Irina: The Vampire Cosmonaut – 08 – Wait and See

Irina returns to headquarters not to more scorn and racism, but an actual standing ovation—albeit a somewhat forced and stilted one. As forced by the chief as the applause might be, it’s still applause directed at Irina, something she likely never imagined she’d ever experience when she volunteered to do this.

The downside to both Irina’s success and Lev’s role in that success is that it becomes the impetus that separates them just when they were feeling closer to one another than ever. Lev is promoted to full candidate and joins the others for the final tests to select the first human cosmonaut. One would think his knee injury would put him out of the running, literally, but it doesn’t seem to be an issue.

As for Irina, her long expected post-launch “disposal” is postponed indefinitely. While the narrator suggests that someone might try to cause an “accident”, that’s made harder by the fact Anya makes it her mission to be Irina’s friend in Lev’s place. She takes her out for a festive night on the town, wearing traditional dress and performing the ritual of tossing pine cones into the water to grant your wishes.

It would seem Irina got her wish, which wasn’t at all “Love Live the Motherland”, but nothing more than another opportunity to be with Lev. When they meet for the first time in the new year, he’s prepared a spread and presents her with a bouquet. Irina questions the “point” of all this, all the while smiling with glee. So far it looks like these two crazy kids are going to be just fine, but as Lev says, it’s very much still a “wait and see” situation.

Irina: The Vampire Cosmonaut – 07 – Borscht or Bust

The day of launch has arrived, and Irina dons her proper Zirnitran uniform, but meets one-on-one with the Chief, who has survived countless small heart attacks to get to this point. Due to the risk of the UK monitoring her transmissions once in orbit, Irina is told to read the script of a cooking show to communicate her condition. If everything’s A-OK, she’ll read about borscht. If not, a cheeseburger.

In hindsight, Lev’s arrest was a naked attempt to build up tension and drama before the launch, as his detainment doesn’t even last through the launch. He is freed by Natalia, who discovered that Franz sabotaged the centrifuge in order to kill Irina, thus ending the Chief’s career. Lev is not only freed but gets to be one of the last people Irina sees before her flight to the heavens.

Since this is the first time they’ve attempted this with a person, there’s no guarantee this will be a two-way trip…except for the fact this is just the seventh episode and the titular character is exceedingly unlikely to perish here and now. That doesn’t mean I didn’t feel a combined feeling of awe and dread—the same thing I’ve felt before watching any real-world spaceflight.

Everything goes according to plan at first, but other than a brief shot of Irina on video that soon fizzles out, the entire flight is from the perspective of Lev and the team in the control room. Lev’s crippling sense of helplessness is palpable when they lose contact, and for a few moments, he feels like perhaps Irina really is gone…and really feels that loss.

Thankfully, once communication is restored, Irina recites the recipe for borscht, delighting Lev the flight team down on earth and adding some welcome whimsy to what had been a strictly by-the-book launch procedure, as she rattles off the cooking instructions as her capsule dances above Earth’s night side. She even manages to get her feelings through to Lev by reciting her own recipe: for the odd Zirnitran drink he loves.

While the political officers in the control room really want to blow her up, both when she goes off script and when there’s a chance the capsule could land outside Zirnitran borders. But they don’t blow it up. That said, it’s a mad dash to the remote wintry landscape where the capsule landed, and Lev leads the way on his motorcycle.

While he’s thrown from that cycle when he hits an ice sheet, he only suffers a skinned knee, and gets right back in the saddle in search of Irina and her parachute. He finds it, which…is pretty lucky! But that’s fine; just as this show knows we don’t want Irina to die, it also knows we want to see the pair cuddle under the parachute in mutual relief and affection for each other.

The world may never know who Irina was or the feat she achieved, but it doesn’t matter: she knows, and the human lad knows too. That’s more than enough for both of them.

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 06 – Moon Shot in the Arm

Traumatized by what she saw at the crash site, Irina has a nightmare about suffering the same fate as all those poor test dogs. But as usual, she keeps her troubles within and tries to power through them, training as if nothing is wrong. But her mental anguish results in physical ailments: fatigue, loss of apetite, and anemia. With only days before the launch, this is no time for her numbers to be dropping.

Remembering what Irina told him about drinking the goat’s blood, Lev arranges some blood to drink. Not knowing where it came from, Irina refuses it, saying she’d rather die than defile her body. Unwilling to let her dream die, Lev offers an alternative: she can drink his blood…from his arm.

Irina agrees, and not long after digging into that arm, the light is back in her eyes, and the color back in her flesh. It’s also the equivalent of this particular couple’s first kiss…a vampire’s kiss. As such, both of them act bashfully and nervously before it happens. Once it’s over though, Irina looks and feels so much better, Lev is glad he had blood to offer. Still, Irina seems to feel a bit guilty for taking it.

With Irina back on her feet, the two enter the final stages of her training, including the harrowing parachute spin. Her first such trip to the ground is in tandem with Lev, who keeps her calm when the g-forces start to rattle her. Once they land, Lev tells her that her next jump will be solo. Who knew then that meant he wouldn’t be around for it!

Due to what looks like some shenanigans from Franz, the centrifuge goes haywire. Lev basically breaks the machine in order to stop it, enraging the old asshole researcher, who then decides to start beating on Irina. Lev doesn’t lose his temper, but it doesn’t matter.

When the old coot trips and falls backwards, it’s all the pretext he needs to have Lev hauled away for assault. Irina is now left without a protector…and her capsule will indeed be fitted with explosives in case it lands near the borders. In other words, just as Lev and Irina had their closest and most tender encounter, things couldn’t be worse. The only bright side is that Irina does indeed seem bound for space in just a couple of days.

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 05 – Free Falling

A military bigwig arrives to inspect the training facility, and to also tell the two dozen or so candidates that only six of them will make the cosmonaut cut. When one of those candidates screws up their parachuting drill, Lev is suddenly back on the active roster. He might end up in space after all.

Meanwhile, Irina is in the anechoic chamber, which she basically treats like her coffin, only larger and most likely quieter. While in there, she’s left alone with her awful memories of when her village was massacred and her parents torched. At one point she softly calls Lev’s name, and can’t help but grab his sleeve when he finally comes in to release her from her solitude.

Irina probably figures she can’t hide the fact that she doesn’t hate Lev’s guts, so she comes right out and says she considers him the only human who isn’t bad. I’m not sure what that pink-haired researcher did to her! All joking aside, we get another great skydiving scene with Irina ending up in the unenviable situation of having to stare at Lev to keep her head up, even if it means being unable to hide her blushing.

When the two are up in the air they can forget about all the awfulness that surrounds them, but they come back down to earth literally and figuratively when they witness an aborted space capsule flight and the corpse of one of the experiment dogs. Those horrible flashbacks come roaring back, putting Irina in a state of shock.

Lev’s superior picks them up, and tells him that no one was supposed to see that. Back in the command room, the mission commander battles both his ailing heart and the political reality of having to self-destruct Irina’s capsule should she land in another country. You can tell he’s way more in this for the science and discovery, not the patriotism.

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 04 – Fly Me to the Moon

With Lev being told Irina will launch in three weeks and her finally trying on a real spacesuit, shit is starting to get very real. If the higher-ups are to be believed, she may not live a long life even if the launch is successful, but Irina doesn’t seem to mind at all, and continues going through the training with nary a complaint (though she does remark that the suit is really heavy).

While Irina is changing out of her sweaty clothes into a fresh jumpsuit, Lev encounters Rosa in the hallway. Rosa is, so far, a completely one-dimensional racist bitch who is a waste of time. But when she lays into Irina to Lev, Irina overhears, and bids that Rosa say what she wants to say to her face. Rosa slinks off, warning Lev not to get his blood sucked. Even though, if we’re honest, it’s Rosa who sucks here!

When Lev and Irina get some free time before she has to enter an anechoic chamber (where you can indeed go mad quite quickly listening to nothing but your body make noises), Irina kinda prods Lev into taking her to a jazz bar. She gets some soda water, natch, but one sip of Lev’s dark red concoction has her slightly tipsy. No matter; she’s never heard jazz before, and she quite likes it.

Later that night Lev and Irina head out to a frozen lake to skate. While last week’s animation really shined with the airplane ride and skydiving, here Irina performs an elegant performance while an insert song plays. It’s really quite something to behold, and the latest demonstration of why Lev should really try to prevent her from being “disposed of” if he can.

Irina and Lev have never been closer. He tells her how he’s wanted to go to the moon since he was five; she told him how her parents were burned alive while she watched…pretty standard date stuff!

As for the whole post-launch disposal thing, Irina volunteered to be a test subject because it meant she would be going to space, and possibly the moon, before the humans defiled it. Even if the Zirnitrans off her afterweards, they can never take away the fact that she danced among the starts before they did.

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 03 – Freedom, Not Fear

After a scene involving the pudgy, scheming old men who run Zirnitra from the capital, Sangrad (some who want to kill Irina as soon as the mission is over, some who want to wait and see), we see Lev get his first R&R since taking on the job of Irina’s handler. His former candidate comrades are a mix of curious, pitying, and superior.

It’s clear that due to his time with Irina, he’s no longer one of them…and that might not be the worst thing. As for “things”, it’s clear Anya doesn’t consider Irina one, but a fellow person. As a scientist, she knows the best way to overcome fear of something is to understand it better. She understands vampires to an extent she doesn’t fear them in the least. On the contrary; she adores “Irinyan”.

Lev ends up applying this axiom to Irina’s acrophobia, by exposing her to the most extreme heights so she can eventually realize how goddamn awesome it is when you’re flying and thus overcome her fear. Their moonlight flight is a series highlight in terms of visual panache; it really draws you in, like the great Miyazaki adventure in the sky.

Lev’s experiment on his “test subject” works like a charm, as Irina’s fears are replaced by wonder and a thirst for freedom unquenchable by even the fizziest lemon seltzer available. But the flight doesn’t just change Irina. It continues a gradual but inevitable change in Lev, from a soldier carrying out his duty of handling a test subject, to a young lad developing feelings for Irina Luminesk as if she were an ordinary human woman.

Lev isn’t training Irina in order to achieve the mission anymore; he’s training her so the government won’t dispose of her for not measuring up. Fortunately Irina excels at pretty much everything they throw at her, and once she’s over her acrophobia, flight and parachuting (another bravura sequence) is no exception. One of Lev’s colleagues warns him not to develop feelings for Irina, but it’s clearly already way too late for that!

Rating: 4/5 Stars

Jouran: The Princess of Snow and Blood – 04 – Snakes and Sinners

When Sawa sees the note from Janome she rushes to his hideout, but Kuzuhara heads her off in his car. He won’t let her walk into a trap and ruin the path to revenge he laid out for her just to save a little girl who wants to kill her. It’s not part of his plan, so he knocks her out with the back of his blade.

Unfortunately for him, Sawa is a part of Janome’s plan, and Makoto is working for him now (I guess?) and she siccs a group of changeling bomb dogs(!) on his car. In the ensuing explosions, he and Sawa are separated, and Makoto scoops her up and skedaddles. I guess Janome and Makoto knew Sawa wouldn’t make it to his hideout on her own…???

In a touching flashback to a happier past we’re reminded how cute and kind and human-behaving Sawa once was, as her brother assured her a bird would choose her someday. She wakes up to an array of disco lights and ominous organ music being played by our big bad, Janome with his back turned to her. It’s all a bit…Saturday morning cartoon villain, to be honest!

What was supposed to be dark and menacing comes off as goofy and cheesy, especially with his host of snakes that honestly might’ve have been slightly scarier if they were CG. Janome has a special restraining chair and birdcage all set up for Sawa, and forces her to submit to him fully, lest his badly-drawn snakes kill little Asahi.

He draws some of her blue blood while describing his evil plan, promising to free her and Asahi when that plan is complete, at which point she can kill him if she likes. Oh, and he’s got her brother Takeru strung up on the organ. He’s been keeping him barely alive while using his blood for his experiments, and Sawa is next. Pretty fucked up for a guy who claims to “worship” her clan!

This is when things go a bit off the rails. Makoto, who revealed she was working with Janome, switches sides again by killing the snakes holding Asahi. Another snake takes her arm in return. I guess I was right about her being a triple agent, but we know so little about Makoto that neither apparent turncoat move really did anything for me?

She feels more like a plot device than a character with discernable motivations, and it was time for her to side with Sawa here, so she did. Then Janome eats one of the crystals made out of Sawa’s blood, briefly becomes Mr. Freeze, and then turns into a frankly laughable snake-man monster. At this point, Matoko—who you’ll remember is missing an arm and bleeding profusely—still has the strength to ascend out of the hideout with a cable gun. Uh, bye, I guess??

Sawa enters her much cooler-looking changeling mode, but even that’s undermined by a transformation sequence that is frame-for-frame the same every time. Even this mode apparently isn’t enough, but with his last ounce of strength Takeru tosses some vials full of orange…stuff? at both Janome and Sawa.

The stuff seems to have opposite effects on the two, subduing Janome and powering up Sawa, who slices Janome clean in half. Her revenge thus complete, Sawa goes to her brother, who says it’s too late for him. Then she says in that case she’ll die with him, but then Asahi makes a noise and Sawa remembers why she came here in the first place! Roll Credits.

Sorry for the snarky tone, but Jouran kinda fell apart in this fourth episode, with thing upon thing simply happening and character upon character doing things that either didn’t make a lot of sense or were extremely heavy-handed (i.e. the organ schtick). With Sawa’s nemesis Janome turning out to be a relative pushover, I don’t know what’s next for her and the rest of Nue, but I don’t much care either.

Jouran: The Princess of Snow and Blood – 03 – A Blue Coffin

After Sawa learns that Yoshinobu himself ordered Kuzuhara to have the Treasurer killed, Makoto suggests that Sawa drop the “sister act” and cut little Asahi loose. All of them in Nue have assigned roles to play, and none of them can afford to let sentiment dull their wits.

After recalling when Kuzuhara first showed her a slideshow of her family and village’s destruction and the person responsible, ordering her not to cry, Sawa puts up the hard front Kuzuhara aimed to teach her in dealing with Asahi. Sawa refuses to let Asahi kill her until she’s killed Janome, and tells her to be gone by the time she returns that night.

Sawa, Elena, and Makoto all confront Nue’s cleaner, whom they suspect is a traitor passing secrets to Kuchinawa, finding money in the coffin he’s pushing. He pleads his innocence, then sets off a bomb with a detonator in his hat. Sawa follows him down a secret tunnel hidden in a tomb, while Elena intends to head him off on the surface. Meanwhile, a dejected Asahi seeks comfort in her grandmotherly neighbor Yamazaki.

But the cleaner never went in the tunnel; he hid in the coffin. When Makoto, who lied to Elena about a twisted ankle, opens it and the cleaner pulls a gun. A shot rings out, and Makoto later reports that the cleaner killed himself. But at this point Makoto was already acting super suspicious.

While burying the cleaner themselves, Elena asks Sawa what coffin she’d want to be buried in, her preference being red. Sawa doesn’t answer at first, then says blue, like her blood and that of her clan. That said, she won’t be put into a coffin until Janome is in his.

Makoto meets with Kuzuhara, who reveals he is a woman by tearing his clothes to reveal her chest binding, warning her to never forget where she stands. But Kuzuharais seemingly in the dark about where Makoto actually stands. Before the Treasurer died, she gave Makoto a karuta card that serves as a treasure map. Makoto follows it and discovers a small book that the Treasurer said could bring down “Tokugawa, Nue…all of it.”

Sawa comes home to find Asahi gone, but on her desk is the piece of paper with “Yuki” written on it Asahi had reconstructed with paste. Sawa then sees that Asahi left the satchel she gave her containing cash and a boat ticket to her new home, and blood on the walls.

Her white crow comes to help her search for Asahi, but we find out where she is first: in the clutches of Janome, who had disguised himself as Yamazaki with an elaborate prosthetic suit. We also learn that Makoto is indeed in cahoots with Janome, serving as a double agent. Or maybe triple, if Kuzuhara knows she’s infiltrated Kuchinawa.

In any case, for Sawa, who’d prefer clarity and simplicity, nothing is simple or clear, and never really was. To whit: she aims to save her would-be murderer from the man who murdered her family, and with whom her fellow Nue agent is working. Not ideal!

Jouran: The Princess of Snow and Blood – 02 – Nothing Else Is of Any Concern

Makoto meets with Jin on two matters: one is to be briefed on a mission to find the one within Nue who is feeding Kuchinawa assassination targets. The other is to ask about Sawa. Makoto responds to the latter by saying “it saddens me to report that she survived”.

Last week, Asahi prepared to stab Sawa in her sleep. When we see both next, the only thing Asahi is slicing is a daikon radish, and Sawa is very much un-stabbed. This week we learn more about Sawa and Asahi’s pasts, and … Spoilers: those pasts are dark and bloody. First up is Sawa, and if Black Widow has “red in her ledger”, Sawa’s got “blue in her diary.” Well, her mom’s diary.

We know how Sawa hid while her mother, father, and brother were slaughtered. But how did Sawa end up an assassin with Yue? Jin arrived at the ruins of her village as she was trying to bury the charred remains of her family. His mere presence there the morning after their deaths might’ve normally raised a red flag for Sawa, but the very light had gone out of her eyes.

It didn’t matter at the time if there was a chance Jin had something to do with the death of her family. He was offering her a chance at revenge, and that chance brought the light back to her eyes. Under his tutelage she became a graceful and efficient killing machine. Jin made a deal: he’d use her to make Nue stronger, and she’d use him to get her revenge.

Sawa puts the blank diary of dark memories away and joins Elena for their next mission: make contact with a Nue agent named “the Treasurer” and get her to safety. They identify her waiting tables at a restaurant by the fact she can memorize everyone’s orders and whisk her away, crossbowing and beheading the Kuchinawa gunmen along the way.

While Sawa escorts her through the tunnels, the Treasurer mentions how the shogunate is content to ignore the mounting opposition to their regime outside of Tokyo. She also knows a lot about Sawa, because she’s a memorization savant. Meanwhile, Makoto pays Asahi a visit at the bookstore, offering her a bottle of black pills that “kill in ten seconds.” , to use on the person who killed her parents.

That’s right: in the recent past while on a mission, Sawa murdered Sawa’s parents while she was in the next room under burning wreckage of the house they were in. Granted, Asahi’s mother was apparently dolling her up in order to serve her up to a pervert before Sawa arrived, but facts are facts.

When Asahi tried to stab Sawa in her sleep, Sawa woke up instantly (if she was even asleep) and stopped the knife, telling Asahi she needs to strike where she’ll do the most damage, and wait until she’s more vulnerable. When Asahi bursts into tears, Sawa is there to hug her. It’s a strange situation, but it’s true to Sawa’s code: she’s not about to be a hypocrite. If Asahi should exact her revenge by killing her before she can exact hers, so be it.

Sawa, now knowing of the Treasurer’s ability, decides threaten her into telling her everything she knows about the Karasumori village massacre. The Treasurer says how those responsible wanted to keep the Karasumori clan’s blue blood a secret, while Janome stole an imperfect variant of that blood’s power. But the Treasurer stops there, saying Yoshinobu doesn’t tolerate treason.

Her five-year old son is being held hostage; should she betray Yoshinobu, he will die. So Sawa offers to protect her and her son in exchange for the information she wants. When the Treasurer asks why Sawa would go so far for revenge, Sawa answers simply that her entire life is for revenge—just a stretch of borrowed time, in which she’ll either get the job done or die trying.

Sawa and the Treasurer exit the tunnel near a quiet dock where she can be smuggled to safety, but they are intercepted by Kuchinawa agents, along with a Changeling. Elena shows up, and she handles the agents while Sawa enters her blue blood trance and defeats the Changeling.

But when it’s time to put the Treasurer on the boat, Elena stabs her instead and lets her fall into the river, after telling her her son has already died. I’m a little fuzzy on the details, but either the Treasurer fed intel to Kuchinawa, or she and her intel-packed brain were simply too dangerous to be kept alive.

In any case, Sawa loses her best chance yet at learning about what happened at her village and who was responsible. I don’t think she’ll kill Elena or quit Nue, but she can’t be happy that her road to revenge just hit a detour. In any case, this was another dark, bloody, brooding episode of Jouran, packed with bursts of cool action and bookended by an OP and ED by RAISE A SUILEN that both absolutely slap.

Rating: 4/5 Stars

Jouran: The Princess of Snow and Blood – 01 (First Impressions)

Dark and brooding, stylish and cool, Jouran is the story of a small band of assassins under the employ of the Tokugawa Shogunate. In this alternate history, Tokugawa Yoshinobu is still in power in 1931 thanks in large part to the discovery of the energy source Ryuumyuaku, or Dragon Vein. As a result, Tokyo is a glamorous city where science and Edo-period tradition merge.

Among the assassins is Yukimura Sawa, our protagonist (voiced by Mimori Suzuko, Kamisama Hajimemashita’s Nanami). Sawa is a stoic, no-nonsense young woman who grudgingly shares her living space with the young orphan Asahi who cooks her meals, and is the type to threaten a flirting guy with murder and not be joking.

Her two fellow assassins are the sardonic Tsukishiro Makoto (the striking Shouta Aoi) and the seductive Hanakaze Elena (the musician Raychell), who refers to Sawa as “the little bitch”. Their group’s leader is grim man named Kuzuhara who believes the dissident group Kuchinawa will attempt to assassinate the shogun at a banquet celebrating the completion of the new Tokyo Castle.

Makoto and Elena go undercover as party guests and end up following a bigwig confirmed to be working with the dissidents on the sly. Sawa is notable for her absence from the party, while lil’ Asahi waits at the dinner table in vain.

Makoto and Elena follow the bigwig and his henchmen to a secluded warehouse where an exchange of materials is taking place, and the assassins quickly take down everyone there. Elena uses a rather unique umbrella crossbow, while Makoto uses what I’d describe as a lightsaber katana.

However, their true target, a kemono or “changeling”, is nowhere to be found. Makoto bombs the facility and he and Elena head to the eastern gate of the castle, where he knows one of the vast network of secret tunnels leads from their current position.

Sawa is there, ready to head off the changeling, doing so by transforming into one herself with the help of a white raven. It’s depicted as a volatile and extremely painful process, but once she’s transformed she resembles a serene yuki-onna.

When she realizes her changeling opponent is the young man who flirted with her at the bookstore, she hesitates momentarily, and is wounded, but ultimately takes care of business, slicing off the changeling’s hand and finishing him off with a haunting poem that matches Sawa’s icy beauty and that of the scene:

Amidst the pitiless white snow
A fleeting dream is scattered
The path back leads only to Hell
I have no regrets

Makoto and Elena arrive just after she returns to human form and passes out. The threat to Yoshinobu would seem to be dealt with, but the next day at the official opening ceremony of Tokyo Castle, we witness scenes of carnage involving more changelings, presumably within its walls.

Sawa is recovering at home, but even in sleep she gets no rest, as she’s transported back to when her brother was murdered along with the rest of her family, by Janome, Kuchinawa’s executioner. She’s vowed not to die and join her family until she gets revenge on Janome, but Asahi seems prepared to kill her in her sleep with a kitchen knife. I guess she doesn’t like being kept waiting for dinner, huh?

Like Sawa, Jouran and its familiar-yet-bizarre alternate Tokyo carries itself with a quiet, assured dignity, but just as Sawa is tormented by trauma and tragedy, corruption, suffering, and death lurk beneath the gleaming Shogunate capital, much of it delivered by monsters in suits and with claws.

Assuming Sawa survives her tiny assassin’s attack, I’m excited to watch her continue to walk the line between her official duty and blood debts.

Rating: 4/5 Stars

The Day I Became a God – 09 – Higher Powers

Finally, Suzuki’s story fully merges with Hina and Youta’s, resulting in tragedy for all three—just as we’d suspected! Suzuki runs an analysis of Hina and Youta’s interactions and discovers that Dr. Korogi’s research has somehow enabled Hina to live healthy life despite her Logos Syndrome.

Under her influence the painfully ordinary Narukami Youta has achieved extraordinary things. This is all theoretically fascinating to Suzuki, but when his Handler reports his findings to the CEO, Hina’s Doomsday Clock’s hands accelerate towards midnight.

Before we’re invited to sow what we’ve reaped by fully emotionally investing in Hina and Youta’s relationship, we get a little context into where Suzuki Hiroto is coming from. A hacking prodigy from a young age, his parents exploited his talents for their own monetary gain. When he refused to continue on moral grounds, they beat him.

He now finds himself a virtual ward of a corporation and its CEO, likely as the result of a settlement that kept him out of prison—a glorified whitehat. He’s dreadfully frustrated to still find himself figuratively and literally under the heel of cynical humans who lack his intellect and imagination.

But while he may be smarter than virtually everyone, he’s not able to see how they’re exploiting his abilities and innate curiosity to basically dig Hina’s grave for them. He starts with a deep dive into the digital ether, visualized perhaps too on-the-nose-ly as a deep blue sea complete with dolphins, whales, and a very conspicuous red goldfish.

More than sticking it to the adults he hates so much and who have done nothing other than step on him, Suzuki above all wishes to have capital-W Worth, and at this stage in his existence he believes his hacking talent to be the sum total of that worth. So he can’t help but reach out and grab that which probably shouldn’t be touched, and as such, he seemingly achieves a digital connection with Hina.

That is, he’s able to access the quantum computer chip placed in Hina’s brain by Professor Korogi in order to cure her Logos Syndrome. Practically moments after his findings are presented to the CEO, they are run up the flagpole to Higher Powers, i.e. the government leaders of the world. Such people are concerned with far bigger pictures and longer games than the happiness of one boy, one girl, and one small circle of friends in Japan.

In fact, they believe that the continued existence of the quantum computer out in the world presents an unacceptable risk to global peace. They have decided—and have the power to enforce—the notion that the computer must be retrieved and hidden away until such a time that mankind is ready for it.

Once Hina is made aware of the order to apprehend her and take her computer, she apologizes to Youta, who thinks she’s trying to apologize for the sudden rainstorm she predicted before the drops fell. She isn’t; she’s apologizing for wrongfully assuming that because she in her omniscience could not see beyond thirty days, that it would be the end of the world…not simply the end of hers.

At no point does it occur to Hina that she could or should resist this fate; she is oddly detached and almost clinical in her confusion when Youta grabs her and runs out of the park pavilion as the film crew buys them time. Finally Youta stops and explains: He had fun this Summer with Hina, and doesn’t want to lose her. He wants to spend the rest of his life with her, because he loves her—something Hina never thought she’d hear from anyone other than her gramps.

He wants that to be enough of a reason for protecting her, but while Hina tearfully confesses she’s come to love him too, she still doesn’t believe there’s any sense in fighting that which her own omniscience has already decided cannot be fought. The pertinent governments of the world are unanimous: Her world is to end without delay.

The question is, will it really end? Suzuki managed to warn Hina, but only gave her enough time to say her rather rushed goodbyes. Could he somehow escape his handlers’ clutches and aid Youta & Co. in some way? Or will this outcome stand, Hina is doomed, and what comes next is Youta & Co. processing the grief and moving on with her memory in their hearts driving them to be better people?

Personally, I hope there’s still some way to save Hina despite the ridiculous odds stacked against the good guys. But I have to admit…It is not looking good!

Assault Lily: Bouquet – 07 – A Brand New Sister

When a mysterious unmanned vessel is shipwrecked by an apparent Huge attack, who should be first on the scene but Yuyu and Riri’s legion, while on a routine beach patrol. They discover the remains of a Huge, while Riri finds a strange pod and inadvertently sends a tiny shock of energy through it with her CHARM.

Before she knows it, a beautiful girl with lilac hair has emerged from the pod, and immediately embraces Riri. She is brought to the infirmary and made everyone’s immediate object of intense curiosity. That’s right: it’s time for Assault Lily’s “Mysterious Amnesiac” episode.

Not surprisingly, the girl, identified as a Lily, “imprints” on Riri, whether due to the fact she made first contact, due to Riri’s natural charm, or both. She also has the precise “Skiller Value” as Riri, which can’t be a coincidence. In a fraught conference call with a concerned Security Committee brass, Yurigaoka’s Acting Chairman asserts the academy’s autonomy in matters of Lilies.

Due to the girl’s attachment to her, Riri is compelled to step back from her usual studies and Legion responsibilities to become her full-time caretaker. Yuyu and her comrades are understanding, supportive, and admiring of Riri’s compassion…but Yuyu’s restless leg betrays a tinge of jealousy—something Kaede knows all too well and is amused to see in the “lone wolf” Yuyu.

With Riri by her side, the girl not only learns to talk (again…?) but stand, walk, and eventually run, making great progress in a short period of time. When Riri finally reunites with Yuyu, her new “ward” is in tow, making a Yuyu sandwich. All their other comrades crowd together to get a look at the adorable new face. As for her name, she seems to like Yuri, the couple name Fumi gave to Yuyu and Riri, but also apropos in this case as it’s almost as if Yuri is the “fruit of their love.”

They can welcome Yuri (registered under Riri’s surname of Hitotsuyanagi for now) as the newest member of their Legion because the Acting Chairman Takamatsu agreed to make her a full-fledged Lily, complete with uniform and academy admission. StuCo president Izue Shinobu wonders if that’s rash, but the concern from the brass means “people are snooping in the shadows” over Yuri, and Takamatsu wants to draw them out.

The mysteries that surround Yuri herself are also, well, legion: Did she lose her memory, or is she a newly-awakened Lily? How much did Riri’s initial interaction with the pod influence how she’d awaken? Are Riri and Yuri now inextricably connected? Was Yuri some kind of experiment in mass-produced Lilies? Will Riri, Yuyu, and the academy be able to protect her from whomever seeks her out? Hopefully we’ll get insight into these matters next week as Yuri settles into her new life.

Koi to Uso – 07

Neither Yukari nor Ririna are remotely ready for…whatever it is Yukari thinks they have to do to not get penalized, so it’s a huge relief to see that they don’t make love here and now.

Romantic feelings have only just started to well up in Ririna’s heart and challenge her head, and it’s never occurred to her until now that her head could lose. She’s afraid of the person she becomes when Yukari gets so close to her, because it’s a person she simply doesn’t know.

As for Yukari, he’s so scared that they’re being watched to make sure they do it, he gets it in his head to try to “pretend” in order to fool them. That’s all you really need to know to determine that his head is already fighting a losing battle…and it wasn’t that great a head to begin with.

Saying the word “pretend” anywhere near an already vulnerable and confused Ririna is just a terrible move, but at least Yukari apologizes, and when she says she just needs some space and time, he gives it to her. You’d think the classic “cultural festival play” scenario would take his mind off of things, but…wait, what am I saying? SHIT no it wouldn’t! Yukari’s a dreary mess.

At least, I thought to myself, Yukari wasn’t chosen to play Juliet. When Yukari drops the figure Ririna gave him and takes a hammer strike to the hand to protect it, he ends up in the infirmary, where a worried-sick Misaki enters, but takes a few moments to collect herself before talking.

She and Yukari haven’t talked in almost a month, because she’s instituted a “Neji ban” on herself, lest fall even more in love with the guy. I would say the ship has sailed on that.

When Yukari is vague even when pressed—saying ‘some things happened and I hurt Ririna’s feelings’, Misaki uses her strong diplomatic ties with Ririna to try to learn more from her. In the process she remembers a story from middle school when Yukari made the best hotcakes, and Ririna learns he can cook.

Still, Ririna says she doesn’t want to see him, but feels terribly lonely without him. Wellsir, whatcha got there is a bad case of being in love. Misaki’s spirits plummet when she hears this, because now she and Ririna are both trapped in a spiral of longing and guilt, trying in vain to organize or balance their feelings with the other person’s.

It turns out Yajima, the ministry officer who messed with Yukari last week was in virtually the same position Yukari now finds himself in. The girl in question who he loved is his Ministry colleague Ichijou (the redhead), who don’t you know it, offered to reject her official match if he, the man she really loved, married her instead.

But he BLEW IT, and now he works beside that person every day, hiding the feelings that have never fully dispersed, and taking it out on poor innocent, dimwitted burial mound enthusiasts. Joking aside, Yajima doesn’t think their situations are truly identical, because in Yukari’s case, even as he harbors feelings for Misaki, he’s developing feelings for Ririna as well.

Yajima recommends Yukari not think too much, since teenagers aren’t good at that anyway. Instead, he should act, and he does, by writing Ririna a long text from the heart telling her how he felt about her taking an interest in his interests, and hoping they can go see burial mounds someday.

Ririna doesn’t respond by text that day, to Yukari’s further dejection, but in the morning post a beautifully hand-written letter from Ririna arrives, which is even more honest and moving than Yukari’s text. It even moves him to tears…in front of his mom! In any case, while trying to fix things and getting discouraged, Ririna wrote exactly what was needed to cheer her future husband up.

It certainly feels like they’ll be even more on the mend next week, but now that Misaki is certain that Ririna also loves Yukari, she finds herself stuck between supporting her friends and wishing them the best, and the selfish girl wanting the giant toy in the window.

Misaki believes she has the power to influence (i.e. advance) their relationship with just three words to Ririna—you’re in love—but wasn’t able to when they met up, and probably will continue to have a great deal of difficulty ever doing so, and with good reason: she’s not a masochist!

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