Jouran: The Princess of Snow and Blood – 02 – Nothing Else Is of Any Concern

Makoto meets with Jin on two matters: one is to be briefed on a mission to find the one within Nue who is feeding Kuchinawa assassination targets. The other is to ask about Sawa. Makoto responds to the latter by saying “it saddens me to report that she survived”.

Last week, Asahi prepared to stab Sawa in her sleep. When we see both next, the only thing Asahi is slicing is a daikon radish, and Sawa is very much un-stabbed. This week we learn more about Sawa and Asahi’s pasts, and … Spoilers: those pasts are dark and bloody. First up is Sawa, and if Black Widow has “red in her ledger”, Sawa’s got “blue in her diary.” Well, her mom’s diary.

We know how Sawa hid while her mother, father, and brother were slaughtered. But how did Sawa end up an assassin with Yue? Jin arrived at the ruins of her village as she was trying to bury the charred remains of her family. His mere presence there the morning after their deaths might’ve normally raised a red flag for Sawa, but the very light had gone out of her eyes.

It didn’t matter at the time if there was a chance Jin had something to do with the death of her family. He was offering her a chance at revenge, and that chance brought the light back to her eyes. Under his tutelage she became a graceful and efficient killing machine. Jin made a deal: he’d use her to make Nue stronger, and she’d use him to get her revenge.

Sawa puts the blank diary of dark memories away and joins Elena for their next mission: make contact with a Nue agent named “the Treasurer” and get her to safety. They identify her waiting tables at a restaurant by the fact she can memorize everyone’s orders and whisk her away, crossbowing and beheading the Kuchinawa gunmen along the way.

While Sawa escorts her through the tunnels, the Treasurer mentions how the shogunate is content to ignore the mounting opposition to their regime outside of Tokyo. She also knows a lot about Sawa, because she’s a memorization savant. Meanwhile, Makoto pays Asahi a visit at the bookstore, offering her a bottle of black pills that “kill in ten seconds.” , to use on the person who killed her parents.

That’s right: in the recent past while on a mission, Sawa murdered Sawa’s parents while she was in the next room under burning wreckage of the house they were in. Granted, Asahi’s mother was apparently dolling her up in order to serve her up to a pervert before Sawa arrived, but facts are facts.

When Asahi tried to stab Sawa in her sleep, Sawa woke up instantly (if she was even asleep) and stopped the knife, telling Asahi she needs to strike where she’ll do the most damage, and wait until she’s more vulnerable. When Asahi bursts into tears, Sawa is there to hug her. It’s a strange situation, but it’s true to Sawa’s code: she’s not about to be a hypocrite. If Asahi should exact her revenge by killing her before she can exact hers, so be it.

Sawa, now knowing of the Treasurer’s ability, decides threaten her into telling her everything she knows about the Karasumori village massacre. The Treasurer says how those responsible wanted to keep the Karasumori clan’s blue blood a secret, while Janome stole an imperfect variant of that blood’s power. But the Treasurer stops there, saying Yoshinobu doesn’t tolerate treason.

Her five-year old son is being held hostage; should she betray Yoshinobu, he will die. So Sawa offers to protect her and her son in exchange for the information she wants. When the Treasurer asks why Sawa would go so far for revenge, Sawa answers simply that her entire life is for revenge—just a stretch of borrowed time, in which she’ll either get the job done or die trying.

Sawa and the Treasurer exit the tunnel near a quiet dock where she can be smuggled to safety, but they are intercepted by Kuchinawa agents, along with a Changeling. Elena shows up, and she handles the agents while Sawa enters her blue blood trance and defeats the Changeling.

But when it’s time to put the Treasurer on the boat, Elena stabs her instead and lets her fall into the river, after telling her her son has already died. I’m a little fuzzy on the details, but either the Treasurer fed intel to Kuchinawa, or she and her intel-packed brain were simply too dangerous to be kept alive.

In any case, Sawa loses her best chance yet at learning about what happened at her village and who was responsible. I don’t think she’ll kill Elena or quit Nue, but she can’t be happy that her road to revenge just hit a detour. In any case, this was another dark, bloody, brooding episode of Jouran, packed with bursts of cool action and bookended by an OP and ED by RAISE A SUILEN that both absolutely slap.

Rating: 4/5 Stars

Jouran: The Princess of Snow and Blood – 01 (First Impressions)

Dark and brooding, stylish and cool, Jouran is the story of a small band of assassins under the employ of the Tokugawa Shogunate. In this alternate history, Tokugawa Yoshinobu is still in power in 1931 thanks in large part to the discovery of the energy source Ryuumyuaku, or Dragon Vein. As a result, Tokyo is a glamorous city where science and Edo-period tradition merge.

Among the assassins is Yukimura Sawa, our protagonist (voiced by Mimori Suzuko, Kamisama Hajimemashita’s Nanami). Sawa is a stoic, no-nonsense young woman who grudgingly shares her living space with the young orphan Asahi who cooks her meals, and is the type to threaten a flirting guy with murder and not be joking.

Her two fellow assassins are the sardonic Tsukishiro Makoto (the striking Shouta Aoi) and the seductive Hanakaze Elena (the musician Raychell), who refers to Sawa as “the little bitch”. Their group’s leader is grim man named Kuzuhara who believes the dissident group Kuchinawa will attempt to assassinate the shogun at a banquet celebrating the completion of the new Tokyo Castle.

Makoto and Elena go undercover as party guests and end up following a bigwig confirmed to be working with the dissidents on the sly. Sawa is notable for her absence from the party, while lil’ Asahi waits at the dinner table in vain.

Makoto and Elena follow the bigwig and his henchmen to a secluded warehouse where an exchange of materials is taking place, and the assassins quickly take down everyone there. Elena uses a rather unique umbrella crossbow, while Makoto uses what I’d describe as a lightsaber katana.

However, their true target, a kemono or “changeling”, is nowhere to be found. Makoto bombs the facility and he and Elena head to the eastern gate of the castle, where he knows one of the vast network of secret tunnels leads from their current position.

Sawa is there, ready to head off the changeling, doing so by transforming into one herself with the help of a white raven. It’s depicted as a volatile and extremely painful process, but once she’s transformed she resembles a serene yuki-onna.

When she realizes her changeling opponent is the young man who flirted with her at the bookstore, she hesitates momentarily, and is wounded, but ultimately takes care of business, slicing off the changeling’s hand and finishing him off with a haunting poem that matches Sawa’s icy beauty and that of the scene:

Amidst the pitiless white snow
A fleeting dream is scattered
The path back leads only to Hell
I have no regrets

Makoto and Elena arrive just after she returns to human form and passes out. The threat to Yoshinobu would seem to be dealt with, but the next day at the official opening ceremony of Tokyo Castle, we witness scenes of carnage involving more changelings, presumably within its walls.

Sawa is recovering at home, but even in sleep she gets no rest, as she’s transported back to when her brother was murdered along with the rest of her family, by Janome, Kuchinawa’s executioner. She’s vowed not to die and join her family until she gets revenge on Janome, but Asahi seems prepared to kill her in her sleep with a kitchen knife. I guess she doesn’t like being kept waiting for dinner, huh?

Like Sawa, Jouran and its familiar-yet-bizarre alternate Tokyo carries itself with a quiet, assured dignity, but just as Sawa is tormented by trauma and tragedy, corruption, suffering, and death lurk beneath the gleaming Shogunate capital, much of it delivered by monsters in suits and with claws.

Assuming Sawa survives her tiny assassin’s attack, I’m excited to watch her continue to walk the line between her official duty and blood debts.

Rating: 4/5 Stars

Mahoutsukai no Yome – 15

Chise’s in Mortal Danger again, only this time bed rest won’t do the trick. Oberon believes the best way to treat her is to take her to the Land of the Faeries where time passes more slowly. Elias, overcome by worry, has to be slapped into coherence and the they then go, leaving Silky to watch the house.

You get the feeling that even though Oberon didn’t wish any harm on Chise after she made tabooed ointment, he’s still every bit an opportunist, and as a Fae he is unconditionally drawn to a Sleigh Beggy such as Chise. Medical treatment is a perfect excuse for Oberon to invite her to his world. And hey, if she can be convinced to stay…one hand washes the other, right?

Chise does not witness the trippy journey into Faerieland; she merely wakes up in a bed made out of part of a tree, bandaged head to toe. Her doctor, a changeling named Shannon (a faerie raised by human parents who then returned), seems kind enough, and confirms that there was no urgent need for Oberon to bring Chise there.

As Titania and Oberon try to convince Elias to stay with Chise in Faerieland, Shannon takes Chise to an otherworldly Mononoke Hime pool which contains healing waters…and proceeds to strangle her underwater.

As Elias tells the Fae royalty “thanks but no thanks, a human accepted me, so with humans I shall live”, Chise’s now-established Stong Will to Live overpowers Shannon’s attack. She saved herself, and Shannon remarks that she had to fear her life was going to end in order for her wounds to fully close.

Because time passes so much faster back home, Silky spends a good deal of time alone, tending to the house, and sometimes magically redesigning its interior a la Howl’s Moving Castle. Watching her install bells on the door so she can immediately know when her family is back was a rare display of emotion from the mute maid.

When Silky drifts off, she dreams of her past, when she was a banshee. When the family she haunted passed away, she had nothing and nobody, but Spriggan led her to the house that Elias Ainsworth would one day occupy. The Spriggan transforms her into a maid and bestows the name “Silky” upon her, and no matter who has lived in the house, she’s kept it a home ever since.

By the time Elias, Chise, and Ruth return, it’s Winter, but the house was kept a home by Silky’s presence. Her raw elation upon hearing them finally walk in the door, as well as the enormous hug she gives Chise, were a delight to behold. And hey, now we know Silky’s story, and that she’s not the cold fish she always appeared to be.