Before greeting the day, Shuu has a dream about his parents and sister Kanna being killed by demons—Kanna while begging her brother to save her. This is apparently a frequent dream, and he reacts to it as he probably always does: with a kind of grim gratitude. Clutching a photo of his family, he tells them it’s alright: he still remembers them.
There’s a new caterpillar-like demon crawling around Bayron City’s ever-important energy production sector. They mayor’s office learns of this prior to any auction, while Shuu receives a photo of the demon to show Ayano. They meet in a park of some significance, and she makes a point to dress as cute as possible, but also points out all the times he’s betrayed him when asked.
Nevertheless, she recognizes that Shuu should have leave to take this new demon out. He wins the auction to do so by underbidding everyone, but his winning bid is nullified when new info suddenly comes in stating that because the demon is holding a core equivalent to a week’s worth of the city’s electricity, it is not to be eliminated.
Since Shuu doesn’t have the resources to capture, the job falls to AAA. Through Miles explaining the situation to detective Mikami Tetsuya, he once fostered Shuu, and Shuu became the city’s best and only true hope at demon extermination thanks to his contract with a demon. That said, the government only grudingly recognized his new company.
Ayano leads the AAA operation, but the effort to capture the demon goes pear-shaped when the huge caterpillar transforms into a huge moth that shoots powerful lasers. One by one, Ayano’s support is wiped out. Shuu calls Ayano’s mom, who quickly signs him to a contract to clean up the mess. To do so, we see that Shuu has to do more than simply make out with Kisara.
For one thing, we learn definitively that Shuu doesn’t love Kisara; even she knows that. We also learn that due to how “troublesome” this foe is, Kisara’s going to need something extra. Shuu thus decides to sacrifice another set of memories—the ones from when he an Ayano happily lived together—to give Kisara the power she needs.
The kiss is merely a conduit through which Kisara receives and consumes his memories. No sooner do their lips part does a mass of rubble start descending upon an injured Ayano, only for Kisara to save her at the last moment. The soundtrack gets down to business as she takes the fight to the big moth, dodging its laser beams and delivering brutal blows to its thorax.
Shuu wakes up very out of it, but is reoriented by a note on his hand (“Aim at Kisara”) and a locket containing a photo of the family he lost. He readies his rifle, aims and fires where his note told him, which is at the core Kisara already cracked open. It takes not one but two of his fang-bullets to shatter said core and defeat the demon.
In the aftermath of the battle, Ayano limps to where Kisara is inspecting the corpse of the demon moth, asking if she has to thank her for saving her life. Kisara says no…but she feels she should apologize to Ayano. After all, she took Shuu’s happiest memories of him and Ayano together, which he willingly sacrificed in order to keep Ayano safe (and to further his objective). Watching flashes of these memories hit me hard.
Earlier, we learned from Kisara that the outfit Ayano wore at the park meeting was the same one she wore on her and Shuu’s first date. As the keeper of Shuu’s stolen memories, these latest ones related to her “rival” Ayano, it’s no surprise Kisara has adopted a kind of vicarious romance with him. This is not your usual love triangle, and I really dig this dynamic.
The last two episodes established what an unappealing, miserable wretch Ogata Shuu is, while this latest one went a long way towards explaining, if not excusing, why that is. He’s not only “the worst”; he’s the product of a lot of shitty circumstances: the loss of his family, the city government’s combined dependence on and disdain of him, and most importantly, the fact he’s just not the same Shuu anymore.
He’s lost more than his family; he’s lost parts of himself. I daresay I sympathize with the guy. He, Ayano, and Kisara are tragic figures: him because of what he’s lost and will continue to lose, Ayano because she in turn lost (most of) the man she loved, and even Kisara because Shuu will never love her. It’s kind of a bummer, but I respect the show going to these dark places while also delivering top-notch action.