Spy x Family – 14 – Anya Saves the Future

Yor obliterates Keith’s heavy with a single kick, but he still has a dog. But when he tries to sic the shepherd on Yor and it bears its teeth, Yor out-intimidates it and sends the dog running. Keith runs too, but Yor stays with a still frightened Anya, then hugs and comforts her. The talking-to can wait until they get home. What a good mom.

Mister Dog has another vision that Anya picks up on: one of Papa suddenly no longer being in the family, and Anya discovering Loid’s lifeless body in a  pile of rubble. There’s a clock tower and a bell that tolls just before an explosion. Anya has to stop this future from happening, but she can’t tip Yor off to her powers, so she mounts Mr. Dog and runs off on her own yet again.

Yor calls the cops to arrest Keith’s unconscious comrade, and that tips off WISE, who descend upon all of the student-terrorists but Keith. They thumb their noses at their initial interrogators, but then Handler walks in and asks them what they want. When they say “war”, she delivers a  truly chilling speech about what war really is:

Have any of you actually killed a person before? Have you ever been killed by anyone? Have you ever lost a limb in an attack? Have you ever heard bones being smashed? Have you ever smelled festering flesh? Have you ever seen your parents or siblings crushed in a crumbling building right before your eyes? Have you ever seen a piece of your lover’s flesh stuck to a wall? Have you ever been so hungry, you tried to bite into a tree? Have you ever stewed human flesh in a pot? Have you ever had someone close to you deny your enemy’s humanity so they could continue the killing, only to become so mentally broken after the conflict is over that they weep with regret and shame, vomit, and then eventually…take their own life? Apparently, you’ve learned nothing of war at your university … you utter children.

America has a history of university students protesting recent wars deemed unnecessary that were started by those who don’t truly grasp its costs. My own mom was tear-gassed and four of her classmates killed at Kent State protesting the Vietnam War.

Perhaps out of a sense of national zeal and boredom being on the sidelines, these Ostanian students decided that war would be fun and are trying to start one with Westalis. Well, as Handler makes perfectly plain even to them, there’s nothing fun about war. All the glory and nobility turns to ash and maggots without fail.

That Handler has such a sobering speech like this in an episode where a grade-schooler riding a big floofy dog preserves the peace by scribbling ketchup on the door rigged with a improvised bomb really gets to the heart of Spy x Family’s essential duality. Half of it is family slice-of-life and comedy, but the other half is the very serious, sometimes desperate struggle to prevent war from destroying that family, and millions of other families.

I love how Anya works through the problem, along with obstacles like not knowing how to read an analog clock, or all the wires on the bomb being black, all while Mr. Dog lends a helping paw or boost when needed, even if he’s not 100% wise to what’s going on. It’s entirely likely that smart as he is for a dog, he can’t make as much sense of his future visions as Anya can, making their collaboration vital.

With her ketchup warning heeded and the clock tower explosion prevented, Loid returns to the family in Mr. Dog’s vision, Back to the Future-style. WISE and Loid then turn to protecting the foreign minister from the still-at-large Keith. This is accomplished, like so many other gambits, by Loid disguising himself as the minister and leading an unwitting Keith on a wild goose chase.

Keith, who is unassailably a villain due to his desire to not only start a war, but his willingness to discard his beautiful, intelligent, and loyal dog as a bomb, thinks he’s got the minister right where he wants him, but gets wise to his tail when WISE agents shoot at him (and honestly, really should have been able to hit him, even in a moving vehicle. Those Ostanian cars ain’t that fast).

When Keith catches up to the “minister’s” abandoned car, he sends the dog after him while continuing in the car. He soon finds out that Westalis’ foreign minister is extremely spry for being a “60-year-old geezer”, as he’s able to evade the shepherd.

Eventually, Loid is done running, rips off his mask, and turns his gun on the lunging dog, to whom he apologizes for getting it mixed up in the affairs of humans. Handler AKA Sylvia’s words solidified his resolve to prevent war whenever it threatens to spring up. Loid may never know that Anya saved his life and began the effort to save the peace from these misguided students, but he sure as hell is going to finish it.

Summertime Render – 21 – Everything Ends Tomorrow

The OP of STR’s Spring cour features a shot of Ushio looking alone and forlorn, which stands to reason: she started out the show having already died. But the OP of this Summer cour features her and Shinpei side-by-side in the sunlight, triumphant and proud. Ever since Ushio was killed by Karikiri, that new OP mocked me with its optimism, but no more.

While this episode starts of on a gloomy, rainy beach, hope is far from lost. Shinpei is still getting the hang of having Ryuunosuke possessing him, but being able to see two seconds into the future is sure to come in handy. As for the little seashell, Shadow Mio tells him it contains all of Ushio’s memories, but only Ushio can scan them. Shinpei then remembers: on the night of July 24th, another Ushio with no memories washes up on the shore…and she will again.

The night of the 23rd could still be anyone or everyone’s last, so the confessions come fast and furious. When Sou confesses to Mio, she initially pretends to be Shadow Mio, only to light up like a beet when Sou correctly guesses that she loves Shinpei. No biggie; they’ll still be friends. He just wanted it off his chest.

That inspires Mio to finally confess to Shinpei on the moonlit roof of their house. As expected Shinpei thanks her, but he has feelings for Ushio, while Mio will always be his little sis. Saying the words are a huge weight off Mio’s shoulders, though she still has to cry into Toki’s bosom while Shadow Mio points out that if they win and defeat Haine, Ushio will disappear and Mio will have her chance again.

But that’s putting the cart before the horse. In the early morning of July 24th, Shinpei first runs a quick explanation for the looping by the gang, explaining how there are two Ushios and then showing them the shell that actually points them towards her sea-bound doppel. Everyone has their role in his plan, but bottom line: getting Ushio back is crucial.

Haine and Shide know that too; after all, Haine copied a good deal of Shinpei. As the shrine festivities commence, the two mutter possibilities to each other, resulting in Haine sending Shide’s doppel into the sea with a fleet of shadows in hopes of finding and destroying Ushio before Shinpei can get to her. Shide fails.

Before opening her eyes, Ushio relives those painful moments on the day Shinpei left. But then she hears Shin calling out to her and opens her eyes, and finds both Guil (with Shinpei inside) and Shide’s double bearing down on her. Guil scoops her up, surfaces, and leaps into the sky. Shide slices Guil up, but the Ushio scans the shell and slices Shide up good with her lethal Rapunzel hair.

Yes, Ushio is back, she knew Shinpei would bring her back, and she’s ready to kick some ass. I’m ready to watch! It’s about time the good guys got a solid win, and while I’m sure another setback (or sacrifice) is in store, I’m hoping the promise of the OP with that shot of Shinpei and Ushio together in triumph holds true to the end.

Engage Kiss – 02 – Don’t Bite the Hand that Feeds You

Demonstrating her competence but also her codependence, Kisara wastes no time using her newly acquired spare key to at least try to get Shuu’s home and business in some kind of discernable order. That means meals composed entirely of bean sprouts. Kisara’s classmates, who clearly aren’t aware she’s a demon, are worried about her boyfriend…and bandages.

There’s also their senpai Mikhail, who is the mayor’s son and claims to be the next mayor. Despite being handsome and rich, no one can stand him for more than 30 seconds, and we also learn his claims are false; he has two older half-sisters clearly jockeying for their father’s job.

Realizing he and Kisara will legit starve if he doesn’t do something, Shuu visits Ayano at the gym with hat in hand. Ayano, a pushover and enabler of the highest order, gets him a job with AAA as a subcontractor, even though she sees Kisara’s photo in bed with him.

The job in question involves running security for a gala celebrating the 25th anniversary of Bayron’s founding. There’s no auction because there’s no confirmed Demon Hazard, but the deputy mayors are fine with having security who can deal with demons if necessary, especially as there’s threat of a radicalized citizen seeking to assassinate their dad.

While Ayano complains about how hard it is to move in her fancy dress and an adorable Kisara trying to get some of the buffet food into tupperware and avoid Mikhail, Shuu runs into Miles, a cop and old acquaintance whom we learn Shuu lived with for a year after his parents were killed by a demon.

During the mayor’s speech, which is filled with political platitudes, hypocrisy, and outright lies, the demon terrorists pops out of the wall to strike…but Kisara is right there to stop him.

She pulls the demon out of the auditorium and into a quiet hall where they can minimize collateral damage (though with the tallest skyscraper on the island now a teetering ruin, you’d think the damage has been done!). Ayano joins her with her troops, and when she trips on her dress she shoots it so it’s shorter and ditches the heels.

With Kisara, Ayano, and Shuu working with a measure of coordination, it isn’t long until the perp is cornered, with neither French kissing nor Kisara transforming into Demon Mode remotely necessary. That’s for the best, as Shuu and Kisara learn from their boss that the suspect is to be taken alive.

Here’s where the true demon of the on-the-fly logistics and financial sensibility of Shuu rear their ugly heads. With no non-lethal capturing gear, he orders it online at great expense—100% of the $3K they stood to make on this job. To add insult to injury, the delivery van arrives so promptly it does the job of pacifying the low-level demon, rendering the purchase (which is no doubt non-refundable) completely unnecessary.

But before that fun and creative set-piece where the Amazon of this city wins the day, the baddie tries and fails to say his piece and try to get Shuu of all people on board. It’s amusing that Kisara and Shuu are too busy bickering over finances to listen to him, but after the job is complete they confirm they did hear a bit of what he sad about the governments lies and secrets, which led to the loss of Shuu’s parents.

Shuu’s response is that he has no choice. He tried going independent, but it’s a dog-eat-dog floating island, and the very government that messed up his life by keeping the existence of demons secret is the same one he works for in order to eat. He doesn’t like it, but it is what it is. The question is, how long will that remain so?

Rating: 4/5 Stars

Love After World Domination – 10 – An Invincible Couple

LWD did a beach episode, so you knew at some point they were probably going to put their hero/villain spin on the school festival episode. Desumi really wants Fudou to come on the third and final day, because that’s when a traditional moon sculpture is unveiled. Couples photographed at that moon will become “invincible.”

Fudou and Desumi know it won’t be easy for the two of them to pull something like that off at a busy festival, but Fudou didn’t expect his comrade Hayato (AKA Blue Gelato) to catch wind of him going to a festival and make him his horse for the day. Meanwhile Desumi has to deal with Anna’s aggressive advances.

This is the high school Kiki and Kyouko (Beast and Steel) attend, but while the latter brings Culverin Bear as her date, as disciplinary officer Kiki is fixated on breaking up lovey-dovey couples.

The lovey-dovey-est of them all are our protagonists, who finally manage to get some alone time in a haunted house, only to be found out by Kiki (who luckily doesn’t recognize her comrade in the darkness).

That said, Desumi ends up right back in Anna’s clutches, while Hayato once again mounts Fudou as if he were a conveyance. If the couple has any chance of getting to the moon sculpture, they’ve gotta shake off these pests.

While the animation of this episode is spotty at best, it kicks into high gear when it counts, like during Anna and Desumi’s high speed chase through the halls. Desumi seeks refuge in the nurses office, where Blood Princess happens to be on duty.

Having bought a little time, Desumi tracks down Fudou, only to find him being used as a horse for Hayato. She can’t very well just stride up to Blue Gelato, but nor can she do nothing with her sweetheart in peril.

Fortunately, Hayato spots Kiki, whom he recognizes at the beach, and they engage in their own breathless chase through the school. This leaves our couple alone again at last, but with the minutes dwindling to get their photo, they’re not sure how to pull it off, considering how recognizable Fudou is as Red Gelato.

Finally, their surroundings tell them what to do. The school is lousy with cosplayers—Kyouko even lost Culverin and ended up with a guy in a bear suit—so they decide to transform into Red Gelato and Reaper Princess…a “fanfic” pairing if ever there was one, but an effective one.

Rather than suspect them of being the real thing, the other students simply chalk it up to amazing cosplay craftsmanship and attention to detail. Desumi and Fudou get their snapshot at the moon sculpture, and with it verification that they are an invincible couple that can accomplish anything together.

That being said, they would have been that even if they hadn’t gotten their picture taken; these crazy kids don’t need their love propped up by legends. Kiki prevails over Hayato, Anna and Blood Princess rest one one another’s back after a great fight, and Kyouko introduces the fake bear guy to her bear guy. All’s well that ends well at the festival.

Fabiniku – 01 (First Impressions) – Old Pal-idigm Shift

Life with an Ordinary Guy Who Reincarnated into a Total Fantasy Knockout is a stupendously ludicrous title; honestly, even my horribly punny title would be better. Fortunately, the show seems to be far more clever and engaging than its name, and it all comes down to its nucleus of two old friends.

Ordinary but horny Tachibana Hinata and hot but woman-averse Jinguugi Tsukasa aren’t friends because they’re similar—they couldn’t be more different—but the fact of the matter is they’ve been friends for 25 of their 32 years, and you can feel that history in the way they act.

A combination of a typical night of drinking and the classic tongue-in-cheek serious-voiced narrator gives us the skinny on their attributes and internal thoughts about one another. Tachibana is trying to get Jinguuji married off, while Jinguuji is fine being with Tachibana forever.

The mixer they attend goes poorly for Tachibana as usual (all the women gave Jinguuji their contact info) and he gets so drunk he’s face down in the park wishing he could be a beautiful woman whom everyone fawned over. Then an exhibitionist goddess makes it happen!

Just like that, Tachibana and Jinguuji find themselves in a strange forest in the daytime. More concerning, Tachibana’s body melts into green goo than reconstitutes into the body of a petite blonde beauty (with very sharp teeth!) voiced by MAO.

As Tachibana so eloquently puts it, she’s gained stuff up top and lost stuff down below, but her speech patterns and mannerisms are still the same old Tachibana Jinguuji knows…and she’s honest, loves, either in the same way as the friends played by Jonah Hill and Michael Cera in Superbad, or something more romantic in nature.

It’s not even that much in doubt that at least part of Tachibana feels the same way…and that’s before they insult and anger the naked Goddess of Love and Beauty while she’s trying to give them their mission to save the world that she casts some kind of mysterious curse on them.

The immediate effect of this curse seems to be that Tachibana and Jinguuji suddenly find each other even more attractive, something neither one wants the other to get wind of. Their brains simply are too used to each other as best mates to properly process what their hearts are doing.

To their credit, neither one immediately dismisses their feelings as a direct result of the curse. Maybe the curse increased their affection for one another, but it was always there. Only now Tachibana is a woman, and because she is still fundamentally Tachibana, she also happens to be the only woman the distrustful-of-women Tachibana could ever fall for.

This results in a Love is War style battle of wills, with the two trying to get the other to admit their attraction. As the the one with the cute girl’s body, Tachibana goes on the offensive, only to find Jinguuji irresistible simply by being Jinguuji.

Meanwhile, Jinguuji hides his outsized reactions behind his usual stoic calm—a skill well-honed throughout the years staving off all those women who fancied him. He’s never thought about his type, but now he knows it, and it’s his best friend in a girl’s body.

As the two struggle with their new reality, a seemingly harmless and cute-looking fluffy white bunny thing interrupts. No sooner do they call it cute than its face unfurls reveal a grotesque monster. Suddenly survival mode overrides scoring flirting points against one another.

Jinguuji instinctively gathers his suddenly much smaller, lighter, and pleasant-smelling best friend in a princess cary and shows off the fruits of leg day. The two fall down a cliff, enabling the monster to catch up, but rather than continue running, Jinguuji decides to make a stand. He never let some woman take away his best friend, and he’s certainly not about to let some nightmare-faced Gossamer do it!

That’s when he punches the monster right in its core, quite unexpectedly creating a huge hole in said monster’s body. Turns out while he doesn’t look any different, Jinguuji is actually a Level 70 badass. Yes, it’s revealed this world has RPG-style menu screens that pop up in front of one’s face.

Tachibana is a Level 1 Hero, by the way, making Jinguuji her ideal trusty knight. As for their castle, Jinguuji is able to summon what looks like the door to a modern Japanese apartment with one of his active skills; the proverbial rest and save point.

While all the isekai and RPG trappings and their quest to defeat the Demon Lord are sure to play a larger role as our two best friends continue to explore their new lives (and meet more people), I hope the focus remains on how the bond between those two old friends continues to morph and evolve due to a very new and unexpected development.

Rating: 4/5 Stars

SAKUGAN – 04 – COLONY OF PASSION

We go from Gagumber and Memenpu parachuting into Jolly at the end of last week to the two in the custody of one Merooro of the Labyrinth’s “Bureau of Regulation.” They’re guilty of Crimes, and they will be Punished, but he doesn’t offer details about what either of those things were or are.

Instead, the father-daughter duo is set loose in Jolly Jolly pending the handing down of sentencing or some such. And Jolly Jolly is…fine. It’s fine! It’s one big Italian Disneyland, complete with canals filled with LCD “water”, a Leaning Tower Colosseum, and ristorantes galore. Memenpu, sick of noodles, decides to sightsee. Gagumber hits up the nearest bar.

After twelve straight rejections by women at said bar, Gagumber finally meets someone who’ll give him the time of day—the woman on the motorcycle we saw a couple episodes ago, whom I assumed was Memenpu’s mom and Gagumber’s ex. Turns out she’s neither, but she is voiced by Hanazawa Kana in Sultry Mode, demonstrating her considerable range.

Turns out this lovely lady, rather inelegantly named Zackletu (sounds more like the name of a kaiju, if I’m honest) is wanted by Jolly Jolly’s mafia, who shoot up the bar just as Memenpu arrives. Gagumber covers Zack and Mem’s escape, only to be captured and almost tortured by the mafia don, only to be saved by Zack because his cell conveniently has a window.

Numerous chases and shootouts ensue, which oddly require more suspension of belief than the action of previous episodes. For one thing, I am not a big fan of characters in like Jumbo who are too impossibly huge to be actual human in shows where everyone else is normal sized. For another, the mafia guys and their don are pathetically dull, and have suspiciously bad aim.

Once the mafia is predictably foiled thanks in part to Memenpu arriving to save her dad and Zack in Zack’s own motorcycle, Zack takes her leave, promising to be back one day for the million Gagumber promised her. Like Jolly Jolly as a concept, this episode was…fine…but after the first three episodes I was expecting something more adventurous than generic colony mob chases.

SAKUGAN – 02 – SEEKING STABILITY

Gagumber has to hit it a few times, but his dusty old Mark Bot shudders to live and he and Memenpu engage in a protracted chase against a kaiju that seems oddly drawn to them. While old and dusty, the Mark Bot is still highly tuned and modified for maximum performance, which means Gagumber and Memenpu are able to keep a step or two ahead of certain doom.

After last week established how deadly the kaiju are, that creates an excellent nervy tension throughout the chase, which combined with the diversity of the environs (from the underground Chinese-style city to the darker depths of the mines) and the top-notch Cowboy Bebop-esque soundtrack make for one hell of a crowd-pleasing 23 minutes.

Even when one pursuing kaiju becomes two, Memenpu soon finds her Mark Bot legs (even if they can’t quite reach the pedals) and uses her inventive genius both to plot the best course out of the colony, but precisely where to place charges around the trapped kaiju so it causes the ground beneath them to crumble in a neat circle shape, where they become fish in a barrel to shoot at…with fireworks that just happen to be stowed in the cabin.

Gagumber and Memenpu’s heroics end up on the radio, and someone we’re sure to meet sooner or later—possibly their ex-wife/mom?—hears the broadcast. The two pay their respects to Walsh and Lynda, and Gagumber impresses upon his wee daughter how shit is not going to get any easier, but when you’re out there in the Abyss Labyrinth you’ve gotta learn to roll with the punches…even if one of those punches is the death of someone you love.

With that, the two pack their bags, take care of the paperwork necessary to leave the colony, and then strike out into the Labyrinth proper. The scenery is stunning, like a dream you never want to leave, as well as highly reminicent of Made in Abyss. Suffice it to say I don’t mind SAKUGAN’s cosmetic similarities to an all-time masterpiece. Let the subterranean father-daughter adventure begin.

P.S. In a truly weird, random easter egg, one of the ramen cups says “Tubular Bells”, the name of the theme to The Exorcist by Mike Oldfield.

Magia Record – 21 (S2 Fin) – Nor the Battle to the Strong

At first, Yachiyo and Iroha believe they failed to Connect with Tsuruno, but they end up basically inside her head, which takes the form of a theater where Iroha watches the past unfold, including the day Yachiyo and Tsuruno’s friend and comrade Meru became a witch. Because Tsuruno was working at her family’s restaurant, she blamed herself, and resolved to become not just stronger, but the strongest.

But she wasn’t strong. Against the Witches and Uwasa, no magical girl is strong; not really. That’s why they have to band together…though the Wings of Magius took it a bit too far into cult territory. As this episode demonstrates, small but close-knit groups can get it done. Thanks to Felicia, Sana, Mifuyu and Momoko, Yachiyo and Iroha are able to free Tsuruno.

Similarly, thanks to Kyouyko and Akemi, Madoka and Sayaka are able to free Mami. Like Tsuruno, she had been forced into believing she had to be strong enough for everyone even though in reality she wasn’t, leaving her exposed to Uwasa corruption…or something. I’m just glad Tsuruno and Mami are back…though the fact they were freed so easily somewhat blunts all of the built-up stakes.

It wouldn’t be a finale without Iroha Connecting with Madoka, and the two pink magical girls end up unleashing an attack so powerful, it disperses all of the assembled witches at the hotel/amusement park. With no witches their to lure it, Walpurgisnacht changes course for Mitakihara, somewhere Akemi pointedly doesn’t want Madoka to go because she knows it may well be the end of her.

But the OG gang soon says their goodbyes and heads to Mitakihara, leaving the Magia Record gang fully reunited. Tsuruno is a bit out of it but sure looks like she’ll make a full recovery, while all the bad blood between Yachiyo and Mifuyu seems to have dispersed along with the witches, which is good to see.

Less good to see is what becomes of poor Kuroe just as she exits the hotel and sees Iroha and the others celebrating their victory. Kuroe’s Doppel rises out of her shadow and stops her, saying she doesn’t belong with them. This must be at least a little meta, as Kuroe is an anime-only character.

Still, it seems almost cruel at this point for the show to torment Kuroe just as she seemed poised to deepen her bond with Iroha, and perhaps the other girls through Iroha. Her doppel clearly has other plans, though if Iroha & Co. could save Tsuruno, maybe they can save Kuroe too.

The only thing left to do is for Iroha to do what she came to Hotel Faint Hope to do: speak to Touka and Nemu. Touka, for her part, is recalcitrant and doesn’t even seem to recognize Iroha. She’s about to attack her when Nemu stops her. Nemu then reveals that she’s been keeping the truth about everything that’s happened so far from both of them. That said, she seems ready to come clean…in her way.

So ends the middle part of the three-cour Magia Record. This part had a nice focus and rhythm to it along with many satisfying badass magical girl moments, but still managed to end with me scratching my head, like the first cour. Not the worst thing, mind you; as long as the final third of the series helps alleviate that cranial itch with at least some solid answers.

Magia Record – 20 – Giving Their Best

In what are not their first rumblings of disagreement by any stretch, considering their very different personalities, Nemu voices her concern that she and Touka are hurting Magical Girls when they were supposed to be saving them. Touka, who has clearly drunk on power for a while now, says the only way they can do that is by becoming “gods.” If Nemu is going to stop her friend, the window is closing as that storm nears.

The bulk of those Magical Girls Touka is fine sacrificing are locked in battle with their respective friends-turned-opponents: Madoka’s crew dodging Mami’s impossible number of old-timey rifles while Yachiyo’s crew going toe-to-toe with the evil Tsuruno Aqua, who combines devastating attacks with creepy amusement park P.A. announcements.

Thanks to Sana and Felicia providing some cover, the two crews are able to withdraw for a spell, as it’s clear talking with Mami and Tsuruno is useless. When they’re in a safe place to regroup, Mifuyu contacts them via charmed origami, giving them a map of Chelation Land and the location of Touka and Nemu as well as Embryo Eye.

Mifuyu even does them one better and has the origami stream her meeting with Mitama, in which she attempts to get her to break her neutrality. Thanks to Momoko, the two learn that Mitama has been neutral all this time because she’s too weak to fight on her own; too full of shadows and despair. Were she ever dropped into a battle she’d become a witch immediately, but Momoko gives her a hug and assures her that she’ll help her carry those burdens.

Thankfully we check in on poor Kuroe, who is still being chased by Magius girls and is all alone except for her needy Doppel, who wants very dearly to help her out…no doubt at the cost of sanity and control. With only one episode left, it remains to be seen if Kuroe will reunite with Iroha and Connect with her and Yachiyo, as they do in the OP…or meet her ultimate fate in this cour.

Once Mitama tells them the best way to save their friends is to attempt to Connect with them (and Iroha & Co. tell Madoka and CO. what “Connecting” even is) The two groups head back out into the chaotic battlefield to attempt to do just that to Mami and Tsuruno. We’ve got big bold boss music as the projectiles and bodies fly.

But once the dust settles, Tsuruno falls from a great height, her human body is mangled, and the Uwasa she fused with seemingly takes over full control. If the Tsuruno Iroha and Yachiyo love is dead, her body is still being made to move like a marionnette by the Uwasa within.

Combined with the fact Madoka & Co. make little progress with Mami, and the eighth and final installment of Magia Record’s second cour will be a very busy and impactful affair. As penultimate episodes go, this was solid, but not groundbreaking. Hopefully the best Magia madness will be saved for last.

Rating: 4/5 Stars

Magia Record – 19 – Not a Bad Fate

While Kuroe struggles with trying to keep her Doppel under control so she can get back to Iroha, Yachiyo encounters Madoka, Sayaka, and Akemi…and it’s just an extremely cool game-recognize-game moment.

This is what good fanservice looks like: pleasing the crowd without compromising the story. And the story is that Iroha and Yachiyo are going to need every independent thinking magical girl on their side if they’re going to stop Touka and Nemu from scorching the world.

After being shaken out of her state of despair and fatalism by Sana and Felicia (who themselves regret letting Magius lead them by the nose for so long), Mifuyu chooses friends and bonds both living, frayed, and dead over loyalty to Magius, and pleads with Touka to terminate the operation before too much damage is done.

But that’s the thing: Touka is determined to involve everyone in the world, as she’s convinced humanity has only advanced to its present state of development on the backs of suffering and dying magical girls. Nemu then siccs the reprogramed, aqua version of Tsuruno on Mifuyu.

Down in the bowels of the hotel she meets Alina, who seems to be neutral now. She’s not interested in “partying” with a bunch of sheep, but also not quite willing to help out Mifuyu more than the minimum, which is to toss her a grief seed.

As they all have people they want to save and know their best chance is to work together, Yachiyo, Madoka, Sayaka and Akemi pile into a pickup truck headed to the absolute bedlam that is the hotel fused with an amusement park. Couintless witches are battling the Magius witches, creating chaos and discord.

But as Yachiyo is busy driving the truck, the O.G. girls show what a well-oiled machine they are, dispatching all comers. When Madoka and Sayaka are sent flying, Akemi stops time and saves them. No doubt that ability, so crucial in the films, will play a pivotal role in the final battles to come.

As for Iroha, who is already inside the gates, she’s not content to wait for Kuroe or for Yachiyo to break through the gates from the outside; she’s going to smash them from the inside. When borrowing Kyouko’s white Magius robe doesn’t work and gets her surrounded, Kyouko saves her out once again.

Rather than retreat, Iroha asks Kyouko to Connect with her, resulting in the fusing of her crossbow and Kyouko’s spear into the perfect gate-smashing weapon. Teamwork inside the gates and out not only makes the dream work, but keeps Iroha’s and everyone else’s wishes alive. The moment when Iroha and Yachiyo embrace, finally reunited again, is definitely the most heartwarming moment of the episode.

That moment is immediately followed up by another one of the coolest and most satisfying: when Iroha and Madoka come face to face. The closest analog I can think of is in Avengers: Infinity War when Thor meets the Guardians of the Galaxy, making the crossover official. Madoka, Sayaka, Akemi, and Kyouko are no longer token cameos, but pivotal players in this newly-merged, exciting, and purposeful Madoka universe.

The good girls are amassing fast, and when Kuroe (who is hopefully okay), Sana, Felicia, Mifuyu, and maybe even Alina join their ranks, tit’s looking like they have a fighting chance, even against two very challenging sub-bosses in the Re-programmed Mami and Tsuruno. That’s not to say it will be easy, or devoid of sacrifice.

But as Madoka said in the back of the truck, if anyone can turn this situation with Embryo Eye and Walpurgisnacht around, it’s magical girls. So she’s glad she’s a magical girl, and her friends old and brand-new concur. It’s time to get to work!

Magia Record – 18 – The Future They Chose

Not content to sleep beside Kaede’s isolation bubble, Iroha sneaks out to meet with Nemu, not wanting to further burden the others with her problems. Once more, it’s great to see Iroha really driving the narrative. Kuroe, poor thing, thinks she and Iroha were only friends in Iroha’s dream, but that’s not the case, and when she follows Iroha and wishes to help her in any way she can, Iroha is grateful for the help.

As Iroha and Kuroe take charge like the blossoming Magical Bosses they are, Tsuruno Rui is slowly losing it, and we also check in on Felicia and Sana, who are naught but grunts performing menial labor for Magius at Hotel Faint Hope. They, in turn, meet Sakura Kyouko from the original series, who’d saved Felicia once before.

While Kyouko is ostensibly there to steal grief seeds/soul gems (one or the other), she along with the other two stumble upon the witch factory none of them knew anything about, especially the scale of it, while Touka announces to all of Magius that “Operation Embryo Eye” is about to commence.

It’s named after their prized “Artificial Witch” Embryo Eye, who ravenously feasts on the farm-fresh witches—the trains going straight into it’s creepy live-action human mouth. Felicia and Sana are not okay with any of this. Yachiyo, having forced the Amane sisters to withdraw, also overhears of Touka’s plan.

So do Iroha and Kuroe, and it doesn’t sound liek the Touka or Nemu she knew. They’re no longer not just bent on liberating magical girls everywhere, but on executing their grudge against the rest of humanity who aren’t magical girls. They will suffer as all of them have suffered, and Touka won’t forgive anyone.

But despite how dastardly this plan is—and how far gone her former friends must be to be going forward with it—Iroha still wants to try to talk with them. And who knows, maybe she can make a difference! Before that, however, she and Kuroe have to get past hordes of Magius security on high alert.

At first Iroha leads the fight, deflecting the feathers’ weapons with her crossbow without flinching. But Kuroe doesn’t want to sit back and let Iroha do all the work, so after her very cool and elegant transformation sequence, she builds a huge wall between them and their opponents, then blasts a hole through the wall for Iroha to escape.

Iroha only leaves because Kuroe promises she’ll catch up to her. When Kuroe says this, she’s not just talking about this present situation; she wants catch up to Iroha in general. If you ask me, she’s already well on her way; she was a rock star this week, right up to when she unleashes her very distinctive Doppel.

Touka and Nemu move Hotel Faint Hope to Daito Ward, then implement the operation. All of the witches in Kamihama City and within a 200-kilometer radius are gathered up to be fed to Embryo Eye, which I’m assuming they’ll use against the “Big One” they end up reeling in, which arrives like a giant typhoon: Walpurgisnacht.

Is this what happens when two of the most powerful and intelligent magical girls ever created develop a vendetta against the world and systems that made them? Was Iroha naïve to think that her visits to them and Ui would be enough to preserve their humanity and morality? It certainly looks that way…but you never know. A lot can happen in the remaining three episodes, plus the third and final season still waiting in the wings.

Rating: 4/5 Stars

Vanitas no Carte – 09 – Qui Chasse Les Chasseurs?

As soon as Noé blurts out Vanitas’ name, Roland Fortis not only treats Vanitas gently and warmly, but with pity. Roland is as immune to Vanitas’ barbs as he is to the idea that a vampire who trespassed in these catacombs shouldn’t be slain. And while Roland proves he’s a tough opponent in a battle thanks to his ability-enhancing drugs and a Durandal that’s full of tricks, he’s no match for the duo of Vanitas and Noé.

Even when they’re almost constantly bickering like an old married couple, the two manage to slip away from one of the church’s most powerful chasseurs. But it isn’t Roland’s power, but his personality that rubs Vanitas entirely the wrong way. Noé can see why: Vanitas has met his match: someone who will not for one second stop being the person they are. The only difference is Roland still works within the structure of the church while Vanitas is his own master.

As they evade Roland and his underlings, Vanitas reveals why he knows his way around the labyrinthine catacombs: he basically grew up there after vampires killed his parents and the Chasseurs took him in. While they intended to train him, he caught the eye of one Doctor Moreau—yeah, that one—and became his guinea pig.

That’s a pretty dark past for our boy, and explains a lot about his reluctance to get to close to anyone, Noé included. But when Vanitas keeps making “that face”, and then decides to take one of the Chasseurs hostage, Noé objects, the two have a fight, Vanitas says more than he should, gets Noé angry enough to use him as a hostage.

Noé’s plan, while hastily hatched, ends up working perfectly, as tossing Vanitas into the air for Roland to catch ensures Roland is exactly where he wants him when he wants him there. But rather than deal a potentially killing blow, Noé holds back: and not just so he doesn’t kill Vanitas.

As Noé said before, he kinda liked the cut of Roland’s jib. So do I, now that I know his airhead act wasn’t really an act, but that he can flip a switch and enter Serious Badass Mode whenever he feels like it. Noé intentionally doesn’t seriously injure Roland because he’s hoping he can be reasoned with and a truce can be struck…and he’s right!

Despite his underlings’ objections, Roland not only decides to sit down and listen to Noé and Vanitas, but even agrees to be friends with Noé. After a lifetime of hunting and killing dangerous, insane, or downright evil vampires, Noé is a breath of fresh air, so much so that Roland can’t believe he’s really a vampire.

As for the reason Vanitas is there in the first place, Dr. Moreau is up to his old tricks, operating right under the Chasseurs who cast him out. Moreau himself seems to have a screw or two loose, and looks like Dr. Robotnik’s cousin to boot. It’s an odd choice to introduce someone who clearly traumatized Vanitas as a goofy eccentric, but that kinda also adds a layer of menace to the guy. Hes so caught up in his experimentation he’s long ago abandoned all notions of human morality.

Rating: 4/5 Stars

Magia Record – 17 – Back Into the Lions Den

In a usual cour, there’d be time and space for a cooling off episode, but with only eight episodes to work with, this lean, mean second season of Magia Record has no time to waste. And you know what? That’s just fine with me!

Not only did the entire first season feel more like an introduction and explanation of this world and its expansive cast, but it just makes sense to the flow of the story that once Iroha got caught up on what’s going on, she’d make a beeline for Nemu and not spend half the episode tidying up Mikazuki Villa with Yachiyo and Kuroe.

It also totally tracks that Iroha is almost fanatically eager to do her part in this story. Last week’s dreamy rescue mission got the ball rolling, but this week is where Iroha reasserting herself as the protagonist of this story really picks up momentum. Yachiyo is certainly weary of Iroha jumping right back into the dangerous realm of Magius, while Kuroe is a follow-not-lead sort.

So it’s really quite exhilarating to see Iroha take the initiative, get her friends aligned and on board; she’s both the glue bringing everyone back together and the lodestar guiding everyone to what’s good and right while Kuroe guides them through the fanciful book-filled caverns below Hotel Faint Hope. Unfortunately, in order to get those two through the portal, Yachiyo had to stay behind to keep the Amane sisters at bay.

Fortunately, it’s not long that due either to fate or coincidence—hell, why not both?!—Iroha encounters the ena, who is on her way out after deciding to defect from Magius. She has a very weak and vulnerable Kaede in tow, whose Doppel looks ready to pop out and kill everyone.

Again, alacrity demands that this reunion eschews the usual pleasantries; after all, all four girls are in a hurry with good reason: Nemu says she’s dying, while Kaede looks close to death, or a fate worse than it. But with the portal Iroha and Kuroe used closed, the four decide to team up for now.

What I’m glad there is time for is to check in with the Puella O.G. (including yours truly), who appear to have arrived in Kamihama City judging from the Alina Gray posters and Magius recruitment flyers. Besides it always being great to see these girls, it’s even more gratifying to know that there’s an actual reason for their inclusion here.

They’ve essentially crossed the dimensional barrier to find their beloved Mami, whom we know to be in way too deep with Magius. I like how their fish-out-of-water status is accentuated by the fact their colors are so much more muted than those of “native” magical girls like Iroha & Co. I can’t wait for if and when Madoka and Iroha meet and join forces.

But while on the way to the main exit (Rena and Kaede) and Nemu (Iroha and Kuroe), Iroha follows Little Kyuubey to another inconvenient truth about Magius: they’re farming witches. Knowing full well how fuzzy the line between magical girl and doppel, and goppel and witch, Iroha demonstrates why she’s the beating moral heart of the show, as she declares her distaste for this whole enterprise and questions what could possibly justify it.

Mind you, Iroha is not infallible in her role, and in fact her strong sense of what is right and what just seems wrong clashes with the real-world realities and wholesale suffering not only of less fortunate magical girls who lacked both the strength to defeat Kamihama witches and the support network to make up for their weaknesses. Iroha’s no Yachiyo (no one is) but she’s no slouch in terms of power or friends. Her moral certitude comes from a place of privilege.

But its that certitude and that privilege that make Iroha so well suited to leading the charge. When the girls are attacked by some kind of Uwasa sentry, Kuroe ends up cornered and her soul gem blackened, and almost takes the easy way out by using her doppel for perhaps the last time.

But Iroha won’t let her; instead, she clears Kuroe’s gem, and then the two Connect and their combined power obliterates the sentry. Magius is an organization that is hoping magical girls like Kuroe give up. Iroha’s selflessness and refusal to sacrifice anyone is anathema to them, because it’s explicit proof that their way isn’t the only way.

A new crisis emerges right on the heels of the defeated sentry, as Kaede has hit her limit. Her doppel emerges and goes berserk, and in another positively virtuoso battle sequences, Iroha, Kuroe, and Rena fight together to tame their gentle friend—turned chaotic monster.

As is usually the case with anime like this, stills just don’t due the battle animation the slightest bit of justice. Suffice it to say that in terms of artistry, grace, eclecticism and pure uninhibited style, there are few series out there that can match Magia Record. The benefits of putting 12-13 episodes worth of budget into 8 are on full display here.

Another estranged member of Team Mikazuki Villa, Momoko, arrives with Mitama shortly after the other thee girls manage to neutralize Doppel!Kaede. Mitama seals Kaede a big glass sphere, then wheels it into a gallery absolutely filled with similar spheres: an isolation ward for troubled doppels.

The other girls are not okay with this situation any more than what Magius is doing with witches. But Mitama is unmoved by their outrage, reminding them with almost Kyuubey-esque haughtiness that she warned them not to overuse their doppels.

She also reports that Kaede the other afflicted girls likely won’t wake up—let alone return to normal—until Magius’ “plan has succeeded”—an objective Iroha, Yachiyo, and now Rena and probably Momoko are committed to thwarting.

Again, Iroha serves a focusing and uniting role, corralling and calming the hotter heads and offering a possible Other Way. Even after all that has happened since returning to Faint Hope, her mission is the same: meet with Nemu, find out what’s going on, and find a way to save her.

Iroha has already demonstrated what can be accomplished by bringing the “family” together in a single, clear effort. Why can’t it be so with this? After all, unlike Touka, Nemu remembers Iroha, and the bond they shared. He’s hoping Big Sis gets to meet with her soon.

 

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