Fruits Basket – 48 – Love is In the Air…and On the Stage

Just like that, it’s the day of the festival and the class play, totally reworked into something “Cinderella-ish”. After Kisa and Hiro arrive to join Momiji and Haruhatsu in the crowd, the first two-thirds of the episode is given over to the play…and it’s wonderful.

The scriptwriter did a masterful job rewriting the script to complement the cast, from making Tooru kind and meek stepsister to letting Saki just be “Sakirella”, regarded by the crowd as “sassy” and “a boss”. The crowd favorite is Yuki, who is resplendent as the Fairy Godmother—Ayame and Mine knocked it out of the park with the costumes.

By the time the big ball scene arrives, Saki is far more interested in Yakiniku than dancing with the prince (her first wish was to burn the castle down, but she settled for Yuki making her dresses for her stepsister and mother). As for Prince Kyou, the actor’s general reluctance to participate is used in the story, making the prince reluctant to find a princess despite his fellow prince (Arisa) helping him out.

Midnight comes, and Black Cinderella must flee, leaving a glass slipper behind and wishing she’d eaten more. At Arisa’s urging, Kyou visits every house in the kingdom until she comes to Cinderella’s house. Saki asks if he’s there to marry her sister (Tooru), which causes Kyou to explode. This works in the context of the play, but is another among many instances of reality seeping into the play.

When Saki launches into a dark monologue about the prince continuing to deceive himself and lock himself away in the castle forever, Tooru is compelled to speak out of turn, yelling “I don’t want….!” Of course, it’s not just her character who doesn’t want the prince to be lonely. This is Tooru expressing her objection to Kyou being locked away by Akito just for being the Cat…as well as her objection to Kyou being okay with it. Their dialogue’s close proximity to their real-life situation isn’t lost on either Tooru or Kyou.

After a deliciously feminist ending to the play (Cinderella doesn’t marry anyone and opens a yakiniku business with Tooru), the play is over, and Kyou couldn’t be happier…only to find that his Shisho is there, but Saki is flirting with him hard, using her sweetest demeanor and most dignified diction while around him.

Tooru meets up with Kisa, Hiro, Haru and Momiji, the last of whom capture the play on his camcorder. Tooru is glad for this, because it means Kureno will get to watch the DVD of Arisa. However, when Hiro lashes out at Haru (despite his efforts not to lose his temper), Kisa gets the wrong impression that Hiro likes Rin (Isuzu).

Released from his acting duties, Yuki checks in on the StuCo and is placed on patrol duty by an angrier-than-usual Nao. He overhears Machi being hassled by members of his fan club for her comments about Yuki not being a prince. He’s about to intervene, but Kanabe wisely restrains him; this is something Machi needs to work out for herself.

Eventually she does speak up for herself, first offering a curt apology when it is demanded, then elaborating on her read on Yuki, which is not only far deeper than the fans’ shallow infatuation, but also resonates with Yuki a great deal. She alone can tell that despite being around so many people, Yuki seems lonely. She can tell because she’s lonely too. Yuki blushes in the way a man blushes over a woman.

Kyou ends up joining Tooru with the others, but before they do, they share a quiet moment with each other, with that scene in the play still vivid in both their memories. But right at the edge of acknowledging their mutual feelings for one another, the two withdraw, neither allowing themselves to think about “it.”

If this were a one or two-cour romance, I’d say they were spinning their wheels, but Fruits Basket will continue for at least an entire third season and I’ve heard it could even extend into a fourth. So it’s so far so good with these two with two episodes left in the second season. I also continue to be intrigued with the Yuki-Machi connection, though I do hope they get to actually interact more down the road.

Check out Crow’s thoughts on the episode here!

Fruits Basket – 47 – Nothing Like a Prince

Yuki continues to open up to Manabe, expounding on the evolution of his relationship to Tooru. First she was a wierd classmate who lived in a tent, then he saw he could use her to rebel against the Souma clan. At some point, he started to realize strong maternal vibes coming off of her as a result of her showering him with unconditional love and kindness.

It started when she told him to become friends with her again even if her memories were taken by Hatori. And Yuki panicked when he felt this way, and immediately tried to deny and suppress those feelings, even trying to interact with her more “like a man does a woman,” creating a love triangle with Kyou even though the two men weren’t seeking the same thing.

It’s the first time Yuki’s able to talk at all about this being about more than competing or not being able to “beat” Kyou for Tooru’s heart, but rather feeling something other than romantic attraction and being okay with her and Kyou as a couple; after all, he’s observed the two together and is pretty confident they love each other.

The one thing Yuki doesn’t want is to waste the kindness and warmth Tooru gave so freely. He wants to use it to move forward and discover his own “special purpose in life.” He’s buoyed by being able to discuss it so candidly with Kakeru—who he notes is also a kind (in his way) person to listen without judgment. However, Yuki wisely doesn’t discuss any of this with Todou Miki!

Yuki sees a day coming that he’ll be able to tell Tooru how he truly feels and about the purpose he’s found thanks to her love and support. Until then, he’ll keep watching over her, as he does right after casually confronting Kyou about the hat, which causes Kyou to withdraw into his room.

Before Yuki came home, Tooru and Kyou were having a flirt-fight in the entryway over his confiscating of her Cinderella script after she let Shigure know about it. Kyou still hasn’t committed to even participating in the play, and he certainly doesn’t want Shisho to know about it.

There’s also the matter of Tooru simply not being able to act like anything resembling an evil stepsister, as expected. She promises to work hard and even go without food in order to master the role, but it seems hopeless. With Ayame and Mine sure to provide some unique takes on Cinderella costumes and both Kyou and Saki also seeming miscast, the scriptwriter decides to scrap what she has and write a script that better fits the actors.

I’m all for that, and it’s great to see Ayame trying to support his brother in any way he can, once again making up for all the neglect Yuki suffered in the past, including from a then-indifferent big bro. It’s also fun watching Yuki’s classmates react to finally meeting his very different brother—while I’m sure Mine probably felt like she just struck gold upon meeting Saki and Arisa!

When Yuki goes off to look for Kyou for Tooru, he finds him sulking on the staircase. Kyou is going over what he said to Yuki when his hat was offered back to him. Remember: Kyou still considers Yuki not only a rival for Tooru’s heart, but the underdog, even if the truth is he’s running more or less unopposed.

As such, Kyou interprets Yuki bringing up the hat and the fact he gave it to Tooru to be another instance of looking down on him. When Yuki dares bring up Tooru (specifically why Kyou is making her worry by ditching rehearsal), all of Kyou’s insecurities come pouring out.

He lists all the ways he sees Yuki as better—having a living mom and dad, being needed and praised by others, surpassing him easily as he desperately struggles, etc. Had they ever deigned to open up to one another, Kyou would know all those things Yuki has “over” him are more curses than blessings. What I’d give for Kyou to watch last week’s episode and the first half of this one!

Instead, Kyou sees Yuki’s expression—one not of anger but of sadness, almost on the brink of tears—and sees it as yet another instance of looking down on him. So he punches a window and storms off. This results in another welcome interaction betweeen Yuki and Machi, as Machi contradicts her classmate saying he’s the least prince-like person she knows—again, because she knows Yuki’s pain.

Kyou finds Tooru sitting in the classroom after everyone else left, and his thoughts stray towards what she was thinking about before he arrived, when she was alone. When she excitedly presents Kyou with the revised script, I was fully prepared for him to dismiss it out of hand, or even slap it out of hers, like the old Kyou; like the Kyou who might’ve resurfaced after his rant to Yuki.

Instead, he draws ever so close to Tooru, and then agrees to do the play, warning her not to laugh at him! The two share blushing looks before heading home together. The now-explicit contrast between Yuki’s and Kyou’s feelings for Tooru paves the way for potential happiness for all three of them in the future. I’m also not discounting the potential for a relationship between Yuki and Machi—stranger things have and will happen!

Fruits Basket – 45 – It’s Fine to Be Buttoned Up Wrong

We return to Kaibara High as Yuki, Kakeru and the StuCo prepare for the Cultural Festival. Kakeru asks why Yuki has yet to acquire a cell phone, which requires a parent’s sign-off, and Yuki states it’s partly because his family is like shirt “buttoned up wrong”—an expression Kakeru loves.

As the they approach the office, a book flies through the window of the door, shattering the glass. Inside it looks like a tornado went off, and Machi stands alone in there, looking mortified. Kakeru asks the others to leave things to him, and Yuki notes that it’s not the first time.

What is Machi to Kakeru? Well, since he now trusts Yuki, Kakeru confides in him something the other StuCo members don’t know: he and Machi are stepsiblings, with the same father. He brings up a recent heated dispute over succession going on between their mothers, with Kakeru being the older male heir but whose mother was a mistress, and Machi being a younger female but her mother being her father’s wife.

Initially, Kakeru and Machi were caught in the middle at a time when Kakeru took everything his parents and other adults said as gospel. But eventually, he came to see how he was “mixed up in something dumb” and freed himself by acting out, which led his mom to withdraw him from consideration for succession. This means Machi stands alone as the potential successor—or would be, if her gender didn’t complicate matters.

As Kakeru puts it, he may be free, but Machi may not be. Trashing the StuCo office is akin to what he did one night during dinner, only in private; a dry run that lacks the stakes of the real thing. Yuki is able to put his own family troubles into perspective learning that plenty of other families have issues and are similarly “buttoned up wrong,” but also acknowledges that family can’t change, so you just have to live with it. Yuki ends up tossing up the pile of papers they had just reorganized.

It’s a gesture that says it’s okay to accept the things you cant control, and even laugh them off. Yuki then takes the application to his mom, who signs it without complaint. Before Yuki takes his leave, she says perhaps the most “parent-like” thing she’s ever said to him: “D-don’t spend too much time on the phone.” The surprise of hearing those words from her and the awkwardness with which she said them bring a smile and chuckle to Yuki’s face.

The next day, Machi returns to the office to apologize and promise not to trash it ever again (a promise she’s made before), and while Nao continues to fume and scold (he’s really annoying this week), Yuki follows Tooru’s example, asking Machi if instead of simply making such a promise not to do it, to help them understand why she did it.

The other members of StuCo (minus Nao) are impressed with his display of empathy and kindness, but Yuki realizes he’s late for his class meeting to announce the roles for Cinderella, which the class will be performing for the festival. Abstaining from the role of prince due to his workload, a reluctant Kyou is chosen as the prince and Saki(!) as (potentially “Wicked”) Cinderella.

As for Tooru? She’ll be an evil stepsister, and she assures Yuki she’ll work hard to be “more evil than the devil himself!” Uh…yeah. Uh-huh. Members of Prince Yuki hope her role as villainess will hurt her standing with Yuki, but they’re so clueless it’s almost sad. Arisa doesn’t see why they can’t do a more grown-up play, and she has a point: I just got done watching Sakura’s fifth-grade class perform it!

Shortly after returning to the StuCo office, Yuki accidentally ends up trapped in the storage room, the lock for which is broken. He knocks an open can of black paint(?) which splatters on the wall and his uniform, and suddenly memories of when Akito tried to ratttle him at the beach well up inside him, making him anxious.

Leaving aside whether Miki arranged for him to be locked in there (I’m not sure what her motive would be), it’s Machi who ends up busting through the door to rescue Yuki, stating that she didn’t want him to feel anxious, as if she could sense that indeed he was just that. He quietly thanks her and then goes off with Kakeru for some fresh air.

When he’s feeling better, he pays Kakeru back for his openness by bringing up something he hasn’t brought up to anyone yet, due to it seeming “pitiful and pathetic”: regarding what he “yearns for” in Tooru, which he only just learned was something he shared with Rin. While that thing is left unsaid, I’ll be using “familial love” as a placeholder until Yuki says otherwise, but it could just as easily be “the ability to take care of oneself and others, rather than just be cared for”.

While Yuki’s adventures in StuCo lag far behind Tooru’s new connection with Rin and their efforts to break the curse in importance, it was still rewarding to learn more about Machi and Kakeru’s ties, and see Machi and Yuki become a little closer since he gave her that leaf. I wonder if Yuki sees Machi as an opportunity to prove to himself that he can indeed care for and help others, thus paying forward all that Tooru has done for him. We shall see.

Read Crow’s review of the episode here!

Cardcaptor Sakura – 14 – If the Shoe Fits

This week Sakura is given a personal invitation by Yukito to his and Touya’s high school cultural festival. She takes Tomoyo along, but when they arrive at Yukito’s class’ traditional sweets shop (Dagashi Kashi!) they find that Yukito’s other admirer, Syaoran, is already there, and on his tenth or eleventh ramune, should probably be cut off.

We meet Touya’s high school classmate Yoko, whose friends have deemed her the best match for dating Touya. Both are good, kind, capable people, after all. It’s just that the entire high school is blissfully unaware of the reason their two crown princes Touya and Yukito remain without girlfriends. Meanwhile, Yukito beats the entire basketball team to win plushies for Sakura, Syaoran and Tomoyo—in that order.

Eventually, Sakura learns what her brother is up to: playing the role of Cinderella in a gender-swapped school play. She and Syaoran both end up on the floor at the outrageous sight of her big brother—who is not the most naturally gifted actor—in tattered dress and their mutual crush, who wears a can of mackerel on his head for no discernible reason.

As the play progresses and Cindertouya meets Prince Yoko, the Mist Clow Card shows up, rotting away the sets. Yoko starts to fall from the balcony but Touya catches her, but it’s a serious situation. Sakura and Syaoran head to the projection room to get a better view of things; on the way Sakura calls Kero for advice. He suggests she wrap the Mist up in order to secure it.

To do so, Sakura releases the Shadow card for the first time, and successfully captures the card. When the balcony gives way and both Touya and Yoko continue to fall, Syaoran summons wind magic to ensure they land softly and safely. He may not have gotten a card this time, but he does receive Sakura’s genuine gratitude for his quick thinking and help. His tsundere reaction confirms they remain rivals, but his momentary blush indicates Sakura is growing on him.

Like most high school festivals, this one ends with a bonfire dance. Yoko confesses her love to Touya, who predictably turns her down (even she saw that coming), but agrees to her request to dance with her (and only her)—a welcome consolation prize.

As for Sakura, she ends up winning the Yukitostakes when she gets to dance with him while Syaoran can only look on in seething envy. Even knowing full well Sakura has less a chance with Yuki as Yoko has with Touya, there are no words for the pure joy on her face during their dance.

Isekai Quartet 2 – 12 (Fin) – Breaking a (Giant Metal Spider) Leg

IQ’s second (but by no means the last) season wraps up with two parallel performances: first, that of the school play Cinderella, to which Rem contributes a…shall we say unique version of Cinderella, who exploits the masochism of one of her stepsisters, derides the homebrew pumpkin carriage as “pathetic” (probably because Subaru is part of it), can’t help but ruefully laugh during her glow-up, and kisses her sister.

As that farce unfolds, the “Battle of Maidens” plays out in the schoolyard, with the all-female defense force all contributing their unique talents to keep Destroyer from ruining the play (and likely the school buildings as well). Raphtalia and Filo only need to hear the first few words of Reinhard van Astrea’s motivational speech (which he also gave during the giant whale battle in Re:Zero) to join in.

Aqua actually ends up scoring the coup-de-grace with a God Blow, echoing a similar battle in KonoSuba. As the episode flips from the battle to the play, it employs clever transitions that tie the two performances together. With a strong finale, Isekai Quartet remains a fun lightweight, pocket-size diversion. I honestly wouldn’t mind if they kept it up indefinitely, continually adding characters from popular isekai anime.

Isekai Quartet 2 – 11 – The Show Must Go On

The school festival is on, and immediately attracting characters from a sixth isekai anime, Cautious Hero. Sadly for Ristarte, Seiya deems it too risky to enter school grounds. While he may not be aware that an attack on the school by Mobile Fortress Destroyer is imminent, he’s not entirely wrong to be wary, but he surely possesses enough power to defeat such a boss.

Many of this week’s visual gags come in the form of the ridiculous costumes, in which none of the animal masks fit over the chibi-fied characters. Ainz in particular is just Ainz with a horse head plopped on top. Still, Raphtalia and Filo think Naofumi looks cute, while Albedo & other followers of Ainz are no doubt that much more smitten by his new look.

The issue becomes, how can the MCs participate in the play when Destroyer is out there, ready to…destroy? Simple: by relying on their friends, or in this case Albedo, Emilia, Visha and Aqua. Everyone mostly hopes Aqua won’t undermine the efforts of the other three. Tanya and Ainz then use reverse psychology to get Megumin to play the Fairy Godmother in place of the indisposed Aqua. Everyone has their roles, all that’s left is for the curtain to rise!

Isekai Quartet 2 – 10 – Who Killed Mr. Archie?

The Cultural Festival is approaching, which means Class 2 must choose a play and a food stall. The play chosen is Cinderella, with Ram(!) in the lead role and Rem(!!) playing the Prince. We also learn Naofumi will be Class 1’s Ugly Duckling.

The four MCs, meanwhile, will play…horses. They probably don’t mind stepping out of the spotlight in this instance, but Shalltear is not happy about her master’s lot. Master of food Visha spearheads Class 2’s choco-banana stand.

In the midst of lively preparations, bouts of destruction take hold on campus, starting with the hutch sheltering Hamusuke and Death Knight. While Reinhard and Beako are stumped for the moment, we Konosuba watchers know the culprit is the massive robotic spider known as Destroyer.

One wonders how such a huge foe is keeping itself hidden from everyone, but its next victim is “Mr. Archie”, Aqua’s affectionate name for the hand-painted arch it would seem Kazuma mostly worked on. Fretting over how long it took and how little time remains until the festival begins tomorrow.

Aqua has an extended temper tantrum, and can only be snapped out of it by a determined Rem, who substitutes Aqua for Subaru in an abridged reenactment of her seminal “Return to Zero” scene from Re:Zero episode 18, a rare instance in which we see both her eyes.

I knew as soon as Aqua said “step one” that it was coming. As for the faculty, they seem to know a lot more about why they’re all here, and leave it up to the students whether it was the right choice or not. Between those words and Destroyer, something big is on the horizon during and/or after the festival.

HenSuki – 12 (Fin) – After Much Deliberation…

Keiki wakes up from a nightmare (in which he takes his new wife Sayuki out for a walk, like a dog) to find Mizuha in his bed, reiterating her love for him, kissing him, and essentially urging him to choose her among all his choices. Needless to say, she comes on too strong, and ends up pushing Keiki right out of the damn house.

He ignores Mizuha’s many calls and instead gets in touch with Shouma and Koharu, to tell him his situation and ask for a place to crash. Alas, Shouma’s house is full and he won’t allow Keiki to stay at Koharu’s. He also encounters Mao, fresh off a BL-writing all-nighter, who has bean cakes and milk at the ready for the hungry Keiki.

Mao only lends more evidence for her case as Best Girl by supporting Keiki without judging, while having her own thing going on separate from him. She may not be aware of Mizuha’s romantic love for him, and assumes they had a sibling spat, but she knows in the end the two of them will be fine. She even gets an accidental indirect kiss in!

The episode then widens into an extended montage with both Mizuha and Keiki attempting to text their feelings, but not actually sending any messages to each other. Keiki also called his dad, who confirmed that Mizuha was adopted, and Keiki warmly and immediately welcomed her into the family. It seems very odd he’d forget this.

In any case, even a single day away from home proves too much for Keiki, as he only just manages to get in the front door after getting caught in the rain before passing out, cold and feverish. Mizuha puts aside their present issue and takes care of her brother.

Mizuha calls Sayuki, who rushes to Keiki’s side and jumps in his bed to warm him. Sayuki also texts Yuika, reporting their boy is “defenseless,” but they ultimately can’t put their competition on hold long enough to calm down, so Mizuha kicks them both out so Keiki can get better in peace.

Keiki wakes up in the middle of the night, his condition improved, and once again walks in on a naked Mizuha in the bathroom. They stay on either side of the door trying to talk this thing out, and Mizuha mentions that her love for him began on that day when he welcomed her (which again, he forgot) and only grew from there. She lost her family in an accident, but gained a new one.

Still, Keiki had never viewed Mizuha as anything other than his little sister, and even though things will never quite be the same whether he accepts or rejects her love, he decides to remain that caring brother going forward. It’s a safe, sensible chocie that’s true to the character he’s been thus far.

That being said, he can’t weasel his way out of granting the command of the winner of the confession contest, and Mizuha wants him to be her boyfriend for a day. She concedes that going from brother to permanent boyfriend isn’t like flipping a switch, but seems determined to gradually change his mind.

It doesn’t help her case when he finds out her phone is full of selfies of her in various stages of undress. Turns out she’s a full-on exhibitionist! Looks like “normal” for Keiki was, is, and will always involve attracting women with particular tastes. A girl bereft of said tastes probably isn’t in the cards for him. Might as well go for Mao!

HenSuki – 11 – A Matter of Math

This week’s HenSuki is a pool episode, but the pool trip is only a means with which Keiki intends to expose and confront Cinderella once and for all. And hey, if he gets to see the girls in swimsuits, including one he brought for Mizuha (since the trip is a total surprise for her), that’s just a bonus as far as he’s concerned.

Sayuki and Yuika, whom he’s ruled out as the culprit, get up to their usual antics in fighting over him, while Mao keeps her tsundere schtick going when she gets him to herself. Amidst all the liveliness Mizuha is somewhat shuffled to the side, but Keiki tracks her down and carries her when she gets a cramp, like he used to do when they were both smaller (and about the same size).

When Koharu enlists the girls to participate in a girl confession competition with the audience as the judge, all four girls score 92 or higher, with Mizuha breaking the equipment with her very heartfelt confession of love for her brother.

All of these clues involving Mizuha add up to the revelation in the waiting area that she is Cinderella. Keiki arranged things so that she wouldn’t have a change of underwear except the pair that accompanied the love letter, which she reclaimed and kept in her bag at all times. Koharu’s photo also proves she was where Cinderella would have to be at the time the love letter was planet.

Mizuha accepts that she’s been caught, and appreciates that Keiki went so far to find out it was her, as it meant he had to obsess over her for the duration. That’s because she really is in love with him, and it’s not sibling love. When Keiki tells her he’s flattered but he’s not okay with a brother and sister having romantic feelings, she drops a bombshell: they’re not related by blood.

While it’s still somewhat dubious Keiki would be okay with suddenly regarding a girl he’d always treated like a sister (by blood or not) romantically, I’m more shocked that after all these years he never considered it odd that the two of them were only five months apart in age. Seems like a pretty big oversight!

With the central mystery solved and just one episode to go, Keiki has a choice to make: accept Mizuha’s feelings and adjust their relationship accordingly, or reject her and either choose one of the others or choose nobody. Decision time!

HenSuki – 10 – No Looking Away

Thanks to the photo of him rummaging through her underwear, Keiki is suddenly Yuika’s willing and attentive slave…and Sayuki is hurt to see her master brought so low, especially knowing it’s due to treachery. Still, Yuika manages to maximize her time with him, dressing him up in a butler outfit of her own design, then using him as a porter during a shopping spree.

After shopping, Yuika takes a bath, but screams when she sees a spider, making Keiki come running to her rescue. Yuika sentences him to death for seeing her naked, but quickly softens when, after she steps on his head, his stroking of her head reminds her of her late grandma. After she trips onto her bed, Keiki discovers she stole a pair of his boxers, so just like that, the blackmailing ceases.

As Keiki and Shouma lament another summer without girlfriends (clearly due to their lack of effort and nothing else) the focus shifts to Nanjou Mao, who first uses Keiki as a model for her boyfriend in a shoujo one-shot she’s working on, then proposes he become her “boyfriend” for research purposes…if he’s not dating anyone else.

Considering how strong she comes on and all the blushing, I wouldn’t be surprised if she actually does like him, though like him with his whole Cinderella investigation, or Shouma with his lolicon, she’s simply hiding from the truth; in her case, behind manga-related excuses. After a recharging hug and sniff, Ayano even proposes she and Keiki start dating, but he respectfully declines. As I said, if he doesn’t have a girlfriend this summer, it’s all his stinkin’ fault.

Perhaps, with a photo taken by Koharu on the day he received a love letter from Cinderella, he’ll finally crack the case open and learn which one of the girls in his life gave him her underwear…or if it’s someone new entirely.

HenSuki – 09 – Boiling Over

In what must be a dream come true for Sayuki, Keiki takes her on a date to a theme park as his pet, and she must call him “master” and follow his commands. Of course, Keiki’s ulterior motive is to confirm whether Sayuki is Cinderella. The proof he seeks is whether she’s wearing the stolen underwear from his room originally gifted to him by Cinderella.

Sayuki wears a skirt for their date, but it’s long enough that none of the thrilling rides they take cause it to flip up in his field of vision. Like his date with Yuika earlier in the show, it actually goes quite well, aside from the investigation. After “being mean” with scary rides, he lets her decide to go on the Ferris wheel, and then he praises her shodou at an exhibition.

But while the Ferris wheel was definitely the place to do it, Keiki waits until the last second, at the end of the date, to order Sayuki to show him what’s under her skirt. As his dutiful pet she obeys, despite the embarrassment … because she’s not wearing any underwear at all. She went commando for the whole date.

In addition to neither confirming or denying whether Sayuki is Cinderella, Keiki finds that things are awkward at school the next day, with Sayuki not acting like herself. Yuika notices the change too, and the avowed sadist tries to make things worse by flirting with Keiki right in front of her.

Throughout Yuika’s initial attempts, Sayuki continues to write “patience” over and over on a parchment, until she runs off onto the table. By the time Yuika jumps into Keiki’s arms and they’re tumbling to the floor just as Mao enters, Sayuki has seemingly “hit her limit” and flees without a word.

When Keiki comes to them for advice , Ootori and Shouma can’t really say what’s bothering Sayuki, but the fact that it’s bothering Keiki means he must truly care about her, otherwise he wouldn’t be so worried about how she’s feeling.

The next day Keiki confronts Sayuki, and learns that she was acting the way she was because she thought he was playing “hard to get” after not doing anything to her after she lifted her skirt for him. She was hoping for a “healthy spanking,” and took getting nothing instead (and dealing with the rising anticipation) as a form of discipline in and of itself.

Keiki decides to ask her straight up if she stole the underwear, and she owns up to it. The only problem is, she didn’t steal Cinderella’s underwear, she stole—and is presently wearing—Keiki’s boxers. If only he’d asked the right question: Did she write him a love letter with the blue underwear?

So the mystery continues, because Keiki is an awful investigator. It’s raining after school, so he walks the umbrella-less Yuika home, but gets cold and wet so she invites him in. Rather than simply ask her directly, he rifles through her underwear drawer while she’s making tea, and gets an incriminating picture of himself snapped for his trouble.

That photo all but ensures he’ll be Yuika’s slave for as long as she has it in her possession. Why he thought the risk of getting caught in her underwear drawer was lower than the risk of alienating her for asking if she’s Cinderella, I have no idea. Keiki just can’t get out of his own way here!

HenSuki – 08 – Fairy Godsister

For all his more kinky potential love interests at school, Keiki’s home life is defined by a healthily affectionate relationship with his imouto, with whom he spends the most time this week. Okay, maybe they’re a bit too close, as her reaction upon him walking in on her is almost too calm, and she seeks advice from him about the color of her underwear, and they have no problem with close physical proximity.

A quiet day at home is punctuated from a visit by Sayuki, who apologizes for jumping him at the clean-up session, but deems it the result of him showing his “pet” inadequate affection. So she has him do dog stuff to her: shaking hands, patting her head…and rubbing her belly. It’s the last thing that Mizuha walks in on.

Immediately after an “emergency family meeting” where he smooths things over, Yuika arrives, also bored, and dresses Kaiki up as a bunny girl before again removing her underwear for him. Mizuha walks in on the middle of that, necessitating another meeting.

Basically, after Keiki dealt with Ayano and Koharu, Sayuki and Yuika reassert themselves as his two primary love interests. Finally, Mao calls him, aware that the other two were planning to visit him, and asks a very cryptic question about what he’d think about her being his girlfriend.

Later, Keiki is shocked to discover Cinderella’s white underwear has vanished from under his bed. He concludes either Sayuki or Yuika took them, which makes them the two prime Cinderella suspects. I for one am not so sure about that, or his further deliberations with Ootori and Shouma.

For one thing, Mizuha could have removed the underwear. For another, either Sayuki or Yuika could have taken them and not be Cinderella. Finally, Mao’s phone call is super-suspicious. Still, Keiki is hell-bent on discovering the culprit once and for all, so he isolates Sayuki and takes her out to a theme park in order to continue his investigation.

Masamune-kun no Revenge – 04

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Masamune continues to expose the fact all he knows about courting girls is through shoujo manga. Staring at Adagaki throughout class and then lending her his umbrella, all while spouting canned lines, just ends up kinda creeping her out. Yoshino suggests he cool it, literally, by mixing it up and starting to ignore her.

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That turns out to be a lot more difficult than Masamune could have imagined, as he feels he’s throwing away all the goodwill he’s built up with Adagaki. But, despite how badly he’s flailing, it does actually work: Adagaki doesn’t consider him a bug.

She can’t, not when he’s irritating her this much with all the ignoring. When she confronts him roughly in the hall (not at all what he imagined), Masamune can only say he likes “everything” about her before running off…to see Yoshino again. But because of the camera angles, you know Adagaki followed them, and gets the wrong idea about the two.

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While playing hooky for the first time, Adagaki is approached by Yoshino, and tries to play it cool, but Yoshino comes right out and tells her about all her contact with Masamune. “He only has eyes for you,” she says to Adagaki, getting more and more flustered. Before Yoshino can deny she feels the same, Yoshino vanishes.

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It’s while Adagaki is rushing around aimlessly, stuck in her thoughts, that we learn what she thinks of herself, and why it’s so “inconceivable” that she’d like anyone, or that anyone would like her. The Cruel Princess act is an intentional one, designed to keep others away.

She wants to keep others away because, as she says, she ” hurts others to avoid being hurt,” and we see her there dressing down Pig’s Foot. I imagine she did not expect Masamune to leave when he did, and branded him a liar, but also wonders if he left because she drove him away.

To avoid history repeating itself, she’s been aloof and kept her distance from everyone. Whether she’s worshiped or hated, she’s not close enough to anyone to hurt anyone or get hurt.

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But now things are changing. Masamune’s cold shoulder awoke feelings in her, and when he saves her from getting hit by a car, she’s right on the cusp of telling him when the driver of the car gets out…and embraces Masamune.

Apparently, the story of Masamune and Adagaki cannot be so neatly wrapped up so quickly and easily. Whoever this girl is, she’s competition, which is something Adagaki has never had, reigning as she has over all the boys and girls at school. And like class rep Futaba, this girl is someone else threatening to knock Masamune off course.

But what’s the fun of things being too easy? I’m game for the complication New Girl brings.

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