Little Witch Academia – 25 (Fin)

Ya know, I re-read my review of last week’s episode, and started watching the finale form the same jaded viewpoint, until I said nah, “let’s just have some fun watching this play out,” not worrying about how much the finale owes to Gurren Lagann (just like Trigger’s aesthetic is basically Neue Gainax) or how crazy positive everything gets towards the end.

Say what you will about Trigger, at least—unlike the Evangelion film—series, LWA got an actual ending! And it’s one in which Akko finally takes charge and her words—combined with the believing hearts of all around her—are finally backed up by similarly lofty action.

Those like a version of myself that thinks the ending got too “cute”, may I direct you to the name of this show, which contains the words “little witch”? So yeah, I lightened up, sat back, and enjoyed it when Chariot and Croix gave the six girls their “final battle” outfits, and one by one the secondary trio falls off the mega-brom like stages of a rocket after expelling all their magic.

Eventually it’s just Akko and Diana, the ultimate demonstration of what is possible when airs are dropped and people come to understand each other. They’re fighting an evil, “magic creature”-ified ICBM that can basically do…er, whatever they feel like drawing it doing.

Needless to say, this is quite entertaining to the crowds, suddenly distracted from the fact nuclear war might have been started by one of the rival countries. The crowds start organically rooting for the two witches in the sky, being streamed online due to…something, and then goes superviral when Croix transmits the feed to the world.

The really boring, annoying old white dudes initially have a problem with these witches and it’s even suggested shooting them down, but Andrew, like the crowds, has come to believe in Akko and in witches and magic, (despite his fervent anti-magite upbringing).

Drew’s argument gains the endorsement of the prime minister, who’s a little person like the King in Disney’s Alice in Wonderland, only he actually has all the power. Mr. Mustache is quickly cowed by the political chain of command.

Imbued with the positive vibes of their collected audience, Akko and Diana suddenly have a lot of surplus magic to work with, and Akko doesn’t waste it, as we get a visually arresting scene of their aerial battle in which complicated spells are flying left and right like the Siege of Hogwarts.

It’s frankly quite satisfying to finally see Akko put her money where her mouth has been all this time. She’s worked hard and gone through some things, and this is the fruit of her labor, as well as the fruit of the bonds she’s formed with her friends, including Chariot.

Heck, she even summons the legendary broom and saves Diana from falling. Diana! And she looks damn good doing all this in her “final battle” dress whites.

Eventually, it’s time for Akko and Diana to put their powers together, hold hands and point the Shiny Rod at the camera as they stare a hole in said camera, and shout GIGA DRILL BREAKER!!! (okay not those exact words, but something like that) at the top of their lungs, tearing the ICBM monster a new one.

Could I have done without the explosion becoming a smiley face that giggles like a little kid? Oh yeah…but whatevs. Akko finally proved not only that her believing heart is her magic, but everyone’s is…if that makes sense? Whatever, the soccer riots are now over, so it’s all’s well that ends well!

All that was left was to see Akko finally take off on a broom…without the aid of the Shiny Rod (which she allowed to disperse and for the stars to return to space and become the Great Bear). And…she fails, again.

Only, when Sucy and Lotte cheer her on and deliver that believing heart spiel, she’s suddenly laughing and joyful and hey presto she’s levitating all on her own! The damage Chariot did, it would seem, wasn’t permanent.

Also, Croix ends up in jail where she belongs…oh wait, no she doesn’t! She’s allowed to go out, fix the messes she made, and continue her research, presumably under supervision. Happy endings for everyone!

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Little Witch Academia – 24

Show of (virtual) hands (that I can’t see because they’re virtual):

Who kinda knew going in that Naruto Palpatine Croix would ultimately succeed in activating her “Noir Rod”, only to find the world reconstruction magic she sought so vehemently would still not available to her, and that the technology she had developed would overload from all the bad soccer vibes and turn on her, requiring Chariot—who spent the first part of the episode fighting her—as the only person who can rescue Croix, and does so, because, well, she’s a good guy?

I mean, it all pretty much unfolded how I expected. Did it look great? Well, it’s Trigger on Red Bull: it’s usually gonna look gangbusters. But was it a great episode? I gotta say…no. It was merely good.

And lets start with the good. Obviously, the visuals stood out, as everything got crazy in a hurry. Watching Chariot fighting while keeping her emotions (which Croix can use against her) in check was also fun. Heck, it was also kinda fun to see Croix succeed (if only temporarily).

You really get the sense her unending quest to gain the Triskelion (and her long-standing resentment she wasn’t chosen by the ‘Rod) slowly twisted her until she became the supervillain she is today. And Chariot knows she shares some blame for the creation of the monster Croix has become, for the reasons laid out last week.

But in its quest to put on a big, bad, exciting Trigger Brand Dramatic Climax™, the beats just feel too familiar. “Borrowing” the Star Wars lightsaber, then escalating the battle to near-Kill la Kill or Gurren Lagann levels of lunacy, only invites comparison to those better Trigger works—a comparison that doesn’t favor LWA.

I know it sounds ungrateful or even hypocritical to accuse LWA of going too far with the weird, wild special effects, but it’s somewhat disheartening to see characters who felt so big when we heard their stories earlier, scaled down to the size of ants before all the great big crazy stuff going on.

That’s why I appreciated Akko & Co. arriving at the scene where Chariot was desperately trying to save Croix from her self-made mess. After taking out the Noir Rod with a Shiny Arrow, it’s just Chariot and a forgiving Akko excited and elated to finally be meeting her lifelong idol.

Not only that, her dream has come true, she thanks everyone who helped her get here, and she’s hopeful Chariot will continue to teach her how to be a great witch.

With that, the Shiny Rod indicates the Final Word is ready to be unsealed, granting Akko the power to transform the dark and dreary surroundings into gorgeous, colorful scenery – the “world transformation magic” Croix could not access, seems to be available to Akko.

We’ll see the extent to which that magic will be able to stop the ICBM of negative emotional energy that has launched as a result of civil unrest hitting an untenable fever pitch. Andrew finds himself in the halls of power, among people who want to use war to their advantage.

From the look of that alert on Croix’s phone, the menacing missile soaring high in the sky, and a red-hot steaming populace, we’re probably in for a Trigger-brand Finale of Exponential Escalation™.  Here’s hoping it doesn’t totally eclipse all the little witches.

Renai Boukun – 08

Yuzu and Guri mount a daring rescue of Akane (armed with cosplay and retro dramatic music), only to find she doesn’t want to be rescued… naturally. The story is very standard issue, and on paper sounds like dozens of such rescue episodes. What makes Renai Boukun’s take on it fresh and watchable (if not outstanding) is its commitment to inserting punchy, often self-referential comedy wherever it can.

As the subtitle above demonstrates, Renai Boukun will often go to the trouble of pointing out the cliches it’s using, because characters like Guri are themselves knowledgable students of anime like the one they’re in. Guri’s status as a cupid, with her “love detection” ability, easily cuts through the stoic masks both Akane and her mother are wearing.

Akane’s mom may not ever break her stern, Vulcan calm, but when Akane herself has her blade pressed to Seiji’s neck, and he tells her he’d never be able to hate her no matter what, her eye highlights come back, and then some: shimmer, tears; the lot!

Renai is also shameless in its portrayal of Akane and Yuzu’s moms as aged-up versions of their daughters: they loved the same man, bearing the girls who now both love Seiji. Akane’s mom left her dad when her family calling beckoned, but she has to deal with the fact her daughter might not go down that very same path.

The moms are also even more powerful than their daughters, and their unhinged battle on the roof of Akane’s house surprises Seiji, even though at this point he’s used to getting stabbed (but likes the pain from Akane’s stabbing more than Shikimi’s).

As expected, by the end of the episode everything is back to the way it was, relationship-wise, only now Akane has the implicit approval to “do as she likes”, which is to keep loving Seiji. Seiji also feels closer to her now that he knows the whole truth about Akane and Yuzu’s family.

Akua got to fight some goons in suits. Coraly got to scare Akua shitless. Shikimi got to stab Seiji a bunch. Everybody’s happy! Well, until the very end, when Guri sees how close Seiji and Akane have grown, and no doubt ponders what, if anything, she can do to get Seiji to look at her the way he looks at Akane.

Mobile Suit Gundam: Iron-Blooded Orphans – 48

McGillis, sporting a slightly less ostentatious look goes to the hangar to ask Mika what he wants to do, and whether he wants to join him in fighting the Gjallarhorn forces surrounding them. But no matter how he phrases it, Mika’s answer is the same: He’ll do what Orga wants, no more, no less.

Ever since the two met as boys, their relationship has been defined by utter dependence on each other, a bond no one, even Atra, could break. He is the hand; Orga is the will. But what happens if one dies before the other?

Yukinojo decided that now is the time to bring up the only remaining potential means of Tekkadan’s escape: underground tunnels and comms equipment left over from the Calamity War. Orga’s new order is not to fight, but survive, even if they have to dig themselves out by hand.

In order to ensure a future for everyone, even if it’s a future where they’re able to keep on living and nothing else, Orga has to contact Makanai. So he, Chad, Ride, Kudelia and Atra leave HQ in an unassuming armored car.

Notably, Orga does not take Mika along, saying he has another task for him. Mika is weary of what Orga “might mess up” if he’s not with him, but still gives him his pistol when he asks for it; the same pistol Orga watched Mika kill at his command with years ago.

At first Mika scared him; but he soon realized that there was nothing to fear, because if Mika was your friend, you couldn’t lose against anyone. Who would have thought Mika would be right about Orga messing up, and that this would be the last time they saw each other?

I greatly appreciated the little scene in which Kudelia and Atra kiss Mika goodbye, much to the discomfort of Ride and Hush. I personally have never had any problem with their weird lovey-dovey triangle (indeed, it’s been a nice change of pace from the usual kind), but this is an acknowledgement of that weirdness in the eyes of other Tekkadan members, who either don’t quite understand, or are jealous, or both. It’s really the only funny moment in the episode, but I’m glad it’s there.

And how will Orga’s little road trip get to Chryse without being attacked by Gjallarhorn? McGillis has that covered, though he doesn’t deploy, defeat Iok in three strokes, and fight the entire force on his own merely as a diversion for Orga. He still speaks of destroying Rustal, but Rustal isn’t even on the planet.

Whatever scheme is still in motion for McGillis, he seems resigned to the fact that he isn’t a wolf in a pack like the members of Tekkadan; he’s always been alone, and if that’s how he has to achieve his goals, so be it.

Orga & Co. get to Chryse, where they learn that those they’ve helped survive in the past are ready and willing to return the favor, like Makanai, who despite being one of the older adults on the show, continues to favor the youngins of Tekkadan who are the only reason he’s still around.

And what a nice reveal of Takaki, who is doing fine, working as Makanai’s aid, and implying Fuka’s doing fine too. One could argue as long as one member survives Rustal’s purge, Tekkadan wins.

Makanai and Takaki aren’t their only allies, for they are providing haven, but not the means to get there. Enter an email from an awesomely-suited Azee and Eco, stating that they have the okay from McMurdo to assist Tekkadan in any way they need, at any time. All of the fighting and dying wasn’t for nothing; Tekkadan made important friends whose loyalty isn’t wavering when it counts the most.

With that, Orga says goodbye to Kudelia and Atra in a hallway gorgeously lit by the setting golden sun. They’ll hole up in the Bernstein residence and await good news from Earth. I’m sure Atra would have liked to stay with Mika until the end, but he wouldn’t have wanted that for her or their baby, and Kudelia promised Mika she’d protect them.

After a long walk down that almost eerily lit hall, with Ride all but shouting death flags about everything working out, the seething tension was almost unbearable. It didn’t get any better when they step outside to the waiting car and there’s no Gjallarhorn soldiers, or anyone around at all. It’s too quiet, too calm. Something was going to happen.

Something did: in an incident just as quick and merciless as Lafter’s muder, Orga is gunned down by a bunch of suits in a passing car. Chad and Ride escape mortal injury, and Orga kills one of the assassins with Mika’s pistol, but he’s riddled with bullets and leaking his life’s blood on the pavement.

Still, he wears a wry smile, gets up, doesn’t slip on the blood puddle, and moves forward. Not towards the car, just forward. His last order to Tekkadan before collapsing: don’t stop. “As long as you don’t stop, I’ll be at the end waiting for you.”

Before heading off on his own, McGillis told Mika the power he saw in him, and once thought would bring about a bright future, turned out to have “no ideals, no objective, no destination,” any more than a pistol has such things. A defiant Mika derided Macky’s use of too many words and insisted “We’ll get there.”

But at least for Orga, Mika’s will, the definition of “there” has shifted, from a happy, ideal, peaceful life they always fought for, to whatever comes after that life ends. Barring a medical miracle, Orga has already reached “there.” Mika must now decide what to do all on his own; whether to join Orga now, or stay alive and chart a new course with Atra, Kudelia, his kid, and the others.

Until then, R.I.P. Orga Itsuka. You died well.

Mobile Suit Gundam: Iron-Blooded Orphans – 47

This is an episode of small consolations and comforts before the apparent End of Everything arrives in the form of a Gjallarhorn mop-up crew (including but mercifully not led by Iok). The Mars branch of Gjallarhorn won’t join forces with McGillis and Orga, but they will overlook their arrival and claim ignorance as to their whereabouts. Like so much that happens, it just isn’t enough.

Mikazuki, perhaps sensing the end of Tekkadan as they know it, literally stops to smell the flowers at Sakura Farm. Once all the news outlets start proclaiming Tekkadan as a brutal criminal organization led by the rogue McGillis, who Iznario now claims was never his legitimate child or heir, even Biscuit’s twin sisters get ostracized at school.

Acknowledging that his promises of a better life came to nothing, and that with Tekkadan’s assets frozen, he can’t even pay his people well, or at all, Orga has an all-hands, and says anyone who wants to leave won’t be stopped, nor will less be thought of them. Obviously, Voice of Reason Zack is the first to volunteer to split.

He certainly wants to save his own skin, but we see how it pains him to no end that hardly anyone else has the same good sense to know that the end has already arrived, and there’s nothing to “give up.”

Of course, Zack still can’t understand that so many Tekkadan members like Dane don’t have the life fallbacks he enjoys. Dane is a murderer; Tekkadan was the only organization that let him in.

Kudelia calls her odd but sweet triangle with Mika and Atra “awkward”, and she’s not wrong, especially when Atra, who has already tried to conceive with Mika (off-camera, natch) and is waiting to see “if it went well”, enthusiastically asks her to have a baby with Mika as well.

She has to settle for another group hug, the first, and possibly last one in a long time, and Kudelia’s promise that she’ll protect them: Mika, Atra, and the baby, with everything she’s got.

Orga, who has reverted back to old All On Me Mode, calls McMurdo to beg him to put him in touch with Rustal so he can beg him to spare his men in exchange for his life. But Rustal has all the cards and needs a scapegoat to raise Gjallarhorn back up into a place of legitimacy. Orga alone won’t be enough, no matter how awfully they kill him.

After the pathetic call that gets him nowhere, Eugene tries to shake some more sense out of him, and glimmers of hope start to appear towards the end of the episode, as Dexter and Merribit are able to scounge up a fifth of Tekkadan’s funds from secret unfrozen accounts. Kudelia adds to the hope by suggesting everyone in Tekkadan simply take on new identities, evacuate to Earth, and live on, leaving Mars behind but saving their lives.

But all of those little glimmers are quickly stomped on by the arrival of the Gjallarhorn task force, which surrounds Tekkadan HQ. All communications in and out of HQ are cut off, including, presumably, what’s left of their cash. Just like that, a jumping-off point for a future of peace becomes a siege that could consume everyone. At best, many more members of Tekkadan will die if anyone is to escape.

But hey…at least Macky has Bael, right?

Mobile Suit Gundam: Iron-Blooded Orphans – 46

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Once Shino’s suit blows up, there’s not enough time for Mika to take over the task of destroying Rustal’s bridge (nor is he assured to succeed). Besides, Mika is still busy with a very pesky Julieta. When Shino dies, we see a switch go off in Mika’s head: no more messing around with this relative amateur: Get out of my way.

After that, Julieta is lucky to escape with her life and limbs. But even when her suit is impaled, she still grabs on to Mika. Every moment he must fight her is a victory for her, especially considering she’s merely a human pilot, albeit a talented one; she hasn’t sold her soul to any technological devils. Julieta may be on the wrong side, but I still admire the hell out of her.

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Gaelio, who is tired to no end of McGillis’ bullshit, is determined to kill his former friend and commmander, a man who once inspired him. And to his credit, he seems to be doing quite well in his duel, even mocking McGillis for being so arrogant about piloting a suit with the soul of G-horn’s founder. And to the duel’s credit, it’s another brutal, beam-weapon-less smash-fest.

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In a crucial moment, the hand Almiria stabbed fails Macky, and Gaelio almost gets him, if it weren’t for somebody Gaelio sees his past self in: Isurugi. Someone hypnotised by the BS and whose head is filled with dreams that will never coalesce, but which will end only in his ruin.

Gaelio isn’t wrong about what happens: Isurugi’s last-ditch defense of his commander claims his life. But Isurugi wasn’t from a great family; he was colonist and a commoner, and being with McGillis allowed him to dream big, so big that he didn’t even need to be around to see those dreams fulfilled, as long as he was useful to McGillis.

It’s not a one-sided thing to him, in which Macky takes and the world makes. McGillis gave hope to the hopeless, and they gave him their lives.

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IBO has always had exciting battles, but it’s often the aftermaths of those battles that I’m more invested in, and that’s the case here. The “final battle” wasn’t final and wasn’t a battle so much as a rout, in which McGillis’ shorthanded fleet poked the bear and got mauled.

But Tekkadan isn’t just a military organization like G-horn, they’re a family, and to see Shino and others buy it not for final victory, but just so the rest of the family can live to fight another day (which they were hoping not to do) is particularly despairing.

There’s a great moment when Derma is wishing he had died alongside his friend, rather than losing an arm and becoming less useful as a weapon. Akihiro puts his hand on his head and simply thanks him for surviving. Aki doesn’t care about his adoptive brother’s future effectiveness as a weapon. He cares about being able to talk to him.

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Shaking off the loss of his most loyal lieutenant, it’s full-speed ahead to Mars for McGillis, who has the awkward task of having to call Orga and Eugene to his ship to talk about what happens next, even though the battle they just fought was supposed to be the final one.

At this particular juncture, McGillis believes, or at least gives the impression that he believes, Tekkadan will weather these setbacks and terrible odds as they always have, better than the group’s actual leaders. Orga likely never considered that whatever loses they sustained in the battle with Rustal would only be the beginning; that all those losses gave them was time.

The significance McGillis places on “flying over Mars” and fighting on “home ground” in the next leg of the battle couldn’t feel more hollow, because there wasn’t supposed to be a next leg.

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I loved the scene where Akihiro comforted Derma, but I loved the scene with a recovering Julieta and Gaelio even more. The second he appears, the playful adversity picks right back up, with her wondering what took him so long to visit her after she woke up.

In some Gundams, no doubt this would be a scene in which the injured pilot double down and decides that, like Gaelio, there’s no price she won’t pay, nothing she wouldn’t give up, to become stronger; strong enough to beat Mika. Julieta doesn’t go there.

Having faced off against the terrifying, inhuman might of Mikazuki, she’s decided that’s not her path. Even if she didn’t see the malice in Mika’s real face, his Barbatos’ “expression” mirrored his own. Julieta will become stronger as a human, as herself. No shortcuts.

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Having come back from that deeply unpleasant meeting with McGillis, Orga inspects a room full of body bags filled with comrades for whom he promised a warm place to live and make money without bloodshed. Yamagi, still reeling from the loss of Shino, expresses his resentment for what he sees as cowardly whining by Orga.

When Eugene tracks Yamagi down, he thanks him for tellking Orga what he couldn’t say. Then he tells Yamagi about a time Shino pondered whether Yamagi liked him, and expressed his gratitude that their family is full of so many different types of guys, including a guy who’d love someone like him.

Yamagi knows Shino wouldn’t want him to worry about having not died with him, but to live on, fight on, and make him proud. Just as Isurugi gave his life for a dream he’ll never see, so did Shino, and both went out perfectly fine with that arrangement. No one cursed their lot in life, because they were the lives they chose.

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We end with another excellent Orga-and-Mika scene, in which Orga admits all the lies and big talk he told everyone about money and status and one last battle. Mika, true to his Mika-ness, tells him if there’s someone to blame, it’s him. Orga only “lied” because Mika couldn’t wipe everyone out. His failure to do so only steels him to want to correct that failure in the battles to come.

Orga seems to get it, finally: he’s never had to bear the entire weight of the decisions that have led to their current situation, because they were never his and his alone. They were also Mika’s, and Eugene’s, and Akihiro’s, and everyone else’s, because Orga isn’t a dictator. The things they’ve done are things everyone more or less agreed to or went along with.

On the one hand, most of Tekkadan can’t easily walk away, like Zack could (but likely won’t). But the responsibility lies with everyone. Orga’s most important job is to not have doubts, and as Macky sends Tekkadan and what’s left of his fleet into a Martian trap, a absolute lack of doubt is vital to just keep going.

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Tales of Zestiria the X – 20

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Both Alisha’s enemy Bartlow and her “supporter” Lunarre wrongly believe she’ll take the bait of her suffering Maltran, but they’re both wrong. Maltron knows if Alisha does as she taught, she won’t come for her.

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Instead Alisha and her people infiltrate the palace. It’s not at all certain that Alisha’s order that no one is to die is carried out in the process, as both her men and many of the palace guards are injured and shot with arrows, and it’s asking a lot to think none of them will succumb to their injuries.

In any case, Alisha gets an audience with her father at last, but he’s consumed by malevolence. Baltrow enters the room alone and attempts to take out Alisha by himself…which makes no sense. Why did he go in alone, without any backup?

What would be his killing blow to Alisha is blocked by the king in what I gather is one last act of sacrifice to make up for, charitably, over a season and a half of complete inaction.

Then, before the young, athletic Alisha or her knights can stop him, the slow old Baltrow runs outside and jumps off the balcony, spiting Alisha by not being taken alive. Um, why did everyone just stand around and let him do that?

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With the internal power struggle thus hastily ended and Alisha now the de facto ruler of Hyland, she turns to the next existential crisis: that giant tornado. There’s a dragon inside, and Sorey believes he’ll be the first shepherd to purify it, erasing the myth that such a feat is impossible.

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He manages to get the job done, thanks not only to Mikleo and Rose, but his other squire Alisha joining in to help share the burden of the dragon’s malevolence, as Lailah, Edna, and Dezel handle the small fry.

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And once the dragon is purified and the sun shines over Ladylake once more, our heroes get to enjoy the victory for all of ten seconds before Symmone appears, telling them her master will cover the entire earth in malevolence and end the world, and they don’t have what it takes to stop them.

Well, I asked for more action to masked the seemingly increasing blandness characters, and I got it. But with so much significance placed on Baltrow over the last few months, and the immediate introduction of an even bigger threat, then an even bigger one after that, it all felt rather anti-climatic.

And once more, a preview in which 2D Rose and Alisha bicker over whose late master was strongest was more far more engaging than anything either of them said in the actual episode.

I’m quickly doubting whether my master adequately trained me or if I have enough squires to help bear the burden of Zestiria. Because the eye candy isn’t nearly enough to keep me interested.

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Mobile Suit Gundam: Iron-Blooded Orphans – 45

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The calm is over; the storm is here, and it’s going to be a bad one. IBO wastes no time plunging us into this, what everyone is calling The Final Battle. As there are still five episodes left, I didn’t think the battle would only last an episode, and so it didn’t. But a great deal of damage was done to the good guys, and though key pieces still on the board mean they can still turn things around, they have lost and will lost a lot to do so.

Rustal Elion shows what a ruthless sonofabitch he can be, quickly splitting McGillis’ fleet and focusing on the rebels and Tekkadan, confident if he takes them out the Regulatory fleet will go over to him. He even has a mole among the rebels, who fires a Dainsleif at Rustal’s fleet, making it legal to return fire with the same weapon, only a hundred fold.

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The results are devastating as round after round pierces allied ships. Even Shino takes a big hit, but manages to get back to base, where Yamagi fixes his broken arm, and Yamagi reveals (to us, not Shino) his feelings for him. This…seemed a bit rushed, frankly.

Shino’s great, but from the way he fights I kinda always knew what end he was headed for. Adding this extra wrinkle out of nowhere as incentive to want him to avoid a violent fate doesn’t harm my like of the character, but doesn’t elevate it; it’s just there.

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McGillis tries to dazzle the stage after over half his forces are destroyed (along with Tekkadan’s Hotarubi) but I couldn’t help but think how similar Macky’s posturing felt to Carta’s empty pageantry, which is worth less than nothing if the enemy doesn’t fight with honor, as Rustal certainly doesn’t. He’s playing to win, as well as for survival.

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Even the look in McGillis’ face—a truly “Oh Shit” moment when Rustal looses another massive volley of Dainsleifs—seemed Carta-like in a sort of entitled Things aren’t supposed to go this way! outrage. Bael looks like a shining knight on this stage, but there’s increasingly little he can do to stop the crumbling equipment and spirits that surround him.

Meanwhile, Tekkadan’s only hope is to use one of their crippled ships as a shield in a last-ditch effort to get Shino close enough to Rustal’s bridge to take him out with his “Super Galaxy Cannon.”

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…It doesn’t work. Once more, a potentially huge pressure-releasing moment is denied the audience, just as Naze and Amida were denied their final revenge. In a way, repeating this pattern is a strategy of diminishing returns.

With Julieta somehow holding her own against Mika (which seems dubious) and Gaelio lurking around Macky and Isurugi, Orga down to one beat-up ship, and nowhere left to run, our iron-blooded orphans are in the direst of straits yet.

With Barbaros and Bael still on the board, it’s not quite time to throw in the towel. But will these two namesakes of the franchise possibly be enough to grab victory from the jaws of defeat, and how many more familiar faces won’t live to see it?

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Mobile Suit Gundam: Iron-Blooded Orphans – 44

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While it certainly seemed like the start of the “final battle” between McGillis/Tekkadan and Rustal was eminent, that start is pushed back to next week, leaving us with the CBTS to end all CBTS episodes. Turns out piloting Bael isn’t enough for the other families to side with McGillis; the best he gets is their neutrality.

I guess they figure not actively helping someone Rustal has publicly labeled a traitor and murderer may help them down the line, if Rustal is able to defeat him. I’m not sure why one of the family heads is an alien, but between him and the fat one I’m not sure Macky would have gained much by having them on his side anyway.

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Another “loose end” is Almiria, who hears Rustal’s speech and assumes, not wrongly, that she’s been a pawn in this all along. When she can’t force herself to do what she believes is her duty—kill Macky for killing her brother—she turns the blade on herself, only for Macky to stop the thrust with his hand.

Telling her he will fulfill his promise to make her happy, one day, is all well and good, but her head is swimming with so many complex emotions (and she’s just a kid besides), she concludes that Macky is simply going crazy here, and so is she.

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As for Orga, he is not pleased McGillis could not secure a larger fleet to fight Arianrhod. When they meet face to face he makes sure to slug Macky for so blithely bringing up the casualties that will surely result from being outnumbered 2-to-1.

Orga wasn’t expecting to have to sacrifice so many members of his family to gain the Martian crown, and it’s because he fell into a pattern of accepting McGillis’ constant reassurances without question.

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From there, everyone starts taking stock. Merribit and Dexter feel helpless for not being able to fight beside the fighters, but will stand beside them anyway. Zack wonders out loud whether fighting the battle really is the only option.  Gaelio tells Julieta she’s becoming stronger “the right way”, perhaps insinuating he didn’t by relying on taboo measures.

Kudelia tells Atra over the space phone that she finally realizes the contradiction of working to eliminate strife from Tekkadan’s future, even though they wouldn’t be the tight-knit family they are without past strife.

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But because Kudelia is back on Mars, it falls to Atra to be there for Mika, so that’s what she does, and in one of the most tender scenes Mika has ever been involved in, when Atra bursts into tears from his tough talk, he hugs her and won’t let go. He’s only known battle in his life, whether it was his choice to fight or someone else’s. Now he’ll fight so Atra, who he admits is precious to him, won’t have to cry anymore.

The show can’t wriggle out of giving us a battle next week, so however many episodes it lasts, what form will it take? Will it be the beginning of Tekkadan’s future, or will Rustal see to it that future is snuffed out in the flames McGillis’ childish delusions of super-heroism?  There are sure to be casualties, big ones, but who? We’ll have to wait a little longer to find out.

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Mobile Suit Gundam: Iron-Blooded Orphans – 43

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When the stage is set at the end of this stage-setting episode, Rustal calls McGillis “just a child who can’t grow up,” referring to his obsession with shining monolithic superheroes who can bring righteous light to the world.

Rustal is probably right. McGillis can’t grow up. He’s been portrayed as the upstart kid at the adult’s table; an iron-blooded orphan who suffered just as much trauma as the kids of Tekkadan. Learning that Iznario Fareed was a pedophile who collected blonde boys paints Macky’s past even blacker.

To say he grew up far too fast ignores the fact that the ordeals he had to endure didn’t embue him with all the subtle qualities required for proper development. They only taught him the absolutes of weakness and strength; the only subtleties being in the various forms of power.

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With Mika assisting in capturing Gjallarhorn headquarters, McGillis believes he has finally achieved his goal of resurrecting the hero that propelled him, Agnika Kaieru, the tool that will cleanse a dirty system. He renames his rebuilt Bael Agnika Kaieru to commemorate his imminent victory.

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Vidar turns back into Gaelio Bauduin this week, after spending much time correctly ascertaining McGillis’ true goal. For the time they grew up as friends and brothers, Gaelio thought he already knew the McGillis behind “the mask” (not his physical one), until Gaelio betrayed him and Carta.

Now that he knows what McGillis wants, he’s going to stand in the way, not just for his Gjallarhorn, but his family. And he’s come in a Gundamn frame imbued with an faux-A-V system and Ein Dalton’s brain.

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The results are pretty impressive, as Gaelio is able to keep up with Mika and keep him guessing, even getting him to quietly admit “this dude is big trouble.” It certainly looks like McGillis has been outmaneuvered here, with Rustal’s dog able to fight on the same level as his dog, possibly necessitating his own personal involvement in the fight earlier than he’d like.

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But as it turns out, everything seems to be going the way McGillis had hoped, and he’s more than ready to join the fray immediately. Gaelio/Ein is merely giving him the opportunity to test his research. They are an obstacle he will swat away, and with Tekkadan’s help, complete his conquest of Gjallarhorn.

Mika, Orga, and Tekkadan are all counting on this shirtless, suddenly slightly unhinged-looking McGillis for all their fortunes. They cast their lot with him long ago and it’s far too late to back out, even if they wanted to. Now we’ll see if he’s actually on to something, or if Rustal is right and he’s just a kid who can’t grow up.

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Macross Delta – 22

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Well, with a big battle coming up and the show deciding to check in once more on Cassim, it was pretty clear from the cold open that this was going to be the swan song for, to date, the most three-dimensional Windermeran on the show.

But first, a note about the shot that establishes the Chaos fleet the last two episodes: could it have killed them to zoom in a little more and let us get a nice look at that fleet? It’s a nitpick that expresses my desire for a big space/aerial battle after a string of episodes that were more about developing characters. And we got one.

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After a quick chat between two of the simpler characters in Macross, Mikumo (who lives to sing) and Hayate (who lives to fly), everyone salutes Captain Johnson and the Elysion enters a fold gate. All of a sudden, we’re back in the shit, as Chaos teams up with the liberated Vordorian military to strike against Randall.

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But that turns out to be only a means of diverting and splitting Lloyd’s forces, as Delta and Walkure’s true desination is Windermere itself, by way of a fold gate opened on Alfheim. The only way to open that gate is for Walkure to give the protoculture structure everything they have.

At first, Freyja doesn’t do that, because she’s still scared Hayate and/or Mirage will go nuts. But after a quick slap by Mikumo, combined with the urgings of Hayate and Mirage, Freyja is back in the game.

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Turns out she was right to worry: the song does make Hayate go berserk, just when locked in a dogfight with Cassim (who is fighting like this is his last battle, because it is). Just as Hayate and Mirage helped snap Freyja out of her funk, Mirage and Freyja snap Hayate out of his Var before irreparable damage is done, and the battle resumes.

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By the time Hayate has his senses back, the platoon has bought Walkure adequate time, the gate opens, and they fly through, emerging in Windermere’s atmo. Two Aerial Knights: one of the twins and Cassim, follow, and take out Walkure’s shuttle.

Remembering vividly what happened to Flay in Gundam SEED I naturally worried about the idols’ transport getting hit, but they all survive the attack, with Arad and Mirage catching Kaname and Freyja out of the sky.

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All that’s left is for Hayate to stay alive long enough for Cassim to burn (or freeze) out, which is what happens. Interestingly, no other Windermerean defense is around, allowing Hayate and Mirage to land their planes so they, along with Freyja, can pay respect to their fallen adversary and acquaintance.

Cassim’s time may be up, but Hayate, Freyja, and Mirage’s Windermerean adventure has just begun. Freyja is finally home. There’s still quite a bit left to do, and Lloyd probably isn’t going to roll over and let them destroy his life’s work. We’ll see whose wind prevails.

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Qualidea Code – 07

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Hotaru lives only to serve Hime, so she’s going to do whatever it takes to fulfill her promise to return to her side when needed. This week we learn more about why, as Airi attempts the close the gaping hole in the sky and Hime desperately holds off wave after wave of humanoid Unknown.

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Hime didn’t like the idea of being put into cold sleep in separate shelters, but Hotaru promised it would be okay. It wasn’t; when Hotaru awakened, she had “lost herself.” For ten years, she served as an elite assassin, until her last target was her old friend, who never stopped believing she’d come back. She did, and they’ve remained the closest of friends ever since.

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When it looks like Airi isn’t going to be done closing the hole, and Hotaru isn’t going to be able to get to Hime before she runs out of gas, Hotaru enlists the help of Kasumi, Aoi, and Asuha to fashion a sky bridge out of frozen Unknown carcasses. As Hotaru mentions, it’s a great bit of inventiveness from Kasumi, who feelings aside knows full well how boned they are if they lose the Kanegawa head.

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The lonely battle Hime fights as everyone while to help her grows increasingly tense and frought, as one small slip-up could mean her sudden heartbreaking demise. Indeed, she seems only a split-second away from having her head crushed when Hotaru finally arrives, keeping her promise by rescuing her.

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Not long thereafter, Airi successfully re-activates the barrier, the hole starts to close, and the Unknown retreat. If things had ended with a couple of tender lines between Hotaru and Hime on their way home, this would have been a great wrap-up to a solidly 8 episode.

But that’s no what happened. The end of the battle marks only the beginning of…something else. Airi notices Hime’s vitals throwing errors, and Hime tells Hotaru “something’s not right”, stopping her from defeating the last Unknown charging them.

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Hime asks Hotaru to trust her before shattering the Code on her neck, the way her’s was shattered moments before. And just like that, the door to a huge new Pandora’s Box creaks open, as we see from Hotaru’s POV that something is, indeed, not right at all. 

It’s made clearer than ever that these kids are not living in the real world, but an artificial one, governed/regulated by their (admittedly vulnerable) Code chips. By episode’s end, Hime, Hotaru, and Kasumi have been released from those chips, and see the world for what it really is.

The former two also allowed themselves to get swallowed up in the big Unknown, and now they’re “gone” from the world they knew. Perhaps they’ll end up where Canaria and the other “dead” kids went.

This is a huge development; the show is confidently headed exactly where I hoped it would ever since it showed that seagull disappearing, and I’ll be watching with great interest to see what comes next.

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Sousei no Onmyouji – 17

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Like Roku and Benio, I was tired after last week’s battle, hoping there’d be a respite…and then Ijika Yuto had to show up…again. I know he’s pretty much the big bad of this show so far, but I’ve been on record since he showed up that I simply do not care for the singsongy little twerp, because unlike other well-worn elements of SnO, he hasn’t been able to expand or subvert his generic smirking villain nature. I don’t like how he talks, and I don’t like how he holds back for dramatic effect.

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Seigen looks more than capable of overpowering Yuto, and Yuto’s expressions suggest the same. However, Yuto’s just messing around; in reality, he’s far more powerful than Seigen. But he’s just too in love with foreplay and dragging a battle out. In addition to Yuto, I also don’t like it when the show spends extended periods in Magano—it’s cool-looking, but too abstract and fantastical to carry much weight as a setting.

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Seigen is down, but not out, so after taking another hit for Roku and boxing up Roku, Benio, and Mayura in a protective barrier, he launches an apparent suicide attack in order to stop Yuto from harming the future parents of the Miko. I do like how Seigen, for all his bad attitude, has become a believer in the Twin Stars, which I guess is why he felt confident that the end of his life wouldn’t mean the end of the cause.

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Naturally, his near-suicide attack has little to no effect on Yuto, meaning Yuto is clearly strong enough to have already done everything he could want to do—including kill everyone here in the first minute of the episode. But he doesn’t, because he still wants to see Roku unleash the full potential he sees in him…if only to turn him into a corruption as he did the Hinatsuki dorm kids and Mayura.

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One more gripe against this episode: it pretty much sidelined our Twin Stars, who for most of the running time can only react to Yuto and Seigen, and in Rokuro’s case yell and scream far too much for one episode. However, when they finally get some time at the end, they don’t waste it.

Jiisan gives Roku what Seigen prepared for him—a special elite exorcist armor that’s hella cool-looking—which Roku quickly puts on and tells Benio (still grieving over what’s become of her brother) he’s not going to wait for a four guardian task force to arrive and deal with Yuto. It’s something “he has to do himself.” Hopefully, he actually means himself and Benio.

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