Momokuri – 13 + 14

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Momo and Kuri are taking their time, to put it mildly; so much so Momo’s friends are getting a little antsy with his slow progress. Because of her frequent assertions he’s cute, Momo’s worried Kuri doesn’t see him as a man (which his friends know not to be true), so they suggest he kiss her and see if that “does the trick.”

Turns out Momo is coming down with a fever, so his friend texts Kuri with Momo’s phone and she comes, full of nervousness. The fact is, both Momo and Kuri are incredibly timid when it comes to…one another. Krui constantly hides her more intense thoughts towards him (which we’re privy to), while Kuri…does pretty much the same thing.

They cannot deny how much their hearts pound when around one another, but as we see, Momo isn’t able to quite pull the trigger, faking a feverish collapse rather than go through a first kiss that Kuri definitely would have accepted.

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Still, as Chu2Koi! effectively demonstrated, every couple has it’s pace, and while Momo and Kuri’s pace may be slow for some, it shouldn’t be construed as anything other than the only pace they should be taking things: a pace they’re both comfortable with. They both love each other, so progress will be made given enough time.

Take their first-name-basis: Kuri has already started mixing in some “Shinya-kun’s”, and Momo decides in bed that he truly wants to start calling Kuri “Yuki”.

They’re both still very embarrassed to do it, but the fact they both do it, and share in that embarrassment, is a step in the right direction. The fact that hearing one another’s first names spoken by the one they love also serves as motivation to continue taking steps forward.

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Ore Monogatari!! – 24 (Fin)

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All good things must come to an end, whether it’s the most charming and engaging romance in recent memory, or a lovely but ultimately dead-end relationship between two incompatible people. Yes, that’s right, kids, this also marks the end of Rinko+Takeo, as Ichinose swoops in, sweeps Rinko off her feet, places her on a bed of maringue, and drizzles caramel sauce on her.

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…PSYCH! They remain a couple to the end. Ichinose is unsuccessful in stealing her away, despite his firm believe that A.) Rinko is his muse, and B.) he’s a better fit for her. Takeo, as usual, is a worrywort who finds it necessary to prepare for a life without Rinko should Ichinose succeed, as dense to the depths of Rinko’s love as Rinko is of Ichinose’s feeling.

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Even though we knew there was no way in hell this couple would break up in the last episode, it still managed to maintain a respectable tension, as we basically absorbed Takeo’s anxiety. But despite his worrying, he puts up a brave front, and doesn’t despise Ichinose. In fact, for all their differences, he can relate to him simply because he too likes Rinko. Suna, meanwhile, is just glad to see these new sides of Takeo; it means he’s growing as a man.

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Takeo also suspects, quite correctly, Rinko has no clue about Ichinose’s feelings, but is simply helping him out because she’s a good person, because he asked, and because she loves cakes. When Ichinose forgets his tools (no doubt distracted by Rinko), Takeo has no problem answering the call and bringing them with his superhuman speed. And as he watches Ichinose work, Takeo is rooting for him to win. He can win the pastry competition; Takeo is simply hoping he’ll lose the competition for Rinko’s heart.

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Ichinose himself can’t help but regard Takeo as a good man too, even if he feels he’s the better match for Rinko. It’s a great dynamic, with no one overtly evil or villainous or ridiculous. Even Ichinose’s extreme bluntness in his intentions as expressed to Takeo and Suna make sense, considering Ichi is a far better pastry person than people person.

He wins the Gold with a pastry containing all of the same qualities as Rinko, even naming it after her before confessing his love and asking her out—in front of Takeo and Suna, no less!

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Rinko is shocked and taken completely by surprise, but it doesn’t take long for her to formulate her response: She’s fine helping him out at the pastry shop, but she’s no muse, and her heart belongs to Takeo, as it has always belonged since she first laid eyes on the big lug. All of Takeo’s anxiety washes away in the warmth of that pronouncement, and shortly afterwards, Takeo gives her a big ol’ hug and does something he’s been working hard to do since they became a couple: call her Rinko.

Appropriately, it’s as big a deal for her to hear him say her first name as it is for him to say it, so when Takeo promises he’ll learn to use it more casually, I was also thinking Rinko would, at the same time, learn to hear it without her heart melting into goo.

An there you have it, peeps: My Love Story!! (Well, not mine…theirs). It has been quite a fun ride, and I’m not exaggerating when I say I’ll dearly miss this day-brightening, mold-breaking show, which is the first this Summer to have the good sense and manners to thank the audience for watching at the very end! Trust me, show: the pleasure was all ours.

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Ore Monogatari!! – 23

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Quite unexpectedly, we enter the penultimate episode of this lovely series with the most profound and troubling dilemma yet to face the lovely couple of Takeo and Yamato. The former has encouraged the latter to work part-time at her favorite patisserie, Les Cerises. In the process, he may have just handed his girlfriend over to a superior potential mate. At least, that’s the feeling he gets once he learns that the young, up-and-coming patissier, Ichinose, is on first-name basis with “Rinko.”

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At first, Takeo is intent on being happy and supportive of Yamato as she pursues her passion; a craft she’s very good at but until now hasn’t gotten professional exposure to. It’s also a craft Takeo doesn’t share with her, and it isn’t even something he can talk with her that much about. Ichinose can, and he’s able to dazzle Yamato in ways Takeo can not: with his pastry expertise.

That lack of a shared passion (ignoring their passion for each other) combined with the ease with which Ichinose calls Yamato Rinko (and the difficulty Takeo has even thinking about doing the same) combine to create a profound inferiority in Takeo, as he watches things unfold from afar without fully understanding the full context…nor the fact that Yamato may not actually like Ichinose that way, despite her respect and admiration for his mad skillz.

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While Takeo considers that Yamato could well be falling for Ichinose, Suna all but confirms Ichinose is falling for Yamato, judging from his careful analysis of Ichinose’s stare.

As abruptly as Ichinose enters the Ore Monogatari!! world, he’s still given a fair hearing and development all his own. He’s a talented fellow, but up to this point been a bit of a lone wolf lacking a certain…something that deprived his work of warmth and love. The more time he spends with Yamato, the more he comes to think of her as his muse.

So when Takeo comes by the shop and Ichinose learns he’s Yamato’s boyfriend, I can understand, considering his inexperience in dealing with such matters, why Ichinose is so curt and abrupt in running up to Takeo and demanding he break up with Yamato immediately, as he sees himself as the better fit. And Takeo understands too.

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Takeo put Yamato in the position to meet someone who might be better for her, and he can’t dismiss that possibility out of hand. It’s pretty devastating how effectively and succinctly Ichinose wraps up Takeo and Yamato’s unlikely relationship, even if he’s oversimplifying and underestimating the depth of Yamato’s love for Takeo.

It’s not a coincidence that right after Takeo concedes that “there may be others who are better” for Yamato out there, that we cut to someone who’s been tossed around by the show as someone who may be better for him in Suna’s big sister Ai, who may even understand him more than Suna. Takeo’s greatest strength, throughout his life and the show, has been putting others before himself, to make those others happy.

This week we see why that’s a weakness, as he puts himself and Yamato in a pretty good position to destory everything they’ve built these last twenty-odd episodes. But again, that’s only if we take Takeo’s inferiority and Ichinose’s desires as the law of the land. While things are in a precarious position, we have yet to hear how Yamato—no, Rinko—feels about things. And I wouldn’t be surprised she has no intention of switching boyfriends.

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White Album 2 – 05

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Things are tense between Setsuna and Haruki on the way home, but Haruki calls her later that night, and apologizes for not telling her he stayed at Touma’s to practice. She tells him how her friends stopped talking to her back in middle school due to misunderstandings, and is afraid of losing friends again. Haruki promises he’ll never leave her; before hanging up she makes him call her by her first name. The next day, during a test, the teacher confiscates Touma’s music book. She loses her temper, grabs it, and runs out of the classroom. Haruki and Setsuna join her in skipping class and practicing. Later, at home, after completing the last song for the fair, Touma collapses from exhaustion.

In a friendship, sometimes withholding information is as bad as lying. Setsuna’s been there before; it involved a boy, and her friends abandoned her one by one. So she has every reason to suspect history is repeating itself when she finds Haruki’s toothbrush in Touma’s bathroom. But as Haruki tries to efficiently get to the vital points of things, he doesn’t let the discomfort he felt with Setsuna on their walk home linger to the point where a rift between them would widen. He apologizes, she tells him why she acted the way she did, he understands, and he promises her he won’t leave her like her other friends did. It’s a long phone call, but we like how it unfolds and progresses, especially when she abruptly ends it after finally getting a “Setsuna” out of Haruki.

So everybody’s happy, right? Well, not quite. Touma is putting so much into the music, it’s unlikely she’ll graduate along with her club-mates without their help. She doesn’t even bother filling in the blanks on a test that will affect her grade, and worse, she shows up a teacher, not letting him take her music book with Kitahara’s name on it. But she’s also working so hard, she may not have any more gas for the actual performance; staying up for days on end is no healthy way to live. And at the end of the day, Haruki is developing feelings for two girls, and vice-versa. Just because Haruki and Setsuna are on amiable terms now doesn’t mean another misunderstanding or two isn’t lurking on the horizon.

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Rating:7 (Very Good)