Isekai Quartet 2 – 12 (Fin) – Breaking a (Giant Metal Spider) Leg

IQ’s second (but by no means the last) season wraps up with two parallel performances: first, that of the school play Cinderella, to which Rem contributes a…shall we say unique version of Cinderella, who exploits the masochism of one of her stepsisters, derides the homebrew pumpkin carriage as “pathetic” (probably because Subaru is part of it), can’t help but ruefully laugh during her glow-up, and kisses her sister.

As that farce unfolds, the “Battle of Maidens” plays out in the schoolyard, with the all-female defense force all contributing their unique talents to keep Destroyer from ruining the play (and likely the school buildings as well). Raphtalia and Filo only need to hear the first few words of Reinhard van Astrea’s motivational speech (which he also gave during the giant whale battle in Re:Zero) to join in.

Aqua actually ends up scoring the coup-de-grace with a God Blow, echoing a similar battle in KonoSuba. As the episode flips from the battle to the play, it employs clever transitions that tie the two performances together. With a strong finale, Isekai Quartet remains a fun lightweight, pocket-size diversion. I honestly wouldn’t mind if they kept it up indefinitely, continually adding characters from popular isekai anime.

Isekai Quartet 2 – 07 – Let’s Get Physicals

It’s a scary time for a lot of people across the world with the outbreak of the Coronavirus, so it’s somewhat inauspiciously coincidental for IQ2 to come out with an episode in which everyone gets a physical. This physical only seems to consist of taking the students’ height and weight, with no injections or other health tests taken.

What this episode does test is my patience with Pandora’s Actor. In the shadow of fellow Miyano Mamoru-voiced character Betelgeuse, PA’s quirkiness seems forced. He’s random and crazy enough to be annoying, but not enough to be fun to watch. Ram seems to agree.

As for the parties who strive to see members of the opposite sex in their skivvies, Rem prevents Shalltear and Albedo from glimpsing too many of Ainz’s bones, while the normally super-lucky Kazuma is a hair too late in initiating his peeping mission.

Speaking of hair, the prominent ahoge of both Tanya and Filo prevent Wiz from taking accurate height measurements, while Darkness is the only girl disappointed that neither Kazuma nor any other men decided to peep on them. The excessive Pandora’s Actor marred some otherwise funny moments in an unfocused outing.

Isekai Quartet 2 – 05 – GIVE ME CHOCO…DEATH!!!

As Valentine’s Day arrives (or to paraphrase Tanya, “the triumph of capitalism over religion”), the concept of giving chocolate to the one you like spreads across the school. Albedo plans to infuse her chocolate with her love, and meets a kindred spirit in Betelgeuse Romanee-Conti.

Initially presented as the Home-Ec teacher, Betel is later booted out as a trespasser. I loved how these two demented weirdos fed off one another’s crazy. This version of Betel is also far more tolerable than his Re:Zero self, mostly because he doesn’t torture Rem!

Capt. Weiss wants chocolate, so he asks Kazuma the proper way to ask, and Kazuma messes with him by instructing him to hold his hands out and yell “GIVE ME CHOCO!”. This results in Weiss getting AL HUMA’d by Rem, shielding Darkness from potential harm Darkness was actually excited about, as Darkness tends to be!

It’s a pleasant enough exploration of to whom all these disparate characters from fantasy worlds would go about giving chocolate. Kazuma is happy to receive chocolate from all three girls in his party (even if its obligatory), while Subaru is happier to get a modest chocolate from Emilia than a huge heart-shaped box from Rem.

Finally, Beatrice is popular with Tanya’s underlings, the battle maids his up a sweets shop, while Yunyun either distributes or receives perhaps the most chocolate. Finally, for all the love Ainz got, he’s unable to eat chocolate.

…DEATH!

Isekai Quartet – 08 – Shopping in a New World

Ainz proposes a group activity during the class field trip to the beach, and Aqua immediately raises her hand in opposition…until she learns the idea was actually Emilia’s, in the interest of the various class members getting along better.

Aqua has definitely been the most antagonistic towards another character—in this case, the undead Ainz—but when Subaru talks about the purpose of a test of courage, joins Ram in castigating him. Still, everyone agrees that the night  activity will indeed be a test of courage; Emilia just needs Subaru to tell her what it is!

The students also need to head to a department store to buy swimsuits. You’d think that would mean they’d actually try them on, which would in some cases show many of the characters wearing different outfits—a rare occurrence to be sure. That doesn’t happen this week, as don’t yet make it to the beach.

Instead, Albedo and Shalltear try to pick out the best skimpy Speedo for Ainz-sama, and when Aqua crosses paths with them again, Kazuma plays peacemaker. He wigs out when he learns Albedo is a succubus (based on his experience in his isekai) but Shalltear drags her fellow floor guardian by telling him she’s still a pure maiden and laughing about it.

For that, Aqua actually takes Albedo’s side; saving yourself for the one you love isn’t anything to be ashamed of. Instead, she inadvertently drags Shalltear by declaring the only thing to be ashamed of is padding your chest, as her fellow goddess Eris—and Shalltear—do. A such, it is Albedo who gets the last laugh.

Isekai Quartet – 04 – Common Ground

Little by little the various newly-mixed characters are starting to learn more about each other. Ainz Ooal Gown and Tanya end up exchanging Evil Death Stares until they loosen up and both realize that despite their appearances they’re both men from modern Japan, which is vastly comforting considering how crazy anyone else in their respective other worlds would think they were by bringing it up.

Two women who find kinship in feeling the same way about their man (specifically, that there’s no better one)? Rem and Albedo! When Cocytus protests compulsory participation in the talent show, Ram simply tells him the teacher’s word is law.

When both Subaru and Kazuma are running late, their much more athletic female friends (Rem and Darkness, respectively) literally carry them as they run fast. Neither man feels right about this, but put an end to the carrying only when they see each other.

While serving punishment for being late as a result, the two learn that they have a lot in common, except that one of them was summoned and the other reincarnated. And one’s a shut-in and the other isn’t. But they both love tracksuits!

When Kazuma starts describing the awful situation he’s in (which honestly doesn’t sound so bad), Subaru tells him he “knows how he feels” despite the fact he lives in a mansion with the girl he’s trying to win, along with two twin maids, one of whom is in love with him. Kazuma takes particular umbrage to Subaru calling that a bad deal, and with good reason…it’s not!

Isekai Quartet – 03 – Status Report

IQ continues to explore various combinations between characters through casual interactions. Demiurge ends up doing what he usually does—explain to all what Lord Ains has already realized: they’re trapped in another world and forced to become students. Only as usual, he’s several steps ahead of his lord and Ains has to pretend otherwise.

A flyer for an upcoming student talent show is distributed, which should also provide a vehicle for the characters to get to know each other better. Ram is typically ruthless in her criticism of Subaru, declaring his talent to be “failing at life.”

Beatrice is called a “little girl” by two of Tanya’s underlings, but when she visits the lounge to talk to Roswaal, it’s one of Tanya’s superiors, who uses his hypnotic voice to convince her to return to class. In “Betty” he sees another potential “demon in a little girl’s skin”, causing Tanya to sneeze (and Aqua to bless her).

Aqua’s mention of gods/goddesses, words Tanya hates, reminds her of “Being X”, and back in class she decides to confront Lord Ains in the off-chance he may knows something. But when she asks Ains to meet her, Albedo becomes defensive, eventually befriending Rem, as they both agree that love has no set conditions nor a duration to take root.

Note…there’s not much to say here, as this is an inherently uneventful show—Avengers: Endgame it is not! It’s more just enjoying all these characters bounce off each other with zero stakes.

Isekai Quartet – 02 – Roll Call

In its first two mini-episodes,  Isekai Quartet is content to let its audience bask in the sheer absurdity and awesomeness of watching characters from four of their favorite Isekai anime bounce off one another in a school setting. Their homeroom teacher, Roswall L. Mathers from Re:Zero, begins with introductions.

Ram notes that Kazuma, who is staring at “Barusu,” is wearing the same bizarre threads we know to be an IRL track suit. Little do both Kazuma and Subaru know that Ains Ooal Gown is also one of them, as is Tanya, but in different forms. I did enjoy Kazuma and Subaru’s reaction to Tanya’s very militaristic group’s introduction.

Since both OverLord and KonoSuba feature very similar fantasy races and spells, Aqua takes it upon herself to launch a preemptive attack on the Nazarick crew, since they consist of an undead, a vampire, a demon, and a monster. Momonga even recognizes the name of her spell, which he expects to be low-level, but actually hurts like a bitch.

Even more disconcerting to the guardians and their ruler is that Kazuma is able to simply bop someone as powerful as Aqua on the head and drag her off, scolding her for attacking her classmates. The next day, she has to stand in the hall with three water buckets, an ironic punishment for the water goddess.

Isekai Quartet – 01 (First Impressions) – More Is More

Re:Creators was a story in which characters from several different popular contemporary anime series were somehow transported into the real world and began to interact and form factions. It was essentially a giant crossover event, only all of the anime involved were original and created just for the show.

Isekai Quartet, on the other hand, crosses over four immensely popular Isekai shows from recent years, all of which have been covered here at RABUJOI: KonoSuba, Overlord, Re:Zero, and Tanya the Evil. Needless to say, the more knowledge you have on these four shows (and more to the point, the more you enjoyed them) the more enjoyment you’re derive out of this.

One could complain that the “chibi” character designs detract from what could have been a pretty awesome crossover of the four shows’ native art styles. As for me, I only got a couple minutes into it until I all but forgot they were chibi designs; such was the familiarity and fidelity of the characters’ wardrobes, voices, and mannerisms.

All four shows have their own tones and rhythms, and they even occupy different genres (with KonoSuba and OverLord leaning more towards comedy and Re:Zero and Tanya more to drama), so it’s simply exhilarating to watch them suddenly occupying the same space…even if that space is a high school for some reason (like Attack on Titan: Junior High), and the means of the four groups ending up there (mysterious red buttons) can only be called laughably, almost admirably lazy.

Ultimately, it doesn’t matter where they are or how they got there, just that they’re now all together. Subaru & Co. only just show up at the end with the other three groups already at their desks, but I’m definitely looking forward to all of the new dynamics that arise from such a sudden grouping. I can’t promise this is going anywhere significant. All I know is watching it brought me a great deal of joy.

Overlord III – 09 – Paving the Way

Faced with the overwhelming, terrible power of Aura and Mare, Emperor El Nix can hardly ignore a demand to travel to the Tomb of Nazarick to apologize personally. Though El Nix is such a busy man, the ensuing trip ends up being a rare opportunity for an afternoon nap, as well as a quick assessment of his potential queens, from Princess Renner (“praiseworthy but somewhat sickening”) to an “old hag that stays young with magic.” Ah, to be an emperor…

But once he and his retinue arrive, they are immediately reminded how much more powerful Ains Ooal Gown is than them, from the Maids who can control the weather (and whip up some top-notch Tang) to a healthy supply of Death Knights (who are relegated to serving said Tang). Nix’s Head Wizard Flugel is both terrified and amazed, almost to the point of rejuvination. His laugher is both out of sheer awe and wonder, but also kind of an “Oh shit, we’re so screwed.”

Once Nix & Co. are finally given an audience, things are actually quite cordial until Demiurge (in an animalistic disguise) talks out of turn, taking offense to Nix thinking he can use honorifics as if he was on equal terms with Lord Ains. Ains uses Demiurge’s little diplomatic snafu as an excuse to forgive the emperor for allowing his lord to send Workers into Nazarick.

This comes as great surprise to the young but cunning emperor, and uses that to suggest an alliance, in which Ains would start up and rule a country, and the empire would assist in any way they can. Ains agrees to this almost too easily for Nix to believe, but decides he’ll take every concession he can get, especially from a would-be foe he has absolutely no change against.

Once the two parties part ways, El Nix is confused by the ease with which his head wizard decides to jump into a coach and accompany him back to the capital. Nix knows Flugel well enough to know he wouldn’t be able to resist sticking around to try to acquire some of the immensely powerful magic he witnessed during their parlay.

And El Nix is exactly right: behind his back, Flugel has already met with “Momon” and agreed to give him “everything he has” in exchange for becoming the student of a tenth-tier “god.” Not sure he can truly rely on Flugel, El Nix plans to bring all of the human powers together in an alliance against Nazarick, all while pretending to be a friend to Nazarick.

Everything’s all going according to plan…only it’s Demiurge’s plan being carried out, not Ains. Ains actually doesn’t really know quite where Demiurge is going, and since he’s the boss, he can get away with ordering Demiurge to explain everything…for now. If I didn’t know better, I’d say Demi knew how ignorant Ains was to his plan, and was moving against him.

Of course, I know better…Demi would never move against his lord…or should I say, Sorcerer King—the winner in the throne room brainstorming session for a new title for Ains once he has his own country to rule.

Overlord III – 02 – Chili con Carne (Village)

Unsure of what to do next due to his relative inexperience as an overlord, Momonga opens the floor to his subordinates, and gets a rude—well, polite awakening when Demiurge immediately suggests they’re working towards a path to world domination.

That didn’t exactly occur to Momonga until now, but he pretends to know exactly what Demiurge is talking about, making for a hilarious exchange between the flustered Momonga’s inner thoughts and Lord Ains Ooal Gown’s unswerving resolve.

OverLord never disappoints when it comes to interpersonal humor, and this opening scene is no different. But it’s also a productive scene: the decision is made for the Tomb of Nazarick to declare itself its own country, separate from the complications of being merely an organization affiliated with another nation.

When Demiurge is asked what made him think they’re on the path to world domination, he holds up Carne Village (which we haven’t been to since the first season) as an example of Lord Ains experimenting on a smaller scale with ruling something, rather than pillaging and destroying.

That provides a nice segue for our return to Carne, where Enri is still stacked, Nphirea is still eccentric (and has yet to confess his love for Enri), and Nemu is still adorable. We get a nice slice-of-life act with the humans and friendly goblins working together to rebuild the village.

In a private moment, Enri angrily ruins a knife after thinking about all of the hardship she, her sister, and her fellow villagers were forced to endure. It’s a lot for her toned shoulders to bear. Meanwhile, Nphi’s goblin friend works out a plan where he’ll do various bodybuilding poses when it’s time for Nphi to say something cool to impress Enri.

When word comes from a goblin scout that there’s…something lurking deep in the forest, Enri decides to go in anyway. She has no choice: herbs that have to be harvested immediately grow within the forest; herbs she needs to create potions and medicines that will net capital for the village.

She and Nphi are escorted by a three-goblin team, and shortly after coming upon a prize crop of their treasured herb, something comes out of the forest: a young, wounded goblin being chased by a beast. Enri and Nphi overrule the cautious goblins and decide to fight the beast and save the kid.

Thanks to the brute force of the goblins and the handy potions and magic of Nphi, the beast is defeated and the child healed. He is a member of the head family of a tribe, and warns that the “Giant of the East” has allied with the “Demon Snake of the West.” Sounds like two worthy foes Nazarick need to sink their teeth into.

Overlord III – 01 (First Impressions) – Chillin’ Like Villains at the ‘Tomb

OverLord is back…again, after taking the Spring off. And rather than go off into an entirely different direction within the world of Yggdrasil, we spend all of this  first episode with the gang we know and love, most of it within the walls of Nazarick.

Ains Ooal Gown grants Sebas and Epsilon rewards of their choosing for their intel-gathering services in Re-Estize. Sebas asks for sundries for Tuare, and Ains grants him some gold to buy what he likes, as long as he goes on a nice date with her in E-Rantel. Epsilon gets non-innocent humans…to do who-knows-what with. Nothing good, most likely.

It’s a relaxing episode in which Ains finally reveals all—which amounts to a stylized skeleton—the human player within happy he’s found a satisfying and effective way to wash such a strange body. Meanwhile, Eclair ends up snatched up by Shizu Delta as if he were a plushie, when his ultimate goal is to rule the whole Tomb himself.

Ains splits up his Guardians by gender and has them participate in group leisure activities. Albedo, who is with Shalltear and Aura, summons a badass bicorn, but cannot ride it, and Shalltear discovers the reason: a “pure maiden” cannot ride it; much to the shock of all. But it makes sense: most of Albedo’s existence is spent in the throne room, presiding over the Guardians and their movements. No time for the succubusing she was ostensibly created for.

In another private moment, Ains’ player worries his lowly office worker background doesn’t lend him the charisma or bearing necessary to properly “operate” an overlord as impressive as Ains…though it’s clear by how his servants regard him that he has nothing to worry about as long as he keeps on keeping on.

His kind words to them, referring to them as his treasures, sends Albedo into an amorous frenzy, and not even her overlord can stop her from essentially dry-humping him. Later, when the sexes are in their respective baths, there’s a disturbance on the women’s side, and Ains recognizes the voice of a fellow “supreme being” i.e. player. That could be interesting.

Overlord II – 10

This week Sebas must deal with the fallout of his individual actions which drew undue attention to him and by extension Nazarick. However, as expected, Lord Ainz is understanding, and also convinced of Sebas’ absolute loyalty when he orders the Butler to kill Tuare and Cocytus has to step in to stop him.

When Ainz asks Sebas how it benefits him to have Tuare come to Nazarick with them, Sebas says she can cook. This leads to bickering between Sebas and Demiurge about what kind of cooking is “worthy” of Nazarick, which reminds Ainz of the bickering his fellow players once engage in; a pleasant memory.

Tuare, for her part, is ready to follow Sebas wherever he leads, and wouldn’t mind even if he had to kill her for real, giving him her first happy kiss; possibly his as well.

Over at the palace, Princess Renner is getting ready to unleash Blue Rose on Eight Fingers, but knows she’ll need more men, so she invites Marquis Raeven to her chambers for a chat.

Her brother, the Second Prince, also tags along, and is a lot less antagonistic, especially when he learns just how much his sister knows about the complex political tapestry draped across the kingdom; not to mention when she shows her “real” side, which Raeven likes, but decidedly not if it means betrothing his five-year-old-son to her.

Renner intends to bear children with Climb, but her official, noble-born husband will make those children legitimate. Or something. It’s all…a little arcane? Bottom line, Renner has the troops she needs to bring Eight Fingers down, and she intends to add Gazef Stronoff to those numbers. It should be quite a raid.

Meanwhile, Lord Ainz ordered everyone from Nazarick back to Nazarick, but first orders Sebas and Solution to take care of a grain purchase for Demiurge’s sheep. Why neither Demiurge nor Sebas on his own could accomplish this errand, or why Tuare is left so exposed and vulnerable, is not explained. All we know is Tuare has been re-kidnapped by Eight Fingers, and Sebas intends to rescue her.

I’m certain such a rescue mission, for which Sebas orders Albedo to arrange assistance, will be entertaining, but it seems rather artificially created crisis borne out of abject stupidity on the part of all involved parties. It makes me wonder if the kidnapping truly was set up, perhaps so Ainz could further observe just how far Sebas’ attachment to one lowly human really goes.

Overlord II – 01 (First Impressions)

It’s been over two years—833 days—since I last watched or wrote about Overlord, so an immersive episode packed with exposition wasn’t the worst way to be introduced back into its world.

In a lengthy eight-minute cold open, we meet a good number of parties I either have fuzzy memories about or don’t know at all (I haven’t read the light novels).

But the bottom line is, many of these parties spread far and wide throughout the world know of Ainz Ooal Gown, which is precisely how Momonga wanted.

When we finally meet up with the big dude, he’s in Momon Mode, taking out a giant lizard with help from Hamasuke; Nabu by his side. It’s not a tough opponent at all, more of a warm-up, like this episode.

From there, he returns to the Tomb of Nazarick where Albedo is waiting for him, as eager as ever for praise and, well, more physical contact than Momonga’s player is able to consent to (seeing Alby and the other NPCs more as children). Still, Flustered Skullface is always welcome.

Momonga then has a seat, unfurls a big map, and methodically points at each destination, as Albedo gives a report on all the various projects his guardians are working on, from the building of a Fake Nazarick in the nearby great forest, to the status of the investigation to find the one who used a World Item on Shalltear, forcing her to fight her master.

Shalltear is drowning her overwhelming guilt in drink, so Albedo suggests Momonga issue some form of punishment in order to exorcise that guilt, which he considers. He also sends Cocytus off to fight Nazarick’s “first war”, though the details on whom it’s against and where are not shared. There’s also a talking penguin with a very stern look on its face, which…cool, cool.

The episode closes out with a visit to the land of Lizardmen; specifically, Zaryusu, a supposedly disgraced yet respected warrior, and the grizzled chief of his tribe, inspecting Z’s first-of-its-kind fish farm.

Then inky black clouds coalesce and swirl above the village and a super-creepy ball of purple skeletal faces with red eyes announce it is a herald of the “Great One”, declaring death unto the lizards.

So yeah, was this episode a bit all over the place? Sure. But it was still fun. And after so much time, it was great to see the gang back in action (or planning future action) while meeting a few new faces.

Lastly, after the credits, we have a nice little auspicious note from original creator Maruyama Kugane thanking the fans of Overlord for making a second season possible, and dedicating the season to us; a gesture I appreciated.