Kino no Tabi – 02

Kino may be small, soft-spoken, and polite, but she’s also a powerful badass. As such, she knows that she must occasionally push herself as far as she can go, not only to explore her limits, but to keep her skills from getting rusty.

It’s with this in mind that Kino eagerly arrives at the “Coliseum county”, where newcomers must fight others, often to the death, in order to win their citizenship.

The eternal tournament could be called the ultimate diversion for a corrupt king trying to maintain his grasp on his little kingdom, which is rotting and falling apart at every turn. They don’t even keep the coliseum properly maintained.

All of this disrepair must be particularly distasteful to someone as obsessed with being on top her game as Kino, who is underestimated by each of her opponents but defeats them all with ease, without killing a single person.

The night before the final match, Kino tells Hermes to be near the arena so they can leave as soon as she’s done. Victory is never in doubt here, it’s only a matter of how Kino achieves it. Her finals opponent is a capable-looking fellow named Shizu, armed with a katana.

Kino lets Shizu get close enough to slash at her, but blocks his strike with guards hidden in her sleeves, and on his upswing, she trains a hidden pistol at Shizu, forcing him to concede defeat.

The crowd shouts “KILL! KILL! KILL!”, and Kino does kill…their king. Her question about spectators getting killed by stray bullets being of no consequence comes into play here, as does her homemade explosive round that explodes the king’s head, leaving no doubt that he’s gone.

As victor of the tournament, Kino gets to make a new rule for the games, and it’s this: everyone, not just newcomers, must fight each other to the death; the last person standing will be the new king. As she leaves on Hermes, the town starts tearing each other apart.

Shizu catches up with her by a lake and thanks her for killing his father; he was the prince who was cast out of the country and sought revenge, but Kino denied that revenge, taking care of the king herself. She also meets Shizu’s loyal talking dog Riku, whom I’d like to think whispered to Shizu that Kino’s a girl (her earlier “don’t call me boy” to the guards was another hint).

As for why Kino set the people of the town against one another and blew the whole thing up…I suppose a part of her didn’t like how they were exploiting misinformed newcomers looking for a verdant paradise, like the couple she and Hermes met on the road one day, and met just the woman another day (the man was killed in the tournament).

Now it’s a more fair, internalized system. Whether it makes the country a better or worse place is of little consequence; Kino is off to the next country.

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DanMachi – 03

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I don’t think there’s a relationship this Spring as good or as balanced as Hestia and Bell. Part of that greatness lies in its simplicity: both were alone and no one believed in them, until they found each other. Now that they’re together, they can do great things. But first Hestia had to break Bell out of his insistence he protect her, even at the cost of his own life. Her line after finally succeeding in this says it all:

I didn’t want to just watch, or you to just take care of me, or just to have you save me.

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First, the giant silverback stalking Hestia has to be dealt with. It looks like Bell is going to be bailed out by Ais, but in a clever bit of misdirection she’s actually slaying a different beast on the other side of town. Bell is saved by Hestia running the other way around and putting herself right back in harms way, which initially angers Bell.

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He grabs Hestia in his arms (which makes her very happy!) and they find a hiding spot, where Hestia is finally a able to present the “Hestia Knife” to him, promising him he’ll now have the strength to defeat the monster. All he has to do is keep his chin up, believe in himself, believe in her, and believe in them.

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I just wanted to pause and voice my appreciation for the producers’ restraint in building a beautiful yet not overly ecchi rapport between these two. They really come off more as soulmates than a goddess and her child, and they really do make each other better.

I’m also glad Bell has the good sense to listen to Hestia and not the voice inside his head demanding he be her sacrificial knight when that’s neither what she wants nor what’s best for him or her. Dying for her, after all, would only leave her alone again, going back on his promise.

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Having physically and emotionally charged Bell up and literally lent him her strength, Bell blasts out of his hiding spot like a bat out of hell, and suddenly the silverback seems slower and more plodding against his lightning-quick moves. Bell dodges its blows, smashes its chain and armor, and places a critical, surgical strike on its heart.

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The huge THUD and kicked-up cloud of dust is an immensely satisfying moment, as is the cheering of the crowd and Hestia’s warm embrace after a brief pause. But then Hestia goes down. I didn’t see this as being as bad as it looked (or as Bell thought it might be), considering she had stayed up to make his knife and expended a lot of energy. Up in the rooftops, Freya smirks, as Bell apparently passed her test, and she looks forward to their next meeting.

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Sure enough, Hestia just needs a lot of rest after a couple of very intense days. Bell dutifully guards the inn room lent to them courtesy of Syr and the landlady. Syr apologizes, as her lost wallet (which apparently wasn’t intentional) got Bell into this whole mess. She also works up the courage to tell him she fell in love with him for sure after his heroic display.

When Hestia wakes up, she gives Bell the quote above, and tells him she wants to help him in any way she can, and always will, because she loves him. Her words move him (and me, almost!) to tears, happy as he is to have someone in his life so devoted to him and only him. Also, two confessions in one day and an admiring look from Ais: Not a bad day’s work for Mr. Cranel!

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DanMachi – 02

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The increasingly symbiotic patron/servant arrangement between Bell and Hestia reminded me of Chaika in DanMachi’s first outing, but it’s second is all about its similarities to SAO—and not just because Bell has the same seiyu as Kirito, but the whole rpg-like setting, where experience and equipment matter, as do relationships. And it’s relationships that DanMachi excels at in the early going.

The dialogue is very leading at times, but it’s also heartfelt, moving, and quite solid in general, starting with Hestia’s little speech to Bell about her commitment to supporting him no matter what, so he needn’t be so rash. It’s not just their official arrangement she’s concerned about, but Bell himself: she doesn’t want to be left alone, and neither does he. This is an important break from SAO, where it took time for Kirito to trust, work with, and love others.

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There’s even a hearty helping of SAO-style arbitrary fanservice! Yes, despite her slight build, Hestia is quite well-endowed. I knew a girl like that in high school, and though I had to tip my hat, I also worried for her back.

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It’s also nice to see the show follow up on things like Bell running out on his bill, but being forgiven by the landlady thanks to the silver-haired Syr, who’s taken a liking to the white-haired rookie. Bell has a nice face and a kind heart, and he’s a classic underdog with hidden value, so it makes sense that he’d attract more than just Hestia, even if he’s as inexperienced with girls as he is in the dungeon.

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I have to applaud this episode not just for bringing the heart and the world-building and that comedy, but for delivering so much in one episode without overwhelming me. Just as Hestia tells Bell not to leave her alone, she leaves him alone to attend a Banquet of the Gods. Unfortunately, Nanami didn’t get a cameo. ;)

But the banquet does a very efficient and entertaining job of laying out the various gods in play here on DanMachi, from the fiery, plucky Loki (the Norse trickster god) to the floating-above-the-fray Freya (Norse goddess of love). Heck, even Ganesha is here, throwing an arena extravaganza.

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Ah, so that’s why she has such big boobs…so she has rhetorical ammo against those of lesser endowment who would mock her stature!

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While they spend the middle section of the episode apart, Bell is foremost on Hestia’s mind. She attended the banquet in hopes of bumping into Hephaistos (god of blacksmiths and other craftsmen and artisans), and prostrates herself and begs for Bell’s sake for her to make him a weapon to match his potential. Hephaistos is initially dubious, but sees Hestia’s devotion to her child and agrees, as long as she helps her make the knife, and promises to eventually pay for it.

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In a nice bit of misdirection Freya is initially portrayed as a neutral if not benevolent goddess, but shows her true colors in seeking out the new up-and-coming talent in Bell, whom Hestia hasn’t been able to keep under wraps. Here’s hoping Freya isn’t just a female Nobuyuki Sugou, and there’s some nuance to her impending villainy.

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As for Ais Wallenwhatsit (as Hestia amusingly refers to her), we only get the slightest glimpse of her, catching a glimpse of Bell in the crowd outside. Ais looks to be the Asuka to Bell’s Kirito (while Hestia is definitely a Suguha…and Syr a Lisbeth), but with the added twist that her goddess also seems interested in him, and perhaps not in a wholesome or honorable way—Freya is the god of sex, war, and death after all, and Ais is beholden to her.

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But meanwhile, Bell fights hard to protect Hesita, while Hestia works hard to support him, in a very sweet, equitable, believable relationship. Bell would probably see Hestia as his little sister were it not for the fact she’s a goddess, while Hestia seems to have more romantic feelings for Bell, in an inexperienced goddess-courting-a-mortal kinda way.

She insists they go out on a date for the Monsterphilia festival, and Bell can hardly refuse. Frankly, he’d be a fool to do so, even though he’s trying to get Syr’s wallet back to her. I wonder if Syr “forgot” it on purpose so her co-workers could put Bell on her trail?

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But the date goes sour when a beast (controlled by Freya) escapes the arena and goes after Hestia, forcing Bell into another fight he’s not ready for; he has to shake off his fear, and his regular weapon shatters against the beast’s hide. I have to say, the sudden shift in mood is very well done, thanks in part to a nifty chase scene and some truly kickass battle music that reminded me of GARO’s boss fights.

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What’s also great about Bell is that he’s not a fool. He knows he’ll win if he survives, as the landlady said, but he won’t abandon Hestia. That said, he also knows he probably can’t win this fight as he is now, but after getting Hestia to a safe place (though behind bars is a bit harsh), he decides he’ll at least buy her as much time as he can.

Little does he know as he runs from Hestia and towards the danger, that the blade Hestia made with Hephaistos; the one that can probably defeat Freya’s beast, is strapped to her back. She needs to keep reminding him that they’re in this together.

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