Golden Kamuy – 08 – Gone Whalin’

Needless to say, Uchiyama catches up to Shiraishi. However, their “little chat” is interrupted, both by soldiers of the 7th shooting at Uchiyama, and the fact that Uchiyama’s diversionary role is just one piece with the rest of Hijikata’s plan to rob a bank; specifically, to recover a katana that has a special place in his heart.

Say what you will about Tsurumi’s general sanity; the man knows how to smell out the truth of things, and manages to be in the right position to put a bullet through Hijikata’s hat before the old samurai escapes on the horse Tsurumi borrowed. Having met face to face for the first time, both men like what they see and look forward to the second.

Shiraishi has many tools for escape; here, he used confusion and Uchiyama’s duty to Hijikata. However, he makes sure to stop by the brothel to secure an article of Uchiyama’s clothing so that Retar can help him track the guy. When Asirpa says they’re not bothering the wolves anymore, Shiraishi settles for Ryuu, now a member of the party, who helps catch a plump tanuki Shiraishi let get away.

 

Ryuu leads Shiraishi to Uchiyama, but also makes enough noise to get Shiraishi caught. Hijikata orders his bodyguard not to kill the escape artist; instead, he wants his aid in retrieving the skin of a prisoner; a prolific murderer named Henmi Kazuo.

Shiraishi agrees, is freed, and confers with Sugimoto and Asirpa. He tells them about Henmi, and how he may be hiding amongst the yanshuu, contract herring fishermen who work the coasts.

Asirpa’s uncle is whaling in that same area, so out of worry for his well-being—what with a guy who literally gets off on killing on the prowl—the three head to the beach, leaping joyfully into the sand when they arrive.

The whaling sequence is another simply-yet-effectively realized scenes of Ainu culture, but when the whale takes a turn toward the herring fishing fleet, it drags the Ainu boats along, and Sugimoto, Asirpa, and her uncle must give up the chase to rescue a fisherman who falls overboard.

That fisherman turns out to be Himei Kazuo, whom we learn a lot about in a hurry through his inner monologue. While a relatively normal-looking, soft-spoken guy, his thoughts are anything but. He can smell the same “scent of a killer” wafting off his savior Sugimoto, and takes an immediate interest in him.

The more Himei learns about Sugimoto, the more his crotch starts to glow (subtle!) and the more badly he wants Sugimoto, whom he believes to be “jut like him”, to kill him. He knows that in order get Sugimoto to kill him, Himei will have to try to kill Sugimoto. But that’s a story for next week!

Until then, this was a solid introduction to yet another interesting and oddly likeable prisoner; a guy equal parts goofy and terrifying. Yet he’s not always a walking joke; his nigh unquenchable thirst for homicide stemming from a traumatic moment in his past when he heard his brother struggle in vain against a boar.

Meanwhile, this episode might’ve had the least Sugimoto and Asirpa yet (we don’t even see them until seven minutes in), but while I still like their quiet little story most of all, the show wasn’t hurt by their diminished screen time, as the dance between the 7th and Hijikata’s men commences.

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Inuyashiki – 04

Inuyashiki’s fourth episode opens with a ruthless, towering yakuza boss ordering his men to dispose of the naked body of an overdosed woman on his bed, then making another yakuza perform oral sex on him as a form of submission. So…not a good guy.

Then things switch gears completely to the diminutive but lovely Fumino and her boyfriend Satoru, who love each other deeply and agree to get married and have kids. As nice as all that is, I immediately suspected this was either a flashback, and Fumino was that body, or she’s the yakuza boss’ next victim.

The latter turns out to be the case, as Fumino is suddenly abducted while walking home, and wakes up naked on the boss’ bed. He immediately gets on top of her, telling her he’ll “make her his”, but Fumino fights back, getting away and even managing to slash the brute’s wrist with his own katana. While his men tend to his wound she slips out.

She manages to get all the way back to Satoru’s worried-sick arms, but it’s not long before the boss, named Samejima, and his henchmen break into their apartment. Satoru begs for his and Fumino’s lives, promising to pay any price, no matter what it takes, but his pleas fall on deaf ears, and Samejima picks him up by the throat and starts to choke him out.

Enter the Hero, Ichirou, who no doubt heard what has been transpiring and will not have it. After sending the henchmen flying, he puts Samejima in a bear hug, but “shuts down” when a clip is emptied in his head. When he wakes up, it’s just him and a nearly-dead Satoru.

When his magic body won’t heal him, Ichirou uses CPR to revive him, and then uses Satoru’s phone to locate Samejima, who is enjoying a meeting with other yakuza bosses at a luxurious inn.

While his initial encounter with Samejima was not fruitful, Ichirou has clearly gotten the hang of flying and forcing his way through crowds. When Samejima takes him aside, Ichirou does what he should have done the first time: sock the guy in the face.

The other yakuza respond by emptying clip after clip into Ichirou with automatic weapons, but it only stuns him. He activates his flight mode, targets everyone in the inn, and takes out all of their eyes with a fusillade of particle beams.

It’s wholesale justice; Ichirou laying down the law, and before leaving, Ichirou makes sure he properly verbalizes what he’s done: deprived all of them of the means to walk, eat, see their children’s and grandchildren’s faces, touch them ever again…or even take their own lives.

Rather than execute them, he hopes they’ll live long lives, in such a state that he hopes they one day feel remorse for the horrible things they’ve done. I for one am not that optimistic, but at least they’ll won’t hurt anyone—including his family—ever again. The cycle of dead bodies on beds has been stopped; at least with this clan. Obviously, there are many others.

After contacting those watching her with Samejima’s phone, Ichirou locates Fumino, apparently heals her of the harm done by the drugs, and flies her back to her love, Satoru.

I’ll point out that Satoru is nothing special in the looks or money department—indeed, he’s very much a young Ichirou—but love, like that yakuza scum, is blind. Satoru and Fumino have good and gentle souls, and I was bowled over with relief and joy to see them reunite.

Ichirou slinks off into the night, claiming he’s “nobody special”, but in reality, he was this couple’s savior. It’s good to see him getting better at this hero thing, especially not getting overwhelmed by the sheer amount of evil in the world and the impossibility of stamping it all out. That doesn’t mean you shouldn’t do as much as you can, and he will.

And so, Inuyashiki continues its M.O. of putting its audience through hell before showing them a glimpse of heaven. Whether it was the intro of Ichirou as a feeble sadsack or the stunningly awful but thankfully temporary twist in Fumino’s fate, the show has no qualms about putting characters and viewers alike through the ringer, but rewards us for sticking around by delivering breathtakingly righteous justice to evildoers.

Only Shishigami Hiro has escaped retribution…so far. But the strongest yakuza boss in the world is a cakewalk compared to Hiro. If Ichirou can’t defeat him and he can’t defeat Ichirou, they’ll have to figure…something else out.

KonoSuba 2 – 06

KonoSuba 2 is again in top-form this week, starting with a wonderful domestic scene of Darkness and Megumin trying to force Aqua to go outside with them, but she doesn’t wanna. She tries to deflect by calling them kids (even though she’s acting more like one herself) then wonders why they won’t ask Kazuma instead. Kazuma is relaxing under his kotatsu…wait, kotatsu? In this wonderful, alternate world? What gives?

Vanir, as it happens, isn’t dead. He merely lost an extra life, and now he’s Vanir II. I got a big laugh out of that, and Vanir’s constant posing and amusingly over-the-top monologues. It wouldn’t be the first or the last of this episode, though the fact he and Kazuma are in business making items from his “homeland” (like said kotatsu) is an interesting angle, it’s not lingered on long.

Once he finally deigns to emerge from his cave, Kazuma heads to the weaponsmith to collect the weapon he comissioned: a katana. He also tries on some impressive full plate armor, but can’t move in it, and any attempts to look cool result in knocking other swords down, or whacking the side of the door.

He then has to give his sword a name, and of course all the usual famous sword names enter Kazuma’s head – Masamune, Muramasa, Kotetsu, etc. He lets his guard down, and Megumin unilateraly brands the sword Chunchunmaru, in keeping with her usual moe naming style.

His sword thus named, the quartet strikes out on a quest—I believe the first non-dungeon quest they’ve undertaken at full strength. There’s a certain triumphant quality to seeing the four out their, under the big blue sky, running their checklists and making sure they’re prepared to take on the vast group of Lizard Runners they’re tasked with taking out.

Naturally, any enemy in KonoSuba that is described as being “trampling” in nature will, ultimately, end up trampling upon one or more of Kazuma’s party, or indeed himself. I got a kick out of Aqua’s too-late advice and too-soon rash magic that brings the herd straight to their location. The lizards themselves were also hilariously twitchy and neat.

Kazuma manages to snipe the “Princess Runner” all the others follow, but when she lands she knocks him off the tree and he hits the ground hard. The injury is bad enough to land him in the hereafter with Eris, who he confirms is the true heroine of his story, if only he could spend more time with her.

He tries to do just that, but before long the voice of Aqua permeates the realm, getting increasingly worried and upset Kazuma won’t wake up. Darkness and Megumin also chime in, with the latter doing something to his body that leaves him no choice but to return to them. Maybe he’ll see Eris when she “sneaks out” one day? Probably not.

Everyone is clearly very glad Kazuma is back, underscoring the familial bond the four share, despite (or because of) all their bickering and sniping.

And that ‘something’ turns out to be labelling his dick “The Holy Sword Excalibur”, which he doesn’t realize until he takes a bath back home. In his shock he runs out to find Megumin, and loses his towel, leading to the priceless reaction shot of Aqua you see above.

This week delivered laughs both clever and dumb from start to finish. I daresay KonoSuba has fully re-attained my interest, and I’m looking forward to what’s to come next week.

Bakuon!! – 08

Its christmas on Bakoun is a remarkably bike-lite affair. Sure, the girls ride everywhere from start to finish, but the motorcycle-splanation is mostly contained by the first act, where Hijiri gets her first taste of non-sidecar cycling.

And honestly, focusing on the girls and their warm friendships during the cold winter season sits just fine with me. In many ways, underplaying the bikes and over playing how unnecessary they are — how unpleasant it is to start them in the cold or to ride them in cold wind — only emphasized how close our 4 ladies (and 1 ghost) have become over the last 8 episodes.

In act 1, Hijiri puts her life on the line to ride the world’s best selling bike, a simple Honda. It’s a slow, simple and rugged bike that gives workers the world over the affordable flexibly to move people and material. And since Hijiri is so green (she doesn’t even ride bicycles!) the little Honda’s durability is put to the test, crash after crash after crash.

At one point, Hijiri is so angry she gets a giant sledgehammer and goes to town, only to have the bike start anyway. It’s a cute scene, and I took it as a play on the reliability of friendship central to the riding club.

Act 2 happens around the club’s christmas party/gift exchange. Rin and Hane take center stage, with Rin being called away by her pizza delivery work and Hane being the glue of the club dressing up as santa to deliver Rin a present. Jesus also makes an appearance.

Act 3 pushes new years into the mix and ends with a frozen dash to see the first sunrise. It too is Hane focused, but this time her luck is all wrong: she’s cold and the hand warmer has failed and she lags behind the pack.

Verdict: I smiled at the puns, I basked in the friendship, I enjoyed the monster skull on Hijiri’s silly bike. Nothing spectacular happened but it was a solid, pleasant romp with the girls — and there was no exploitation to be seen.

Having gone back and rewatched the last 2 weeks that I missed, I have to say if you missed them, you didn’t miss much. (it was a 2 part school festival arc focused on the club’s costumed bike race) By far, this was much worthier of my time.

Bakuon!! – 05

This week’s Bakoun is simple enough – the girls come to the northern end of Hokkaido and accidentally meet their recently-dumped sensei, who tries to commit suicide and, failing that, rape them. Later, the girls ride back to the ferry and lament their time on the island is over.

Along the way, Rin shows us that she is pure of heart and won’t run over the red foxes, even if they deserve it. Also, Frizzy-chan is remarkably insightful, even if her lines are corny.

Then the girls put on bikinis and sexy-wash their bikes for the episode’s final five minutes in the most WTF pandering moment imaginable. Roll Credits…

If you can pretend the final scene didn’t happen, episode 5 has a lot of heart. Rin hanging back to balls-out test her max speed, only to be thwarted by the foxes in the road, only to be reminded of her humanity by Jesus’ holy cup, all had an honest feel to it. Almost a moral message, even.

But that final scene…what the heck? Watching Hane sploosh soap on her breasts so she can deep grind her bike clean, foam billowing up her crotch – and then having Rin do the same? Really??

Sure, It was funny in a totally awkward way but man, following such a sweet, heartfelt story about girls on the road, the ending cheapens the whole thing. Roll in the totally weird attempted rape scene by their teacher halfway through and I don’t know what to think.

Yeesh Bakoun, you can be really funny without sexualizing your characters, you know? smh

Gakusen Toshi Asterisk – 17

Long story short: Saya and Kirin do not defeat the two Allekant robots Aldy and Rimsy. However, they do put up far more of a fight than any fighters who had challenged them up to that point. That is to say, the robots actually had to fight, rather than just sit back, wait for their opponent to tire, and crush them.

Make no mistake: Saya and Kirin are crushed. It’s almost cruel after how hard they fight and keep getting back up, but they just don’t have the offensive power to overcome the robots. It makes one wonder why the hell robots can replace humans in the Festa, but it also will make it that much more satisfying when Ayato and Julis defeat them in the final.

Of course, Ayato and Julis still have to face (I think) the duo from Sir Galahadworth or whatever it’s called, but assuming they win that fight, it may be without Ser Veresta. That’s because someone (cough-cough-DIRK) has taken Flora hostage, and won’t set her free until Ser Veresta has been sealed, which could be a permanent arrangement.

It’s more dirty tricks perpetrated in the shadows, and it’s a shame Flora had to show up at all, only to become a hostage that puts the main duo in a spot, but that’s the way the cookie crumbles.but I hope Saya and Kirin, fresh off their devastating loss, can rescue her without Ayato having to sacrifice his Lux.

Bakuon!! – 04

For summer break, the girls decide to tour Hokkaido. Why Hokkaido? Well… Rin was there a long time ago with her dad and had quite an experience. They wrecked while trying to avoid foxes on the road, her dad got parasites from the foxes and she was sent home alone on a train.

For some reason this realization doesn’t dissuade Bakuon’s girls and so they set in for a long ride and a string of misadventures. By the end, their relationships are a bit closer. Also, Hane finds Jesus.

This week’s theme is fathers. Sorta. Rin’s father obviously features heavily and his hilariously terrible parenting is repeatedly on display. In addition to their terrible Hokkaido trip of old, we later learn that he jack-knifed Rin into the air and she landed on the hood of a car… only to be BRANDED with a Sazuki logo on her butt.

Speaking of butts, Hijiri’s butler is like a father too. He gives her sage (and wacky) advice about Ducati bikes having souls, which apparently makes them terrible self-destructive things. They also share a tender moment where he fears his days are coming to an end — that they will end when his bike next breaks down — only for it to immediately break down. Continuing to smile, they wait for the family’s ever present helicopter to fly in a replacement and act as if nothing has happened.

And father of all fathers, a Jesus of sorts makes an appearance. While Onsa and Rin leave Hane behind, and her gas tank is nearly empty, there he is by the road. She shares what little gas she has and they creep to a gas station and he tells her about Bikes in the old testament.

Then he teleports her ahead of the other girls. A ferry ride to Hokkaido finally ensues and the adventure ends with a glorious dip in hot springs. Roll credits!

This was, by far, the funniest episode so far. The details were great: Rin’s uniquely terrible life shames, the fact the Suzuki logo was put on the car backwards, Lime wearing a helmet in the bath, the weird ‘masks’ the various NPCs wear for no reason, the X-Ray to reveal a bike under an old painting, and the reveal of the fox parasites!

More than funny though, the episode had heart. The various relationships, be it rivalry or love, all grew and they all had fun in the process.

 

 

Gakusen Toshi Asterisk – 16

While the last couple weeks were a bit of a rest going into the Li Twins battle, this is definitely all battles—the end of one and the beginning of another—with the slightest of breaks in between.

While that makes it a bit disjointed (I prefer episodes that start and end with one battle), the action, taunting, and over-the-top explosive tactics were all there, and the fact I knew the Li Twins battle would end this week (this show doesn’t spend long chains of episodes on single battles after all) I felt I could kick back and enjoy the carnage.

Until the climax of the Li Twins battle, Ayato is simply meditating in the corner whil Julis acts as his shield, enduring attacks from both twins, who seem more interested in torturing her than snapping her badge and ending things quickly. One look at Shenyun’s increasingly twisted face and you know the guy’s a sadist dick. Shenhua, less so, since she’s not shown piling on the way her brother is.

But all of Julis’ suffering isn’t for naught: Ayato finds the key to unlocking the next level of his sister’s seal, enabling him to store far greater amounts of prana and go longer in battles. He says it doesn’t result in any significant powering up, but I’ve gotta wonder, after the destruction he unleashes with ease on the twin’s carefully constructed web of traps, talisman bombs, and invisible strikes.

Ayato basically takes a bi ol’ Ser Veresta to all that, blasting Shenhua then delivering a well-deserved bone-crushing fist to the face of Shenyun, ending the fight. Julis gives the thumbs-up (the fanservice on her torn uni is kept to a minimum), while the Twins’ tiny prez looks approvingly at Ayato’s performance, and looks forward to meeting him (i.e. fighting him, probably) someday.

With that, Ayato and Julis are in for some well-deserved rest before heading to the semifinals. Claudia, making a rare appearance this season, wants to not only offer her thanks to the partners on their great win for the school, but also thank Ayato personally, in her room, at night. Hmm…could she be talking about sex???

Julis doesn’t stand by and let Ayato be dragged off; insisting he stay with her to “go over strategy.” C’mon Julis. You don’t want the kid sleeping with Claudia. Simple as that.

That leads to the week’s second match: Saya and Kirin versus the Allekant robots. Aldy and Rimsy give another one-minute grace period, but both girls are tired of being mocked and looked down on for being weak and organic.

Kirin uses a bit of old-fashioned samurai sword skills to show Aldy he’s wrong about his defense being perfect, because he cannot hope to reach the sensitivity necessary to fight Kirin. For that, you have to be human.

Her attacks make Aldy pull out his weapon before the grace period is over, which combined with scoring several strikes on him, are all first in the Festa. Meanwhile, Saya stands by during the minute, choosing not to attack Rimsy until she’s coming at her with everything she’s got.

When she does, Saya breaks out some badass-looking flying battle armor that suddenly makes her a good match for Rimsy. And like Kirin, she scores the first hits of the Festa on Rimsy. Things are looking good, but while watching the match in the stands, Flora gets kidnapped…probably by someone working for Dirk at Le Wolfe.

I guess the Festa fights aren’t the only thing our guy and gals will have to contend with…not that I doubted that would be the case!

Big Order – 01 (First Impressions)

From the artist behind Mirai Nikki comes a story about people called Orders who can turn their wishes into powers thanks to the mysterious, annoying Daisy. Ten years ago, Hoshimiya Eiji believes she made his wish to become a TV antihero come true, leading to the near-destruction of the world, the death of his parents, and the hospitalization of his brocon sister.

One day a ridiculously out-of-the-entire-school’s-league cutie transfers to his class and follows him home, claiming she lives above him and broke her key. When he opens his door, she shocks him, then reveals her true face: she’s an assassin sent to get rid of him. Or wait, she’s there for revenge for her dead parents.

In any case, the initially pure and innocent cutie who turns out to be sadistic and homicidal is nothing new, and I’m not sure at this point what if anything Rin adds to the conversation. I will say that I did not expect Eiji to inadvertently kill her with her own blade via the more focused use of his power, visualized by a glowing medallion on his hand.

Rin steps out of Yuno’s shadow a bit by later revealing she can’t be killed; she’s an Order to, who gained the ability to instantly regenerate from even serious wounds. She shows more cold cruelty by stabbing Eiji’s sister Sena in the back, using her as bait to draw Eiji to her and her assembled army dudes.

(Rin is part of some military/paramilitary cadre of Orders, who all look like a bunch of weirdos. She’s a second lieutenant, so pretty low on the food chain).

After Eiji’s initial rage at seeing Sena maimed subsides, Daisy visits him and makes a slight mod to his powers, reducing their range considerably so he won’t lose control like ten years ago (why ten years had to pass for any of this to come down on him isn’t clear).

Eiji is done being Mr. Nice Guy. His wish, which had remained a secret the whole episode, is revealed as “world domination.” As such, his powers give him dominion over anywhere he goes, and over anyone or anything in that vicinity. Unfortunately for Rin and her troops, that includes physics, which means bullets fired at Eiji do not reach him.

Now that the beast has been awakened, he gets his ‘tentacles of domination’ into Rin (in a fairly suggestive cut to black), I suspect he’ll have dominion over her as well.

I mean, this show is awfully on-the-nose and trying too hard to be edgy at times, but is better-looking and has more interesting (and far fewer!) characters than Mayoiga, plus I enjoyed Mirai Nikki well enough…so I believe I’ll give this late starter a try. At the very least I’m interested to see if Eiji joins Rin’s little org…or simply turns them into his peons.

Bakuon!! – 03

Now that she has a license, Hane needs a bike—and she knows what she wants: A Honda Su-Four. Despite Onsa warning her that owning a Honda is like being with one man for life (which Hane doesn’t see a problem with), it’s the bike she learned on, and it’s what she wants. And since it’s her yen, and the dealership has a nice pink one, a Honda Su-Four is what she gets!

The twist is that the dealership Hane visits first happens to be run by Onsa’s father. It’s not exactly above-board, what with drowned bikes and reset odometers, but Onsa is determined not to let her dad shove a lemon on her friend, so she does the servicing herself under Lime’s watchful eye.

The beautiful moment Hane mounts her lovely pink steed, the world goes all black-and-white and she is compelled to hit that tasty looking road. Unfortunately, there’s almost no gas in that steed and she ends up stranded. But still, that first ride looked really fun.

Now that Hane has her license and bike, she starts going on rides with the rest of the bike club, which for now is just her, Onsa, Lime and Hijiri (and her chauffeur). They make it easier to communicate with headsets Hijiri installs in their helmets. But Rin snatches her helmet away before Hijiri can finish, so she can only send, not receive.

This results in a hilarious scene where Rin, understandably thinking no one is listening because she’s riding alone, starts singing a girly Katana song, and when she spots Onsa, launches missiles at her (i.e. flashes her headlight).

Surrounding this episode is Rin’s reluctance to join the bike club, even though, let’s be honest, she really wants to. Her and Onsa have some complex moments, first with Onsa in tears of shame at the state of her father’s place of business (while conceding it’s put food in her and her brothers’ mouths), and here with her headset leverage over Rin.

But while they go at each other consistently, there’s still an underlying warmth, and obviously their shared passion for riding that links them, which is why Rin agrees to pose in a group photo—as long as her Katana is center stage.

The final third deals with the fact the faculty of the school has found out about an unofficial, illegal bike club (though girls riding bikes, or helicopters in Hijiri’s case) aren’t prohibited. This leads to a stunning reveal when the principal meets with Lime and calls her senpai—clearly Lime is not a high schooler and hasn’t been for some time.

We flash back to when the Bike Club was official and the principal was one of the mechanics working on Lime’s bike in a race. One of her friends forgot a screw, so Lime’s bike blew up before the finish line, teaching the future principal a valuable lesson: don’t employ high school girls as motorcycle race mechanics. That being said, when Lime wordlessly (natch) promises to keep the girls safe, she gives her approval for the bike club to be reborn.

I was preparing to pull the plug on watching and reviewing this show after three eps, since it’s pretty one-note, and I’m probably going to stick to that position, despite this being a pretty strong episode. It all comes down to not having to many shows and casts to keep track of and making my mind a muddle. It’s got its charms, and the bike angle is unique, but the fact is it’s the weakest of the Spring shows I’m watching, so it gets the hook.

Bakuon!! – 02

Week two of Bakuon!!starts by delving into the past of Suzunoki Rin, whose father instilled in her a passion for motorcycles and in particular Suzukis. One Suzuki he always coveted was a Yoshimura-tuned 1135R Katana, but after he breaks many bones in an accident, the dream seems distant…until Rin writes the necessary essay extolling her passion for the bike and ended up getting it for her dad.

Meanwhile, in the present, Rin has her license and is about to take her dad’s old 400cc Katana for her first official ride, and her dad has the temerity to poo-poo the very bike he once rode, even as he’s riding a bike he wouldn’t have without his daughter. What a jerk! But hey, at least he didn’t die in that accident. That would have been a bit too dark… :/

Speaking of dark, the dark, frizzy-haired Onsa just can’t seem to get alone with Rin, and Suzukis are at the core of their conflict. Rin is already satisfied that Onsa is an “anti-Suzuki Fascist”, and while Onsa wants to at least cultivate the fiction that she likes Suzukis (so Rin will join the club), far too often her big mouth gets her in trouble when she reveals her true feelings within earshot of Rin.

Of course, we can’t just have Onsa and Rin going at it every episode as Hane referees and Lime…just stands around not talking. Enter Minowa Hijiri, a rich girl who is obsessed with experiencing what it is to be bad; and what better way than to join a bike club?

Hijiri makes an immediate impact on said club, suggesting that rather than bicker in the club room or thumb wrestle, they determine who is the most courageous, and thus forge bonds of shared danger, by playing chicken with their motorcycles, a la Rebel Without a Cause.

Of course, being a rich girl, she doesn’t actually pilot said bike (she’s unlicensed, besides); that task falls to her butler, Hayakawa, who sees these girls, particularly Lime, mean business and gives the challenge his all. Onsa and Rin break at the same time very early, showing how alike they are despite their different make preferences.

As for Hayakawa, he simply doesn’t break at all, plunging his Ducati 750SS Imola Replica and Hijiri-occupying sidecar into the river. But it’s all good, becaue Hijiri feels like a true delinquent.

In “part three” of the episode, Hane completes her training and testing phase, despite the fact the school switched out older Hondas like Baita for newer model that won’t talk to her. Baita also reveals she used to be a man, but was “neutered” and thus became a woman when prepared for lower-performance school duty.

Hane’s four friends watch wearily as Hane seems destined to fail her exam, forgetting everything Baita taught her and being over-distracted by the silence of her new ride, but Hijiri devises the plan to cheer for Hane from a high vantage point, forcing her to keep her head up. It works, and Hane manages to pass, meaning next week she gets to ride. But what (Honda) will she choose?

Taimadou Gakuen 35 Shiken Shoutai – 02

TG35 tables its fanservice and harem elements this week, instead focusing on the more serious matter of Kusanagi continuing his quest to make Ootori accept him as a captain and a comrade, a decision I felt made for a better episode than the first.

When Ootori affirms her unwillingness to allow being lumped in with the Small Fry Platoon, Suginami reveals her nickname of “calamity” in Inquisition, where she was a revenge-driven loose cannon – accusations she won’t deny.

Eager to make his unit better and not willing to sit back and let Ootori continue to fight alone, he keeps trying to convince her, but his efforts are interrupted by the summoning of a hero or “einhenjar” tasked with assaulting the academy. In confronting and battling that einhenjar, Kusanagi eventually backs into the very means to help shoulder Ootori’s burdens by contracting with a “relic eater”, Lapis Lazuli.

But first, Ootori runs off and tries to take on the einhenjar (Arthur Pendragon, armed with a railgun Excalibur) all by herself, questioning what good she is if she can’t handle such a “puny threat” on her own.

When conventional attacks fail, she summons her own relic hunter, Vlad, in the form of two pistols, but she only has a provisional contract with him, and Vlad’s need to take her blood to function effectively weakens her more.

Finally, the director de-summons Vlad, leaving Ootori defenseless against Pendragon. But that action reveals the director’s intention: to give Kusanagi the opportunity to contract with Lapis, a pairing he’s been looking forward to.

Kusanagi comes to Ootori’s aid, backed up by Saionji and Suginami, but his attacks also fail. At the same time, Ootori realizes it was Kusanagi she beat back in the past; they didn’t meet for the first time last week. I wonder if there’s anything else to that past connection.

Pendragon then does to Kusanagi what he did to Ootori, and he ends up bleeding out on the ground—until Lapis suddenly appears through the dust cloud (a nice visual), transports him to a different dimension, and takes him through the contracting ceremony, consisting of questions such as “would you abandon what is precious to you” (hell no) and “would you abandon your humanity” (sure) to achieve his goals.

I liked the prompt, no-nonsense introduction of Lapis, as well as her occasional moments of playfulness (bum-ba-da-bum!) amidst her usual ethereal stoicism. She also reminded me of Knight Rider a bit; a sentient piece of technology-as-companion. Also notable: no boob-grabbing or nudity silliness with Lapis, and her outfit, while cool-looking, is also pretty modest. Refreshing!

There’s the sense Kusanagi isn’t quite sure what’s going on, but Lapis helpfully informs him the contract is complete and she is now his. And what she is is an unbreakable sword and suit of armor which are just the two things someone with his sword skills needs to not only fight witches effectively, but also in order to convince Ootori he can be relied upon, despite his normally unreliable aura.

With Pendragon easily dispatched,  Kusanagi joins Ootori against a tree trunk, saying he won’t presume to lecture her about revenge, but earnestly asks her to at least let him share half of her burden, as her comrade and her friend.

Ootori, having been saved from certain death, is hardly in a position to protest further, and in any event, once Kusanagi passes out on her lap, she privately confesses to not really minding the feeling of having someone wanting to, and being allowed, to share her burden. If her fight with Pendragon taught her anything, it’s that she won’t get far alone.

As for the sixth main character, the witch Nikaidou Mari, she seems to be in reluctant cahoots with the murderous necromancer who summoned Pendragon, but passes out before Inquisition arrests her. I imagine she’s on a course that’ll eventually lead her to Kusanagi and the 35th.

Taimadou Gakuen 35 Shiken Shoutai – 01 (First Impressions)

This is now the third “magic academy” anime we’ve come across this Fall. But unlike Zane’s two shows Rakudai and Asterisk, TG35 focuses less on school and more on the occupation they’re all training for: which amounts to witch-hunting and preventing the smuggling of magical items. It’s the most regimental, but also the most like a typical school anime in that the titular platoon is like a club, complete with a clubroom HQ where they hang out.

Naturally, this is a club of misfits, mocked as the “Small Fry Platoon” at their academy for racking up zero points in a half a year of ops. Their captain is the katana-wielding Kusanagi Takeru, Saionji Usagi is the girly sniper, and Suginami Ikaruga is the tech whiz. The trio becomes a quartet when they are joined by Ootori Ouka, a prodigy who’d already advanced to the rank of inquisitor, but has been recently knocked back to the bottom for killing prisoners.

Under orders from the academy director (and her guardian), Ootori makes nice as best she can, and Kusanagi plugs her into an ambitious (for the 35th) interdiction operation, which is played straight and seems to be going quite well right up until Kusanagi gives Saionji the order to start sniping…

…Which she does…into the wrong window. Instantly, we see why this platoon has zero points. Kusanagi ends up on the wrong end of several mafia handguns, but is able to halve their bullets with his sword. Halving bullets is a great skill, but halving bullets alone can’t get you points; for that, the whole platoon needs to hum like a well-oiled machine. No slip-ups, no emotional outbursts.

There’s plenty of both on the op, as Saionji crumbles under pressure and Kusanagi almost lets the gangsters’ barbs get the best of him, while Suginami, back at HQ, is a non-factor. They only manage to salvage the op when Ootori puts it on her shoulders, taking out all the gangsters and even quickly, efficiently disabling the culprit’s stolen Inquisition mecha. The show then manages to get Kusanagi to grab Ootori’s boob when he trips on a shell casing (groan).

The next day, Ootori dresses down the rest of the platoon (verbally, not literally), putting particular emphasis on Kusanagi being a disgrace of a leader. When they try to win her over with a welcoming party, she scolds them for goofing off. Kusanagi catches sight of her bleeding arm wound and flags her down, making it clear that however she feels, he is her comrade, and her captain, and they’re going to make this work, somehow.

She brushes him off, but lets him accompany her to an op she was going to take on herself. It’s a good thing she doesn’t. Sure, she has to save Kusanagi from a booby trap, but his bullet-slicing comes in handy against the henchmen. Moreover, when Ootori discovers the appalling handiwork of their targets—buckets of children’s body parts, perhaps for necromancy—she loses her cool and is about to kill everyone in sight.

Only Kusanagi, her CO and comrade in spite of her protests, restrains her. He posits that if she exacts revenge in this way, she’ll never be an Inquisitor again, and there will be more victims. Then she reveals the reason for wanting revenge: witches killed her family.

Kusanagi doesn’t pretend to know what she’s feeling—he’s only trying to become an Inquisitor because the pay is good and his family needs money, not revenge—but he won’t stop trying to understand, nor will he stop trying to be her comrade and captain no matter what, because that’s what they are. The words move her as outside, a witch-looking girl with glowing purple eyes looks on, apparently observing all.

So yeah, definitely the darkest (out of the gate) and most serious of the three magical academy shows RABUJOI is reviewing, and the second with a more-than-decent opening episode. Despite the familiar character types and unimaginative fanservice, there’s a degree of promise here, as long as you enjoy misfit-rising stories, which I myself happen to. It executes capably on action, character design (no one’s boobs are too big), and music (the ED theme in particular is pretty sweet). We’ll see!