Isekai Quartet – 12 (Fin) – Not Too Bad At All

Class A agrees to fight the three teachers (Rerugen backed out, not wanting anything to do with the other three) while Ainz, Tanya, Subaru and Kazuma must deal with Destroyer. It’s a great realization of the potential of putting these four together, and an appropriate way to end the first of at least two seasons of this super-deformed super-crossover.

Tanya’s shield gives Ainz time to cast Effulgent Beryl, pushing the spider back, and he then summons an entire army of chibi undead soldiers, many of whom flock around a very uncomfortable Aqua as Emilia smiles cheerfully, happy everyone’s getting along.

Ainz leaves the rest to Tanya, who flies Subie and Kaz up into the air. Subaru volunteers to fall first, cleverly using his Return by Death to attract a column of undead that serve as a shield against Destroyer’s beam. Kazuma then jumps, casting “steal”, which actually works for once, only not on underwear, but on a bolt holding one of the spider’s legs.

Finally, Tanya swoops in and grabs Destroyer’s purple headband, earning them the victory and 100 million points…but pointedly not the reward of returning to their respective other worlds! Turns out Roswaal’s “maybe” meant just that…”maybe.”

That said, the class is in agreement that this new world and school life aren’t that bad. It’s a good attitude to have considering they’re in store for at least twelve more episodes there, with a fresh batch of “transfer students.” Will the likes of Clementine, Mary Sioux, Priscilla, and Wiz be among them? We shall see, next season.

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Isekai Quartet – 11 – Let’s Get Nuts!

Field Day starts orderly enough, with members of Class 2 and Class 1 exchanging pleasantries, and Yunyun, apparently from “Class 3” challenging Megumin to a battle (turns out she’s the only member of Class 3).

From there, a series of contests from tug-of-war to…donut grabbing(?), to the cavalry battle. The latter is worth 100 million points, rendering all the previous exercises and their somewhat random pointless.

Then the teachers join in, with Roswaal, Vanir, Pandora’s Actor, and a reluctant Rerugen wondering what he’s doing with these weirdos. Classes 1 and 2 decide to join forces to beat back the faculty, who then deploy their trump card, the Mobile Fortress Destroyer from KonoSuba.

While the show should be lauded for bringing in so many more familiar faces, it’s odd that Class 1 is only around half the size of Class 2 (though “Class 3” is a good joke), and for an episode with so much activity, there’s precious little action, which is to say…animation, only the suggestion of it through panning montages.

Kujira no Kora wa Sajou ni Utau – 06

The people—specifically the youth—of Falaina prepare for battle. After a certain age even the Marked can’t use Thymia, so they’ll be depending on children to fight, many of them quite small, and like everyone else, tought their entire lives not to use their power to hurt people.

They must unlearn all that pacifist conditioning and learn to kill, which is what their enemies will be experts at right out of the gate. A seldom-seen elder makes sure Suou understands what leadership is: he’ll be sending children to kill and die. Suou seems to. I mean, what’s the alternative; just sit around and wait to be killed?

One Falainan who’s never had trouble hurting people with his Thymia is Ouni, and he mentally prepares for the task ahead with his old friend Nibi, who welcomed him into his gang when they were kids when Ouni showed him that things like the Bowels weren’t really that scary.

There are scary times ahead, but it certainly seems that Nibi will be by Ouni’s side for them. Whether that spells the end for him when they infiltrate Skylos and try to kill its Nous…this isn’t the episode about that fight, but the final build-up to it. And at that, it works generally well.

As one of the people going on the infiltration mission, Chakuro will be doing more than simply witnessing events, he’ll be a direct participant in them; forced to use his infamous “destroyer” powers for actual destroying; maybe of the Nous, maybe of fellow humans, maybe both. It’s uncharted territory.

Fortunately, Lykos will be by his side, and while her gradual falling for Chakuro was both inevitable and predictable, it sure beats her having no emotions at all, even if, as she says, “feelings get in the way.” It’s true! But without feelings, would life really be worth living? I mean, what are we doin’ here, trying to win a stoicism contest, or LIVING?!

While preparing for the battle that may decide the fate of many a person, as well as that of the entire Mud Whale, the show remains content to keep us in the dark about Neri and her apparent twin, Ema, or what is up with her angel wings of light.

Suffice it to say, she’ll play a more satisfying role educating Chakuro on the secrets of the Mud Whale perhaps nobody knows besides the elders; and some stuff that even they might not know. But for Ema to start spilling the beans, Chakuro has to come out of this in one piece.

The villagers throw sand at each other in a tradition called the “sand returning” which kicks up those who have been lost into the air. In a touching scene Lykos witnesses Chakuro doing this for the late, dearly departed Sami.

After that calm comes the storm—a sandstorm, of course! Skylos can be heard before its red lights can be seen, but the great battleship doesn’t fully emerge quite yet; we get the credits. That means next week will be the battle – no more procrastinating!

Haifuri – 08

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Haifuri establishes that the virus was all an evil plot by the scientists or… something this week. See the creatures were created in an underwater submarine and the training mission was just a cover to collect and/or destroy the evidence. Also the virus is bioelectric something something, which explains why electronics have been malfunctioning.

Also, cats are immune. Dun dun duuuun.

This week’s combat focused on using tides and shallow waters to trick a virus-cruiser into grounding itself. The action and the plan was so-so but what broke my will to keep watching this show was how drawn out it all was, and that there is no chance anyone on the crew will be injured, so there’s no drama to the ‘we can’t hold on any longer captain!’ cries everyone belts out emptily.

Then there was butt-grabbing because of course there’s butt grabbing. Oh Hairfuri…

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Haifuri – 07

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Harekaze is running low on fresh water because… a leak or something. The girls are forced to endure salt water showers, salt water douches, stinky salt water laundry for their panties, and a limited menu at the cafeteria due to water rationing.

Then they sail into a fog bank and all animation literally stops. No, I’m not kidding! Stills of girls in swim suits replace any animation for 3o seconds until a storm breaks out and we learn that Captain-chan is afraid of lightening…

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Except she isn’t. She just remembers that her parents died on a ship during a lightening storm but now a civilian ship is stuck in a lightning storm and Harekaze has to come to the rescue, low fresh water and boobs to the face or not.

The civilian ship falls apart during rescue and Deputy Captain-chan is stuck underwater saving a male kitten because WTF??? The episode needs some drama and the writers couldn’t think of anything to actually do with this show so they gave us another middle finger.

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After the non-drama is over and deputy-chan is rescued, Musashi lurks beyond the mist.

Next week the girls will struggle to balance friendship, fire power, salt water, and probably cats, or face the dreadful consequences!

Roll CREDITS!

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Verdict: Episode seven was a wincing turd. There was no drama, Captain-chan’s backstory was hilariously forced and ham fisted, Deputy-Captain-chan’s new cat bloats the cast further and I just want to see each and every dumb girl on this show die in a fire-ball, followed by a slow drowning of their corpses.

Straight and simple, this was all fill. Insulting, empty, pointless fill with a mild helping of fan service on the side. Do not watch this show. Whatever promise it had has been squandered 3 episodes in a row.

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Haifuri – 06

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Back at fleet/school command, the big wigs are not only confused and concerned that Musashi was able to defeat a state-of-the-art fleet but, worse, many more student ships have gone AWOL. The remaining loyal ships either require weeks or months to be deployed or are lighter ships like Harikaze.

Meanwhile, Deputy Captain-chan continues to call Captain-chan out for her appalingly innapropriate command behavior. It’s hard to fault her for this since constantly running off the bridge and disregarding the safety and operation of her own ship really is nonsensical. This makes Captain-chan’s already sacerine goody-goody personality pretty un-compelling, if not truly unlikeable. However, since Deputy Captain-Chan literally brings nothing to the table herself, showing neither leadership nor technical abilities, she’s unlikeable too…

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Then everybody takes a bath, then the ship ends up trapped in a mine field, but German-chan doesn’t like nato, and the kitchen staff tries to make German style food for her but fails, but then the girls assigned to clear the mines goof off and get blown up, except they aren’t killed. Then then then, after the credits, the doctor injects herself with antibodies from the Rats.

Maybe German-chan’s nato/german dinner arc was to remind the viewers of our own ignorance of other cultures? Maybe leading into the bath scene with shadowy Japanese politicians effectively talking about penis size was meant to poke fun at the girl-military genre fetish? …but that’s probably giving Hifuri too much credit.

In short, a lot of stuff happens but few events carry consequences or relevance.

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The verdict: as it bothered me last week, I appreciated the school command’s bewilderment at Musashi’s survival. Blaming the electronic guidance of the missiles seems clunky, especially because we know this is somehow caused by the rat-virus, but it’s far better than a ‘Musashi so strong’ circle-jerk alternative.

That aside, the central conspiracy with the rats is problematic. Even with we ignore their ability to infect people AND ELECTRONICS equally, the plot seems to have moved away from an internal government conspiracy for them being there. Sure, a plot about evil men trying to cause a conflict so they could retake the quasi-military back from women is eye-rollingly simplistic, but at least it would have villains and a sense of purpose.

Overall, Hifuri just lacks tension. No one has died yet — even the girls who drove right into a mine — and no decision has carried consequences of even the blandest sort. Sprinkle in the absurd number of characters, and you have a bland bland bland show about a mysterious virus at sea with explosions that can’t hurt anyone.

Its watchable but by the thinnest of technical margins.

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Haifuri – 05

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A substantial portion of this week’s Harekaze is left to the crew screwing around in swimsuits and sharing a few backstories. Tama is questioned by the adults over her gun-rage, but she can not remember anything. Also German-chan is formally welcomed by the crew with a cake. She responds by comparing the crew to a sausage and a charming but tiny castle.

While not particularly important, these sections function the best. They’re colorful, expand our admittedly fuzzy understanding of the bridge crew and set up Captain-chan’s betrayal at the end of the episode as truly heart breaking: in a time of crisis, she abandons what amounts to family.

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The rest of the episode is mostly dedicated to a fleet of boy-marine-training-destroyers getting demolished by Musashi. The engagement is rendered well enough, at least as 3D rendered objects go, but the pacing is poor and since we don’t know any of the boys and their attacks are so laughably ineffective against Musashi’s great indestructible Japanese armor, it lacks emotional impact.

Long time Rabujoi readers can probably guess that I rolled my eyes at Musashi’s durability. Even if it’s not autoerotic nationalist wank fantasy fuel, a 50 year old battleship being pounded by 12+ modern destroyers (commanded by trained adults) without a scratch is just feels lazy. The writers could at least have come up with a hand-wavey tactic or surprise maneuver to trump the destroyers but no. Musashi stronger than torpedoes sploosh! Sigh…

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The verdict: learning that the original fight between Harekaze and the instructor’s ship was also rat-rage and not a greater conspiracy clarifies where the show can go, which is good. That said, I’m not sure cute brain-rage inducing rodents is a very interesting path to go down.

Ultimately, the parts of this episode let down the whole. Musashi’s battles were too fragmented and without tactical or technical detail to be interesting and, despite beefing up their stories, the cast is still not that interesting, which makes Captain-chan’s decision to run to Musashi’s aide more of a shrug than an ‘oh noes!’

And don’t get me started on the ‘debris’ that flips Captain-chan’s jet-ski at the last second and preventing her from advancing the plot because roll credits! That is why we didn’t need ten minutes of girls screwing around not advancing the plot in the first place!

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Haifuri – 04

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Harekaze is almost out of toilet paper because each girl uses it for some additional, often wasteful, purpose. So Captain-chan and a small team set out to a floating mall ship to buy more.

While they are away, a floating crate is retrieved but instead of supplies, it contains a red-eyed hamster. The crew’s lazy day is interrupted by the arrival of 2 destroyers and 2 cargo ships, and the girl who saved the hamster becomes violent and opens fire.

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Fortunately, the fleet had come to help and suspects something is going on. Harekaze gets repairs, supplies, and sent on its way and no-one really thinks much of the hamster…

So this wasn’t a very good episode. Yes, we the viewers learn these red-eyed hamsters (rats?) are probably causing the violence on Musashi and the Admiral Spee but the cast hasn’t figured it out.

And really, the majority of the episode is spent hanging around not doing anything, repeating character relationships we already know.

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The Vedrict: previous episodes have balanced action and cuteness better than this. Previous episodes also established information that mostly got repeated here. Ho-hum?

But my biggest criticism is with the characters themselves: they are unnecessarily dumb people. The animal outburst is clearly an aberrant sign and the fact that the submarine and Spee attacks were not sanctioned don’t raise immediate concerns from the 4 allied captains makes no sense.

With such a focus on tech and tactics, its hard to suspend my sense of disbelief for details like this. We’ll have to wait and see what goes on next week because cute alone is not a reason to watch this show.

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Haifuri – 03

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The gist: Harekaze gets into it’s first submarine battle, the German exchange student wakes up and, after receiving a message that all school ships can return home, the crew heads for home.

Also, they decide not to find and help the Musashi. Roll Credits!

The Good: in the opening scene with the school principle, we see that the framing of Harekaze is likely part of a larger military power grab. If the school can not capture Harikae, all student ships will be commandeered by the military or sunk if they resist. Later, after German-Name-chan wakes up, we learn that order completely broke down on the Admiral Spee for reasons unknown, which hints at more complex international intrigues going on.

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This is good, because it means Haifuri’s central conflict is interesting and coherent. Multi-level manipulation explains why everyone is shooting at Harikaze at first sight and ignoring it’s surrender flags. It also implies layered enemies, some we may not have even seen yet. Simply, as a story setting, it works.

The not as good: while the pajamas and stuffed animals were fine, some of the cute-girl stuff felt like it was padding out the episode. The ‘www boys are gross/stinky submarine’ antics were particularly eye rolling.

Sadly, the submarine warfare was a little clunky too. I get the crew needed a quirky, out of the box solution to defeat a submarine with only one torpedo, but I’d have to hit wikipedia to understand what exactly the device was that they used in that plan. Regardless, since the submarine was just a faceless enemy with no more personality than ‘it fires torpedoes that miss’ the battle lacked tension.

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The Vedrict: Most of the cast are just ‘parts of the ship’ that serve no greater function than reporting on/using those ship functions, so the large number of characters doesn’t bother me. It also helps that the characters often exist only in the part of the ship that they use: the doctor in the med bay, the engineers in engineering, the observation girl in the observation tower — and the character designs are simple enough to not draw undue attention to their lack of relevant story characterization.

All in all, the padding pulls it down from last week and the battle lacked tension, but Haifuri remains perfectly watchable.

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Haifuri – 02

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The gist: wanted for sinking the Sarushima, the crew of the Harekaze must quickly adjust to their new life as falsely accused mutineers. THe girls don’t really grasp the magnitude of this, even after “German exchange-student Battle Ship Admiral Spee” tries to sink them.

Oh, and they cripple the Admiral Spee with a close range live round to the rear and are able to escape, along with an as yet not introduced German girl who tries to join them during the combat.

Also, curry night. Roll Credits!

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I suppose its understandable that the girls wouldn’t get how screwed they are yet. For them, this should be easily explained confusion they can’t even explain and, besides, no one has been killed yet.

Cute touches: the crew’s biggest gripe seems to be the loss of cell phones and social media (to prevent the fleet hunting them down). The captain’s decision to arm live munitions, and the process involving keys was neat too. It also makes sense, since they carried so few dummy munitions for this first outing that they have nothing else to use.

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Meanwhile, we learn more about XO Munetani-chan and her family’s long relationship with Blue Mermaid. Apparently Japan’s fall into the sea stems from the Ruso-Japan war and that city-ships were the only way to save the nation.

I’m not going to think too hard about this but being told the all-girl nature of BM was an attempt to show Japan’s furious ship building (and aquisition of military craft for conversion into the city ship system) was non-military in nature makes a certain amount of genre sense. The fact Munetani’s great grandmother was the first ship’s commander certainly establishes why she’s such a hard ass, and so disappointed by her own performance.

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You may enjoy it: Haifuri is anachronistic, giant cast, cute girl, coming of age, WW2 naval combat at it’s finest. The cute girls aren’t claw your eyes out cute, the cast isn’t so important that not remembering what they all do doesn’t impact understanding what is going on, and the naval combat is decent. It’s well delivered.

I love the idea of an exchange student battle ship too

You may want to skip it: if a safe political mystery hidden under a safe cute girl ‘high school on a warship’ blanket isn’t really your thing. Honestly, it’s hard to say how much the military genre and political mystery lower or elevate it from any other high school SOL?

It’s got my attention and I’m curious where it’s going. So I’m gonna recommend it for now.

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Haifuri – 01 (First Impressions)

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The gist: in the future, most of Japan is underwater and joining the navy is very popular among little girls. The final parts of these girls’ equivalent to high school is actually spent at sea, commanding World War II-era warships without supervision or observation from any teachers.

During Destroyer Y467 Harikaze’s first training mission, they are fired upon by their teacher’s warship repeatedly until they assume this is a test, return fire with a training torpedo, and escape. Soon, they are labeled as mutineers by their teacher and panic ensues…

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As a rule, I dislike WWII Japanese military hero fetish shows. Those shows typically cast Japan as a victim and/or hero against thinly disguised foils for the USA and China. It’s similar to pro-Confederacy apologists sugarcoat the USA’s own history of slavery and moral failings and it grosses me out.

Haifuri avoids this pitfall (so far) by making this conflict internal to the Japanese navy, either as part of a larger political objective or a ruse to train these girls to be the best of the best without even knowing it.

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Why on earth would adolescents be put on ships without teachers to teach or observe their progress? Why are most of the ships WWII warships when the world is clearly sci-fi ‘built above the sunken ruins of Japan’?

Why is there a swim suit stripping scene in engineering right after the final fight?!? Don’t ask because Haifuri doesn’t have answers for you.

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You may enjoy it: if you like harmless cliche girl humor, WWII naval otakuri and a simple mystery. It’s decently animated and, while cliche, the voice work never approaches finger in a pencil sharpener cute.

You may want to skip it: if you want something fast paced and mature. Spring is choked to death with slow shows and Haifuri is no exception. It is also eye-rollingly cute, down to the fat orange cat that hangs around the bridge, the zero casualties in the opening fire fight, and all the flustered girl social politics of another high school slice-of-life.

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KonoSuba – 10 (Fin)

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Yes, it’s the quickly waning Winter’s first Fin, coming so early it feels wrong. Not because we haven’t dealt with 10-episode series before, but because I was having so much fun! KonoSuba really made the most of its ten, though, cementing its title of Best Comedy of 2016 So Far. And it ends in appropriately grand fashion.

The biggest threat to the Beginner’s City arrives just in time for the finale, but like every other threat before it, we’re not meant to take it all that seriously. Instead, it becomes a matter of now if but how the spidery bastard will be taken down, and at what cost.

While vowing to face the Destroyer head-on as a knight, Darkness reveals her true name (Dustiness Ford Lala(or Rara)tina) and status (rich girl whose family is repsonsible for the protection of the city and its environs). She gives a pretty cool speech, but the serious tone is nicely undercut by Kazuma scoffing at the silly, cliche name, as he should.

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It’s interesting, then, that when I look back, Darkness didn’t actually do anything to defeat the Destroyer. Instead, it’s up to the other girls—Aqua, Megumin, and Wiz—with Kazuma offering moral support.

The girls aren’t sure their abilities will be enough against the hulking foe, but once Aqua gets into the spirit of things (and yells loudly enough), the Destroyer’s shield shears off like a tissue in the wind.

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With the shield down, it’s Megumin’s turn to contribute, and surprisingly, she forms a tandem with Wiz in launching dual explosion spells at the Destroyer, knocking it on its ass.

Darkness stands unmoving in front of the thing as it skids toward her, but like I said, doesn’t really do anything (but looks cool not doing it!) With that, Megumin is down, as expected.

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But in keeping with the show’s spirit of lampooning every aspect of RPG fantasy shows, the battle is Far From Over, as the Destroyer activates a self-destruct countdown that will wipe out the town. Darkness jumps at the chance to be ravaged and defiled by whatever is inside the mobile fortress, and rushes in alone without a plan.

I guess this is when Darkness comes in handy, as she motivates her fellow adventurers to, well, venture in behind her. Mostly though, the men of the town don’t want the Succubus brothel destroyed, which is an honest motivation! It’s good to know what you want to protect.

Kazuma takes a reluctant Aqua by the hand and goes in, and it isn’t long before they find the Destroyer’s creator, having died in his chair long ago, a journal handily nearby to offer some insights about his life. Strangely, Aqua determines he died without regrets.

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She learns why when she reads the journal: the dude was a scientist or engineer who didn’t expect his team to procure the coronatite core he needed to complete the Destroyer…but they did, so he finished it.

It went out of control and destroyed the world, with him trapped inside, but for whatever reason, the situation doesn’t really bother him, and he dies satisfied and fulfilled…The End.

This is the part of the episode I laughed at most, not just because of how hilariously absurd a perversion of the “confessionary journal” trope this was, but because the narrator’s voice and delivery is so funny, as is the reaction by Aqua, Kazuma, etc.

To stop the self-destruct, they have to transport the coronatite out, but to do so Wiz needs a lot of magic and life energy. Kazuma volunteers, hoping the experience will “make him an adult” (something he proudly reports to his parents in his head), but Wiz doesn’t french him; she just sucks him dry until he looks like a shriveled old man.

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It does the trick, though: Wiz transports the core away (to an ominously random location). But it still isn’t over, because without the core the Destroyer starts to overheat, which will eventually engulf the city in flames. Kazuma’s solution: blow it up before it does.

Only problem is, Wiz is out of magic, as is Kazuma (back to normal!), and Aqua can’t transfer her holy magic to the lich without making her disappear. Enter Megumin (on the back of a helper), who won’t disappear if she gets magic from Aqua.

Kazuma serves as the conduit between the two, and once Megumin has what she needs, she lets loose her biggest boom yet, a blast that sure as hell looks like it consumes a good portion of the town…only it doesn’t, which is good!

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After that last blast, the Destroyer really is defeated for good. Victory! Time to celebrate, and for some guys to get married!

The party’s mansion escapes the crisis unscathed; Aqua has her patch of grass to nap on; Megumin has what looks like a new staff; Darkness can rest easy her town is safe; and even though he’s been through a lot, Kazuma is finally upbeat, considering everything that’s happend to be a trial to prepare him for the real adventures he’s about to begin.

Except that doesn’t happen. Instead, authorities arrive to arrest Kazuma on the charge of subversion of the state. That coronatite core he had Wiz teleport away to a random location? That random location was the overlord’s mansion. Furthermore, he said he’d take responsibility. Looks like his formidable luck ran out at the worst possible moment. But of course it did!

KonoSuba was a fine collection of fantasy anime send-ups, which never felt like it was trying too hard. It was a show with a plot you could completely brush off because you knew full well it wasn’t what mattered.

And while the characters weren’t the deepest in the world, they were satisfyingly specific, rootable, and never failed to entertain. I’m sad to say goodbye, but it seems there will be a second season down the road, so it’s really just a see-you-later to this Wonderful World.

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