Akiba Maid War – 07 – RocknPorkRolla

A week has passed since Nerula was gunned down in an alley, and Nagomi has run away from the Oinky Doink. The others, particularly Ranko, are worried about her, especially since Manami and the Maidalien war hawks aren’t finished. While Ranko is out distributing flyers, she spots a pink ninja who claims not to be Nagomi, but clearly is.

Since Nagomi insist’s she’s not Nagomi, Ranko tells this “mystery ninja” the situation: she and the Oinky Doink maids are worried about her. But if Nagomi fled out of fear to the oddly safer ninja café business, it wasn’t fear of being hurt or killed. It was fear of standing by and doing nothing while another friends of her dies.

This is a typical action movie protagonist pattern: after a great defeat, the hero withdraws, suffering a crisis of purpose. But outside forces, like Nerula’s grieving fans, conspire to bring her back to where she needs to be: at Oinky Doink, as the new kind of Akiba maid Nerula knew she could be.

But how? The ramen guy gives Nagomi the other piece of the picture to bring her around. It’s something he’s learned being in the ramen business with the reputation as someone whose ramen never changes: staying the same actually requires change. So Nagomi returns to the dojo and considers what that means.

That night, Manami and over two dozen of her henchmaids advance on Oinky Doink, outnumbering them over two-to-one. I knew Ranko and Zoya were worth ten of the average maid in fighting ability, but that’s still a lot of maids and a lot of bullets. The pig maids make use of homefield advantage and the element of surprise as much as they can, diverting and splitting up Manami’s maids.

This is the first time we see Shiipon and Yumechi in sustained action (their attack on the Sheep happening off-camera) but they handle themselves well. Even so, eventually the Maidaliens surround the Pigs, and Manami’s machine gun looks like a decisive advantage.

Ranko prepares to make a desperate charge to take Manami out or die trying (as far as she’s concerned protecting the café is worth it) but suddenly the elevator opens and a cloud of smoke gets off. Dozens of smoke bombs explode and disorient both sides. And through the smoke, Nagomin appears, prepared for battle.

With her almost preposterously hastily-acquired ninja skills, within seconds she’s disarmed Manami and claimed the machine gun for their side. Manami switches to her trademark bat, but once she’s in the pigsty, the maids of Oinky Doink and their ninja maid savoir are ready for her.

True to who she is, through the ensuing chaos, many bullets fly, but none of them from a gun held by Nagomi. Instead she uses the tools of the ninja trade, like kunai and nets, which buy her co-workers time to go on the offensive.

When the dust clears it’s just a wounded Manami and her lieutenant Miyabi, surrounded by the bodies of their fallen comrades. Miyabi gets Manami to retreat before they too are killed, but after Miyabi dresses Manami’s leg, Manami dismisses her and she departs in shame.

Nagomi shows up with Ranko as backup, and despite her sorry state Manami is still ready to throw down. But Nagomi isn’t there to fight. Nor is she there as a ninja. She’s a maid, and she reminds Manami what maids are truly all about: not dying in glorious battle, but serving their masters with moe moe kyun.

When Manami rises to shut the young whippersnapper up, Nagomi again uses her new ninja skills to lay the smackdown on Manami. Again, Nagomi demands that Manami feel the moe moe kyun, and she finally relents, deciding that pig hunting time is over.

Ranko lets Manami withdraw, and welcomes Nagomi back into the pigsty. But Manami gets a rude awakening back at Maidalien HQ. Not only did the boss Ugaki refuse to commit any more forces to this silly war, but she got all the Maidalien brass to agree to a merger with Creatureland.

Manami could not change like Nagomi did, and ends up gunned down by her former allies who are sick of her bloodlust. They want to make money, and they’ll make more if she’s dead than running around shooting people. So she meets her end in a swirling puddle of her own blood. Unfortunately for Oinky Doink, their next foe looks to be their own Creatureland masters.

This was a great step forward for Nagomi, but it wasn’t perfect. I kinda wish Manami had stuck around a bit, as small a chance as redemption for someone her would have been. Also, the animation of the raid, aside from some fun moments, was also surprisingly underwhelming, considering what I know the show is capable of from the premiere and the MMA episode.

Rating: 4/5 Stars

Akiba Maid War – 06 – The Batmaid

Rather than a stinger that shows some kind of absurd situation our Oinky-Doink maids find themselves in, we get some narration about the delicate balance struck between the Creatureland and Maidalien groups. Ranko’s slaughter of Wuv-Wuv Moonbeam upset that balance.

When Crimson Supernova returns from seven years of prison to Maidalien’s HQ, she smells weakness and smashes it with her red bat. Whoever wiped out Wuv-Wuv will also taste that bat, which is why it’s ironic that she hits it off with Ranko at the ramen spot they both love.

Because Wuv-Wuv also wiped out Maid Sheep (never mind the sheep started it), Creatureland’s brass instructs Tenchou to take on Maidalien … all by themselves. It’s clearly meant to be a mission that will result in Oinky-Doink’s destruction, but they’ll also be destroyed if they refuse.

The increased tensions ripple through Akiba’s streets, and even Nagomi and Nerula are on edge; the distance between them symbolizing their allegiances to the opposing sides of the coming war. But when Tenchou lays out the situation, Nagomi refuses to fight Nerula.

Tenchou suggests that Nagomi and Nerula take an Oath of Sisterhood that will bind them together. For a moment I was worried Nerula would reject Nagomi’s outstretched hand, either out of loyalty to her group or fear of reprisal, but she turns out to be true blue, and before the ramen guy and Tenchou, they take their oath and exchange name cards.

When Tenchou tries to persuade Nagomi into spying on Maidalien through Nerula, Nagomi is truly disgusted … but Nerula takes the initiative, warning her new sister that her group is coming for Oinky-Doink, and even tipping off the cops to her violent new “acting” boss Manami’s plan.

Nagomi is terribly worried when Nerula goes to ground, but thanks to the ramen guy she and Ranko manage to find her hiding in an alley, not far from where her fellow Maidalien maids are hunting for her. Nerula is happy to see her sister “one last time”, a phrase Nagomi doesn’t like one bit.

But like Ranko (and unlike Nagomi), Nerula is clear-eyed about what it means to be a maid in Akiba. She betrayed her group, and is ready for the consequences when Manami and her right-hand maid show up to deal them out.

Only if Nerula is going to go down, she’s going to go down trying to take Manami with her. Manami is nothing but an agent of chaos who wants to flood Akiba’s streets with blood (never mind that Ranko kiiinda already did this in the first episode, thus creating Manami’s motivation for going after Oinky-Doink).

Nerula doesn’t let Nagomi interfere as she lunges at Manami with a dagger, hitting nothing but air. When Manami beats her down with her bat, she gets back up, which is when Manami pulls a gun and puts several bullets in Nerula’s midsection.

Ranko pulls her sidearm and reminds the Maidaliens of the code, and Manami and her colleague depart before the coppers come. But the die is cast and the war has begun, even if the first casualty is not from Creatureland. None of that matters to Nagomi in the moment; she’s just trying to stop Nerula’s bleeding.

Nagomi is heartbroken and devastated when Nerula raises her bloodied hand to her sister’s cheek before breathing her last. Ranko warned that oaths of sisterhood don’t always work out, but if there’s any consolation to Nerula’s death, it’s that she died never having to fight her sister.

AMW is no stranger to goofy, absurd, over-the-top climaxes to its episodes, but this is the first one that’s played absolutely straight for drama, and it succeeds. Could this tragedy be what finally motivates Nagomi to take up arms to prevent anyone else she cares about from being taken?

Or will Nagomi take Nerula’s last words to heart, resolving to stay the maid she is: a maid of peace and non-violence? Whatever path she takes, the goofy fun times are done.

Engage Kiss – 04 – The Last Girl

Ayano and her AAA strike force go in guns blazing to deal with a D-level Demon Hazard, but she recognizes one of the men tangled up in the incident, who is then carted off to the hospital as his lover cries out in the crowd. Ayano then meets with Linfa to again ask for her help out with the police, and we learn that they’re old friends to the extent Linfa can tease her about dating the “younger” Shuu, literally tripping Ayano up.

The next day, Kisara snaps a picture of what looks like Ayano meeting some dude at a love hotel, but she and Shuu learn that Ayano is working with an Anti-Demon Bureau detective to learn more about the whereabouts of the mafia member Tony Rossi, who then ended up murdered in his bed in an apparent gang war retribution.

That night, Shuu tracks down Ayano and suggests they pool resources and work together, apologizing when it seems she’s pissed about something, but that’s the straw that breaks the camels back. Ayano unloads about how Shuu is always apologizing without compromising or listening to her opinions or feelings, and only seems to trust the demon girl.

Ayano also brings up the night of his birthday when she was preparing a party but waited all night and he never showed, eventually doing his apology schtick when he finally did. When Shuu apparently can’t recall this clearly important memory, an exasperated Ayano runs off in tears.

It isn’t Shuu who tracks her down, but Kisara, who has decided it’s time to tell Ayano that Shuu is the way he is now because those precious memories only exist in her head due to his contract with her. During a sober but cordial meal, Ayano laments how Shuu is now someone without a past or a future, and if he keeps this up, he won’t be Shuu anymore.

Indeed, that’s already happening, as he has lost the memories that tied him more closely to Ayano, and is stuck having to apologize for things he can’t remember, all due to the supernatural factor of his new “relationship.” Ayano is committed to not letting Shuu die (either in body or soul) while Kisara is not only fine having a partner who will never love her like he loved Ayano, but fine being his “last girl” at the end, when Shuu can no longer even be called Shuu.

The main draw this week isn’t the gang war between the Italian and Hispanic mafia, both of whom seem to be using demons in their scuffles and causing even more chaos than they normally would…although it’s a good story with lots of clues and twists, especially when it turns into something totally different, stemming back to that woman crying out for Tony in the cold open.

Instead, it’s the dynamic between Shuu and his “first” and “last” women in his life, the impossible choices he made to fulfill his dream of avenging his parents, and the present and future fallout of those choices. He, Ayano, and Kisara form a truly tragic trio where no one will really come out 100% happy.

To add insult to injury, the fact that Tony’s lover Maria has become a demon with blades for arms and is looking to murder everyone involved in Tony’s death creates a parallel tragic romantic route between our protagonists and the ostensible antagonist. The show also makes excellent use of mirrors and reflections to highlight how there are multiple perspectives in play and no one is 100% right or wrong (it also looks cool, especially in the mirror-filled bathroom).

Ayano and Shuu’s work and life are now colliding rapidly, as Ayano is Maria’s next target for elimination. In a testament to the complex yet tight writing, it makes thematic sense that an Ayano distraught over hearing the horrible truth about a man for whom she still cares a great deal, has isolated herself and is thus more vulnerable to attack than she otherwise would be.

While Ayano is clearly in a pickle here, I don’t expect the show to take her off the board just five episodes in. That said, Shuu may well have to give up even more of himself (and memories of her) to save her next week. It continues to be a shitty deal for all involved. This is a much darker and more brooding series than I thought it would be (especially with the upbeat OP and ED) but I’m thoroughly enjoying it.

Rating: 4/5 Stars

Ikebukuro West Gate Park – 12 (Fin) – The Troublesome Troubleshooter

With Takashi out of commssion the G-Boys are rudderless and eager for revenge, and Kyouichi isn’t above acquiring guns from the yakuza in order to gain the advantage in an otherwise bats-and-clubs fight. Meanwhile, we meet one of the usually unseen victims of the fighting, a young girl whose brother was injured who will play a larger part in the episode’s climax.

Makoto remains in the shadows, relying on his trusted friends in Saru and Lin to get a bigger picture about what’s going on. He learns the Kyougokukai Group from Kansai is trying to make a move against Ikebukuro and the Hidaka Group, providing firearms to both Red Angels and G-Boys. The kid gangs will soften each other out, and Kyougokukai, will stomp them all out and take over.

Makoto still has allies in the G-Boys, including Masaru, who owes him a debt for helping him save Mizuki, only for Mizuki to end up in trouble and missing now. When some less friendly G-Boys spot him and give chase, he’s saved by a more unlikely ally in the recently banished Hiroto.

Hiroto is setting up new turf outside Ikebukuro, but can’t stand by and let his old turf go to shit, especially if it’s due to the machinations of outside yakuza groups. We later learn he and his men, like the little girl, have a crucial role to play in the endgame.

Then there’s Isogai, quite obviously the mastermind behind everything based on clues from last week’s episode. Makoto gives him a call still believing he’s someone who can be trusted, and they meet by a secluded shrine. Isogai gives him a new phone, which Makoto quickly checks for the spying app that confirms Isogai is indeed the mastermind.

Isogai goes on to explain his motivations. A native of Ikebukuro, he was bullied in school and had to stop going to classes. He ended up joining the Kyougokukai, and knowing their interest in Ikebukuro, volunteered to serve as a sleeper agent until the conditions were right to blow everything up.

For all his hatred of punks both red and blue, Isogai still sees value in Makoto as a good guy and troubleshooter, and asks him to join him, Makoto refuses, there’s a scuffle, and Isogai ends up putting five bullets in him. At the same time, Takashi wakes up in the hospital, wondering what’s keeping Makoto.

The two sides form battle lines in West Gate Park, and Takashi not only makes a surprise appearance, but starts a fight with Kyouichi despite still bleeding through his bandages. It would seem all the pieces are arranged on the board the way Isogai and his Kyougokukai superior Yoshimatsu want (the latter, Glasses Guy from last week, even watches the battle from his car).

The G-Boys and Angels are about to slam into each other when suddenly a video starts playing on the park’s Jumbotron: a video expertly recorded by Makoto’s film director buddy, capturing Makoto’s entire incriminating conversation with Isogai, exposing him as a traitor to the Angels and Ikebukuro itself. Everyone stops fighting, takes in the scope of Isogai’s treachery…and stews.

Isogai responds by pulling out his gun and shooting Makoto again, but as with the last time he shot him, it was with harmless blood rounds (lent to him by his director friend). Makoto switched the guns out when they scuffled at the shrine. Kyouichi delivers a  devastating, balletic kick to Isogai’s head and threatening to dance on him until he’s a pile of crushed bones—but Makoto begs him not to go too far.

As Hiroto’s men deal with Kyougokukai’s Yoshimatsu, who is invited to a nice chat with Saru of Hidaka Group, Makoto tries to do what he does best: call for all the warring parties to stand down, go their separate ways and think about whether they really want to fight a battle they were manipulated into fighting. Also, the riot cops are about to come in an arrest everyone.

He urges everyone to remember that while can sometimes lie and hurt each other, they also have the capacity to forgive. Everyone stands down…except that wild card little girl whose brother was injured. She isn’t satisfied until she’s able to stab Takashi, and he lets it happen, drawing her into a hug even after she sticks him in the kidneys.

Because Takashi is so gentle with his would-be killer, the avenging girl must sense that he had forgiven her before she even stabbed him, and thus can forgive him and those who cause her brother’s injury. Before passing out, Takashi tells Makoto to take over the G-Boys if he doesn’t make it.

While that would have been an thoroughly interesting development, Takashi pulls through, and even has the sister and her recovered brother visit him, completing the cycle of forgiveness and healing. Kyouichi disbands the Red Angels and moves into a house his parents left him just outside the Yamanote Line.

Makoto’s mom re-opens the produce stand, where Guo continues to help out. And finally, Makoto sits in West Gate Park when he’s approached by someone who has a problem that needs solving. In other words, life goes on in the town he loves. It’s not often a series concludes by bringing together most of its previous narrative elements into a satisfying whole, but IWGP pulled it off beautifully.

Don’t believe the low MAL score or lack of ANN reviews: IWGP was a strong Fall 2020 dark horse candidate. ambitious in its concept, resourceful with its protagonist and setting, involving at every turn (one iffy Youtuber episode aside), and realistic in its depiction of the complex social structures that make up a town, and the importance of maintaining relationships and balance.

Ikebukuro West Gate Park – 11 – Nightmare on Sunshine Street

If I haven’t already, I’ll go on record now: Thus far I’ve always enjoyed the IWGP stories that aren’t directly related to the G-Boy/Red Angel dispute, like when Mikoto gained a sister in Guo, or last week’s dive into restorative justice. That said, if the show wishes to close things out by refocusing on the Red-vs.-Blue divide, there are far worse ways to do so than what we got.

This week takes what had been a volatile tinderbox and blew it up with a few bold strokes. What keeps this episode out of four-and-a-half star territory—aside from the fact it’s only part one of two-part story—is that it takes a step back from the earnest urban realism and relies on predictable action-drama anime tropes.

Red/Blue tussles are becoming more frequent ever since the Angels helped the G-Boys put quell an internal dispute. A border dispute on Sunshine Street could quickly escalate into full-on gang warfare, so Makoto does his thing: works with Kyouichi and Isogai to arrange a peaceful meeting with King.

As soon as the Angels’ hotheaded number 3 Utsumi is introduced, we’re invited to believe he’s trying to up his team’s aggression against the G-Boys, just as King’s underling Hiroto tried to do the opposite. But there’s the additional element of a young Watanabe Kazumasa looking like he wants to say something to Makoto, but hesitates…then ends up with a knife in his heart.

The border dispute meeting is off, as the Angels are convinced the G-Boys killed their kid. Mikoto learns of the murder on TV, and rushes to meet with Takashi, who assures him he didn’t order the hit, while not ruling out that a hot-headed underling might have.

Then a bad-case scenario gets even worse when a drugged and clearly out-of-it Mizuki guns Takashi down and flees. As Takashi checks for vitals and calls an ambulance, a man in a white suit and glasses sits in a car watching while someone in the back seat snaps photos of Takashi standing over the gunned-down Takashi…someone with Isogai’s hairstyle.

Takashi is alive but unconscious in the hospital, but the misleading photos are posted online, and the general consensus among G-Boys is that Makoto betrayed their leader and tried to kill him. Their retribution is swift, as some of them launch a van at Makoto’s family produce stand, hitting his mom and nearly hitting him and Guo.

Guo, knowing her brother didn’t shoot Takashi, urges Makoto to start running and find out who’s responsible for this. That brings us to the episode’s cold open, in which Makoto felt like he was having a bad dream. While hiding from various roving bands of G-Boys, he gets a call from Makoto, who uses the call to get a fix on his location.

Judging from the look in his eyes, at this point I was convinced Isogai was responsible for Kazu’s murder, Mizuki’s drugging, and Makoto’s framing. By using Kyouichi and Utsumi’s rage over Kazu’s death, he creates a fine smokescreen in which to freely operate while all hell breaks loose.

As blood starts to spill on the streets, Chief Rei insists Makoto come to the station for questioning, as he was at the very least a witness to Takashi’s shooting. Makoto isn’t ready to do that quite yet, as he won’t be able to solve this riddle from the police station.

Meanwhile, as a satisfied man in white lounges on the bed of a hotel room enjoying a (possibly post-coital?) cigarette, Isogai takes a shower and grins like an evil villain. Which, fine…it’s an interesting turn for a somewhat dull but likeable character, but I was kinda okay with him being somewhat dull and likeable? Not to mention the unpleasant undertones of the only gay guy in the show being the big bad…

Makoto meets with Zero One in their usual café—which seems odd considering all the G-Boys are after him—but then again, most of the G-Boys are probably busy fighting Red Angels. Here is where Makoto is portrayed as perhaps a bit too ignorant of modern smartphone technology, as the hacker explains the spy app that allow his pursuers to pinpoint his location.

They’re interrupted by Detective Yoshioka, who politely asks Makoto to come with him for questioning. Makoto gets in Yoshioka’s car and explains what he knows so far, but instead of going into the station, he asks that Yoshioka let him go to track down the culprit as only someone with his skills and connections can. Yoshioka doesn’t endorse Makoto’s actions, but also can’t exactly legally detain him.

So off Makoto goes, through dark alleys and across the neon-lit boulevards of Sunshine Street, in the middle of a nightmare from which there is no waking. His mother and his best friend are laid up, and thanks to a devious setup job his neutrality has been utterly destroyed. While this episode took some sensationalist leaps to get to where it is, everything that has unfolded so far remains not only plausible, but inevitable.

I’m just not particularly elated about Isogai being the presumptive Big Bad, because this was a show that didn’t really need one, and in fact always thrived in the gray area between good and bad that best reflected real life.

Rating: 4/5 Stars

GANGSTA. – 12 (Fin)

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“It’s no use. Any of it.”

It’s a dark, nihilistic and very open-ended finale for GANGSTA., and although I wasn’t expecting many happy endings, then endings we did get were ambiguous, and I felt that too much was left on the table. Maybe that was the intention.

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One ending left open perhaps by design, was the Marco/Connie crisis. Connie’s grief-stricken grandmother whacks Marco with her cane, cursing him for taking yet more of her family. Nic stops her, at later drapes a coat over her in the rain, and all she wants at this point is to seem some thing, any sign of what happened to Connie, even if it’s just a head or an eye. But all we get a heartbreaking flash from Marco’s POV of her smiling in bed, a perfect moment that may never come again.

Marco, once a member of the Destroyers who are wreaking havoc on Ergastulum, laments he no longer has the strength to protect what’s important to him, or even save his girl. So what does Loretta do? Strips down, puts on her work clothes and shoulder holster, and steps up to the plate. Marco has given a lot to the Christiano family, and she’s going to see that he’s repaid for that leal service. Marco sees the ghost of her father behind her as she speaks with his voice.

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As Nic backs up Christiano at Bastard, leaving Ally behind at the office, Worick prepares for a last stand with Miles to buy time for Daniel Monroe. When the Destroyer Striker arrives, no normal or Twilight or steel door can stand against him.

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Worick and Miles set up an elaborate trap, but both are seriously wounded, and though Worick manages to get a sedative into Striker, Striker tosses him out the window. It’s an exciting fight, but there’s never the feeling Worick or anyone else has the slightest chance. Hauntingly, Nina suddenly wakes up as soon as Worick’s bloodied body hits the ground, sensing he’s done for.

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Delico continues to trudge through the rainy streets with Heather searching for his sister Erica, and he finally looks up helplessly at her flying over the rooftops with Mikhail. Worick lies bleeding out, remembering being told he can try as hard as he wants to keep up with Twilights, but they’ll always be different from him, and out of his reach. Nic flies through the rainy sky and delivers the nihilistic line up top.

Is he right? Are Loretta, Marco, Connie, along with Nic and Worick, all simply doomed? Is all we got, and all we’ll ever get as viewers, is a brief, twleve-episode look-in to this accursed world populated with wounded souls, beasts, and lost causes? Or is Nic wrong, and the fact none of the above characters end up dead for sure offer hope that things can turn around in a future GANGSTA. sequel?  This episode gave no indication of a continuation, so we’ll just have to wait and see. But in the meantime, our look-in has concluded.

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GANGSTA. – 11

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As Corsica’s hunters (AKA the “Destroyers”) begin bombing the Paulklee district to dull Twilight senses, Delico leaves Monroe’s mansion to find his sister Erica and deal with her, with his colleague Yang tagging along. Doug tries to get back to base, but gets an X-slash across the chest. And the axe girl with the everlasting lollipop and funky manicure is unimpressed with the quality of opponents, calling them “a pile of crap.”

Notable in their total (rather than partial) absence from the episode? Nic and Worick. And yet the episode does just fine without the Handymen, giving the supporting cast room to breathe and be fleshed out a tad more (though without any lengthy flashbacks).

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Central to the episode is the semi-secret romance between Marco and Connie, the latter of whom says goodbye with sign language in a way that suggests she’s going to end up in danger before the day is done. Yet between this, Ally taking care of the kid at the Handymen’s, and Delico’s Erica-Hunt, the Destroyer’s chaos isn’t as far reaching as last week suggested…at least not yet.

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It doesn’t take long for Sig to carve her way to Gina Paulklee’s bedroom window, where she’s just waking up (with Ginger, who we now know is also her lover). But Gina ends up agreeing with Sig that the place is a cesspool. Her point is, so what? Now that Sig has come to this point, neither she nor her Destroyer partner are authorized to act, and even when her partner does go after Gina, Ginger snaps his knife with her bare hand. Sig’s axed her way through soft wood, but now she’s up against tougher stuff, and it’s good to see the doubt in her eyes for the first time.

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That particular standoff ends in a Destroyer retreat, but the rest of them continue to move, and the damage is done. Delico and Yang run into Heather, the sister of a six-year-old killed by Erica, hoping she’ll lead them to her, and Doug bleeds out in Gal’s arms rather than accept a downer Celebrer. It would seem Doug has had enough of the Gangsta life, and is content to take his chances in the afterlife.

One Destroyer is a raven-haired beauty who wants smokes, and the town tobacconist just happens to be Connie’s grandmother, who is out. Connie gets her the smokes, but the woman can’t help but smell Marco on her. Marco, sensing Connie is in danger arrives only to find her hat. If the Destroyers are going to start taking normal hostages, the Twilights care about, that’s only going to make things more difficult in the finale next week, where I’m guessing Nic and Worick will pop back out of the shadows.

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GANGSTA. – 10

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No Summer show is better at setting a specific mood and atmosphere and flow to its episodes than the sometimes painfully hip GANGSTA., and a lot of the credit has to go to the super-smooth hip-hop stylings of Tsutchie, also known for his work on Samurai Champloo.

And while there’s certainly dread in the air in the aftermath of the first of many battles in Ergastulum, the mood the score evokes tends more to the tentative, and to a status quo everyone is struggling against fate to maintain. Many Twilights died, but many more remain alive, many of them children, who need to be protected here, in the only place there is for them.

That’s definitely going to be more difficult with a fresh squad of serious-looking Twilight Hunters entering the town, ready to continue what Erica and Mikhail started at Bastard.

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Rather than a calm before a storm, we’re in the relatively calm eye for much of this week. Connie reveals she’s Marco’s lover as the two embrace in Dr. Theo’s clinic, while Connie also embraces Ally as thanks for protecting Miss Christiano. Ally takes care of the orphaned baby of a Twilight killed in the fray as Loretta rests. Nina makes sure Nicolas rests up and heals. Everyone is waiting for the other shoe to drop.

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That shoe starts to drop, as the eye of this storm begins to drift away from Ergastulum and the clouds and rains of violence proceed. Worick accidentally bumps into one of the new Hunters in town, whose look and smirk he doesn’t like one bit, while a scantily-clad, crazy-eyed blonde with an ax in her hands and a lollipop in her mouth, begins a one-woman assault.

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As Loretta assures Ally in the Handymens’ office that Bastard will open for business tomorrow, without delay, because it has to—as Al says, the people who rely on Loretta have nowhere else to go—Doug is sent out to meet the ax girl, and the guys who go with him are quickly taken out. While I’ve seen my fair share of cute homicidal girls, I can’t remember a time when a guy was viciously hacked in half to the tune of such chill music.

Once again, the bad guys have fired the first shots. At this point, I’d advise putting Ginger on the front line and letting her have at it. But I know no one Twilight will be able to stop this brash new posse of overpowered super-hunters, of whom Ally’s bro is a member. It’s going to take more teamwork, and a lot of luck.

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GANGSTA. – 09

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Alex’s gorgeous song, and the momentary tranquility it brought, is over less than a minute before the Corsicas attack Bastard, first with a token B-rank twilight whose daughter is being held hostage, then with the two twilight hunters, Mikhail and Erica, who prove more than a match even for Loretta’s best men, Galahad and Marco.

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Mind you, there was almost enough time after Alex’s song for Loretta to finish inviting her to stay at a room at Bastard if she needs a place, but then the club proceeds to be torn apart as Loretta’s men battle the hunters. Gal and Marco are able to restrain Mikhail, but when Erica is ordered in by Ivan Glaziev, the tables turn quickly, and are then turned into kindling.

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The Handymen get word of the chaos unfolding at Bastard, and Worick sends Nic in to buy him five minutes while he fires a flare that the Paulklee Guild, Dr. Theo, and the police all see. I liked how the flare was reflected in so many different windows, connecting all the people in various parts of Ergastulum’s labyrinth and drawing them to the action.

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When Erica is about to kill Marco, the honorable Loretta can’t help but defend her man, but both she and Alex empty their clips at Erica, she deflects them all and they end up on the wrong side of her sword. That’s when Nic arrives to save Alex and Loretta and buy Worick five minutes to assemble backup, during which Galahad tells Ally that Nic is only an A/0 when he overdoses on Celebrer Uppers; otherwise he’s a B/5 at best. In other words, a “faker.” Nic also pegs Erica as Delico’s estranged sister.

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A/0 or no, Nic gets Worick his five minutes, but no more, as Erica’s about to kill him too when Ginger blasts in and shuts Erica and Mikhail down, with Doug in tow. There’s every indication Ginger is one of if not the strongest twilight in Ergastulum, and her presence forces the hunters to retreat as the police also arrive.

We then see Uranos Corsica talking with Ivan, who has Erica licking her wounds in his lap, when the newest member of their little team, эсминец (“Destroyers”), arrives, and it’s yet another sibling: Alex’s brother. Emilio. Now one of her primary rationales for leaving Ergastulum has followed her there, and he’s with the bad guys.

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