Cardcaptor Sakura: Clear Card – 15 – A Phone Call, Daidouji Videos, and a Quake

After yet another ominous scene with Akiho, her (still motionless) rabbit, and Yuna D. Kaito reminding us that there’s Something Up With Those Three, we return to Sakura’s house where she’s braiding Meiling’s hair.

Talk turns to how Sakura’s dad has always cut her hair, Yukito cuts her brother’s and her brother cuts her father’s…but when Syaoran comes up, Sakura can’t mask her worry.

Meiling’s solution is to simply call him, and then hands the phone off so the two lovebirds can talk. Syaoran says he’s fine (or at least he says he is), so Sakura is able to continue her day without worrying about him.

That day consists of Sakura, Meiling, and Akiho meeting up to visit Tomoyo’s mansion, and are welcomed at the door by her mother,  who finished a bunch of phone calls early and cancelled her schedule just to be able to greet her beloved, adorable Sakura. Far from feeling hurt about this, Tomoyo is on the same page as her mom: Sakura IS adorable!

Tomoyo then drops a big surprise on Sakura: she’s invited them to try out her new super-deluxe home theater, where she proceeds to play the Nadeshiko festival play in which Sakura and Syaoran starred—another nice callback to older iterations of the series.

The chemistry between Sakura and Syaoran is apparent not just in their on-stage performance (which was interrupted by an earthquake) but behind-the-scenes footage of them learning their dance steps.

Sakura is mortified beyond belief by all this footage—she doesn’t like to be on display, despite her occupation—but Tomoyo is merciless, and Akiho and Meiling also get a kick out of all of the heartwarming film…as did I!

Sakura tries to get revenge by mentioning Tomoyo singing, and Tomoyo has no choice but to play it for Akiho, but their viewing party is suddenly interrupted…by another earthquake. Sakura hides behind a chair to release her staff, then puts Akiho, Tomoyo’s mom, and the house staff to sleep with Snooze lest too many learn her identity. With that, she uses Flight to sprout wings and survey shaky ground from a safe height.

Considering Akiho described exactly what happened last week as being a chapter from her white clock book, with Sakura in the role of “Alice”, it’s a good bet the next chapter involves an earthquake. We’ll have to wait until next week to learn how Alice manages to resolve the situation, as the episode ends on a bit of a cliffhanger.

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Aho Girl – 06

Aho Girl was just ‘okay’ this week, as it relied more heavily on boobs-and-dick-style comedy as the gang goes on a beach/hot spring vacation. Fuuki tries a bit too hard to get A-kun to look at her boobs, and is punished by Yoshiko by being buried in the sand and given a sand schlong.

Later, Yoshiko gets to talking about A-kun’s tiny weewee when they used to bathe together as little kids, but when Fuuki tells her he’s probably not that way anymore due to puberty, it only makes Yoshiko want to peek at A-kun even more. She gets a mace-like weapon to the face for her trouble.

The strangest skit involves A-kun on his own with Yoshiko’s dog while she’s away, and he finds that not only can the dog understand what he’s saying, he also loves his favorite movie. Yoshiko accuses A-kun of “having an affair” with a dog, but he won’t forget how much more pleasant communicating with the dog was than with Yoshiko.

Things are wrapped up with a festival in which the Neighborhood Association attempts to stop Yoshiko from ruining their Bon Dance. However, her sexy Brazilian Carnival get-up lowers their guards, and before they know it, they’re her backup dancers.

Aho Girl – 05

Summer Vacation is here. A-kun wants to study. Yoshiko wants to play. For once, I’m on her side (wait…when am I ever not?). Ruri has recovered from last week’s unintentional assault. Yoshiko invites her to go see a new magical girl anime movie. A-kun tells her that stuff’s for kids, and Ruri starts to cry…so A-kun agrees they’ll all go to the movies.

BIG mistake. Neither Yoshiko nor Ruri can keep it down, making such a disturbance A-kun has to smack them both and carry them out with apologies to the rest of the audience. Though I must say, Yoshiko breaking out of her tape binds, magical girl transformation-style, was pretty nifty.

Next, Yoshiko wants to go to the beach. She’s not alone; Sayaka thinks it’ll be fun times as well. Fuuki Iinchou and Ryuuichi happen to be in the neighborhood (stalking A-kun in various ways) so they want in as well. Suddenly A-kun is all alone on an island of people who don’t want to go to the beach.

While everyone is shopping for swimsuits (don’t they own any?) he mentions he won’t be joining them on the trip. Then Sayaka pulls out all the stops to guilt trip A-kun into coming along, by calling him a weirdo who draws other weirdos, like Yoshiko and Ryuuichi and Fuuki Iinchou…and yes, even Sayaka. But she bets—correctly—that even if she is a weirdo, A-kun will still be her friend.

The morning of the trip arrives, and Fuuki ends up facing off against Yoshiko’s mom, who smells an “A-kun-stealing homewrecker” and a “sow”. Neither Fuuki nor Ryuuichi are a match for Yoshiko’s mom’s extensive cat fight experience…but A-kun is, and warns her to knock off the violent behavior and leave them in peace.

She does, but not before slipping A-kun her still-warm bra (for some reason) before scampering off while laughing maniacally. I think I’m realizing where Yoshiko got a lot of her brash theatricality…

Flying Witch – 06

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This may not make much sense, but Flying Witch felt like it was almost trying too hard to be about nothing all last week, which pulled of took me out of its world. But this week it returns to its effortless coziness. Like the magic it contains, Flying Witch is not usually flashy, but it can be powerful.

Just seeing Mako in the air on her broom again was a sight for sore eyes, and Akane’s suggestion that she not try to ride a broom she is levitating, but levitate herself along with the broom, provides invaluable insight into the ways of witching.

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While Makoto figures out how to ride properly, Chinatsu is satisfied she’s seen enough: she wants to be a witch too, and formally requests Akane take her on as an apprentice. Akane entertains the request, waiting until the young child is out of the room when she tells Kei that it’s a difficult, possibly life-changing path for one who was not born a witch.

But young and impulsive as Chinatsu is, there’s no arguing with her assertion Akane and Makoto are cute and amazing. And Chinatsu’s fantasies of how she’d use her powers are just as cute.

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Akane drives home the point that magic isn’t always about telekinetically manipulating toys, transforming cars into pumpkin carriages, or creating candy houses that eat people. The basic stuff is subtle, and yet still requires precise preparation to work at all.

Akane proves to be a good teacher, precise in her directives while maintaining her pupils’ faith throughout, in spite of evidence of the spell working. I like how Kei, meanwhile, is simply sitting on a bean bag watching dumb movies. Hey, after that weeding, he earned a break!

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When the spell is finally complete, and Makoto eats the newly-enchanted Pocky, I perked up to see what, if anything, would happen. Turns out the lesson also served as a prank, which is it’s own lesson about the power of even minor spells. Makoto ends up crying at everything for about an hour, while Chinatsu ends up laughing at everything

Cats be all like “humans be crazy”, Kei’s movie is interrupted by their noise, while Chinatsu and Kei’s mom has a little fun making her daughter laugh (though I dunno about letting Makoto handle a knife while crying uncontrollably). As for their dad, he eats both snacks and is domed to spend the next hour laugh-crying over everything. Magic, man: You gotta respect it.

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P.S. One issue I wish would be addressed, but probably won’t be: the music. There seems to be one main musical theme to FW, and it’s used every week, usually more than once. It was cute and matched the mood, but it’s totally played out. More musical variety, please!

Ookami Shoujo to Kuro Ouji – 10

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Ookami was in a giving mood this week. We got a break from ominous new characters and fresh internal/external threats to Erika and Kyoya’s relationship. It’s Erika’s birthday, and while Kyoya seems a little put out at first, he puts in the effort and has a good showing. After all, it’s not like he’s getting nothing out of this; he likes to see Erika happy, so he’s not going to screw up this time.

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It may not be much (plus he doesn’t have to lift a finger to plan anything for her date) a sea change from the ‘there’s nothing wrong with me, it’s the world that’s wrong’ attitude. Hanging out with Kakeru and now a newly-reformed Nozomi (who make a great duo) has worn him down; he now knows it’s better to be honest with your feelings and do whatever it takes to make someone happy. It’s part of what love is.

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Which is convenient, because when Kyoya asks Erika what she wants for her birthday, Erika says simply, ‘love’. Eavesdropping on her chatting with Ayumi, he learns that for Erika, that means telling her, straight up, “I love you,” and meaning it. Kyoya doesn’t have an issue with meaning that anymore, he does love her, but it’s the actual physical act of saying it that provides the only measurable conflict in an otherwise blissfully perfect date that follows.

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Likin’ Erika’s new ‘do!

 

Kyoya’s mates clued Kyoya in on something that he adheres to when it comes to interacting with Erika. It’s not about going through motions to placate her, it’s about being natural and wanting to do and say the things he does…which he does, he’s just shy and bashful and has gone so long without acting like a normal emotive human being. Heck, Erika is the one who yanked him out of that abyss to begin with, so while he looks and sounds stiff at times, there’s no doubt he’s enjoying himself too.

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What’s so great about the date is how astonished Erika is that Kyoya is being so nice, fully expecting him to flip out at any moment about one thing or another, as before. It makes her happy just to be with him doing these things, but even happier that he’s mostly past such immaturity.

Still, not overtly showing his love (or stating it) throws off a nosy little girl who asks Kyoya straight up if he loves Erika. Kyoya freezes and his face scares the girl off, requiring an apology to her mother.

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Kyoya’s inability throughout the day to tell Erika “I love you”, despite a few golden (and more silver and bronze) opportunities to do so isn’t even that huge of a conflict here, as we were pretty sure at some point Erika would give him the in he needed: hearing her say she loves him, so naturally and earnestly, while standing in a busy street, was that in, and Kyoya uses it.

The pretense of saving her from traffic, along with the bright headlights and engine noise, provided enough cover for the shy, bashful lad to say what needed to be said. And doggone it, Erika HEARD him say it!

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And that’s what made this episode stand out despite following the well-worn ‘guy/gal has trouble saying I love you’ date episodes: sure, there were the usual false alarms and redirects, but in the end Kyoya said what needed to be said, which he’s smart enough to know was the most important thing he could do for Erika on her birthday. She asked for love, after all.

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