Horimiya – 07 – Downpour

I. The Coffee Stain

Yuki would never say so, but Hori falling for Miyamura worked in her favor. It meant Tooru would have to give up on Hori and look for love elsewhere. Yuki makes an effort to hang out with Tooru more frequently, in hopes they’ll grow closer. She doesn’t let little opportunities like carrying the class trash out together slip away.

Unfortunately for Yuki, this backfires when, while she’s teasing Tooru, he bumps stright into Kouno Sakura, who is presently crushing on him hard. Coffee from the trash spills on Sakura’s top, and when Tooru runs off to grab his gym jacket for her to wear, Sakura asks Yuki if she and Tooru are dating. Yuki tells the truth: they’re not. But she also leaves out the truth: she’d like to.

Sakura takes Yuki’s reply as cause for relief. In the StuCo office she asks Kakeru about why he likes Remi. He gives a very heartfelt response about how despite him not being that strong, he feels compelled to protect Remi, which inspires him to become stronger, so Remi really protects him too…and Sakura.

Buoyed by these words of support, Sakura returns Tooru’s washed jacket and gives him a bag of homemade cookies. He genuinely loves them, especially the sakura colored ones, so Sakura gets him to repeat “I love Sakura”, which is wonderfully devious on her part!

II. Smiles and Cupcakes

Hori watches something play out in the bookstore that’s a microcosm of Yuki’s tendency to withhold how she really feels or what she wants: she reaches for the last issue of something just as someone else is, and lets that person take it. “The things she loves or wants tend to escape her.”

The more upset she is, the more she’ll smile to hide it. So Yuki is beaming when Tooru goes out to the hall to talk with Sakura, and smiles even wider when Sakua offers her cookies, after initially refusing them under her breath. The trash is right there in which to toss them, but they’re too damn good to waste.

Not wanting to give up on what—on who she wants, Yuki reaches out to Miyamura for cake-baking advice. He assures her he wasn’t born a baker, and nobody’s good at anything when they first start out. If she messes up, she should just give it another shot.

Yuki takes that advice to heart in both baking and Tooru. She has Horimiya try her first (failed) attempt, but to her horror Tooru joins them, eats an entire burnt cupcake, and smiles his big smile saying that while it was utter crap, he looks forward to the next batch. The Yuki-Tooru-Sakura love triangle is official!

III. FIVE DAYS

After two very strong segments focused on secondary characters, this felt like it would be an entire episode in which Horimiya’s romance would be placed on the back burner. O me of little faith! On the contrary, the latter two segments are all Horimiya, All the time, and greatly advance their relationship.

This segment is the epitome of the adage absence makes the heart grow fonder, as Hori and Miyamura are separated almost the whole time. Miyamura is away with family in Hokkaido for five days (a funeral from the looks of it). It’s he longest period they’ve been apart since they became a couple, and to make matters worse, Miyamura’s phone dies and he left his charger back home!

While those sound like the ingredients for another rom-com cliché, in which a lesser show would milk the misunderstanding around his lack of replies, by now we know better. Hori never feels like Miyamura is avoiding her, it just sucks ass that he’s away. She also carries out functions as if he were there, like getting him a drink at school or setting a place for him at the table at home. She counts the days off on her hand.

Five Days is a little masterpiece of brooding atmosphere and steady crescendo-ing anticipation of Horimiya’s eventual reunion; anyone who’s had to endure time alone with a new love knows full well what they’re feeling.

When Miyamura finally gets home and plugs his phone in. we don’t get to see the message that greets him, only his reaction: to run to Hori’s. Hori, meanwhile, can’t wait any longer, and rushes to Miyamura, and the two end up meeting in the elevator.

I breathed a sigh of relief, having been conditioned by countless other anime for the two to just miss one another another couple times. Hori’s tearful look of elation really is a sight to behold, and as she steps back to welcome him back, we see the message on Miyamura’s fallen phone: “Hurry up and get back here, dummy.”

IV. FEELING THE HEAT

That brings us to the final most stunning segment of the entire series. It starts out so simply, innocently, and comically, with Yuki, Sakura, and Remi taking Hori to task for loving horror and slasher movies and making Miyamura watch them. They insist that’s weird and could even push him away.

The next time Horimiya watch a scary movie, Hori tries to follow his friends’ advice, first by pretending to act scared as an excuse to draw closer, which scares the bijeezus out of him. Then she tries to surreptitiously take his hand, only causing him to recoil in terror. He apologetically goe off to be alone for a minute, and Hori retires to her room, devastated that what Yuki said has come true, and he wants nothing more to do with her.

Naturally, nothing could be further from the truth, and before long Miyamura joins Hori in her room where she’s sulking about “not being cute”, because she doesn’t and can’t get scared. Miyamura realizes she was doing that stuff for him, and reminds her he didn’t fall for a “normal girl”, but for “her”, just like she fell for him and all his quirks, among them his tendency to be a scaredy-cat.

Miyamura suggests they go back and watch the rest of the movie, but instead Hori calls him Izumi and slides off the bed and into his arms. She puts her ear to his chest to listen to his heart; he does the same. As the rain continues to fall in sheets outside, they move to the bed. Hori notes Miyamura’s cold ears and hands, says he can’t go home in such a downpour.

In her head Hori says “There was a heat within me, and I wanted Miyamura to feel it too.” And so Hori and Miyamura make love for the first time.

At some point after that, Miyamura has some real talk with Souta, who is worried about losing his big sister. Miyamura assures him he won’t take his big sister away, but asks if he can have Kyouko, to which Souta assents. Poor Souta! Still, he’s really not losing anyone; he’s gaining a big brother.

In a post-credit, post-coital sequence, the two are naked together and Hori proudly declares she’s bitten Miyamura on the neck, so he’d better grow his hair back to hide it. So there you have it! Going from a stolen candy kiss and a make-out session interrupted by Hori’s dad, to going all the way.

There’s no doubt that being apart for five days, and the joy they felt upon reuniting, was another milestone in their relationship, something they couldn’t reach without experiencing being apart. But it was also a matter of it simply happening—effortlessly, organically, just like so many other important moments in this series. Nothing is forced; everything just makes sense.

By being in Hori’s room they had the privacy; by reiterating that why they love each other has nothing to do with anyone else, they had the intimacy; and heck, the fact it was cold out, and there was the soothing sound of that rain…I can’t stress enough how simply, beautifully and tastefully this scene was composed. It’s rare for an anime to depict a loving couple earnestly taking the next step—one of the best, Kare Kano, is twenty-two years old—but if any contemporary series could do it, it’s Horimiya, and it did.

Horimiya – 06 – It’s Getting Hot in Here

It’s still rather cold in these parts, so it’s refreshing for this week’s Horimiya to take place in the middle of summer. But even if it didn’t, it still radiates warmth and good vibes from every angle. Hori’s dad sees Miyamura in his school look for the first time and momentarily wonders who the hell he is.

Once he realizes it’s Miyamura, he insists they take a bath together to wash off the day’s heat. Coincidentally, Hori is watching a TV show wherein a lecher is about to assault a young woman, only for that woman to reveal she’s a skilled MMA fighter and kicks his ass.

In addition to being an amusing prism to Miyamura and Kyosuke’s dynamic, it also foreshadows a number of wonderful subversions of typical high school rom-com clichés, which like the warm and cozy aura of its main couple has fast become Horimiya specialty.

After dinner and past 8:30, Miyamura assumes he’s “worn out his welcome”, but that’s not for him to decide. Hori’s suggests he spend the night, though it’s Hori’s dad he’ll be sleeping beside. Kyousuke doesn’t interrogate him that night, only asking what Miyamura likes about his daughter. His response: she doesn’t judge people by appearances.

While this is primarily the story of Hori and Miyamura’s understated yet potently blossoming love, it’s also the story of Miyamura being accepted for who he is by his new friends at school, as well as flat-out becoming a member of Hori’s family.

It’s in this scenario he gets to see something no one else could: Hori wearing her middle school gym uniform as pajamas (when she stomps on her father to open the blinds that morning). It’s also so goddamn lovely when Hori’s mom corrects him when he’s headed out the door. He’s family, not a guest, so he should say ittekimasu, not ojamashimashita. My heart just about burst right there, but Horimiya was just getting started!

Unfortunately, most of the kids at Miyamura’s school either don’t know what a sweet guy he is and are all too willing to judge him by his “emo” appearance. When a couple guys spot him leaving the same house with Hori, it sets off a torrent of rumors at school that they’re dating.

I like how we get a little shot of Tooru and Yuki legitimately upset by this development, with Yuki actually weeping at the prospect of things turning sour just when Miyamura and Hori got their act together. I like more how despite the unsolicited attention and rumor-mongering, Hori takes everything in perfect stride. By now she’s quite comfortable confirming that Miyamura is her boyfriend, and doesn’t need to explain that relationship to anyone.

Miyamura, however, doesn’t fare as well. A common refrain in the halls is “wait…that Miyamura?”, as Hori is both hugely popular and has rejected a number of more “conventional” suitors. So Miyamura apparently decides that if the school wants a prettier cover, they’ll get it: he arrives the next day having cut his hair short, revealing his piercings and eyelashes.

It’s an interesting and complex choice by Miyamura that instantly changes the conversation, as he becomes an immediate sensation with the ladies. Rather than do it because he’s worried about adversely affecting Hori’s reputation (though that could be part of it) it feels more like an act of empowerment. It indicates that Miyamura is well aware he’s got the goods, he’s just never flaunted them at school.

Rather than passively keeping his chin up or not listening to the murmurings, Miyamura took an active step in the realignment of the conversation around him and Hori. With his new ‘do and the striking beauty it reveals, “wait…that Miyamura?” turns to “oh, that Miyamura!”. 

As one would expect, Hori isn’t used to Miyamura getting the added attention and adoration, and her reaction is to create a cold enough atmosphere around her that it shoos away the newcomers. When a girl snaps candid pics of Miyamura with their phone (without asking him, WTF!), Hori gets right in his face with a DSLR!

Despite the increased liveliness at school, what I love more than anything about both the news of Horimiya dating and Miyamura’s new look is that it doesn’t really affect their core relationship. Hori doesn’t seem hurt that Miyamura cut his hair without consulting her, and seems content with his prefab excuse that it’s summer and long hair is hot.

Hori may grow possessive at school—Miyamura is her bf; so she has every right to be!—but not so much so that she makes a federal case out of his makeover. Hori has Miyamura, and vice versa, and it’s no longer important that no one knows he’s a hottie or that they’re dating.

Since they’re the usual Horimiya, Miyamura comes home with Hori as usual, and has the unlikely but hilarious distinction of having a third distinctive look in three straight encounters with Hori’s dad. Before long, they’re answering an invite from Shindo to come to his place and help him eat bizarrely flavored hard candy.

It’s here where Miyamura again demonstrates his whimsical timing with romantic gestures, as he asks Hori how her candy tastes, then leans in and steals it from out of her mouth. She sheepishly says “he stole my candy” the way Jujutsu Kaisen’s Kasumi sheepishly says Maki stole her sword, but what he really stole was their first kiss….just like that! For the record, that candy tasted like clay, which should make the kiss that much harder to forget!

Horimiya lets that kiss simmer on the back burner a bit as we return to school, where the novelty of Miyamura’s new look has thankfully worn off…with one exception: a diminutive girl with similarly black hair and similarly blue eyes seems to be watching, following, straight-up stalking Miyamura.

When Hori and Yuki encounter her in the hall, she asks if Hori and Miyamura are dating, Hori says yes, what of it?!, and the girl beats a hasty retreat, seemingly intimidated. Miyamura’s sudden popularity bounce perfectly sets up this latest high school rom-com cliché, the new love rival, second-year Sawada Honoka.

Before long, Sawada is striding up to Miyamura and flat-out telling him to break up with Hori already, in earshot of others. But in another excellent subversion, it’s not Miyamura Sawada likes…it’s Hori. Thanks to the rumors, she’s learned Miyamura stole a march on her. But she declares she liked Hori first, and won’t accept Miyamura dating her.

This turns into a physical tug-of-war between Sawada and Miyamura, with a flustered Hori as the rope. Tooru can only watch with other classmates in amusement at the spectacle before them, and even texts Yuki to hurry over to watch. Miyamura, clearly no longer hiding who he is at school, finally forcefully grabs Hori into his arms and declares “she’s mine!”, echoing her own words when Remi prodded her about him.

After school, Sawada seemingly follows Miyamura home, only for them to realize that not only are they both heading home in the same direction, they are goddamn next-door neighbors! This is the kind of twist a show that’s built up as much goodwill and credibility as Horimiya can get away with all day long, in my book.

It also marks a further expansion of Miyamura’s relationships, as it’s clear these two aren’t going to just ignore each other from here on out. Sawada forgot her key, so he does what any decent person would do and invites her over to sample some cake from his family’s bakery. Their ensuing conversation starts with, but is not dominated by, Hori, as Sawada learns Hori rarely visits Miyamura’s place since he always goes to her place.

Sawada also assumed that Miyamura had a little brother or sister, since he’s clearly good at taking care of people. Miyamura laughs at that comment, which reminds Sawada of the older brother she says she “had”—past tense—before laughing it off herself. She’s saved by the bell when her folks come home, so she heads out, but Miyamura says she’s always welcome to stop by for some cake.

Miyamura isn’t fooled by Sawada’s last-second fakeout. Sure enough, he learns from his mom that the Sawadas lost their eldest son some time last year, who attended a different school from Izumi but was “such a nice boy”.

At first I wondered why the character designer took such pains to make Sawada so closely resemble Miyamura—was she his long-lost little sister? When we learned she liked Hori, I abandoned that theory as a bridge too far for this show, but it isn’t lost on me how quickly and easily Miyamura is portrayed as a potential surrogate big bro.

Sure enough, the next day Sawada is hounded by three boys, and she retreats to Miyamura, digging her head in his back. It only takes a momentary glare from Miyamura to disperse the lads, but it can’t be understated how glad Sawada must’ve been to have him in that moment. Naturally, when Hori shows up they’re back to competing over who likes Hori more.

Finally, in another wonderful use of what Hori’s watching on TV as a reflection of what goes on in the Hori household, she is forcing both Miyamura and, more pointedly, her dad, to watch a horror movie in which a daughter kills her father. It underscores both Hori’s taste in cinema and the tactics she’ll use to try to get her dad to leave the room, which he eventually does.

Almost the moment her dad’s gone, Hori brushes her knees together and tries her hand at Miyamura’s patented casual romantic utterances, stating “you never make any moves on me, huh.” When Miyaura responds by asking “do you want me to?” she turns red with embarrassment, causing him to chuckle over how cute she looks. Then he asks what kind of moves she wants him to make, then leans in to kiss her.

Kyousuke barges back in asking for change to buy his smokes, and the two lovebirds immediately separate, invoking her dad’s cheeky suspicion, and causing Hori to attempt to reenact the dad-murdering scene from the movie. While I’d hoped they could have shared their first kiss in which both of them were aware a kiss was going to happen here and now, at least they didn’t chicken out; they were simply interrupted. They’ll soon learn to seek places with a bit more privacy!


Horimiya – 05 – Breaking Through the Noise

I knew when Shindo was conveniently blocked out by Miyamura’s head that there would be trouble. Souta spots him with another girl and mentions it to Hori, who is already better but taking another sick day to avoid Miyamura post-his “I love you”.

To hear the words so clearly when she was meant to hear them has had a paralyzing effect, as Hori fears their relationship changing in any way from the lovely way it is. Only her inability to text or even face Miyamura for the next day and a half proves there’s no going back; the relationship has changed. There’s no putting the proverbial toothpaste back in the tube.

In a way, Souta’s extremely vague “other girl” report gives Hori leave to speculate that Miyamura is cheating, thus justifying their distance. But she can’t avoid him forever, and as soon as he has her alone by the lockers, he reiterates that he said he loved her knowing she was still awake.

Hori diverts to talk of the other girl, and Miyamura says it’s just Chika-chan, Shindo’s girlfriend, who was leaning on him because she twisted her ankle (Shindo was leaning from the other side because he too twisted his ankle, which is hilarious).

Hori buys the explanation, but is still angered. Why? Because Miyamura won’t stop saying “Chika-chan”. She throws two books in his face and runs off, but before long he’s at her place, calmly returning the books to her in case she had homework that night.

But Because this is Horimiya and not a lesser romantic show that would drag this conflict out over an episode or more for cheap drama, Hori interrupts Miyamura’s apology with her own for the misunderstanding. The awkwardness and tension fades away, and they return to being soothing presences in each other’s lives.

As they share a chair, Hori confirms she was awake when he confessed…which comes as no surprise to him. He apologizes again for springing something like that on her then running away, as he was more scared of how she’d respond than whether she would.

I wish they had more time in this moment to talk more, but they’re suddenly interrupted…by Hori’s dad, Kyousuke. She calls him by his name rather than “dad”, perhaps because he’s a total man-child, but he takes an instant liking to Miyamura, and—this is key—when he asks his daughter if he’s her boyfriend, Hori steps up to the plate and says “yeah, got a problem with that?!”

This, more than anything else Hori says or any other look she gives him, seems to affect Miyamura most powerfully. Just as he blurted out a confession not once but twice in the midst of a bunch of mundane conversation, Hori takes a page out of his book and essentially gives him a response to his confession by telling her dad he’s her boyfriend.

When their mom comes home and is worried not by Kyousuke’s presence, but the fact they won’t have enough dinner (though didn’t Hori just feed her dad?), Miyamura takes himself out of the equation so the whole Hori fam can eat together. Hori walks him home, apologizes for how annoying Kyousuke is, and casually starts holding Miyamura’s hand, blushing all the way.

Miyamura weaves his fingers into hers and they walk like this, affirming their desire to learn more about each other little by little. When they release to part ways, Miyamura takes her arm once more and thanks her, both for being her and for what she told her dad. When Miyamura texts Tooru about these developments, Tooru allows himself to despair a bit over losing to him.

The skies aren’t all cloudy for Tooru, however, as he has the normally serious and highly capable Kouno Sakura going into a daze while admiring him from inside the school. Remi notices Sakura’s uncharacteristic behavior and asks what’s up, but when Sakura sees Remi, she sees someone who is cute—unlike her—and so wouldn’t understand what’s bothering her. Remi, in turn, is bothered by that assertion.

Remi and Sakura have been nicknamed “Beauty and the Beast”, and that label has clearly affected Sakura’s self-esteem. She’s always stayed in her lane, but now that she has a crush on Tooru, she finds herself changing. It’s in the brief time after she ran away from Remi Sakura realizes that having “Beauty as a best friend” is more blessing than curse. When she next sees Remi, she tells her about her crush. Remi notes that Sakura is making a blushing face she’s never seen before…and it’s very cute.

Of course, Tooru is still 100% oblivious to Sakura’s feelings, but that’s not entirely his fault; he’s still feeling the sting of Hori’s rejection compounded with the fact that Miyamura and Hori are all but officially an couple. Still, Tooru doesn’t want things to get awkward, and insists to Miyamura not to worry about it. His pain is his to bear, and he’ll get over it.

The episode closes with another lovely cozy moment with Miyamura and Hori studying. Hori suddenly says “Izumi-kun”, and MIyamura assumes she’s calling him by his first name. Turns out it’s just Souta’s friend’s last name, but the truth is Miyamura would like her to call him by his first name.

She tries it, but amends it with a Baka, then descends into a baka spiral just as Souta comes home, causing his friend Izumi to ask if his family’s okay. Trust me, it’s just fine, kid! As for Miyamura, I’d advise him to start calling Hori Kyouko if he wants her to call him Izumi!

Horimiya – 04 – Not Going Anywhere

After a particularly cute scene with StuCo member Kouno Sakura, Tooru meets up with Miyamura, who has ice cream courtesy of Hori (not present). Unfortunately, the other ice cream is melon, which Tooru can’t eat. Thankfully they run into President Sengoku, and soon the boys are comparing tongue color and length, as guys do!

When Sengoku invites the two to stop by the (blessedly air-conditioned) StuCo office, they show up with Hori and Yuki, making for a full house. They use janken to determine Horimiya should grab everyone drinks, but when they’re gone too long, Tooru gets worried about what they’re “up to”. When they’re back, there’s a misunderstanding, but Kouno is there to help set him straight…and with a towel to clean his soda, which Miyamura dropped.

Back at her house, Hori apologize for the A/C not working, but Miyamura says he doesn’t mind. When the subject of his sleeping in underwear comes up, Hori impulsively asks to see his tattoos, and he immediately strips. This throws her off, but it shouldn’t, she’s seen them before. She wonders what if anything makes him blush or get flustered, and he assures her…there’s plenty!

For one thing, his middle school friend Shindo, who he bumps into while in town. Shindo has seen Miyamura with Hori enough to assume they’re dating, something that flusters Miyamura. Then Shindo sends him a photo of him with his GF and suggests a double date…a text Hori doesn’t get to see.

What Hori does see is Miyamura getting flustered and raising the volume of his voice, but calling Shindo just to yell “PISS OFF!” As with every time she sees a new part of him, Hori is fascinated…and also a little sad that there’s still so much about him she doesn’t know. Only one thing for that, Hori: keep asking!

Next time Hori’s in town, she’s approached by Shindo, not having a clue who he is. Miyamura spots them while he’s walking with Tooru, and he immediately charges Shindo and starts punching and slapping him. The thing is, Shindo barely reacts at all to this, meaning it’s just their dynamic. Like Hori, Tooru is fascinated, and the four decide to do lunch.

Unfortunately, we don’t get to see that lunch, but we do get a glimpse into Miyamura’s middle school life, thanks to a very effective smash cut to the past. He was shunned for being gloomy and depressing by everyone except Shindo, who was super-popular with the class, and soon befriends him.

When his other mates tell him to avoid Miyamura, Shindo shuts them right down, saying they’re just mad because they think Miyamura stole him from them. Now we know: Shindo’s a decent guy, like Miyamura, only more gregarious and approachable. It’s only natural they’d be friends. I just hope we meet his girlfriend soon, because we know she’s got a keeper!

Earlier in the ep we got Hori’s Chekhov’s Cough, which she denied was a sign of a cold, because “only morons get colds in the summer.” Well, one morning she has a temperature over 100°, and who should stop her from leaving the house and put her back in bed but her awesome kid brother Souta, who is growing up fast!

Souta also contacts Miyamura, who is in Hori’s room with water, sports drink and meds when she wakes up. She has a feverish dream about her mother having to leave a previous time she was sick in bed. Her mom praised her for being so good at “toughing things out”, but what Hori didn’t tell her mom is that she didn’t want her to go.

After giving Hori a wet towel, Miyamura gets up to leave so she can change, and Hori panics, rising out of bed only to collapse from the fever. She grabs Miyamura’s arm and asks what she could never ask her mom—“Where are you going?”  Miyamura knows what she means is “Please don’t go”. Taking her hand in his, he answers: He’s not going anywhere until she doesn’t need him anymore, or is sick of his face.

He helps her back in bed, then tells her to drink some water while she’s lying on her side away from him. He also tells her he’s in love with her, and has been for a while now, and to call or text him if she needs anything. He’ll be right over. A few beats after he leaves, Hori leaps out of bed, her fever momentarily broken, thinking “WHAT did he just say?”, even though she already knows.

She wonders if she pretends not to have heard it, the two of them can “stay like this for a little while longer.” But he said it—albeit in the middle of a bunch of “boring stuff”—and she can’t un-hear it. Especially with her abandonment issues in mind, I can understand her desire to maintain the status quo. But she shouldn’t pretend out of fear of losing what she has when she could have so much more. The more she waffles, the greater the chance Miyamura will return to thinking she doesn’t have the feelings he has. It seems the ball is in her court. No pressure!

Horimiya – 03 – Just a Couple of Hand-Lovers

Throughout elementary and middle school, Miyamura exuded a gloomy aura and was always the last to be picked for partners or groups, because everyone thought he was “weird”. Yet it doesn’t seem like he stayed away from others because he wanted to be. He pierced his ears in an apparent act of coping, or possibly controlling a part of his life when so much seemed outside his control.

Miyamura learned of Hori Kyouko’s existence the same day she learned of his; the two were assigned together due to their seating positions. Yuki mentions his gloominess to Hori, but once she actually meets and talks to him, she smiles declares him perfectly normal. Now, in their current state, Miyamura is a Part of the Group, with Yuki, Tooru, and Hori all pushing their desks into his without him having to move.

They’re all relieved they’re back in the same class for the new term, and Miyamura and Tooru end up going to the roof to apparently “affirm their friendship”. Tooru repeats the same descriptor of many past classmates, when he calls Miyamura “weird”, but the key difference is that he adds “but that’s okay.” Weird isn’t bad. It’s going to be okay, Miyamura thinks. He just wishes he could’ve told his younger, lonelier self.

Hori ends up at the cafeteria earlier than expected, and ends up sitting with Remi. Remi has noticed that Miyamura is “pretty hot” and asks Hori if he’s her boyfriend. When she says no, Remi asks if she can have him. When Hori doesn’t strongly object, Remi says fine, then “he’s mine”. That’s when Hori gets legitimately upset, envisioning Remi and Miyamura laughing together. She revises her position, telling Remi in no uncertain terms that Miyamura is hers and she’ll never let her have him.

With Souta now in grade school, Miyamura and Hori see less of him, which means they’re spending more time alone together. Part of that time is spent watching cheesy horror movies that Hori clearly likes getting Miyamura flustered about. But they also just hang out, talking about anything, letting their conversations peter out and not getting hung up on the lack of stuff to say.

Miyamura notices Hori’s index finger is double-jointed, something Tooru mentioned when he and Hori were comparing hands. But while Miyamura warned Tooru that he’d better not grasp her hand if he wants to live, here she gently weaves her fingers into Miyamura’s larger ones without hesitation, and quietly says “I love you”, before revising it to say she loves his hands. He tells her the feelings mutual, and as they sit there, their hands intertwined, he quietly says he loves her too.

They both heard each other. No one else needs to hear or know. Their love is right there and plain to see. It’s all over their faces, and they just fit together so perfectly and effortlessly. But school, as Miyamura once declared, remains “hard.” It’s hard because Tooru overhears Remi talking to Sakura about how Hori blew up on her for joking about taking Miyamura.

The next day, Miyamura arrives at class with a bruised cheek from a fight. Then Tooru arrives in even worse shape; I love how he’s no match for Miyamura in a scuffle, despite him asserting Miyamura was “prettier than most girls” with his hair up. Yuki pairs off with Miyamura while Hori talks to Tooru.

It started last night when Tooru told Miyamura that Hori was in love with him. When Miyamura denies this, insisting they’re still just friends, Tooru asks him what he’d say if it were Hori himself telling her…which of course we the audience just witnessed during their movie night. Their spirited verbal sparring turns physical, and Miyamura utterly squashes Tooru.

When both Tooru and Miyamura take the blame for beating each other up, Hori is perplexed, but Yuki less-so, because Miyamura told her straight up that they were fighting about Hori, but told her not to tell Hori.

If this all sounds like some drama is starting to stir, you’re not wrong. But it’s the kind of realistic drama that tends to crop up in close friend circles at school. Tooru may not be 100% opposed to Miyamura being with Hori, but it’s more Miyamura’s equivocation about their status that stokes his frustration.

Miyamura is called “weird” many times this week, with both derision with affection. In high school, a girl and guy hanging out and occasionally muttering I love you to one another and sitting in quiet bliss together and yet not outright “dating” might count as being “weird”…but it’s also okay!

Rating: 4/5 Stars

Horimiya – 02 – Your (First) Name.

The first Horimiya was so nice I watched it twice, and if anything it was even better because I didn’t have to take mental notes for a review, I just slipped into it like a warm cozy blanket and enjoyed. I enjoyed so much, in fact, at no point during the two viewings did I realize that Hori didn’t know Miyamura’s first name!

But before that, Hori and Miyamura are strolling along the shopping district when she overhears the theme song of an anime Souta likes, and starts singing along. In addition to showing off Tomatsu Haruka’s lovely singing voice, she also charms Miyamura to no end, even though she herself is embarrassed.

It’s such a gorgeous and realistic little moment in these two’s normal lives, not just because she felt so carefree with Miyamura she sang in front of him without thinking. Memorizing songs your kid siblings (or kids, if you’re a parent) is just a thing that happens IRL. You think I care about “Let it Go” enough to memorize the lyrics? Doesn’t matter, because my nieces watched Frozen literally hundreds of times!

Back to first names: Hori suddenly realizes she doesn’t know Miyamura’s when her perpetually busy mom stops by the house unannounced. Voiced by Kayano Ai in Full Mischievous Mom Mode, Hori can’t conceal how much Miyamura has been over of late since Souta is right there to fact-check. That said, Hori’s description of him as “dark villain in a detective movie”? *Chef’s kiss*

While a more structurally complex episode than the first, Horimiya hews to storytelling best practices. A “what’s your first name” scenario could be drawn out across a whole episode, but it manages to resolve things in just a third of one. Hori’s Wile E. Coyote-like attempts to learn without asking fail hilariously, particularly when she has the gall to ask Tooru, the guy she just rejected, about Miyamura!

With her mom around, Hori has a surefire way of hearing Miyamura introduce himself, but her mom seems to sense she’s trying to take a shortcut and save face, so she diabolically sends Hori off on an errand when Miyamura stops by. Finally, with Miyamura directly asking if something’s bothering her, and if it’s because she has a crush on someone, she has no choice but to come clean.

Miyamura Izumi has a good laugh at her expense. Souta calls her lame, and Miyamura has known her first name was Kyouko all along. But at the end of the segment, she’s able to cast aside the histrionics and laugh about it with them. The bit doesn’t go on any longer than it needs to, and now Hori has a piece of paper with Miyamura’s name, so she has no excuse to forget it!

The next segment introduces three new classmates, bringing the total to seven. All three are in the Student Council, and include President, Top-Ranked student, and Hori’s childhood friend Sengoku Kakeru, his gorgeous girlfriend/StuCo mascot Ayasaki Remi (M · A · O), and the VP, Kouno Sakura.

The StuCo and Kakeru in particular seem to have no qualms pushing huge heaps of StuCo paperwork on Hori, despite her not being a member. Worse still, much of the work she’s tasked with doing should be Remi’s responsibility. Hori’s friends can tell all the extra work is weighing on her, but she seems stubbornly determined—and oddly obligated—to do it anyway.

Later that afternoon, while Miyamura is minding his own business in the hall, thinking about whether to bake Hori a cake to cheer her up, Remi races past and barrels into him, spilling a huge box of papers everywhere. Then Remi has the temerity to ask him to watch where he’s going. Dude was stationary, kid! When he notices she left a stack of papers behind, she says it’s cool to just toss them.

The next day, Miyamura arrives to find a potential dust-up in the hallway, as Kakeru accuses Hori of losing track of the budget papers. She rightfully pleads innocence, and while Kakeru admits both sides share some responsibility, he still demands an apology. Hori seems on the verge of tears as the crowd around them prepares to make their own conclusions.

From then, it’s Miyamura to the rescue, handing his bag and glasses to Tooru for safekeeping, pushing through the crush, and delivering a swift headbutt to Kakeru, then producing the missing budget papers. Remi is revealed as the party responsible for their being misplaced, and turns on the waterworks.

But like Miyamura lying to Tooru last week, or the first-name thing this week, this is just another thing, and all parties are able move past it. The StuCo bow in apologetic unison, Yuki gives Hori a relieved hug, and Hori thanks her pierced knight in tattooed armor.

As for why he headbutted Kakeru, well…the guy was simply pissing him off. Me too, Miyamura! But we also learn the reason why Kakeru and Hori’s dynamic is the way it is. It reveals that ever since they were little tykes and through grade and middle school, Hori consistently bullied and messed with Kakeru.

I for one am glad Kakeru isn’t just a one-dimensional bad guy, but something more nuanced, and with reason and history behind his manner. He vowed to Hori that he’d make something of himself in high school and she’d no longer be able to mess with him, and so he has; he’s the academic top dog and loved by virtually everyone.

Miyamura is a new wrinkle in their long-standing relationship, and even though Miyamura has no intention of delivering any further headbutting, Kakeru still shrinks into a anxious ball when Miyamura greets him in the morning. Maybe Kakeru, like his childhood friend, also sees the detective movie villain in him!

The third and final segment (lotta bang for the buck this week!) could also have been stretched into an entire episode, but Horimiya’s writing is tight and efficient enough that it’s able to basically tell three episodes worth of story in one. This one focuses on the fact Hori’s birthday is coming up, concurrent with spring break.

Souta asks Hori if Miyamura (whom he thinks of as a brother now) will be over every day; Hori gently warns her little bro that the day may come when Miyamura won’t come over anymore. That could be for a variety of reasons, from the two of them drifting apart, to him finding a girl(or boy)friend, to them simply graduating and ending up in different places afterwards.

The bottom line is, Hori is as sad as Souta about the prospect of Miyamura not coming around anymore. Fortunately, that prospect should be a ways off, if it ever comes. Miyamura comes by with a cake (natch) as well as a very personalized and thoughful gift: a CD of “all the popular music young people like right now” (I love how she phrases it as if she were some old lady).

Between school, housework, and caring for Souta, Hori confessed to have fallen behind on musical trends. She told Miyamura this back when she was singing the anime theme. He not only remembered, but got her exactly what she wanted. She’s amazed he did this, but she shouldn’t be. As Souta tells her earlier, exhibiting quite the precociousness, she should be more honest with herself.

Both express their happiness in that moment with wide but also tentative smiles, as they both look outside the window and watch the sakura petals falling. If it’s Hori’s birthday, it means spring break is almost over, and they’ll be in their third and final year of high school soon.

For such an ostensibly jam-packed episode, the fact this moment is given such time to breathe and fill the space says a lot about the deftness of Horimiya’s direction. It also says a lot about the writing in terms of what isn’t said in this closing scene, simply letting the joy of being together in the present become tempered by the uncertainty of future. Frankly, Miyamura and Hori should stop worrying so much about the future and try to enjoy life in the present!

Yes, it’s something to think about, but it cannot dominate their thoughts, nor always mar otherwise happy times. Heck, the fact they’re so apprehensive about a future in which they’re not together should be an obvious sign of their feelings for one another. If they’re so concerned about time, then they should get a move on with acknowledging those feelings and making them known to one another.

Horimiya – 01 (First Impressions) – Not Just Being Nice

What if there was a rom-com airing concurrently with Bottom-tier Character Tomozaki that dispenses with game metaphors and excessively stylized conceits, and was instead just the simple story of two seemingly different but fundamentally decent classmates meeting outside of school and organically becoming fond of each other’s company?

That, friends, is Horimiya, AKA Hori-san to Miyamura-kun, and I won’t mince words: I found it excellent. It also reminded me of the very first rom-com anime I ever watched, Gainax’s 1997 Kare Kano…not a bad thing at all. It is simply, earnestly written, beautifully animated, and just all around a sweet ol’ time. It’s shows like this that are why I watch anime.

The main couple consists of the popular Hori Kyouko and the class gloomlord Miyamura Izumi. Hori (Tomatsu Haruka) is too busy taking care of her little brother Souta and doing housework in her busy parent/s’ absence to hang out much with her friends, many of whom would be surprised by her utilitarian “domestic mode”.

However, they’d be even more surprised to learn that outside of school, Miyamura (Uchiyama Kouki) the lowly caterpillar becomes a beautiful pierced moth with frontman hair. Hori learns this when he helps Souta up after chasing a dog and falling. She also notices Miyamura’s other attractive features he hid so well at school.

The two have an almost immediate, wonderful, easy chemistry, and it’s so refreshing not to have to deal with either of them being in denial about this. Miyamura is great with Souta (who calls him “that cool dude”), and while Hori is initially a little freaked out to learn he’s her classmate, she can’t exactly complain about his “alter-ego” since she has one too.

Her initial impressions were way off the mark, and she quickly adjusts to who he really is: someone either so bold or so stupid he’ll lift his shirt up and show her his tats while she’s cooking dinner! They go with it, both happy they and only they get to see the other, realer side of one another—warts and all.

What’s also nice about Horimiya is how they don’t avoid each other at school, but just naturally start spending more time off to the side chatting with each other, without any thought to how it might look to their classmates. One of them, the purple-haired Yuki, has a crush on Hori, and is threatened by Miyamura’s sudden closeness with her.

How is that resolved? By Yuki approaching Miyamura, asking him about it, and being given the okay to ask Hori out at his leisure. Miyamura tells Yuki not to worry about him since he and Hori aren’t a “good match” and Hori is “just being nice” to him. The day Yuki decides to ask her out, Hori is out of the loop and not sure why Miyamura tries to separate from his usual spot at her side.

Miyamura picks Souta up from school so Hori can stay behind, and when she comes home, she wants to speak to Miyamura at once. Those things Miyamura said to Yuki about being a bad match and her only being nice? Yeah, those were really hurtful to her, and she tearfully demands to know if he really meant them.

Miyamura tells her he didn’t, but assumed he was dragging down her school rep with his gloomy boring aura, and so said what he thought Yuki wanted to hear. And that’s where he erred: making assumptions, just as she had about him before getting to know him. She tells him never to say such crap again, adding as she asks him who would wake her up when she fell asleep during a movie or eat his portion of dinner if he didn’t come around anymore?

Her flaring temper turns to actual pyrotechnics, but the sentiments behind them are clear and lovely: she’s become accustomed to their relationship and doesn’t want it to change anytime soon. Also, Yuki gets turned down, but turns to Miyamura for a shoulder to cry on. Just like that, he’s made another friend, but it will be hard to match the beautiful thing he and Hori have, which we’ll have the honor and pleasure of watching.

Darling in the FranXX – 02

Last week was pretty much Hiro, his rough break-up with Naomi, meeting Zero Two, and taking care of the crisis. This week things slow down a bit as we’re introduced to the rest of the squad where Hiro once again has a home. That includes the squad leader Ichigo, very well-voiced by Ichinose Kana in her first role (and sounding a bit like another, more famous Kana).

Ichigo clearly harbors feelings for Hiro of which he’s clearly unaware, and so she sees Zero Two as an interloper. Setting aside the fact that she swooped in and snatched Hiro practically the moment Naomi peaced out, Ichigo doesn’t want to see him get hurt, and Zero Two seems like the type who will hurt. She barges into the squad’s chow and pours honey over everything like a weirdo.

Hiro is the eleventh of a squad of ten, but Zero Two isn’t the twelfth; her fate is unknown, leaving Hiro with no official partner or FranXX. Ichigo is the unquestioned elite squad leader, but one can tell the redhead Miku maintains a quiet envy for her stature (as demonstrated in the classic locker room scene with fanservice and plug-suit fitting).

Ichigo and Miku are “pistils”, and their “stamens” are the studious Gorou and wild Zorome. Gorou is very friendly with Hiro (and not threatened by Ichigo’s affection for him) and seems like a nice guy, but Zorome is your classic heel/rival character who will likely keep berating and running Hiro down until Hiro does something (not counting last week).

Rounding out the group are the pistil-stamen pairs of Kokoro/Futoshi (the lovey-doveyest) and Ikuno/Mitsuru. When the pairs enter their colorful, distinctive FranXXs, we see that the actual pistil-stamen interface is a little…suggestive, with the girl on all fours while the guy stands behind and “drives.”

Basically, the girl is an interface between the guy and the FranXX; without total synchonicity between partners, the FranXX won’t work properly. Adding to the suggestiveness is the fact that interfacing is very physically taxing and sometimes painful, so that while operating a FranXX, everyone’s breathing heavily and occasionally making weird noises.

After their first official sortie as parasites, the pairs stand down. Zero Two continues to loiter around, invoking the ire of Ichigo, who isn’t afraid to warn Zero to stay away from Hiro. Though Ichigo might wish she hadn’t, as Zero Two gives her a taste. Out in the yard, Zorome wallops Hiro with a football, and the two get into each others faces, forcing Ichigo and Gorou to be the adults in this messed-up family and restore peace.

The thing is, Hiro can understand why Zorome is so dubious of his ability: Hiro himself doesn’t actually remember what happened after entering that cockpit being kissed by Zero Two. He only remembers the feeling, and he wants to get back to it so he can prove to Zorome, Ichigo, the others, and most importantly himself that he can pilot a FranXX.

Well, Hiro promptly gets his Shot, though perhaps not quite under the circumstances he’d hoped for. The brass (led by the mysterious “Papa”) okays a FranXX mock battle to test Hiro, but Zero Two isn’t allowed to partner with him this time.

Even before that was made clear, Ichigo volunteers to partner with him, hoping she can bring out the pilot in Hiro as much as her pink-haired nemesis. Zorome volunteers to be the opponent, and eager for an opportunity to prove her worth against Ichigo, Miku agrees as well.

The second Ichigo got her wish, I knew things were not going to go well, but things start out just fine, with Hiro and Ichigo reaching 100% sync rate and activating her FranXX Delphinium, without any trouble. And then, not ten seconds into the battle, it shuts down again.

Inside the cockpit, Ichigo is on all fours, sweating and heavily breathing as she and Hiro unleash a flurry of double entendres that, taken out of context, sound like dialogue from Girls, a show renowned for its awkward sex scenes:

Ichigo: What’s wrong?
Hiro: I don’t know. It just stopped.
Ichigo: Was it my fault?
Hiro: I don’t think so.
Ichigo: What did she do differently?
Hiro: I don’t know. I don’t remember.
Ichigo: Calm down. No need to rush.

Whew. Suffice it to say, as much as she may like Hiro and want to stick it to Zero Two, Ichigo and Hiro simply aren’t a good match in a FranXX.

When Hiro remembers that Zero Two kissed him and everything went “BOOM”, and Ichigo climbs onto Hiro and kisses him as well, it felt as much like a last-ditch effort to get things moving again as Ichigo not wanting Zero Two to have something she doesn’t with Hiro, i.e. a kiss.

That her kiss does absolutely nothing for Hiro only makes things worse. I can’t help but sympathize with both of them; things are not going well at all.

When Zorome starts kicking Delphinium while its down (with Miki and their FranXX Argentea), Ichigo remembers they’re in a fight, and decides to bypass a defeated, powerless, inert Hiro and pilot the FranXX by herself, a very risky maneuver that takes a lot out of her.

The mock battle ends with Hiro having hit a new low, with all hope of ever piloting anything again in grave jeopardy, with Ichigo feeling embarrassed, ashamed, and very much taken down a notch, and Zorome emboldened. Last week was Hiro’s bad breakup and fleeting fling with Z2; this week Ichigo attempted to reassert her bond with Hiro and it went horribly, horribly wrong.

The failure she endured in front of her squad is the kind of thing that might have far-reaching impact on her confidence at precisely the wrong time in her development as one of the defenders of humanity.  Here’s hoping things start to look up for both of them, both personally and professionally.

Darling in the FranXX – 01 (First Impressions)

Hiro and Zero Two first cross paths when her enormous transport arrives at Plantation 13. They each look in each others’ general direction, but they’re very far apart, and there’s a lot of loud noise and bright lights. Zero Two yearns for the ocean, but there is none on P13. So when she breaks free of her minders she finds the nearest thing to an ocean: a lake.

Hiro comes upon that lake, where Zero Two is already bathing naked. When she goes underwater too long for comfort, Hiro runs out to save her, but she’s not drowning, she’s fishing. She has no reaction to Hiro seeing her naked, and she notes that his taste makes her “heart race,” but says so very clinically.

Hiro is alone at the moment, and as FranXX needs two people—male and female—to pilot it, he is also powerless. But Zero Two, called the “partner killer”, is also alone, because so many partners can’t handle being paired with her, and because of her horns and her weird behavior.

It’s definitely a unique and “educational” encounter for Hiro, but before he knows it, Zero Two’s minders have showed up to collect her, and right after she offered to make him her next partner, her present partner is among the minders, burly but still in pretty tough shape.

Now Hiro and Zero Two have had two encounters: one from a afar and one much more intimate. After they part, life aboard Plantation 13 proceeds apace, with the welcoming ceremony for all of the “Parasites” (copilots) for FranXX being held in a great hall as adults watch (all Parasites are minors).

Hiro isn’t a part of the ceremony, because he, AKA 016, and his former partner Naomi, AKA 703, failed their FranXX tests. Now deprived of the only purpose they’ve ever known, the two share one last chat before Naomi departs for her new, apparently pointless life. It feels for all the world like a tough breakup, tinged with sci-fi trappings.

It’s likely at some point Hiro would have boarded one of those yellow spherical vehicles as well, but before he can, Plantation 13 is attacked by a “klaxosaur”, a ferocious biomechanical beasie that wrecks the entire elaborate platform Hiro is standing on.

Eventually a FranXX appears in the form of a four-legged beast, far outsized by the klaxosaur but every bit as vicious in its counterattack. This is where Trigger’s patented wreckage-strewn chaotic action scenes begins, which continues all the way to the episode’s end.

When the klaxosaur fires its main weapon, the FranXX crashes right beside where Hiro is watching. A bleeding Zero Two emerges, bleeding but still in the game, but her partner is out for the count. She’s fully ready to go out there and pilot the FranXX alone to fend off the ‘saur, unafraid of death, but Hiro won’t let her go alone, and he isn’t, like doing anything else, so he tearfully declares he’s coming with her.

Zero Two is pleased, and the tears and look in Hiro’s eyes again makes her heart race. She pulls Hiro into the cockpit and plants a big ol’ smooth on him, activating the FranXX (named Strelizia) and revealing its true humanoid form and Gurren Lagann-esque face. We see no more of the two parasites, but merely watch Strelizia make quick work of the wounded klaxosaur.

When the newly-minted parasites, those who passed all the tests, approach Strelizia after the battle, and Zero Two emerges carrying a passed-out but otherwise-okay Hiro, they’re shocked. Hiro, more than anything else, is revealed that someone came along to make his life meaningful again, while Zero Two seems happy to have found a true “Darling” for her FranXX.

This was a strong start to a show that may not have a whole lot of original big ideas, but excelled in design, details, execution, and that good old Trigger style. Hiro may be a generic guy, but Zero Two’s got a neat design and Tomatsu Haruka’s husky voice is well-paired. I like what I see so far.