediate threats either eliminated or temporarily withdrawn, Hyakki finds Dororo in the cavern, but Dororo doesn’t yet know what to do with the gold his father entrusted to him. That’s not surprising; he’s still a kid, and a kid who has never seen so much money. So he takes only as much as he can comfortably carry (for spending money), and continue his adventures with Hyakkimaru until he does.

The two arrived at that god-forsaken cove separately, but leave it together once more; a family of two, surviving the myriad dangers wrought by the greed and treachery of Itachi, the holier-than-thou hypocrisy and military precision of Tahoumaru & Co., and the pure insanity of Crazy Shark Boy (RIP). Meanwhile, Hyakki’s restored parts grow more numerous, no doubt the fortunes of Daigo will continue to fall.

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Kino no Tabi – 09

This week we get five stories in one, as Kino jumps from country to country and character to character in a what ends up a bit of a “beautiful world grab bag.” The first story is told from the perspective of two bandits, a student and an elder. The student wrongly assumes both Shizu’s party and Kino are appropriate “prey”, but the elder knows better from a look.

Cute and alone Kino may be, but if she’s alone, it’s because she’s capable of traveling alone, which means she can handle herself. Ditto Ti, holding her hand grenade, and Shizu, who may only be a swordsman but isn’t the type to be defeated by bullets alone. The elder learned a lot after wrongly believing Kino’s master and her apprentice were prey, but turned out to be “devils”.

A neat little outside look at Kino and Shizu. Next up: a country where people accrue “virtue points” to determine status based on good deeds. Points are deducted for crimes, but it’s a system in which it’s possible to accure enough points over a lifetime to exceed those that would be deducted for killing someone.

That’s the dilemma an old man Kino meets is facing, and indeed, he originally approached her with the intent to kill, which is why Kino never took her hand off her gun. The man laments his inabilty to kill anyone as a failure in life, for he’ll die wasting all the accrued points.

That was a bit silly and weird, but at least had a nice Kino moment of a seemingly nice guy turning out to be much darker. The third segment involves Kino’s visit to a “country of cooking” where a council of chefs begs her to cook a dish for them.

Hermes worries for the country, because apparently Kino’s cooking sucks (har har). However, the country buys into her super-spicy chicken, though another traveler comes along and makes a milder version that’s equally popular.

The fourth segment is the shortest, as Shizu, Tifana and Riku arrive in a city with giant statues people attach wishes to so they’ll come true. Ti decides to wish for “everyone’s wishes to come true”, which earns her many thanks and approving words from the folks around her. Of course, Ti only made that wish because she believes it’s all bullshit anyway.

Finally, Kino enters a country her master once mentioned as a place of “beautiful memories”, moreso than any other country. And yet, Kino was never able to get any actual info about the country out of her master. When Kino enters and seemingly immediately exits through the other gate, she learns why.

Upon entering the country, visitors must agree to have all of their memories of their stay wiped if they wish to stay. Kino agreed, which is why she remembers nothing. Hermes, whose memories weren’t wiped, nevertheless won’t tell Kino because he promised the country he wouldn’t and isn’t one to go back on his word.

All he can say is that she enjoyed herself, perhaps more than any other country they’ve visited. The details of that enjoyment, however, remain classified, though she was allowed to leave with a crude drawing of her posing with people she must’ve met there.

The end credits came a message from Kino’s original creator, Sigsawa Keiichi; an “anime afterword” consisting of words of encouragement for anyone seeking to make their dreams come true, as they apparently did for him. Well…good for him, and thanks for writing Kino so we could have this anime! It just seemed strange to get such a message when there’s still a quarter of a season left to watch…