Houseki no Kuni – 04

When Master Kongou finally wakes up from his slumber, it’s from a strange dream in which he is in the center of a mob of Lunarians, and destroys them all with a kind of chakra. He regrets sleeping too long.

Jade, Bort, and Diamond then brief him on everything that’s happened, including the snail eating Phos, mining and reconstructing Phos from the snail’s shell, and the fact that only Phos can understand what the creature is saying, leading everyone to think Phos has gone crazy.

In defense of Phos, we can hear the creature too; their name is Ventricosus, king of of the Admirabilis, and in her current form, she’s pretty cheeky (she’s also voiced by Saito Chiwa).

Despite the indignity of a tossed Ventricosus landing on his head just right, Kongou not only believes Phos, but uses Phos as an interpreter to initiate a dialogue with the creature. He orders Phos keep the creature close while continuing work on the encyclopedia (at present, the amount of work Phos has done on that is…naught).

When Phos speaks on Cinnabar’s behalf, Kongou interrupts, stating that not only is he still working on the matter (and has yet to find a solution), but that it was Cinnabar’s decision to go on night watch to begin with, going into exile rather than sit around HQ doing nothing. It’s not ideal, but Kongou maintains the best way Phos can help Cinnabar is by doing what he ordered: work on that encyclopedia. Later, Phos and Venty get to talking, and Venty mentions that there is someone who resembles the Gems back in her homeland under the sea.

Phos, not making any progress on the land with Cinnabar, decides it’s work a look, and prepares for the trip by applying a salve to the “skin” that should protect the finish from the saltwater. Rutile tattles on Phos, and Kongou categorically forbids such a trip, reminding Phos to do what he asked and not worry about Cinnabar for now.

When it’s clear Ventri isn’t getting the proper nutrition she needs away from the sea (Phos even believes Ventri has died momentarily), Phos and Ventri have a very in-depth discussion on the nature of death (something neither the immortal Phos nor any Gem may can fully grasp the finality of), then Phos breaks the rules once again and heads underwater.

Once on the sea floor, Venty suddenly transforms into a beautiful jellyfish-queen form, and here is again where the 3DCGI fluidity really shines. Now closer to home, Venty starts to remember certain information; a kind of oral history about a race called “humans” who walked the earth.

Things happened, and humans split into three distinct forms: flesh (Admirabilae like Venty), bone (the Gems) and soul (the Lunarians). “Vague stories” also point to the fact that the Lunarians are seeking a revival of humanity by uniting the three forms, capturing them by force.

While that’s their goal, the “flesh” in the equation are content with their existence under the waves, while the “bone” would clearly prefer not being attacked from the sky all the time.

Alas, Ventricosus is hiding something, and exploits their newly-formed bond to deceive Phos. There is no malice in her actions, but her brother is being held by the Lunarians, and she means to offer Phos in exchange for his freedom.

With the sun almost down and Phos greatly weakened, the Lunarians prepare to capture Phos, smashing Phos’ arms and legs. But I’m sure Venty’s betrayal hurts far more than Phos’ loss of limbs, and the fact that Phos once again needs rescuing after disobeying Kongou’s commands to try to help Cinnabar.

It isn’t just the animation that’s beautiful in HnK, although it certainly is that; it’s also very well-written and performed, with a wealth of clever quips in the dialogue and some surprisingly profound discussion on the varying natures of existence of the three kinds of beings.

It remains a mystery what happened to humans, or what exactly Kongou is besides caretaker to the Gems, but if we take Venty’s stories at face value, we now know a lot more about why things are the way they are in this world, and have a clearer picture on the Lunarians’ goals.

Not that that puts them in the right; despite being human myself (I think), there’s something sinister about eliminating three new forms of life that emerged naturally for the sake of reviving one. It seems reckless and hubristic; akin to swimming against the waves of evolution.

Houseki no Kuni – 03

Land of the Lustrous continues to be, one of the strangest and most otherworldly beautiful anime of the Fall, and I am loving it. After their encounter with the Lunarians’ giant snail, Phos has…changed. That is to say, they no longer have a humanoid body. They’re still “alive”, as much as all of the Gems of this land are.

But while the standard rules of flesh-and-blood humans don’t apply to Phos or any other gem, there are other considerations that do: their “humanity”, i.e. the network of interpersonal relationships that define Phos to others.

Despite being shiny gems, these people have the same social structure as any normal human group. Which explains why the overriding reaction to Pho’s apparent transformation into some kind of semi-sentient invertebrate is…indifference. Apathy. ¯\_(ツ)_/¯-ness.

The Gems are largely a pragmatic and practical bunch; if you’re not part of the solution, you’re part of the problem; if you don’t have an immediate, measurable use, you’re of no value.

Diamond, perhaps the most altruistic of the Gems, scoops up the creature believed to be Phos and seeks help first from the doctor, but Rutile only knows how to heal Gems, and would only dissect and kill the creature if left alone with it. When presenting it to other Gems, most see Phos’ metamorphosis as an improvement, and in any case wouldn’t know where to start in terms of changing Phos back.

There’s an almost Christmas Carol quality to this…if Scrooge were a slimy slug being carried around by an anthropomorphic diamond, and the Gems were the various ghosts who visited him. So, basically, A Christmas Carol exactly. :D

Dia ends up far out in the country, and their observations of “Bio-Phos” indicate Phos might not care or want to change back. The creature eats plants, poops them out (like watermelon seeds), then curls up and falls asleep, like any biological organism would do. Dia laments that Phos had such crappy connections to the others that they’d care so little about Pho’s present situation.

Where is Cinnabar, I kept asking myself, what with their unique poison gooey properties. Well, Cinnabar is where they always are; far. far away from everyone else, on the night watch. They spot a bright light they believe to be Lunarians, but turns out to be a dozing, but still dazzling, Diamond.

Despite not taking any active role, just being in contact with Dia proves crucial to Phos’ return to corporeal form. You see, on the isolated shores of the country there are a good number of snails, and Cinnabar observes that those snails eat stone to restore and harden their shells.

The snails who eat red stone turn red. Those who eat white stone turn white. So a snail who ate phosphophyllite would have a minty glint to their shell. That’s when it hits Dia: the creature isn’t really Phos. Phos’ crystalline structure is now in the shell at the bottom of the pool back home. We saw the answer, those green crystals, in the opening moments of the episode.

Now knowing what to do, Dia rushes back as fast as their diamond legs can carry them in a gorgeous, lyrical sequence that really illustrates the great distance that must be covered and neatly establishes the scale of the land, along with Dia’s determination to cross it and save Phos. Even the stern Bort can’t refuse that determination; indeed, Bort averts their eyes at the sheer brilliance of it.

And so Dia, who unlike Phos has strong bonds to all of their fellow Gems, calls upon everyone to assist in heaving the great shell to the surface, carving out the Phos deposits from the shell, and delivering them to Rutile, who reconstructs Phos in another gorgeous sequence that makes full use of the 3DCGI.

Phos awakens, surrounded by the other Gems, and is immediately off on the wrong foot, attacking and yelling at the creature Diamond is holding rather than, you know, thanking everyone for saving them once again.

And yet that act of communicating with the creature and responding to its noises reveals a new and potentially groundbreaking fact: Phos can understand what the creature is saying. That makes Phos unique and potentially valuable…for once.

Phos endured quite a bit over the last couple episodes—to an extent worse than the routine smashing into pieces—and seems to have made some kind of connection that may even prove useful in future dealings with the Lunarians. If only Phos would take their ordeal to heart and start mending relationships with others.

Cross Ange: Tenshi to Ryuu no Rondo – 12

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I believe for the first time on Cross Ange, we get an Ominous Bigwig Conference, held in a pleasant holo-environment. which shows that Julio, whose name Misurugi is now synonymous with ‘criminal’, is very far down on the food chain. In fact, all the various leaders seem to defer to the apparently brilliant mind of one Embryo, a bishounen and dandy who proposes three options for humanity: surrender to DRAGON (unthinkable); wipe out DRAGON (impossible)…or scrap the world as it currently is and start over.

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Tusk bugged this meeting, and relays their decision to Jill. She reorganizes the surviving mail pilots into new troops, putting a released Hilda in charge and throwing Salia in the brig for insubordination. She wants the girls on full battle alert; but she’s not so much concerned with more DRAGON attacks as imminent action by her superiors, in service of the ‘world-rebuilding’ decision that was made.

Before Ange jumps to and mans her bird, Ange wants answers, and Jill promised to give them. Jill insists they talk in the bath, since the revealing of secrets requires ‘total exposure.’ Call it ‘Q&A with T&A’.

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Jill starts at the almost folktale-sounding beginning, in which a ‘god’ (Embryo) found a way to end war and suffering by engineering the ability to use mana in humans. When non-mana infant girls were born, the myth that these girls were dangerous society-rejecting monsters was propagated, in order to give the rest of humanity a common group to hate and discriminate against. But along with Norma girls, there was a faction of ‘old-fashioned’ humans who rejected mana (Tusk’s fam), and they joined forces in a rebellion.

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The rebellion continues to this day, mostly quietly (though Tusk’s Ange-rescuing stunt was pretty high profile). But back then storming the palace netted them a ragnamail, prototype to paramail. That mail was Villkiss, but no one could pilot it until a Norma of royal blood appeared: Princess Elektra Maria von [German name]. But even she ended up failing; losing her right arm and her ring.

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— “AAAAUGH!” — “AAAUUUUUGH!”

Ange mentions this is all well and good though she’s not ready to join “Libertus” movement yet, if ever, because she kinda likes her life. She also thanks Jill, whom she now knows was once a princess like her, for showing her what a stuck-up spoiled brat she was. Of course, Ange is still a brat, but whatever.

She also asks: What about the DRAGONs? On queue, Vivian wakes up and her hammock snaps under her weight. She lumbers about the barracks, wondering why she feels so big and bulky (we initially only see her POV, not her body). Then Vivi catches a glimpse of herself in the mirror: She’s a DRAGON. How very Kafkaesque. When Emma and the bridge staff see her, they scream… but she screams too. It’s good to have a sense of humor about such things.

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The trio of Hilda, Roselie and Chris…back in the same frame together, if not back in bed

DRAGON-Vivi escapes to the sky, and hums Ange’s song until Ange sings back; the song transforms Vivi back into human form, where she’s sedated and taken away by Maggie, who I’m sure already knew about this, having been the former Arzenal commander. But Ange connects the dots, then runs to the giant pit of DRAGON corpses Jasmine is about to set ablaze.

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Ange’s comrades accompany her to the burning pile, in which they find human bodies amongst the DRAGON. So yeah, DRAGONs are people too, man…including the DRAGON Ange savagely beat to death, and all the others she’s wasted in the air. Suddenly Ange’s contentment with her life of killing DRAGONS and making money isn’t so easy. Furthermore, ex-brother Julio (wearing a scar from Ange’s attack) is coming for her…for all of them.

There were times this felt like a long chore of an infodump, but in the end I don’t think I absorbed too many answers, but rather just enough to pique my interest for the second half of the show. More questions obviously remain. And the little Vivian reveal / action piece was as adorable as it was significant to the plot. Ange thought she could live a simpler life in Arzenal, but she’s still a princess with a right arm and a ring. In this world, that means something.

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Kiseijuu: Sei no Kakuritsu – 11

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This week Kana has a Very Special Dream about being saved from a parasyte orgy/buffet by the gallant, dashing Ser Shinichi. It’s pretty over-the-top, but it gets the point across quickly: Kana is a girl enthralled, and she won’t go gentle into that good night; whether Shinichi already has a girl or not.

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She tries greeting him in the popular style, by plucking a hair, but he stops her, telling her it’s dangeorus. It is dangerous, as the cold open showed: plucking the hair of a parasyte just means that parasyte now has a reason to kill you! Shinichi isn’t interested in Kana, and Migi seems repelled by her, but nor can Shinichi feel he can leave her totally alone, as her parasyte-sensing power could get her in serious trouble.

The High School Love Wars are fully on this week, as Satomi, after seeing Kana with Shinichi again, asks her if she thinks anything’s changed about him. Kana has only really known the ‘intermittently ferocious’ version, so she can’t say. What Kana does discern from Satomi is that there’s trouble in paradise, and she still has a chance with her valiant knight.

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Parallel to the land of young love, the parasytes aren’t standing still. In the wake of the school incident, a few of them have started ‘experimenting’, intentionally picking fights with big groups of armed tough guys (yakuza) and seeing how much damage they do before they’re all wiped out. This smiling fitness buff-parasyte never even transforms, such is the latent strength of his host — nor does he stop smiling, which is a change of pace from their usual vacant expressions.

I’d also point out while I didn’t really shed any tears for the gangsters, any more than I would if a parasyte ripped those cat-abusing kids a new one, it’s still disturbing to see they’ve moved on from using humans as mere food, but are employing them in their ‘exercise’ routines. Fighting the most aggressive humans will make them that much more effective against humans who would rather not resort to violence but have no choice.

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But Never mind that shitShinichi asks Satomi out on a date. A DATE! SQUEEEEEEE! XDDD

Seriously, these two are too adorable for words. It’s so good to see them doing normal things like going to the movies (not The Ring 2), having coffee, hanging out with dogs, or relaxing at the park and trying to ignore child abuse. That last thing sets something off in Shinichi, however, and only highlights to Satomi that something is still wrong; something he still won’t tell her.

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Kana happens to sense Shinichi and run to his side only to find him locking lips with Ms. Murano, but what neither she nor Shinichi do see is Satomi’s expression after they leave, or her tears. She weeps for the same reason I do: because just such a dreadful bummer that this pure, wonderful, natural, otherwise normal romance is so very very doomed in the midst of all this parasyte crap.

Satomi still doesn’t know much about it or Shinichi’s role, but a part of her she can’t ignore or dismiss fundamentally doubts Shinichi is really Shinichi, and that’s no way for a relationship to grow.

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Despite having just seen the happy couple on cloud nine, Kana doesn’t give up the fight, asking Shinichi to meet her in town for ‘one last favor’. That town just happens to be the site of a political rally…in which all of the politicians — including the mayoral candidate — are parasytes! Even worse, one of them spots Shinichi just as Kana is showing up.

Could an…ahem…less stylized version of Kana’s dream about to unfold in real life? Another question: how long will Kana survive her precarious position, being drawn to forces that could kill her? We’ll find out next week!

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Kiseijuu: Sei no Kakuritsu – 10

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Tachikawa was a combination of stupid and heroic when she confronted Shimada Hideo alone last week, but the universe isn’t ready to snuff out her candle yet, as she trip-dodges his first blow and tosses the nearest thing at hand — a bottle of paint thinner — that just so happens to give the monster nasty burns and render him unable to morph. Hey, who said fine art is useless!

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That same universe must have determined that it had tortured Shinichi and Satomi enough for the time being, as Shimada’s rampage proves the perfect opportunity for Shinichi to not only play the hero, but mend fences with his sweetheart. Shinichi’s desire to get rid of Shimada himself is another case of his human desire for revenge — combined with the knowledge he has the ability to Do Something — overpowering Migi’s cold logic.

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The ep gives Shinichi and me one last shock when we see a corpse with hair similar to Satomi’s in the hall, but it’s not her. In a vicious beat of dark humor, Shinichi repeats Satomi’s line of “I mistook you for someone else.” The other two students wig out and run right into their deaths, but Shinichi goes into full Get Hitomi To Safety Mode, and damn the consequences of the abilities he exposes.

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Things really escalated fast for Shimada, who was probably going to try to keep the experiment going as long as he could, but the universe wasn’t having it, and in the end he resorted to his killer instincts. A firing squad of pea-shooting cops riddle him with holes before he kills them all. Migi wants Shinichi to leave it to the cops, who will eventually bring something of a larger caliber to bear, but feeling responsible for the Shimada mess to begin with, Shinichi insists on ending him personally.

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He does so…with BASEBALL. The most violent and deadly sport in human history — if a few rules were tweaked a bit, that is. Conceding to Shinichi’s wishes, Migi makes sure this is done right, giving him an awesome muscle monster arm to nail Shimada mortally through the heart from over 300m away.

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The final butcher’s bill? 17 deaths, including students, faculty, and police. But because everyone who saw Shimada in Battle Formation is either among those 17 or scarred from the trauma of the situation, the police and media keep the incident under wraps.

In a big room with a big desk (and a Big Board!), Professor Yui cheerfully briefs the assembled authorities on the nature of the parasites, which he calls “sentient muscle”, and how to detect them: By plucking a hair from the one you suspect. Of course, that assumes it will let you live long enough to pluck the hair and do something about it, which is assuming a lot.

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Still, I guess it’s better than nothing. After a few days, school starts back up (presumably after all the blood was mopped up) and Shinichi runs into a cautious but cordial Murano, who apologizes for not responding to his texts, but thanks him profusely for saving her.

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Shinichi suggests they not dwell on the horrors of the past, and when he does, he doesn’t just mean forgetting about the harrowing bloody experience Satomi just went through, nor the fact he bounded around around like a superhero while she was in his arms. No, he also wants her to forget about all the awful exchanges they had prior to Shimada going postal.

Satomi seems receptive to that arrangement, and just like that, they’re incredibly back on good terms. Just because things went pretty well for Shinichi this week doesn’t mean the trend will continue. But at this point in the show’s 24-episode run, it was nice to see a glimmer of hope that things will turn out okay return, even if that turns out not to be the case at all.

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Kiseijuu: Sei no Kakuritsu – 09

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Kiseijuu: Sei no Kakuritsu 9 has a rather full plate by the series’ standards. Or maybe I’m just responding to all the little plot elements, which seem less focused than usual?

It’s not like other Parasytes haven’t stolen the spotlight from Shinichi before — both Not-Mom and Ryoko got plenty of camera time, narration, and agenda building — but, for some reason, Shimada Hideo comes off as more significant character. Like we’re going to see a lot of him for a while, because he interacts with many characters, and not just Shinichi?

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Or maybe it felt fragmented and unfocused because Shinichi himself doesn’t really have an agenda? He knows what he is, he knows who his enemies are and what they are capable of, he has a strong understanding with Migi now, and he isn’t even particularly driven to fix his relationship with Maruno or grow another one with Kana.

Basically, he spends the episode running from place to place, exerting his influence and growing physical presence… while every other character we’ve met gets on with more specific, plot advancing activities.

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For example, Shinichi’s dad gets interviewed by FBI types, who explain that the government knows what’s going on, but has no way of identifying the intruders yet. He even agrees not to go public because doing so would accomplish nothing but panic.

Really, by the end of the episode, Shinichi’s dad has come to terms with his wife’s death, alien invaders, and given up drinking (maybe?) to seriously address his son. This is all character growth for him, mind you, as Shinichi is basically locked in Vulcan Mode after his heart-bonding, which isn’t new or news to us at this point.

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If Parasyte 9 is about Shinichi at all it, it’s about how he’s basically good at everything except not acting like a crazy person around Murano. No seriously! He can identify complex social orders with a casual glance, shut down fights without causing damage to his opponents, and generally keep his cool…

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…Except if he’s within earshot of his would-be-girlfriend.

I have to say that, if this show were cut differently, it would make a hilarious comedy about a bat-shit-insane guy who’s finally hit puberty late in high school and the poor girl who used to love him for his innocence!

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Back to the serious stuff at hand, Mitsuo and Hideo keep coming into conflict. Luckily for Mitsuo, Hideo wants to avoid a bloodbath and then, when that’s no longer avoidable, Shinichi intercedes before anything can happen.

Badass super-jumps and punch-stopping aside, Parasyte really sells these scenes through everyone’s reaction to Shinichi. Hideo is totally blown away by Shinichi’s prowess (way beyond what he should even be able to do as a full parasyte) and Yano-san, Mitsuo’s boss, is emotionally shaken more by Shinichi’s gaze and presence than the effectiveness of his blocks.

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On the lesser side of the bad-ass spectrum, we get sanity-deficient Glasses Girl stalking Hideo. She goes from lusting after him to questioning his reality to identifying him as an alien to confirming that with her brother (who draws alien pictures for the government) to…

deciding not to tell anyone about this and confronting Hideo alone in the art room the following morning. What. The. Heck. Is. Wrong. With. Your. Brain??

Of all the plot threads, this was the most ham-fisted.

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However, judging by Parasyte’s pacing, I’m pretty sure Shinichi will save the day quickly next episode, probably without revealing that he too is partially an alien and, with glasses girl’s help, win Murano’s heart and trust back.

Hideo is nice and terrifying though. So…kudos? I guess.

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For some reason, Kiseijuu: Sei no Kakuritsu episodes 8 & 9 went live at the same time and I’m a little embarrassed to admit that I didn’t realize this for several minutes. No, really! 9 starts in a bus station with Kana looking through the crowd…just how episode 7 ends!

Ignoring that weirdness, what did I think of the episode? Well… too ambitious and unfocused I think. For goodness sakes! Kana could have used the screen time that was given over to Ryoko’s evil parasyte secret society meeting or Glasses Girl talking to her brother about faces or any of the instances where Shinichi scares the piss out of Murano.

Still good looking, creepy, and original though. So I’m only taking it down a point from last week.

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Kiseijuu: Sei no Kakuritsu – 08

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Franklin, sorry if I may have insinuated you were a cold unfeeling insect; I may have gone too far. Not to mention, you ain’t got nothing on Shinichi! Or rather, the New, Improved(?) Shinichi who has taken form in the last couple episodes, the result of the further cementing of him and Migi. The title of this episode is “Freezing Point”, and Shinichi seems to be arriving at his with all due haste.

Granted, there’s still plenty of the “old” Shinichi in there; the one who would take a dying puppy to a quieter place to expire; the warm, kind, humane person Satomi fell for. When she sees Shinichi caring for the puppy, she’s relieved to see that side of him after her initial contact with him was chillier and less “him”. Heck, Satomi pretty much admits she felt “safer” when Shinichi’s kindness was mixed with his former nervousness.

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Then Shinichi instantly burns that just rebuilt bridge by unceremoniously dumping the dead puppy in the trash. That action is harmful enough, but the chilly way he explains his actions to Satomi makes things much worse.

He asks Migi what he said wrong (never a good sign!), and Migi replies that he didn’t say anything wrong per se, it’s just that he sounded like Migi; saying the kinds of horrible things that used to appall Shinichi when Migi said them. His mind’s changed along with his body so much, now he doesn’t even realize when he says the same kind of horrible shit!

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What this boils down to (or rather freezes down to) is that merging more fully with Migi may have given Shinichi amazing gifts, but those gifts are wreaking absolute havoc on his love life, to the point that there may no longer be any hope for him and Satomi. Still, I guess there’s something to be said for that being your biggest problem at the moment, rather than, say, being worried about getting killed by a parasyte.

In fact, this is a relatively action and violence-free episode, and ironically the most dangerous-seeming person for most of the episode is Shinichi himself, as we wonder just how much more he’ll adopt Migi’s behavior. Then a Shimada Hideo shows up and changes all that. Claiming to wish him no harm, Hideo was sent by a preggers Ryouko to ‘observe’ Shinichi, saying their seeking ways to coexist with humans without killing.

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Hideo, like Ryouko and unlike A, is a parasyte to be reasoned with, or is at least sophisticated enough to play along with that notion. But I like the idea that he’s come to the school out in the open as a new transfer student, and proceeds to one-up Shinichi in a number of P.E. activities, as if he’s trying to approximate an ego. He even succeeds in attracting the ladies.

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Shinichi considers what Hideo has said, but just because he’s starting to act more like one of them doesn’t mean he’s ready to trust one. Again, the old Shinichi surfaces as he remembers what a parasyte did to his mother; only now his rage needn’t be internal and stewing; now he has the strength to do something about it.

He wears that moment of rage all too openly on his face, startling an already unsteady Satomi in a moment that had me laughing out loud. Along with the easy alley fight with Mitsuo, the puppy-tossing, and the Hideo pissing gym contest, Shinichi startling Satomi with his RAGE FACE are all examples of this episode’s cheeky but welcome sense of black humor. It lightens the mood at times, but not so much that the serious horror themes are undermined.

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Getting back to the theme of Shinichi now having the absolute worst luck with regards to Satomi, Kana is now essentially stalking him, making use of her latent ability to sense him coming, which she’s taken to believe means they’re soul mates, creating a tidy love triangle Shinichi wants nothing to do with. Even so, his gallant rescue of Kana from Hideo is another example of him doing something he never could have done before without even thinking about it: be a hero.

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Kana can’t just sense Shinichi, but Hideo as well, which means she can detect all parasytes. And thank goodness Shinichi gets to Kana and warns her to stay away from others, or Kana would have met a sticky end. Along with Satomi, Shinichi’s late mother and now his self-medicating father, everyone who has a close bond with him knows something’s very very different. In his dad’s case, he simply can’t comprehend how Shinichi can be so calm and cool about the tragedy that just befell them.

He wonders if Shinichi is “made of steel”, another not-subtle dig at his new status as a hero-in-waiting. And like any superhero worth his salt, Shinichi’s abilities and duty also serve to isolate him from everyone, especially those he loves and who love him. It’s a lonely road, but if he really wants to avenge his mother, he must walk it without fear.

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On second thought, a healthy dose of fear might be called for, after witnessing Hideo change his face to that of a model’s to ‘bait’ a random young woman into following him into a dark alley where he proceeds to eat her. Shinichi did tell him he’d kill him if he harmed anyone…he knew.

Still, Hideo was less than honest with Shinichi, as Shinichi rightly suspected. Unless something else is going on here, and Shinichi’s aggressive attitude towards Hideo goaded him into falling off the human-killing wagon. Whatever the case, Shinichi must continue to keep his friends close…and Hideo closer.

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Pupa – 03

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We take another three-minute journey into the dark and twisted world of the Hasegawa siblings. We’ll assume the begining, in which Utsutsu’s head is chomped off by Yume, is followed either by a flashback or a dream of Yume’s, in which Utsutsu vows to protect her, letting her feast off his flesh in a dirty public bathroom so she won’t have to attack others. Now that’s brotherly love!

Whatever time it takes place in, it’s a suitably bleak and disturbing little scene that’s more than a little suggestive in its lead-in, what with all the proximity and panting. Kirino may have had her unpleasant moods, but Kyousuke certainly never had to worry about her taking bites out of him.


Rating: 6 (Good)

 

Pupa – 02

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Time for our weekly check-in on Utsutsu and Yume, and there’s even time for a little backstory, which is about what you’d expect to be these poor kids’ history: both they and their mother were beaten mercilessly by their scum of a father, and after their parents divorced their mother lost interest in parenting altogether and abandoned them.

So yeah, not exactly childhoods full of love, and yet they still love each other, and neither of them is a bloodthirsty demon, right? Until now, that is. Some “researcher” named Maria shows up to tell Utsutsu that his voice won’t reach hers, but then he finds Yume in the woods chomping on some random bit of person and they can understand each other perfectly.

Unfortunately for Utsutsu, her little sister’s actions are now being driven by animal instinct, so when she tells him ‘she wants more’, she means more meat, now, and Utsutsu gets a gaping neck wound as he’s the closest meat around. That can’t be good! We’re still not quite sure what to make of these comically short series, but it definitely has a macabre, Kafkaesque allure about it.


Rating: 5 (Average)

Pupa – 01

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Well, this will be brief! Pupa is about a guy whose sister sees red butterflies one day, meets a puppy that turns into animate viscera that attacks her, and then she sheds her human skin and becomes a vicious man-eating demon. Any questions?

We have some. For one, why is this show so damn short? If this was an attempt to make something compelling as possible in as short a time as possible, it didn’t quite succeed. There wasn’t enough time to set up any kind of drama or suspense, and we can’t be expected to recoil at gore if it’s censored.

We also entered this thinking Ise Mariya would be the voice of the older sister, but the sister turned out to be a brother, and Ise’ll probably only voice the younger him in some future four–freakin’-minute episode. Oh well, that’s what we get for not doing our homework.

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Rating: 4
 (Fair)