Oresuki – 03 – Bounce Back

When Sun, Himawari and Cosmos all arrive at the library at once, it’s clear that some shit is going to go down. Joro almost manages to slip out of it by revealing his darker side and calling out the two girls for using him as a convenient tool, not because he’s a dear childhood friend or cute kohai.

That last-ditch effort fails when Pansy throws him under the bus, telling them he was trying to get her to date Sun while claiming to be on their side. Sun punches him for playing with the girls’ hearts, declares their friendship over, and carries him off.

It sure looks like this is curtains for Joro, and that all Pansy did was assist in this catharsis of misery. But when she mutters “have faith in me” to Joro on his way out, it becomes apparent there’s still more to this story yet to be explored.

Since there was a bystander in the library during the exchange, rumors spread and Joro is ostracized overnight, including having his indoor shoes bedazzled and a detailed golf course model placed on his desk, which is such a bizarre and random head-scratcher of a prank I couldn’t help but laugh.

With Joro out of the picture, Sun is free to spend the next week of lunch periods in the library with Pansy, unaware that she’s putting the finishing touches on her grand plan. It all starts by asking him, quite simply, why he tricked and entrapped Joro, using the feelings of Himawari and Cosmos as his tools in that venture.

And there it is: Joro, as we know, wasn’t the mastermind here, but neither was Pansy: it was Sun all along, sore over an incident years ago when a girl he liked asked him if he’d help her get with Joro. Sun was the one who put the girls up to confronting Joro about asking Sun about them. Joro played the part Sun knew he would (aware as he was about “dark Joro”) and he got his revenge.

Believing he’s all alone with Pansy, Sun doesn’t deny any of this, but proudly proclaims he was after revenge for “losing” to Joro back then, and again with Pansy. He’s also enough of a jerk that he threatens to “do whatever he wants” to Pansy without consequence, since they’re all alone.

Of course, they aren’t. Joro, whom Pansy summoned to the library a minute before Sun arrived, is a witness to her takedown and exposing of Sun as the villain. She threw Joro under the bus in the previous dust-up to give Sun the false sense that everybody was against Joro, when in fact she loves Joro and intended to clear his name.

Joro comes out of his hiding place at the perfect time, and tells Sun where he truly erred: in making light of the “birdbrained” two girls’ feelings for him in order to use them in his scheme to destroy him. A chastened Sun promises to apologize, and departs, and then Joro tells Pansy that her efforts don’t change the fact he hates her, and he won’t be returning to the library.

That’s when Pansy tells Himawari and Cosmos to come out of their hiding spot; unbeknownst to Sun or Joro, Pansy invited them to listen in on the truth of things.

In golf parlance, we can call this episode a major bounce back for Joro. Himawari and Cosmos apologize, the vandalism of his stuff ceases, and Sun confesses in front of the class, clearing Joro’s name to the whole school through the same rumor mill that sullied it.

That brings us to Joro and Pansy, and why the latter fell in love with the former. Turns out, it isn’t his “dark side” she necessarily likes, but the kind, hardworking side that waited by the north entrance to the gym after Sun’s game, standing there dutifully and waiting with his arms full of Sun’s favorite food.

What Joro remembers most about that day was the gorgeous, well-endowed, raven-haired maiden whose eyes met his and with whom he became transfixed, only to never see her again. The last twist is the most predictable lame: Pansy is that gorgeous maiden, and was simply hiding her looks behind a “plain girl” disguise.

While I understand this reveal was necessary, it was very clumsily done for a show that had just crafted such an intricate tapestry of romantic intrigue, and portrays Joro in a very poor light: someone who is now more or less on board with this “Hot Pansy” on the surface but is still confident he’ll never fall for the Pansy inside.

While the ball might’ve land in a bunker (more golf talk…sorry) at the end, after three (or more precisely, 2.85) strong episodes that subverted my expectations, Oresuki has earned some benefit of the doubt. Let’s see where this goes!

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Oresuki – 02 – Golden Sombrero

You’d be forgiven for thinking that Joro’s thankless parallel missions to help both Cosmos and Himawari win the heart of the same guy would continue on for a number of episodes, but this week that’s just a small part of a much bigger picture, as the plot progresses farther than I could have anticipated. Lesser shows might’ve have kept the cupid act going longer, but Oresuki sweeps it all aside in favor of something new. It has more to say. Much more.

It also reveals something I touched on last week: the intentional repetition of situations and dialogue that lend the show an appealing poetic rhythm. While Cosmos and Himawari are equally terrible in executing the plans Joro lays out for them (due mostly to how nervous they get around Sun), their particular ways of bombing are both unique to their characters. It takes a lot of hands-on involvement from Joro to get the two definite dates with Sun.

But it’s not just the girls’ ineptness that makes things hard for Joro. Either consciously or not, Sun is simply hesitant to go on a date with either Cosmos or Himawari, and on Pansy’s urging, learns that there’s a girl Sun already likes. In a third “Darth Bench” scene, Sun confesses to Joro that he’s in love with Pansy, adding further complexity to an already unwieldy love polygon. His story is also very similar to the girls’, as there was a third exit from which he encounter Pansy, who encouraged him after seeing him cry.

This scene with Sun features some subtle yaoi undertones, such that until he specifically said “girl” instead of the vaguer “someone,” I thought Sun might confess his love for Joro. Not only that, after the way Joro genuinely blushes when Cosmos and Himawari mentions his strong bond with Sun, I had to remind myself that Joro was interested (at least initially) in those girls…and hence not into Sun.

Joro refuses to help Sun with Pansy, claiming not to know her well enough (partly true, but also partly a lie) but when Sun brings up a baseball metaphor, Joro responds with advice as if it were about baseball and not love. Sun’s confession of love for Pansy ups the danger for Joro exponentially, since that bombshell renders not just one but both of his cupid missions futile.

When Sun sees Joro talking with Pansy about Sun, and Pansy gets angry for Joro cruelly pushing his friend on her when it’s him she loves,  he gets suspicious. But Pansy of all people bails Joro out, confirming Joro’s claim that they’re not close and were only talking about official school business.

Still, Joro keeps Cosmos and Himawari in the dark, clearly overestimating how much time he has before they find out on their own…which of course they do when Sun does the same thing to the two of them that they did to Joro: ask them to help him get closer to someone else…in this case, Pansy!

That brings us to the Golden Sombrero, a baseball term for when a batter strikes out four times in a game. In this episode, Joro strikes out once when he’s not entirely honest with Sun vis-a-vis Pansy, once when he’s callously dismissive of Pansy, and twice more when he tries to explain to Cosmos and Himawari why he kept Sun’s true feelings from them.

As a result of Joro’s Golden Sombrero, his friendships with both Cosmos and Himawari are in the toilet, all because he took Sun’s words about baseball literally and inadvertently advised him to do what he thought best, which was to ask the two girls he went on a date with about another girl. His friendship with Sun seems secure for now, but Joro is still keeping him in the dark about who Pansy really likes.

That brings us to his latest scheduled meeting with Pansy in the library after some time off, which I assumed was to get a possibly-still-suspicious Sun off their trail. Instead, Pansy comments about how “interesting” things have gotten now that Joro’s plans for the girls have gone up in smoke and the girls are now doing what Joro did for them: supporting someone they love in their quest to be with someone else.

Early in the episode, I wanted to take Joro to task for being so unceasingly hostile towards Pansy in all of their interactions, since we hadn’t really experienced enough of Pansy as a character to justify that attitude. And yet, here we are, with Pansy effortlessly manipulating people and having a gas doing it! She even brings Cosmos, Himawari, and Sun to the library in order to find out how much more interesting things can get.

While that final twist feels very Jerry Springer-esque, it’s entirely earned by the events that preceded it. Sun may be the school’s ace pitcher, but when it comes to twisting people into knots with change-ups and curveballs off the diamond, Pansy wins walking away!

Oresuki: Are You Really the Only One Who Likes Me? – 01 (First Impressions) – Why is that Bench There?

Right off the bat, Oresuki looks good—and keeps looking good; there’s a lot of love in the animation and character design—but otherwise feels so damn boring. Ordinary high school kid narrating? Check. Childhood friend who likes him, unbeknownst to him? Check. Regal StuCo Prez who won’t give him the time of day? Check. Everyone has nicknames. Stop narrating! Show, don’t tell!

So, it’s not looking good. But then interesting things start happening. First, Regal StuCo Prez Akino “Cosmos” Sakura asks Ordinary high school kid Kisaragi “Joro” Amatsuyu out on a Saturday date…but it’s not what he thinks. When she sits him down on a bench, she doesn’t confess her love for him, but his best friend, Ooga “Sun” Taiyou. She wants him to help her go out with him.

The next day, Joro spends the day with his childhood friend, Hinata “Himawari” Aoi. She sits him down on a bench and confesses her love not for him, but for Sun! Even more hilarious, she fell in love with him at the same exact time Cosmos did—when they spotted him from opposite sides of a hall secretly crying after a big team loss.

Needless to say, Joro is pissed off; he was aware that Himawari had feelings for him, and no doubt saw her as a reliable Plan B. Instead, because he can’t resist either of the girls’ charms in the moment, he agrees to help both of them get with his best friend, whom Joro admits is quite a catch.

As all of this goes down, Joro shares his inner thoughts with us, the audience, like Fleabag in…Fleabag. And while he’s patient and dutiful to both Himawari and Cosmos as the two bomb in their attempts to naturally approach Sun, his Plan C is to help both of them and let Sun decide, and he’ll ask out whomever Sun rejects. I mean, Sun can’t date both of them…can he? (He totally can.)

But the sequence of twists in Joro’s carefully manicured bonsai of a plan for high school love is not yet finished: there’s a third bench. That bench is purchased on Amazon by the librarian’s aide Sanshokuin “Pansy” Sumireko, a girl who is quiet and meek to everyone but Joro, whom she teases and berates at every turn.

As Joro learns when she makes him sit on that third bench (to the tune of a modified arrangement of “The Imperial March”, hilariously enough), Sumireko is in love with him. Not Cosmos, not Himawari, but Pansy. Furthermore, she’s been stalking him for a while and the Joro she’s fallen for isn’t the Nice Joro he presents to everyone else. She wants Inner Thoughts Joro. Mean Joro. The Joro he only shows us, the odd slip-up aside.

Just like that, Mr. Calm, Cool, and Cynical is totally off-balance. Someone he’d never imagined would come close to liking him is the only one who likes him. Yet of the three young women, Pansy seems like the one best suited for him—I mean, she likes the guy beneath the surface! And though we saw her the least this week, I’m sure we’ll see a lot more of her, even as Joro tries to stick to his Plan C.

Oresuki starts out cliched and obvious on purpose, so when interesting things start happening and it flips the script on you not once or twice but three times, you’re that much more surprised and delighted. Or at least I was. But you don’t have to take my word for it…go watch it!

Tada-kun wa Koi wo Shinai – 13 (Fin) – On Second Thought…Screw Duty!

Tada-kun never fell in love…until he did. And just his luck, it’s someone who is not only from very far away, but whose hand is promised to another. Against as a monumental, implacable an obstacle as Teresa’s stated duty to her country, he feels lost, defeated; like nothing matters anymore—even feelings that got him on a plane.

As Alec basically lets Teresa cry it out one more night (and cries right beside her, owing to her own unrequited love) Kaoru emerges from the sidelines to encourage Tada not to give in to despair or give up on saying what he came there to say to Teresa. While messing around, Kaoru accidentally lets the royal invite Rachel slipped in Tada’s bag.

That’s all the stimulus Tada needs to spring into action, retrieving the damp envelope at all costs. He’s regained the will and the imperative to see and speak with Teresa one last time…even if he’s being a bother.

Turns out Tada is far more of a bother to Charles and Alec than Teresa, but while Alec is quick to call for Tada to leave, Charles, who puts Teresa’s happiness before his own, lets her and Tada have some more time together. Nothing he says or does can change the fact Teresa simply doesn’t love him.

It sucks, but it’s not at all unexpected when two people are arranged, basically at birth, to marry one another. Love can certainly develop in such a scenario, but in my personal view it’s definitely putting the cart before the horse, and such arrangements aren’t a match for organically developing love such as Teresa and Tada’s.

When Tada finally confesses he’s loved Teresa since they met, she accuses him of being unfair. She left Japan so she could lock away all of her feelings deep inside for all time, but all it took was him following her to her home and saying a few words to break that lock.  There’s no “last day of crying” for Teresa, as long as she’s not in a situation where she can live with the one she loves.

As the credits roll, we return to Japan, where aside from Pin-senpai graduating, is more-or-less the status quo…with one very important development: Charles broke off his engagement to Teresa, rightfully acknowledging that it wouldn’t be fair for either of them to follow through with something that was not their choice.

In a bit of a surprise, Teresa not only seems happy to be free of her engagement to Charles, but took it further by “running after” Tada back to Japan, either delaying or outright cancelling her succession to the throne.

Tada is shocked that she would all but abdicate for him, but once they’re in each others arms, the whys, wherefores, and consequences melt away, and it’s just the two of them, Teresa, and Tada, no longer having never fallen in love. Is it a bit too neat and tidy of an ending? You bet…but who cares!

AICO – 10 – Explanations Give Way to Emotions

While “AICO” is off communing with “Aiko”, Sagami decides that his team will help Yura carry out the mission by helping him return AICO’s artificial brain with the Matter. In doing so, he basically concedes that AICO is an artificial being and thus expendable, or at least her sacrifice is instrumental in ending the Burst.

Kazuki isn’t okay with that. Artificial brain or not, he’s fallen for AICO, which Kazuki says is “based on a misunderstanding.” But just because Yura created AICO doesn’t make him the arbiter of who and what can and should be preserved.

While looking for AICO, Yura ends up engulfed by a Human-form Matter, which turns out to be controlled by Yuzuha. She recreates the mountains they once visited to beg him to help her find her body.

All this time, she’s been reaching out to the humans—not AICO—in order to make a human connection. Her body is at the hospital with her father, but she has no scientific data or even anecdotal information for Yura to use to be able to science a way to save her. It’s a very unfortunate situation all ’round.

Meanwhile, AICO makes contact with her real-brained counterpart in the purple/pink Matter. Aiko heard Isazu’s address, and knows an attack from the military is imminent. To that end, she asks AICO to find her family and get them out of harm’s way ASAP.

What about Aiko herself? She believes her “time is up”, and that there’s no longer any time to save her family and herself; and given a choice between the two, there is no choice. She resolves to suppress the Matter as much as she can to facilitate the task she gives AICO.

More interestingly, while existing as the Matter, she felt like she began to lose herself, but has been able to hold onto herself due entirely to her Dream Contact with AICO. Her artificial duplicate has lived her life in her stead, and she’s been able to watch and feel everything she’s felt, the good and bad, thus keeping her human.

AICO doesn’t like the idea of leaving Aiko behind, but ultimately she accedes to her wishes and hurries to where her mother and little brother are being held in stasis.

The resulting emotional reunion is an austere yet surprisingly powerful scene the show successfully earned. Artificial or not, AICO is pretty much Aiko, and rescuing her family has always been a higher priority han rescuing herself.

As the Divers deal with the increasingly dormant Matter, Aiko manages to free Yura from a panicked Yuzuha’s grasp, and Yura races to the cocoon, just as AICO takes her leave of her family. From the look of her, she seems particularly resolved to doing something that will probably result in her own sacrifice.

After all, while Aiko’s need for AICO to act in her place to save her family is all well and good, nothing about those wishes addresses the issue of the Matter itself. Will Aiko or AICO have to die to end it, or is there still a way to reunite them, which could also reunite Yuzuha with her body?

Tsurezure Children – 05

Ahh, conversations through texting. So fraught with danger. You’d think communication would be a cinch in these heady days of high technology! NOPE. Take Takase and Saki. They both like each other and want to confess, but Saki is too scared to do it in person, so after a string of texts goes very well, she sends that text.

Unfortunately, Takase was about to do the same thing at the same time, but bailed at the last second, instead asking if she’d meet up with him later. But he just had to include a comment about how confessing via text is shitty. And so both Saki and Takase end the evening not as a happy couple…but wishing they were dead.

MOVING ON! Kaga Yuki’s childhood friend Nanase Kaoru joins the astronomy club, and she laments how Yuki’s clearly only there because he has a crush on Sasahara. But when Sasahara steps out for a bit, Kaoru pounces.

She tries in vain to lead an entirely Yuki along to the realization that she likes him, but ultimately has to resort to kissing him, lest their be any doubt. A kiss that Sasahara walks in on, no less! Still, by episode’s end, Yuki is willing to knock on Kaoru’s door for a family errand. They’ll be fine.

LASTLY, we have Kamine Ayaka and Gouda Takeru. Ayaka is worried that since they started going out, things aren’t going so swell with Takeru, making her wonder if he’s not into it. As if to confirm her fears, Takeru is very standoffish after school and even starts talking as if he’s trying to gently but firmly dump her.

But it’s all good; it’s fine…he’s not trying to dump her, he’s saying their awkward tension is what can’t go on…not their relationship. To that end, he wonders if it’s okay if they hold hands. And Ayaka’s instincts were right on at least one front: he avoided her because he was sweaty…which makes her so happy she gloms onto him with glee. Daawww…

Tsurezure Children – 04

For three of the four couples, “futility” is the name of the game this week. Kana and Chiaki are now officially together, but forces conspire to keep them from taking their relationship to a more physical place.

After some initial awkwardness and another one of their little comedy bits, they’re well and truly ready to do the deed (Kana even brought protection), only to be stymied by not one but two rude interruptions by Chiaki’s curious mom. Chiaki, brah, lock your damn door.

I’m finding the more complex relationship rooted in a long-standing friendship the more interesting pairing in TC so far, as demonstrated by my lack of enthusiasm for the two skits in the middle.

Neither the painfully blunt Akagi asserting dominance on the tentative Ryouko, nor Ruruya’s inability to answer Yuki’s confession because he fears she’s just teasing him really resonated for me. Hopefully both stories will go to more interesting places at a later date.

Sugawara and Takano’s latest appearance splits the difference between the first skit I liked and the later two I didn’t. But yet again, the situation is the same for Sugawara: the onus is on him to communicate in no uncertain terms that he likes Takano, that he’s not joking around, and that he wants to be her boyfriend.

He’s worried about being friend-zoned, but at least there’ll be closure. And we know that Takano wishes she was…exactly what she is: someone Sugawara would want to date. These two simply need to get on the same page for once. I think they at least inched a little closer.

Tsurezure Children – 03

First couple: Kana is frustrated that even after a year of dating, her boyfriend Chiaki hasn’t kiss her or even held her hand. Turns out he has no idea they’re dating, and thought her confession a year ago was one of the many comedy bits they do. Now that he knows Kana’s true feelings, Chiaki is willing to step out of the friendzone with her.

Second Couple: Matsuura just got turned down by her crush, and is on her way home to wallow in self-pity, but her senpai, Katori, tracks her down and proceeds to act in a very annoying fashion, but with good reason: by punching and kicking him for being so annoying, he’s letting her forget her troubles and helping her feel a little better.

Third Couple: Yamane, who looks vaguely related to Rock Lee, is asked out by Kurihara, a girl he has a crush on. She wants to take him out to lunch as thanks for saving her from a groper, and she also knows he’s a good guy by watching him give up his seat to the elderly on the bus.

Yamane simply can’t believe someone as cute as Kurihara is bothering with him, a self-professed weirdo, so when she formally asks him out, he chokes and hits the button that brings the waitress rather than give her an answer.

Fouth Couple: Finally, we check back in with the unlikely pair of Takano and Sugawara. He helps her sweep up, but she takes it as a sign she’s doing crappy job of cleaning. Just when he thinks he’s making progress talking with her and asking her out, it eventually dawns on him they’re not talking about the same thing, and “cleaning up” isn’t “looking good”…but just “cleaning up.”

He retreats for the time being, but will hopefully try again soon…with amusing results. With so many different couples at so many different stages and paces of romantic relationships providing comedy, there’s scarcely a dull moment in Tsurezure Children.

Tsurezure Children – 02

This week, a little sister grills her brother on the nature of his relationship with a certain red-haired harlot; the now lone astronomy club member manages to charm a boring new student into joining so he can see more of her smile; a shy girl with poor eyesight manages to confess to a very stiff, stoic, oblivious guy; and a popular guy falls for a self-proclaimed gloomy girl who doesn’t believe his initial confession.

It’s another mini 4-pack of little vignettes that each touch on a different part of the rich high school romance tapestry; unremarkable, but like astronomy club girl, charming enough to stick around for.

Kiznaiver – 02

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As the Kiznaivers’ teachers deal with the guilt of allowing their precious students to be appropriated in such an extreme manner, Sonozaki assigns the Kiznaivers themselves their very first mission: self-introductions. And she’s not talking about giving your name, class, and blood type.

She wants the deepest, darkest secret each of them carry within them, for if they’re really going to be All for One and One for All, they need to grasp the essence of who one another are, as well, perhaps, to experience the catharsis of finally releasing that which has never been released in their lives.

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And no, they don’t get a choice in the matter. Dishonesty and incomplete answers result in penalties in the form of the continued shocking of Agata, who is still in the control room with Sonozaki.

When she sics a pair of attack dogs at “Mad Dog” Tenga, Tenga accidentally goes first when, in a fit of panic he confesses to being a cynophobe. The next trial involves demolishing the facility they currently occupy.

Meanwhile, Agata doubts he has anything he doesn’t want to say, because he “doesn’t know himself.” Sonozaki releases him, with what is sure to be a catch.

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When a countdown nears zero for the next confession after Tenga’s, it’s Niko’s turn to reveal her secret, or at least what she thinksis her secret: she’s a Phony Eccentric; she only dresses and moves and talks weird because she’s worried with her looks and smarts and wealth could cause more trouble for her and others.

Just as they do with Tenga, the others don’t see the confession as a big deal. In fact, they consider Niko eccentric simply because she thought it necessary to pretent to be eccentric rather than act in a more socially normal way.

Yuta is next, as Niko notices a poster with a smiling fat kid. That fat kid is Yuta, and his dark secret—that he was once round—was something he felt would cripple his school prince status. The thing is, plenty of princes were/are fat. Again, it’s no big deal to the others.

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That leaves Agata, Chidori, and Maki. Maki runs off rather than be the next one to confess, and ends up in a morgue where a female corpse in a school uniform calls out to her creepily. I must say, Sonozaki and the organization she works for really put a lot of effort into this house-of-horrors, considering it’s only necessary for this one mission.

The other Kizzies head to the roof, where Agata is hanging precariously in a gondola and will plummet to his death until the self-intros are complete. He attempts to give one by confessing he doesn’t care or feel anything about anyone, probably because he doesn’t care about himself.

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This doesn’t get a ding-ding, but it does prompt Chidori to climb over to Agata and begin a rant about how cool and cheerful he used to be, and how he used to take care of her and be there for her.

This culminates in a confession that she loved that Kacchon and wants him back more than anything; a confession we all knew was coming a mile away. All of us, that is, except for Agata, who never realized Chidori liked him even as she stayed by his side though all his struggles.

He amends his confession to state that he feels happy about how she felt/feels about him, and feels happy that he feels happy, and since becoming a Kiznaiver made that happen, maybe it’s not so bad, aside from all the danger games.

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And so there, after falling to their not-deaths onto a big landing cushion, Agata and Chidori and the other three all celebrate their catharses. Of course, there’s one more who needs to reveal her secret: Maki. And it’s what I expected when I saw her in that morgue: she murdered someone.

Now, clearly, being a murderer is, in the grand scheme of things, far worse than having been fat in their earlier years. But the fact everyone put the same weight and importance on their closest secrets, no matter how varied they were, is another important lesson about what it is to be Kiznaivers.

Before, they kept the most difficult things to say inside. Now the facades have fallen, those things have been said. The group was skeptical of being able to open up to virtual strangers, but no matter what else they were or are, they are a lot more than strangers now.

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Working!!! – Special – Lord of the Takanashi

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A few months back I voiced my frustration over Working!!!’s apparent reluctance to deliver a proper resolution to the Inami x Takanashi romance, instead ending on a “To Be Continued.” Well, this hour-long special is that promised continuation…and baby, it delivers. All is forgiven.

I still think this could have gotten done in the last couple of episodes of the threequel, but in hindsight, I didn’t mind the material we got instead, as well as this special that gives the resolution plenty of time and space to unfold.

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Because while there are lots of other good things going on in this special—Yamada coming to grips with being reunited with her mom; Popura trying to be the best future chief she can be; Nazuna preparing to take over the world one day—most of the time the focus is where it should be: on our main couple.

Takanashi continues to cross-dress on order from his mother, who would deny him both romance and manhood as long as he’s dishonest about his feelings.

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Yachiyo is concerned about Takanashi (mostly because he’s a good worker and she needs the labor) so when Inami beseeches her for a time when she can run into Takanashi (who had his schedule adjusted to avoid her), the boss is happy to comply.

Inami lies in wait and confronts Takanashi, who is very reasonable with her, and seems to be on the cusp of saying what he should have said a long time ago, but yet again a parent butts in and delays the catharsis; his mother, again, not allowing a son who lies to date anyone.

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The only way this stalemate will be broken is if Inami sallies forth to rescue Takanashi as his knight in…his own work uniform. I love the idea and the symmetry of Inami dressing as a boy to save the one she loves dressed as a girl (especially the little dig Yamada gets in about her wrapping her chest).

But the outfit won’t be enough: Inami must face a gauntlet of Takanashi’s sisters, deployed by her mother to test her. The first challenger is Kazue, but Inami gets past her accidentally by congratulating her on her re-marriage. Okay…maybe this won’t be so hard after all…but that doesn’t mean it isn’t funny!

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Izumi is next, but she’s actually glad Souta ended up with Inami, so forfeits their fight, accepting a forehead flick as defeat even though said flick never reaches her forehead. Just when it looks as if Kozue has Inami’s number (revealing Inami can only fight against men), when her buds show up looking for her, she totally flakes out.

But like Izumi, she’s on Inami’s side. So is Inami’s final challenger Nazuna, who instead tests how nice a person she is by refusing to fight her even though Nazuna seems to be rearing for one.

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Nazuna later becomes a powerful advocate for Inami at their home, where her mother remains unconvinced Souta should be freed. When we see the photo Nazuna produces of her mother as a 17-year-old arguably even tinier and cuter than even Popura, it’s concrete proof of how much people can change, if you just give them the opportunity to do so.

The clincher for Souta’s mom is when Popura shows up, and she realizes her son has changed: he went for the ordinary-sized girl over the tiny one.

Also extremely amusing is the fact Takanashi’s mom keeps that picture of her around her office because despite loathing how tiny she once was, she shares the same love of tiny cute things as her son, which is why she takes an instant liking to Popura, using her as a prayer offering, then attempting to kidnap her as she returns to work, satisfied Souta is on the right track.

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Takanashi brings up his intense affection for all things cute and small, which Inami initially and wrongly mistakes for a soft rejection. Takanashi goes on to say he doesn’t just want to be someone who can proclaim loudly and proudly that he loves tiny cute things; but that he can proclaim that he loves all the things he loves – like Inami.

He finally, finalllllly confesses, she says she feels the same way, he says he’s known that for some time, and she lets him take her hand the way lovers do, without creepy CGI grabbing wands. THANK GOD.

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After that wonderful exchange, and all the fun and hilarious stuff that led up to it, I stand fully propitiated. Working!!! took a while to get to where it ended up (three cours and a special, to be exact), but it got there. It didn’t let me down.

Hell, it almost makes me want to go all the way back to the beginning, this time without the stress of not knowing when or even if things will work out…because they did. So I guess there’s nothing left to say but Thank you, Working!!!, for all the laughter-food!

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Prison School – 08

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Yours truly should have known, but my “manly feelings” were also manipulated, as I, like Shingo, stopped worrying about what was or wasn’t too good to be true and actually roll with the idea of a random girl at Shingo’s school being legitimately into him. After all, Chiyo can’t be the only one who likes having the guys around, right? Well, it’s not really a yes or no question.

But let’s just say for most of the episode and all of last week, Anzu was putting on an act. Unlike Chiyo, who puts herself at risk trying to warn Kiyoshi of the impending plot afoot (writing it in Go stones…so refined!), Anzu is acting on behalf of the Underground Student Council, in exchange for Mari’s recommendation she be named to the executive committee next year. She was a part of DTO…but by the end, she’s almost responsible for foiling it.

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Why does she do that? Well, everything was going according to plan, with cheek-pinching about to move on to something else, until Shingo just cant sit there and watch some random kid in the park get sand thrown at him by his friends. When he yells at them too harshly, they cry, and the kid who was getting bullyed throws sand on him. 

This isn’t just a show about T&A. It’s a show about fate and justice; friendship and forgiveness. The confessions that take place in that park aren’t of love between Shingo and Anzu. Shingo confesses to being a snitch, and can’t betray his friends anymore. But then Anzu ‘fesses up about being appointed by Mari to seduce him as part of a plan to get the boys expelled.

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Of course, Anzu was only one of Mari’s variables in her devastatingly intricate scheme, which involved using Meiko’s voluptuousness and lack of punishing Andre to drive him mad until he’s chasing cardboard cutouts, and finally, the real thing. When Meiko offers to whip him if he just comes through the fence, Andre can’t help himself, pushes through the wire (which had already been cut), and is guilty of the boys’ second breakout. If Shingo doesn’t get back in time, that will be three strikes, and they’ll be out. Baseball Metaphor!

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In the time Anzu’s spent with him, culminating in those shared confessions, she can no longer play him any more than he can play Kiyoshi and the others. So she does everything she can to get him back to school on time. At first, their getting along seemed all to easy, then was revealed to be an artificial fondness that then became real. I just hope this isn’t the last we see of these two.

If Mari and the council have their way, however, it will be…and the boys won’t get to experience “seaside school” in the summer, when the girls hold a wet t-shirt contest. While I’m almost positive that’s just bullshit to get them riled up, the fact they believe her so intensely is pretty hilarious.

In fact, it’s that dream of transparent tops that move Kiyoshi, Gakuto, Andre and Joe to put their wishes and hopes together and chant for Shingo’s on-time return. Shingo is almost hit by a truck, but avoids it, and that truck happens to be the laundry truck for the school! Almost as if the universe is rewarding him for his honesty, eh?

Well, not quite: the kicker in DTO is that the other four inmates were put to work adjusting how the door to the stockade opens so it slides rather than pushes in, so Shingo can’t open it, and he’s outside when his time runs out. Dayum, that is one ice cold checkmate.

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Happily, as they await their impending expulsion, Shingo prostrates himself and apologizes profusely for what he’s done…and he’s forgiven, just like that. Well, until he mentions details of what happened with him and Anzu; then they lay into him, but when they’re done, they’re all of them satisfied and even. Mari may have gotten them expelled, but she failed to break their brotherly bonds.

Mari all but smacks her dad in the face with the official school regulations and how the boys are indeed guilty of breaking out three times. Chiyo is there to argue their case, but her pleas are shouted down by Kiyoshi and her confederates. This is one of those times you’d really wish her dad the chairman had some backbone, but considering how awkward and awful he feels about Mari seeing so many overt glimpses of his fetish, he probably feels he has no moral ground to stand on, even if Chiyo were to back him up in the pro-boys corner.

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So, is that that? Will the end of the week after next be all she wrote for our lads? Or is the festive victory celebration by the council—complete with cake, sparkling cider, and Meiko getting her thong caught on the door after doing fingertip pullups—premature? For her part, Anzu tells her boss how she ended up failing her mission when she fell for the target, but Mari lets her off the hook, while ordering surveillance on her as soon as she’s out of the room.

As for the boys, because their bonds have never been stronger, and their hopes somewhat miraculously reached Shingo, they belive anything is possible. They’re not done yet. They’ve got allies in Chiyo and maybe Anzu and the director, they have each other, and they have at least a couple of weeks. Can they somehow overturn the verdict of the council? Will they turn DTO’s victory into a defeat? I hope so.

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Oregairu 2 – 13 (Fin)

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My, how time flies when you’re engrossed in a long-standing love triangle of friends! Oregairu wisely pared down its cast to just the main three this week, and gave those three an arresting send-off in more or less the same awkward state they’ve been in for most of the season, but at least knowing where they can, if not should go, along with where they’ve been and where they shouldn’t go.

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Ah, Haruno-chan. The lighting, BGM, and close-ups always seem to cast her as the villain, an interloper who likes watching the world burn. But more than a force of malevalence, she’s an agent of change, for Yukino if not herself (her own personal and emotional issues are not a big focus of this show, which is both a shame and a relief). The time is soon coming for Yukino to make her own choices in life. If she doesn’t, her mother and Haruno will make them for her. Will she let herself be washed along in the current, or swim against it?

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For now, she seems to be caught in some netting cast out by Yui and Hikki, not to catch and eat her, but to keep her in the pleasant stasis Yui wants to keep going on forever but knows it won’t.

Outmatched outside the school, when Yukino calls Haruno, she decides not to lend her more potential ammunition, and instead parrots what Hikki told her: neither sister is thinking clearly, and a night apart is indicated.

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Throughout Oregairu Yui has indicated on numerous occasions that she wants to “make a move” vis-a-vis Hikki at some point, but this isn’t that time. Instead, she invites both Hikki and Yukino to a date at the aquarium.

Hikki isn’t the sort of guy you’d expect to be on a three-way date, but it’s not like this is going to be The Episode Where One Girl Gets Dumped so that a couple can emerge and progress into adulthood.

Rather, the aquarium trip is billed as a kind of last hurrah for the trio in their current state, a nostalgic look back before turning towards an uncertain but increasingly close future where stuff like this is not guaranteed.

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Thus follows a sequence of the three making comparisons between the traits of aquatic wildlife and themselves, with the metaphors flowing wildly. The camera’s insistence on shoving that sign with the mated pair of penguins, the fish in the muddy water, being contained, and the life-partner penguins grooming each other—all of it reminds them of what they are.

But an aquarium is a place that doesn’t exist in nature: a kind of training center where one learns about the ways of the aquatic world, the world humans left when they exchanged gills for lungs and fins for legs. The parallels are never not on-the-nose, but not obnoxiously so, and they also happen to all ring true.

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The Deadman Wonderland Ferris Wheel the three ride is one last elemental symbol that the three of them are spinning their own wheels. They feel like they’re going somewhere, but always end up at the same place in the end; the progress is an illusion—just like the “world where nobody gets hurt” Hikki believed he’d created back at the season’s start.

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Pretty soon that ride has to end. When it does, the Service Club might be toast. But if you wanna make a life omelette, you gotta break some eggs. Yui, who has thought all of this through, thinks she knows how to help Yukino with her family issues, and brings up the bet that, if she wins, she gets to “take everything.” She almost gets Yukino to go along, just as she appropriated Hikki’s words to Haruno.

What Yui seems to be suggesting is that things continue going on, finding answers for one another, like three penguins grooming one another (which I doubt happens often in the wild). But Hikki intervenes before Yukino goes along with it he thinks Yukino should find her own solutions or she’ll grow, and neither will he or Yui.

Now, I knew going in this wasn’t the kind of show that would rush into confessions. It did come close with its many confession-friendly atmospheres set up this week, but what with three people present there were never going to be any. But everyone’s eyes are open now, both to what the three of them are and that they have to choose between stepping back on the Ferris Wheel together, or starting off on a long road they won’t necessarily be able to share.

This felt like so much more emotionally complex a show than the first season, and I imagine if there’s a third it will grow even more so. But even if there isn’t one, I’ve really enjoyed the run, and content with the open ending.

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