SSSS.Dynazenon – 08 – Anywhere Is Fine

Shizumu immediately identifies this week’s Kaiju as “failed” and leaves it be while kids poke at it. Then Gauma wakes up from a nap and he’s the kaiju equivalent of “slimed”.

He calls an emergency meeting just as Yume is contemplating whether to answer Yomogi, who had just asked if she wanted to go somewhere—anywhere is fine—to hang out together.

Yomogi and Yume go into work mode, as they and the others search for the kaiju that’s…painting things in bright cheerful colors. Then they find it, and when they give chase it just…falls over. 

This, small, weird, harmless kaiju is their weakest “adversary” yet, so much so that even Gauma, who got painted, stays his makeshift weapon when the others say they shouldn’t kill a kaiju that’s not going berserk due to the Eugenicists’ Instance Domination.

Gauma, technically being a kaiju user himself, tries to control it by flashing the Vulcan salute, to no avail. Then Chise gives it a try, followed by Koyomi. Yomogi doesn’t want to do it, but then Yume does it, so of course he does it…and it works. Sort of? Maybe it was just lucky timing that the kaiju reacted to him?

But no, it wasn’t just a coincidence. Something happened. Yomogi caught a glimpse of…something for an instant—a weird network of colorful lines and a white, fibrous growth. Knight (AKA Anti) and Second stop by to impress upon the Dynas the importance of keeping a close eye on it, but when Gauma falls asleep at his post, it escapes its cage.

Interestingly, the Eugenicists don’t really do anything other than something the Dyna-pilots have yet to do—hang out and have fun just for the f**k of it, not because they work together. Bowling, tennis, hoverboards, and pool…they’re just living life.

The Dynas, meanwhile are all business on a Sunday trying to find the kaiju Gauma lost track of. Yomogi pairs up with Anti, who has absolutely no gray area about his role should a kaiju pose a threat to others: kill without hesitation. This, despite the fact that Kaiju are born of human emotions, so its not 100% clear they don’t have human emotions as well.

When the kaiju surfaces, it has grown to a far more kaiju-esque size, and indeed begins to threaten the city, specifically the mall where Yume and Chise were searching. Koyomi stops Gauma from launching a reckless missile attack, and proposes instead that they lure it to a safer place to do battle.

It seems to be working until the kaiju seemingly gets upset with the beckoning Koyomi and tosses him like a ragdoll. The kaiju then gloms onto the glass facade at the mall, causing a panic and stampede; Chise and Yume are separated, and Yume drops her Dyna Wing off a high ledge.

When Chise reports Yume’s predicament to the others, Yomogi panics; he doesn’t want to kill the kaiju, but he doesn’t want Yume hurt or worse. So he tries Instance Domination once more, and once more it has the same momentary effect, only this time the kaiju sprouts an eye and seems to stare directly at Yomogi.

When it becomes clear he has to choose between killing the kaiju and saving Yume, Yomogi pulls the trigger. But he doesn’t feel good about it; not when he does it, and not afterward during the team debrief. Chise also notices that the weird white growth she picked up a few weeks ago is becoming larger and more complex…and we see that it looks just like the white thing Yomogi saw in his flash of Instance Domination. That also isn’t a coincidence.

Yet as these weird, potentially show-shattering revelations are quietly revealed, the ending is perhaps the most heartwarming part of the episode. It’s a repeat of Yomogi and Yumes ride in the back of the bus, but the lighting is a lot warmer and more cheerful, and this time it’s Yume who gives Yomogi a playful little chop to the ribs, asks if he’s hungry, and whether he wants to go somewhere…anywhere will do. That may be true, but I’m glad their friendship is going where it is.

Rating: 4/5 Stars

SSSS.Dynazenon – 07 – Mending Dyna-Fences

Out from under the Nihonbashi Bridge comes a pair of newcomers, a cheerful woman and a serious man with silver hair she calls Knight. She says Kaiju appearing in a world “weakens the barrier”, and tells Knight to do his best. He transforms into Gridknight, forces the Eugenicists to withdraw their Kaiju, and for good measure gives Dynazenon a kick for putting on such a pathetic display of ineptitude.

Next time we see the mysterious pair, they’re back on their little boat. Koyomi broke off from the others when he spots Inamoto’s husband among the wreckage and gets him some help, all while Chise is trying to find him. You can cut the moroseness between Yomogi and Yume with a knife, but Gauma still tries to dispel it with some dinner, to no avail.

Knight and his chipper companion then introduce themselves to the Dyna-pilots as the Gridknight Alliance, voicing their intention to collaborate since they have the same mission: protect the world from Kaiju. Gauma dismisses them for suddenly showing up (just like he did). The pilots stay out late in case the Kaiju reppears.

Gauma tells Koyomi someone told him it’s best to “live honestly with one’s feelings” when he hears he saved a man he hates. The person who told Gauma was the woman he’s looking for, whom he also mentions was at “total beauty.” Koyomi and Gauma not even aware Chise is nearby.

With enough time for their lengthy silences in between words to fully play out, Yume and Yomogi finally get around to “making up”. Yomogi asks about Yume’s ankh puzzle, which Kano wouldn’t let her have, but was also in her cold, dead hand. Then Yume opens up about how she and Kano were once close, but drifted apart, and how she can’t stop wondering what her sister’s smile meant the last time she saw her.

Yomogi tears up at the story as superbly delivered by Wakamiya Shion, and tells Yume there’s a lot they don’t know yet, from whether it was suicide to what that parting smile meant. That’s exactly why she shouldn’t give up the investigation, and he’ll stay by her side. When she says Kano was a stranger to him, he responds “if she was a part of you, she’s not some stranger.”

Yume can’t help but giggle at Yomogi’s red, raw eyes and nose, but she also thanks him sincerely, for being by her side, and for shedding tears for her sister.

The next morning, the Kaiju Mujina and Onija were working on all night returns, floating along the surface of the bay like a psychedelic Trojan Horse. With Yomogi, Yume, and Koyomi feeling better after talking things through, Dynazenon has more of a spring in its step in the ensuing battle…if only its ankle weren’t damaged from the previous scrap.

No worries, as Gridknight rejoins the fight and his companion uses the “Fixer Beam” (deployed with a baton, calling to mind Cardcaptor Sakura) to repair Dynazenon so it can fight at 100%. Dyna and Knight put aside their initial hostility and deliver a tag-team beatdown on the Kaiju.

At the end of the battle, Mujina and Onija aren’t discouraged; far from it. Instead, they’re excited for the next battle, when they’ll be able to build on what they learned and perform even better. The Dynas learn Gridknight and Second’s names, and Gauma learns that Second is not to be touched…ever.

After hanging up on Inamoto thanking him for saving her hubby (to whom she vows to be closer than ever after his brush with death), Koyomi rejoins Chise on a bench, where she has a lollipop with his name on it. When he just crunches that bad boy in one defiant bite, Chise smiles and follows suit, glad her senpai is beside her again.

As for Yomogi and Yume, they’re not only talking together, but staning a little closer together on the rooftop, planning their next meeting in the investigation. None of these people are fully “healed” yet, but the difference between how they looked, sounded, and interacted in the depths of last week’s episode and at the end of this one was like night and day.

For all the miracles that take place in their world every day now, getting over their problems isn’t going to happen overnight. But as with the Eugenicists, there’s been an, incremental improvement in attitude and understanding that keeps me optimistic.

SSSS.Dynazenon – 06 – It’s Nothing

While things seemed to be okay with Team Dynazenon, there were still a number of indicators it might not remain that way for long. The first is Yume learning her sister may not have died in a freak accident, but committed suicide after being bullied by her friends. Yomogi is there for her, but simply doesn’t have the emotional tools to properly help her…plus he’s harboring a crush on her.

Having lost four battles in a row, the Eugenicists are starting to consider other options. Juuga is starting to think killing Gauma’s co-pilots may be a viable one, Onija has been all for killing from the start, and Mujina will be fine with whatever. Shizumu, whom you could argue has spent the most time with their enemies at school, doesn’t see the rush; he wants to meet more kaiju.

Koyomi has another quasi-date with Inamoto, but is crestfallen when she also invites her husband, who for good measure gets his name wrong despite his wife “always” talking about him. It’s awkward, and Koyomi is not into it. He’s drunk before the husband arrives due to learning more from Yume about her sister’s death. Could his and Inamoto’s little secret have something to do with that?

Even Chise can’t escape the blues this week, as thanks to Inamoto Koyomi is late for…whatever it is they do, which I’m assuming is nothing. But the bottom line is she’s lonely. Koyomi forgets his umbrella and encounters Mujina while waiting out the rain. They end up having a drink together (wine for her, water for him, and she pays).

Koyomi starts ranting bitterly about his issues with Inamoto, but Mujina truthfully declares she can’t possibly know what he’s on about, because she doesn’t really know him. She doesn’t even know herself, and declares that “unlike other people” she has nothing she wants to do. Koyomi can relate to that, and Mujina suggests that maybe they’re the same. But eventually Koyomi succumbs to the night’s imbibing, and when Mujina spots his Dyna Striker unprotected, she decides to nab it.

As Chise continues to wait for Koyomi and Yomogi has another awkward dinner with his mom and her boyfriend, Yume finally gets access to the other private videos still online, which document pranks played on Kano, including stealing her ankh puzzle. From the almost creepy off-camera voices and snickering to the mocking graphics and sound effects, it’s clear the videos could be construed as a campaign of bullying, though whether it led to Kano’s suicide is not clear.

The next day, Yume, already clearly down in the dumps from watching those awful videos, has to witness two of Yomogi’s friends flirting with and glomming on him. When Yomogi approaches her later that day, unaware she was watching before, she gives him the cold shoulder, saying her problems have “nothing to do” with him. Ouch…

Koyomi, with Chise in tow as emotional support, informs Gauma that he lost Dyna Striker while drunk, though he eventually remembers that Mujina stole it. Gauma uses his Diver to track Striker, and Koyomi and Chise accompany him to the “enemy base.” At that base—which is just an abandoned warehouse—the Eugenicists are again deadlocked when it comes to what to do with the Striker Mujina stole on a whim.

Onija wants to fuck shit up with it, Juuga wants to use it to negotiate with Gauma, Shizumu wants to give it back. Mujina doesn’t care, as long as she doesn’t have to decide, eventually regretting even stealing the damn thing. It’s clear that the four Eugenicists represent four distinct personalities: Juuga is analytical and pragmatic, Shizumu peaceable and principled, Onija aggressive and rash, and Mujina passive and indifferent.

As they quarrel over what to do, they are ambushed by Koyomi following Gauma’s order to create a diversion by “doing something crazy”—in this case throwing his umbrella through a window, then pouncing on Mujina and forcing her to the ground (further irking Chise). Striker flies out of her hand, Gauma picks it up and activates it. But in his haste to get rid of the Eugenicists once and for all, he compromises the warehouse, which collapses and allows the enemy to flee.

Back at school, Yume continues to watch the videos and Yomogi continues to struggle with how to reach out to her. Shizumu ends up coming up to the rooftop first to talk to her, saying he won’t pry, but getting Yume to admit she wishes “life were easier.” Shizumu tells Yume he thinks she’s fine just as she is, and when Yume again says it’s not that simple, he says, actually, it is. Yomogi is headed up to the roof when he encounters Shizumu headed back down without speaking to him.

Before Yomogi can say much of anything to Yume, there’s a fresh Kaiju Alert…at the absolute worst time for the Dyna co-pilots. Onija initially cannot use Instance Domination on this new kaiju, but they soon learn that it requires two of them to operate. Mujina is chosed to join Onija, and as soon as the kaiju powers up, it’s like a switch flipped in her head…she’s suddenly into something.

Meanwhile, the Dyna co-pilots assemble, and even Gauma can tell everyone is depressed, but all they say, in unison, is “it’s nothing.” Then they go through with half-hearted and out-of-sync callouts as they transform into Combine Dragon. It’s another excellent twist on the familiar excited callout method previously tweaked when Yomogi was sick.

From the get-go, you know this new dual-pilot kaiju is a different breed from Dynazenon’s past opponents. For one thing, it’s a whole lot more destructive, and has a number of terrifying, city-leveling weapons at its disposal. As Dynazenon charges it, Onija notes that Mujina has become a completely different person, shouting for the enemy to “bring it on!”.

But with snapshots of what’s troubling everyone flashing by in everyone’s heads—Inamoto’s husband for Koyomi, Kano’s prank videos for Yume, Yume’s sudden coldness and Shizumu for Yomogi—only Gauma has his heart in this battle, and that’s not nearly enough. The other three aren’t bringing anything to the table. It’s not just that this new kaiju is the most powerful yet…but that Dynazenon’s power is severely lacking.

Mujina takes full advantage by delivering a beatdown. Even when they get off a Saber attack and transform into Dyna Rex—previously the first sign they were about to defeat the kaiju—this time that doesn’t work either, and if there’s a more new powerful Dyna form to take, they’re in no shape to take it. Heck, even if Chise swapped out with someone, she’s pissed at Koyomi, and so would only contribute to the dysfunction.

Our down-in-the-dumps Dyna-pilots are only saved by the sudden appearance of a third giant combatant who flies in from a red flash high in the sky, right between the other two. My first thought was it was Gridman, but the details don’t match: this mecha has horns, fangs, and an unfamiliar paint job.

I’m reminded (thanks, ruicarlov) that this guy bears quite a strong resemblance to Gridknight, the Gridman clone Anti transforms into late in that series, but considering the true nature of the world of that series, is it really? All I can do for now is wait until next week to find out who this really is, whose side they’re on, and whether their arrival was…triggered by the Dyna-pilots falling apart.

SSSS.Dynazenon – 04 – Dyna Dizzy Fever Day

Wrested from her previously stagnant state by her new Dyna-duties and co-pilot comrades, Yume commences her investigation into her sister Kano in earnest. She meets with a member of the chorus club during Dyna-training, and Yomogi is distracted because he’s developed a little thing for her.

His boss Inamoto teases him about it, while that same Inamoto reaches out to Koyomi for dinner. Yume and Mei lie on the Karaoke couches cheek to cheek, posed like stylish Monogatari characters but simply living their ordinary lives and basking in their deep friendship. I like how we see parts of Yume with Mei we see nowhere else. But Mei can tell Yume has changed, and wants to know what caused it.

Compounding Yomogi’s sudden heartsickness is a steadily developing cold, as well as one of the Eugenicists—the pretty boy Shizumu—enrolled in their class as an “exchange student” and is give the seat right behind Yume. However, like Juuga, he’s not looking for a fight; rather trying to get a read on Gauma’s new co-pilots. Gauma attacks Shizumu on school campus, which gets him fired from his job.

The next day, Cardcaptor Sakura Yomogi’s fever worsens and his mom deems him unfit for school. When he doesn’t show for training, Gauma sends Yume to check on him, unwittingly bestowing upon Yomogi a great gift: having the girl he likes visit him when he’s sick. A warm, cozy, earnest little scene between Yomogi and Yume follows, in which Yomogi realizes he doesn’t know Yume that well at all, but wants to.

Meanwhile, the sole female Eugenicist Mujina takes command of a new Kaiju with a very Kaiju-power: it can change objects from three to two dimensions, rendering them inert in the three-dimensional world. I like to think there’s a little symbolic parallel between that ability and Yomogi’s skin-deep understanding of Yume, but there’s a more pressing matter: Dynazenon can’t combine without Soldier.

Yume takes Yomogi’s Soldier toy and joins Gauma and Koyomi in battle. Unbeknownst to Koyomi, Chise stowed away his Striker, and when Yume arrives she volunteers to pilot Soldier. All the while the ill Yomogi looks left out and lonely, especially knowing Yume will be meeting with another chorus club member…this time a guy.

Chise’s avid video game skills serve her well at first, but she’s soon overwhelmed as she just doesn’t have the same rapport with Soldier as Yomogi, who calls Yume to get a progress report. Things aren’t good, so Yume has to fly back to Yomogi and pick him up, fever and all. Even if he feels like shit physically, he’s gotta feel good she came back for him.

Yomogi, all coughs, sniffles, and sneezes, joins the others and they combine into Dragon Dynazenon to soften the kaiju up, then upgrades to Super Dragon Dyna Rex for the coup-de-grace. It’s another loss for the Eugenicists, but other than Onija none of them are that miffed about it, probably because they gained more info on Dynazenon.

Chise apologizes to Yomogi and promises to train to become a better backup Soldier pilot, which Yomogi says isn’t necessary. I’d honestly wondered why Chise alone didn’t have a Dyna-toy to pilot, and I’m still not quite sure she’s not hiding something big. But while it’s fun to theorize on what twists are yet to come, it’s honestly just as good to watch Yomogi and Yume’s delicate dance as it unfolds onscreen.

While Yume is giving him a ride home in Wing, Yomogi asks if he can come with her when she meets the chorus guy. Notably she doesn’t respond by asking why he’d want to, but says “sure” first, then asks “but why”. Yomogi says it’s because we wants to know more about her, but unfortunately she sneezes just as he’s saying it, and he’s too bashful to repeat it.

Sure enough, Yume is absent for the next Dyna-training session, as she’s caught Yomogi’s cold, and we’re treated to a parting sight of her curled up under thick covers, her face surrounded by all manner of stuffed animals. As crazy and otherworldly as the Dyna/Kaiju battles get, SSSS always returns to the familiar and relatable realism of the characters and the lived-in places they inhabit. It continues to be an irresistible combination, impeccably produced by Trigger.

Rating: 4/5 Stars

SSSS.Dynazenon – 03 – Helping People In Need

Onija, the fiery member of the Eugenicists, gets into a yelling match with Gauma, calling him a traitor and ready to kill him. The only problem, as the level-headed Juuga (a calm Kamiya Hiroshi) points out, is they have no kaiju with which to fight Dynazenon, so they’d better just split for now. But it’s clear there’s bad blood between them, and Gauma’s human co-pilots want to know what led to the rift.

In the meantime, Yomogi attempts to practice in his Dyna Soldier, and then he and Yume actually hang out during school. Specifically, they go to the chorus club advisor asking about her sister Kano, who she tells Yomogi died five years ago, just before the first recital she ever invited her to.

Yume and her sister didn’t speak much. Koyomi then runs into a classmate from middle school he once watched breaking school windows; now she’s married…and Yomogi’s boss, who gives him her contact info. Little by little, we’re being presented with bits and pieces of the Dyna-pilots’ pasts. Do their connections to each other predate their current collab?

Perhaps most mysterious is what is up with Gauma and the Eugenicists. Juuga takes the step of meeting with Yomogi after school—not to threaten, like his hotheaded comrade, but to answer what questions he can. Yomogi learns that Gauma was someone Juuga and the others looked up to 5,000 years ago, but at some point Gauma betrayed them and they all died.

Now they’ve revived…for some reason. As for how and why Gauma betrayed his kohais, he’s tight-lipped as the co-pilots visit him under the bridge, eating tiny river crabs. The next day, a new kaiju appears, and Onija uses the Vulcan Salute to activate it.

When the Dyna-pilots learn of the new kaiju sighting, they all answer the call, but remain frustrated with Gauma’s silence. When it’s clear they won’t be able to defeat Onija’s explosive-lobbing kaiju without combining, they insist he give them something so they can trust him enough to combine.

Gauma gives in, telling them he wants to meet someone, and believes he was given the power to operate Dynazenon so that he could find that person in this era. When he affirms that this “someone” is a woman, everyone understands, and are sufficiently satisfied that the combination can proceed.

The combined Dynazenon grabs the kaiju and launches it into space, where its explosion attacks won’t work in a vacuum (while proving that this world has significant differences from Akane’s “world” in Gridman). Dynazenon launches all its weapons, which apparently work just fine in space. The kaiju is blasted to pieces, one of which gets through the atmosphere and knocks Onija off his electrical pylon. But while it sure looked like he was killed, he’s actually fine.

“Kaiju defy common sense,” says Gauma. They make the impossible possible. All the pilots need to confirm this is the fact they’re floating in space. But to Yume, it means something more. If the person Gauma wants to meet revived, maybe her sister can be revived too?

Rating: 4/5 Stars

SSSS.Dynazenon – 02 – What Are We Now?

The first of many wonderful decisions made in this exquisitely directed and impeccably detailed second episode is that we catch a second look at the end of last week’s kaiju battle from Yomogi’s POV. It’s great to see this confused ordinary kid simply along for the ride as Dynazenon leaps, flies, and takes its opponent down.

After that, the dino-mecha vanishes, or rather reverts to its resting form of four toys distributed among the three new co-pilots by Gauma. When Yomogi says he didn’t even do anything, Gauma says it’s possibly Dynazenon recognized his innate aptitude.

Then immediately goes back to what he was doing before the attack: castigating Yume for standing Yomogi up, leading Yomogi to ask for calm. Gauma goes on to say a group called the Kaiju Eugenicists controlled the kaiju, and they’ll be back, so the group has to train. Everyone agrees to meet up tomorrow…even Yume.

The next day at school and in Koyomi’s room, everything seemingly reverts back to normal, except for the compression of classes due to the kaiju attack. Yomogi’s friends want him to hang, but he has work. Chise points out to Koyomi that if he’s a robot co-pilot then that means he’s technically employed.

After school Yume gets a piggyback ride from her best friend Mei on a grassy hill near the flood gate. We’ve never seen her so outwardly joyful, laughing until she’s out of breath before heading to training session, this time keeping her word. Mei, a photog, notices this sudden change in Yume’s attitude and snaps some gorgeous candid shots of her as she parts.

Yomogi, who’d classically be the one most “into” this new kaiju-punching mecha scenario, has to work instead, missing the first training session. When his manager what happened on his date, he says “way too much” happened, though none of it “erotically”. He then goes home for a soak and is shocked when Gauma comes in to join him in a far-too-cramped tub.

There’s a lovely juxtaposition between Yomogi and Gauma’s bath and Yume’s. Yomogi was thinking about what having “aptitude” for Dynazenon means, while Yume is thinking about apologizing to Yomogi. Her parents are arguing on the other side of Yume’s bathroom door, one instance of many of Dynazenon’s elite sound design.

From the tinny sound of voices on radio or TV, voices muffled through walls, far away, close up, outside and on the train, we hear voices in Dynazenon just like we do in real life. Also adding to the immersive realism are the extremely lived-in interiors. Like Gauma, we feel like an honored guest in the cozy, realistically cluttered home Yomogi shares with his mom and aging granny.

It’s also clear from this scene why Yomogi is working so much he’s missing all of Gauma’s training sessions: with no siblings or father, now that he’s old enough to work he wants to help support his family as much as he can. As odd as Gauma is, he still seems to get this, and isn’t hard on Yomogi’s choice to skip training for work.

But as we’re introduced to four suspicious figures near a wrecked station, he won’t be able to ignore his Dyna-duties for long. Yume tracks him down and decides to give him a one-on-one lesson on how to access his Dyna-vehicle. She starts by accessing hers: the aerial Dyna Wing, and he accesses Dyna Soldier. Then she merges with him, giving his robot the ability to fly and giving her robot arms and legs with which to fight.

The two combine quickly and without any fanfare, but it still feels like an intimate act, and it was foreshadowed by Yume piggyback riding on Mei’s back. Now she’s piggybacking on Yomogi, and their maiden flight together results in a very sweet and simple conciliatory talk from 40,000 feet travelling at mach 0.8.

Yume is sorry, and Yomogi isn’t mad. Yomogi asked “What are we now?”, referring to their combined Wing/Soldier form. But you could just as easily answer that “what they are now” … is friends. They were able to bridge the distance between them and start fresh…all thanks to robots.

In a very slick transition, their combined “Dyna Wing Soldier” flies behind a building as the camera pans down, and once we’re at ground level we see Yume and Yomogi walking together. They visit the collateral damage the kaiju battle caused, which distresses Yomogi, but Yume assures him it would have been far worse had they not fought and defeated the kaiju. In light of the mess they made, Yomogi wonders if they should hand off their Dyna duties to someone else—perhaps someone older or more experience.

Yume’s response is instructive: If you always go by the book, there are things you can’t protect. On the train home, Yume opens up to him about how her sister died, in an accident, at the flood gate where she spends so much time. It’s another momentous moment presented with sublime mundaneness. Kudos again to the sound design, as you can hear her voice bouncing off the metal walls of the train.

Just like that, smash cut to the kaiju of the week – initially so unassuming, taking up a tiny portion of the frame as it lurks under an overpass. Then Yuuga, one of the four too-cool-for-school “Bad Guy” kaiju users in marching band uniforms (a Trigger trademark) is chosen by the others to take command, and the kaiju grows to immense size.

The psychedelic kaiju starts leveling city blocks when Dynazenon arrives, just as Yuuga & Co. predicted. Only as expected, this second kaiju is a lot trickier than the first. One can’t just punch it, because it can freakin’ teleport. Yuuga uses this ability to great effect by kicking the shit out of the comparatively sluggish Dynazenon while dodging all it’s counterattacks.

Gauma decides to audible “Disperse!”, and the four Dyna parts split, giving their opponent four targets. The only problem is, without any training Yomogi has no idea how to move his Soldier Dyna on its own, and as he wrestles with the controls his sitting duck Dyna’s arms flail around comically. If that wasn’t enough, his manager calls him from work, a fun instance of his normal life interrupting his new kaiju-bustin’ one.

When the enemy kaiju accelerates its destructo-beams and buildings start to crumble, Yomogi spots a bus full of innocent people in harm’s way, and realizes that whether he’s confident in his abilities or not, he wants to protect them. Yume suggests they do what they did before and piggyback into Dyna Soldier, and with Yume’s added agility is able to destroy the fragile wings the kaiju was using to teleport.

After that, he and Yume launch the kaiju high into the sky, where Gauma is able to finish it off with his Dyna Launcher Burst Missile. Team Dynazenon is now 2-for-2, with Dyna-teamwork making the Dyna-dream work. As they exit their robots and bask in their latest victory, Yomogi asks if Yume was close to her sister. She says they didn’t get along well, but admits that now she’s not so sure anymore.

Just as their regular lives are portrayed so simply and realistically with both sights and sounds, there’s a similar realism to the feelings Yume and Yomogi expressed here. There’s nothing over-the-top or melodramatic about their exchanges. Instead, they’re becoming closer little by little, at their own pace.

Unfortunately the pace of battles is likely to heat up, as the enemy kaiju users Gauma identifies as the “Kaiju Eugenicists” are steaming over their latest defeat. Our ragtag gang of good-hearted souls want to keep protecting what they can, they’ll need to step up their Dyna-battle game, ’cause these drum majors look serious, and the gloves are coming off.

SSSS.Dynazenon – 01 (First Impressions) – Battle, Go!!

Like its predecessor Gainax, Trigger is known for ambitious, sumptuous, stylish, and sometimes chaotic action bangers that usually pay tribute or homage to anime history in some way. Trigger’s first big hit was Kill la Kill, which approached and sometimes surpassed Gurren Lagann’s iconic escalating insanity.

Seemingly every Trigger series has been polarizing, perhaps none more than Darling in the FranXX (which I personally loved).  Even with series generally considered middling like InoBato and Kiznaiver, you’re assured a feast for the eyes and ears. There’s also a lot of love and joy in its series; they almost always reach for the skies rather than go through the motions.

Trigger’s Fall 2018 entry SSSS.Gridman revived an obscure 90s tokusatsu series and imbued it with vibrant, dynamic, flawed characters and the kind of crazy world-flipping twists that would have been unheard of in the original series. Dynazenon (which sounds like something invented by Buckminster Fuller) is the follow up to Gridman, but so far shares neither setting nor cast with its 2018 predecessor.

What is does share is a relatively mundane first couple acts, in which the kaiju and its anti-grav effects are only hinted at on the margins of the frame. We meet the four main kids: the utterly ordinary Asanaka Yomogi; the aloof Minami Yume, who serially asks boys out then stands them up and is possessed with an exceptionally icy glare; the shut-in NEET Yamanaka Koyomi; and his truant cousin Asukagawa Chise.

The fifth character is Gauma, who stands out from the others with his bizarre hair, clothes, and insistence he’s a “kaiju user”. He’s out of place in this world where the other four are just hanging around, carrying on with their normal, unexceptional lives. Still, when Yomogi hears Gauma’s stomach growling when he encounters him under a bridge, he gives him some food, and immediately gains Gauma’s gratitude and loyalty.

Yomogi’s family situation is such that his mom brings him on dates with her wealthy gentleman caller, who gives Yomogi a fat stack for his birthday to ingratiate himself. Meanwhile, we learn Yume’s sister Kano is dead her room hasn’t been repurposed yet. Yume has to ask to even enter the room, and she finds two things: a calendar with a particular date circled (a recital perhaps Yume promised to attend but didn’t) and two interlocking metal ankhs that gently clink like a rain chime and shackles in equal measure.

What I love about these establishing scenes is that they are so normal and undramatic, but also intimate. It grounds us the realism of this humdrum world and its realistic characters before things go all tokusatsu. Yomogi and Yume cross paths by accident, when the former is running away from a far-too-insistent Gauma chasing him like an eager dog.

Yume wastes no time arranging a meet-up with Yomogi when he gets off work at nine. Meanwhile, the antigrav incidents around town increase, and Chise wants to drag Koyomi out of bed so they can go investigate. As expected, she stands Yomogi up, as he waits 40 minutes in vain. Fortunately for him, Gauma’s on the case: he’ll locate Yume for him.

Turns out Yume is within eyeshot of Yomogi on a nearby bridge, and when Gauma finds her and starts yelling at her for daring to mess with his new best bro, they’re within earshot as well. Yomogi heads to the bridge, and Yume admits to him and Gauma that yes, she stood him up, because yes, there is “something wrong” with her. It’s as if her “promise-breaking affliction” is a self-fulfilling prophesy.

There’s no time to get into this further because a giant robotic dino-kaiju suddenly appears in the midst of downtown, kicking up apartment blocks and office towers like a batter kicks up dirt when stepping up to the plate. The spacial relationship between the three characters on the bridge and the kaiju is clearly established, adding to the sense of scale and realism.

Deciding this is his time to shine, Gauma pulls out a glowing package, which causes a giant purple wireframe robotic hand to coalesce above his and the other’s heads. Chise and Koyomi watch it all, and Chise snaps a pic only for the purple wire robot to glare at her.

She and Koyomi run for it, but Koyomi is caught. He finds himself in a multi-chamber cockpit already occupied by Gauma, Yomogi and Yume. Then we get the first money shot of the red-and-gold mecha Dynazenon that Gauma learns he needed a total of four people to operate.

With that quota met, Gauma takes the reins—for what he admits is his first time—flies over to where his purple-and-silver enemy is waiting, and then we get a good old-fashioned rock-’em-sock-’em mecha-vs.-mecha-kaiju fight of yore—only with far more modern and enhanced production values.

You can feel the weight of the massive metal beasts as buildings crumble around them, and the heat of their various vents and exhausts as Gauma grabs his opponent and Dynazenon transforms into Dyna Rex, complete with dragon wings with which he launches high into the sky with his opponent.

One Blazing Inferno Rex Roar later, the enemy kaiju is obliterated. Gauma celebrates, Koyomi calls a worried-sick Chise to assure her he’s just fine, and Yomogi stares at Yume while recalling her words “something is wrong with me.”

You’re not alone, sister. It’s clear there’s something a little off about all four of them, and the SSSS in the title stands for Scarred Souls Shine like Stars, their flaws are the reason they’re in that cockpit, brought together by the still-mysterious Gauma.

The first battle is typically the easiest. I’m looking forward to watching how this unlikely quartet of comrades—whom I feel we already know pretty well thanks to the quieter first acts— deal with this sudden upheaval to their ho-hum lives. We’ll see if this unexpected calling is just the thing they need to sooth those scarred souls of theirs. Until then, this was a hell of an opening salvo.

No Guns Life – 24 (Fin?) – The Size of the Monster

I’m a big sucker for weird neo-noir/cyberpunk series, so No Guns Life is a show I’ll miss despite its flaws. For one thing, it doesn’t look like any other show airing this season or back when its first season aired. It’s just so much grittier and grimier and greasier, while still maintaining a worn-in futuristic look.

And while Berühren is indisputably evil Big Bad, one of its agents in Pepper gets more of the gray-shading she needed to be more compelling. We go back to the time she first met Seven, and learn he wasn’t the first Seven. That was a seven-legged spider, the only thing in Pepper’s life that was hers. Of course, when she saw the spider with another “test subject”, she stomped it.

Upon first approaching Seven, Pepper receives the wound that leaves the scar she has today, but she approaches him again and delivers a big wet kiss to his face, marking him as hers. She was always deranged like this, but what do you expect? Anything and everything she might have had before meeting Seven was taken away by Berühren. She couldn’t beat them, so she joined them and being given worth by the company meant she could live on.

Now she’s laid up in a hospital room and Seven is gone. Juuzou is ready to interrogate her (with Olivier listening in) on what she knows about Berühren, but Pepper escapes her room, only to be confronted by a husband and father seeking revenge for losing his family to the dustup at Armed Park. Pepper is saved by Juuzou of all people, and when she rushes at him, she trips and he saves her again.

Before he was destroyed by the Berühren twin sisters, he asks Juuzou to take care of Pepper. She may have seen him as merely her property and a tool for her to use, but like Juuzou, he actually had his own will. Gun Slave Units are only vulnerable to control due to the loss of their pasts to the extension process. But once they’ve lived enough life and met enough people, their own wills reassert.

It happened to Juuzou and it happened to Seven, who stayed by Pepper’s side as long as he could. Thanks to Pepper’s info, Olivier has a better idea of the foe she’s dealing with, or as she says, the “size of the monster”. It’s infiltrated her superiors, but her sense of justice is such that she can’t and won’t stand by and do nothing. As for Pepper, she gets her red coat and lollies back and mourns her companion.

Pepper also told Juuzou where his Hands went, and he recalls how after his berserk attack his Hands came back for him, even knowing the consequences from the military that would follow. Before fleeing their wrath, he urged Juuzou to “do stupid things, struggle, and suffer like a normal person”, then make friends with whom they can laugh about such times.

Sure enough, Juuzou found those friends, be it Mary, Tetsuro, Chris, or Olivier. Shimazu survived her injuries and is laid up in his office, so there’s another potential friend, while Rosa is so smitten with him she mended his duster and added an adorable patch, as if to mark her man. Thanks to Pepper, Juuzou too knows the size of the monster he’ll face, but he’ll face it in full control of his body, mind, and heart.

This solid finale ends on a bit of an ellipsis, possibly foretelling a third season—there is apparently sufficient source material for one. That said, that’s not a sure thing, as it wasn’t announced after the end credits. There’s also the sense this anime is an acquired taste and may not be popular enough to keep going, but I for one would love to see more, if it happens.

Season Average: 7.81

No Guns Life – 23 – Pulling Your Own Trigger

Deep within Juuzou’s sub-brain and in contact with his subconscious, Tetsuro assures his friend that he’s not there to pull his trigger (a somewhat dirty-sounding string of words, but that’s an observation I’ll table for this review), but to get Juuzou to realize and accept that it’s his trigger to pull: his will, his choice, his wish. By hanging in there against Seven, Kronen buys the kid the time he needs, even though from the outside it looks like his sub-brain is toast.

With Seven/Pepper and Juuzou’s battle attracting the media and crowds of gawkers, Cunningham decides it’s time to sweep their operatives under the rug, and sends an elimination squad after Seven and Peppeer. I expected the pair to be betrayed by Berühren, just as I expected Seven to easily repel their would-be killers. However, Pepper’s hand is blown off and she starts to bleed out.

Rather than getting Pepper some medical help, Seven decides to obey the last order his Hands gave him: destroy everything. That includes the EMS officers and crowds gathered around the plaza. Kronen can’t stop him, but Juuzou does. Having successfully “pulled his own trigger” as Tetsuro suggested, Juuzou can draw on powers previously only available when he had a Hands, but without a Hands.

As a Gun Slave Unit in the military, Juuzou put all the decision-making on his Hands. As a resolver in the city, Juuzou worked to fulfill the wishes of his clients so he wouldn’t have to think about his own. But thanks to Tetsuro, he now knows he’s not beholden to anyone, even his past self. He can choose to move forward and fight for what he wants. So can Seven, but Seven won’t hear him out, and their destructive duel continues.

At Berühren HQ the board makes preparations to bring Tetsuro in, having been impressed with his recent progress and not wanting the only successful instance of Harmony on the loose. However, one board member, the woman, vetoes the decision. She wants to watch Tetsuro a little longer without interfering, so see what else he might show them. Berühren still considers Tetsuro a tool and their property. Hopefully he’ll prove otherwise in the next and final episode.

SSSS.Gridman – 12 (Fin) – Power of the Finite

“Anyone who can make kaiju is a kaiju themselves,” says Alexis Kerib, after transforming Akane herself into an enormous monster that wails out a terrible lament as it destroys what’s left of the city. Still temporary allies, Gridman (dwelling in Yuuta) asks Anti to deal with the Akane-kaiju, as he and Rikka have something else they need to do.

Akane isn’t feeling particularly good about herself, which is probably what enables Alexis to transform her and control her so easily: he thrives in the corruption of the heart, in hatred, disgust, and aloofness. He chortles when Rikka calls Akane “her friend” not because Rikka is only Akane’s programmed creation, but because he doesn’t believe there even is such a thing as friends.

Right on cue, Rikka’s friend Yuuta-Gridman picks her up in Sky Vitter (to Alexis’ bemusement), and they return to the hospital to snap Shou out of his funk. Regardless of how useless or normal he thinks he is, Yuuta tells him that Junk needs everyone there to work. The Gridman Alliance is more than just a cool nickname for their little circle, it’s the key to unlocking Gridman’s full power.

Anti succeeds in freeing Akane from her kaiju prison (which seemed to be filled with some kind of clear LCL), but Akane wonders why he bothered with someone as terrible as her. Anti fully owns his “failed creation,” since the fact he failed meant he’s more than just a kaiju, but a human.

Alexis makes no distinction between kaiju and human, or anything else, since to him it’s all below him. Because Akane is still in a bad state, he exploits her negative emotions and literally consumes her to become a kind of “Alexisman”—but the Alliance are back at the Junk Shop, and when they activate the new acceptors that appear on their wrists, a new, final form of Gridman appears: less armored and more like, well, a giant guy in a suit.

This new Gridman fights Alexis in order to free Akane once more, and has some success…until the halved Alexis simply auto-repairs. He is immortal and infinite, so however many times Gridman tries to destroy him, he will just keep coming back forever. Since Alexis has everything “of value” in Akane’s world—that is, Akane herself—he decides to head back to his realm…after killing Gridman.

But before he can skedaddle or kill Gridman, Gridman discovers a new power, and possibly his most important: The pink Grid Fixer Beam, which repairs not only the city Akane created and then destroyed, but succeeds in rescuing Akane’s heart from Alexis’ clutches. The Fixer Beam basically deletes him from the world.

Finally, free, Akane worries about what comes next. “A big world’s too much for me!” she laments, because she’s such a weak, pathetic coward. Rikka, Yuuta, and Shou tell her that no one’s perfect, which is why they—which is why everyone—relies on others.

Her world afforded her godhood and a kind of immortality, but it’s run it’s course, and now it’s time to return to the world of mortality and the finite. Akane’s grateful to Rikka for saving her, but also wracked with guilt over the things she’s done that cannot be undone with any Fixer Beam.

Rikka tells her not to sweat it, and gives her the gift of a wallet that matches her own (and also happens to be the same color as Akane’s hair). Rikka wants Akane to stay in the world and be together with her, but tells Akane not to let that wish come true. No one can force Akane to leave; she has to want to do it; to return to her real life.

With that, Akane disappears from Rikka’s side. Gridman & Co. say their goodbyes to Rikka and Shou before returning to the Hyper World, and not long after that Yuuta wakes up in the junk shop, the Gridman Alliance now just a friendship of three kids. The puckish humanoid kaiju who once guided Yuuta heals Anti, who is grateful, and now sports both a human and a kaiju eye—his past and present.

Finally, in the real world—as in, a live action world—a girl with long black hair much like Rikka’s slowly wakes up and rises from the bed, the Akane-colored wallet on her dresser. This, it seems, is the Real Akane, who left the world where she was a god (i.e., her dreams) and returned to the world she thought she couldn’t handle.

Now the ending with Rikka and Akane makes more sense: Akane made the purple-haired Akane to be her ideal avatar, and made Rikka, who more closely resembled her real-life self, to love her. Ergo, in her world, she loved herself. But Rikka taught her the power of friendship, and the need to wake up from dreams and not sink into Alexis-like abysses of darkness and despair.

A lot of this might sound corny, but the show expresses these well-worn ideals so earnestly and powerfully, it all comes together and works pretty well, which can be said of the show as a whole. Despite only catching a tiny portion of the references to Gridman and Gridman-esque works, SSSS was never not a pleasure to watch and listen to.

The ending could be said to be too neat and tidy, squandering a universe of potential alternate directions. But at the end of the day the lesson holds: just as friendships have value because we aren’t infinite or immortal beings, an imperfect finite ending will do just fine.

SSSS.Gridman – 11 – Backed Into A Corner

No matter how many kaiju Akane made and Alexis embiggened, they were never able to defeat Gridman. As a god suddenly hemmed in by the intolerable rule that her kaiju will and must always lose, she finally snapped and took matters into her own physical hands.

Rather than use her box cutter to carve a new kaiju, she stabbed Yuuta with it, then wanders away in a haze, hoping that maybe, just maybe, the torturous cycle is over.

It’s not that easy. She missed Yuuta’s vitals, so she didn’t kill him, though he seems to be in some kind of coma. With all the custodian kaiju beheaded, nothing in the city resets, and the chaos just remains. Worse still, as far as Alexis is concerned, nothing’s over.

Lex believes Anti to be the “next Gridman in line” and thus needs Akane to keep creating more kaiju for him to use. When she categorically refuses (pointedly saying she “can’t”, not “won’t”), he simply brings back all the kaiju she already made…at the same time.

A scenario entirely beyond Akane’s control and will thus unfolding, Anti arrives in the hospital room, not to apologize for what he did as a kaiju but to settle his debts as a human. He’ll fight off the kaiju as Gridknight, as Neon Genesis set to work repairing the computer so Yuuta and Gridman wake back up (they can’t sortie without Gridman).

In a brief dream sequence before he wakes up, Yuuta sees Gridman in the mirror, and it dawns on him: He’s not Yuuta; not really. Rather, he’s Gridman dwelling within Yuuta, using his body and mind as a vessel. The matter all along, then wasn’t that Yuuta had amnesia; he was never Yuuta to begin with, and thus whatever memories he had as Yuuta were as repressed as the real Yuuta himself, whom we’ve apparently never even met.

Shou is feeling particularly useless this week, and we can’t really blame him; aside from being the only person with the time to stay by Yuuta’s bedside when he wakes up, he is pretty useless this week. He can’t dissuade Gridman from a course of action that could get his friend killed.

Instead, Yuuta and Neon Genesis mobilize and fight beside a battered Anti against the kaiju “greatest hits,” destroying them all. Alexis can bring back the defeated kaiju all he wants; the fact remains they exist only to be beaten by Gridman.

Meanwhile, Rikka seeks out Akane, not to seek revenge or to give her a piece of her mind, but just to be there for her as a friend. Yes, Rikka may only think she’s Akane’s friend because Akane “set it up” that way, but Rikka doesn’t care; it doesn’t change the fact they are friends, through and through.

Before Rikka can hear what Akane thinks of her, they’re interrupted by Alexis, who labels their conversation “pointless” and tells Akane that new kaiju are needed post-haste. Again Akane tells him she can no longer make kaiju, but Alexis rephrases his position: he’s going to have a new kaiju, even if he has to transform Akane herself…which he promptly does, much to her and Rikka’s bewilderment.

Thus the downward spiral of Akane’s world reaches a new nadir: in which the creator of the world herself prepares to become just another one of the monsters programmed to fight Gridman. This seems to be breaking some fundamental rules of the “game” that’s been played so far, but Alexis doesn’t seem to mind. If Akane really does become another kaiju, isn’t she just as doomed to lose as the ones she created…or is that just another rule poised to be broken?

SSSS.Gridman – 10 – Akane’s in Her Heaven, All’s Wrong with the World

Akane has a dream in which Tonkawa and all of the other people she killed are back, but wakes up in the dark in her room, the weird “ceiling city” in the background, and Alexis looming over her, waiting for her to complete her next kaiju.

Yuuta, Rikka, Shou, and Neon Genesis all determine that if Akane is being controlled by an alien, they have to at least go to her house to talk with her. Somewhat hilariously, that means simply walking out the door to the junk stop and going next door to Akane’s house, but when the door is forced open, there’s nothing on the other end but…more “back-end” city.

Writing the slogan of NERV from Eva in his notebook, Shou gets back to his studies, saying that even if he, his world, and everything in it was made by Akane, there are still things that need to be done, like studying for midterm exams. After all, there are no kaiju attacks for several days in a row.

Yuuta, Rikka, and Gridman muse about why Akane built this world: was it to find tranquility, or refuge from the world of the other gods? Rikka thinks it wasn’t because Akane was/is weak, merely that she’s sensitive, and as she says so, the very sunset she beholds seems to speak to that sensitivity.

When a frankly fucked-up-looking kaiju suddenly disturbs the peace, I was wondering if Alexis had simply used one of the incomplete kaiju models Akane didn’t seem motivated to finish.

It certainly doesn’t take much for a full-powered Gridman to take it down, while a determined Anti in kaiju form doesn’t give him much more of a fight. Later, we learn that unique to all the other kaiju she’s created, Anti alone has “life”, which makes it possible for him to read the hearts of others, even think about or look out for them, something true kaiju would never do.

But Akane doesn’t seem to have a use for a kaiju with feelings, and so basically tells him to buzz off and do whatever he wants. Later that night, out of the husk of the dead weak kaiju, another, more aggressive-looking kaiju emerges.

It proceeds to chop the heads off all of the massive “custodian kaiju” that dot the city, and the pall of fog/poison gas they emit is lifted. When Gridman sorties once more, this new kaiju is more than a match, he can read all of Gridman’s moves and outmaneuver and outgun him.

It isn’t until this pointy-headed monster is looming over a trashed Gridman flat on his back, surrounded by flames, that Anti springs back into action, this time saving Gridman from the kaiju. His logic is that in order to crush him, he must fight together with him to defeat that which would crush him first. He doesn’t just want Gridman crushed by anyonehe wants to be the one do it.

Anti then transforms into a Gridman clone, or “Gridknight”, and with a shimmering purple energy donut, cleaves the kaiju—which represent’s Akane’s heart—in two. Perhaps that’s why Akane seems so down when she appears in the Junk Shop and inspects the computer used to interface with Gridman: one could say Anti just “broke her heart”.

In return, now knowing that Yuuta and Gridman are separate entities, she suddenly embraces Yuuta, then pulls away, revealing a bloodied knife as Yuuta falls to the ground.

For the first time, she’s foregone the use of kaiju or other godly powers and bloodied her own hands to rid her world of someone messing everything up. It would seem, then, that she’s made her choice, even if she doesn’t seem particularly happy about it.

SSSS.Gridman – 09 – Don’t Wake Up! , Or: The Intolerable Dilemma of Shinjou Akane

This week things start out different…and weird. Well, weird-er by SSSS standards. A new kaiju appears in the city, from the POV of a random passerby on the phone. We know there’s something fishy going on when Yuuta wakes up in Rikka’s apartment and Akane is there instead, even calling Rikka’s mother her’s.

There’s too much fog; too little activity; and in the glare of many a shiny object, Gridman can be seen for an instant, but goes unnoticed by a confused, amnesiac Yuuta, who at first takes it on face value that he and Akane is dating.

Meanwhile, at school, Rikka goes to the nurse’s office to find Akane already there. The two are friendly together, as friends are (and much like the end credits unfold), then Akane takes her to her house, as friends do. There are no parents, just Alexis, whose odd appearance Akane explains away as elaborate cosplay.

Then, in a repeat of an older scene, Akane strikes up a conversation with Shou in the bookstore about mecha and kaiju and the two hit it off, much to Shou’s delight. While walking home to or from school, we see Akane happily walking with Yuuta, her watch on his wrist. She leans in to hold his hand…and everything pauses.

These three scenarios involving Akane and the three members of the Gridman Alliance are all occurring in dreams. In “real life” (whatever that is) the three are unconscious on the couch in the junk store. The kaiju stands menacingly outside, striding about, but isn’t destroying anything.

As Anti learns when he tries to attacking it (being told by Neon Genesis that its keeping Gridman from appearing), it is a kaiju out of phase: unable to affect anything; unable to be affected. Akane is atop a construction crane with Alexis, watching the dreams…and hoping.

Not hoping to defeat Gridman, or kill someone she doesn’t like…but hoping these three can be re-made to be her friends, as they were originally programmed by her to be.

But the longer the three dwell in the dream, the more they feel like something’s not right. In a graveyard, in the glint of the gravestone of the family of one of the classmates Akane killed, Gridman appears again. In a flash, Yuuta’s memory has returned; at least the bit where he can be confident he’s currently in a dream.

After showering him with attention and rare swag, and about to be invited to Akane’s place to spend the night, Shou also snaps out of it; this is all just too good to be true; too ideal. On the bus, Rikka also quietly comes to the realization she’s not on a real bus and this isn’t her real life…and Akane just might not be a real friend.

She pleads for all three not to wake up; not to go. But they go. Three times she must watch someone get up and three times she must hear the sound of receding footsteps. Three times she’s left alone. Three times her hopes are shattered. The friends she made for herself have abandoned her and allied with each other. No matter what she tells them, or what she gives them, they’ll leave her for each other.

As the kaiju materializes and begins its march of destruction in the real world, the three friends run toward one another, and towards Gridman, in his time of need. Neon Genesis mobilizes on their own, de-scaling and combining into a kind of “substitute hero mecha” to bring down the kaiju.

What’s left is a cloud of dust, and Akane, in her created world, still profoundly, intolerably alone. She asks no one in particular what she should do before jumping from the tower and plummeting hundreds of feet. She lands on her feet, physically unharmed but clearly mentally spent.

At first, Akane was a one-dimensional villain: create kaiju to defeat Gridman every week. But after who-knows how many iterations of that scenario, Akane seems tired, worn out, and above all, lonely and miserable. If it was Alexis who gave her the powers she possesses, perhaps she was excited about having them….at first.

But now those powers have created a cycle without end with no friends to comfort her. A dream from which she cannot wake. A prison from which there is no escape—not even suicide.

As Yuuta, Rikka, and Shou wake up in the shop, and thank Gridman for bringing them out of their dreams, Gridman informs them there’s still a fourth human who must wake from their dream. Then Rikka tells everyone there’s something she wants them all to hear. I for one can’t wait to hear what that is.

So ends the best Gridman episode to date; one that harkens to the weirdest headspaces and corners of Evangelion (the background sound of clanging we hear at one point is straight from Rei’s ‘hood); and even one that seems to take some steps in its own directions after drawing from Gridman lore for so long.

Even if this is more of that borrowed and reimagined mythos, you couldn’t ask for a more gorgeous, cerebral, unnerving, and ultimately  heartbreaking execution. I’ve never felt more for Akane’s plight than I do now, which is quite a feat considering the wrongs she’s committed. And I hope that Rikka, Yuuta and Shou can help her escape her prison and wake from her dream.