BokuBen – 11 – The Fast and the Kirisu

This week it’s Kirisu-sensei’s turn to get dressed up every which way, as she breaks off from boring work drinks (with guys who think she lives like a princess) and happens upon Nariyuki hanging outside a seedy maid cafe. Turns out Asumi is one of her former students, and the two start yanking at Nariyuki’s arms, as you do.

In the midst of the horseplay, another cafe employee is injured, and Kirisu decides to make things right by dressing up as a maid and filling in. Unfortunately, despite her confident bluster, she’s no better at cleaning in a commercial setting than a residential one, and one tiny sip of alcohol sends her into a “praise spiral” as Nariyuki carries her home on his back.

If that wasn’t enough humiliation, Kirisu runs out of clean clothes to wear when she has to stop by school to “drop off some documents”—everything, of course, but her old school uniform, which still fits like a dream but immediately attracts police attention.

Again, Nariyuki is there to bail her out, and even thought she repays him by giving him a lift in a Honda Jazz she drives like they’re getting away from a robbery, he still helps her navigate the school without being seen.

Seeing Kirisu in her uniform makes Nariyuki wonder how she was in high school, and she mentions she never got to stop anywhere after school due to her dedication to skating. He rectifies this by buying her an ice cream, but the two end up having to hide behind a bench and then pretend to kiss when Fumino and Rizu show up at the same stand. That night, just when Kirisu thinks she’s in the clear, she turns around and finds Asumi there, ready to mock her school uniform “cosplay.”

Kirisu is…fine as focus characters go, but after an Asumi-centric previous episode I had hoped for a return to the main trio of Fumino, Rizu, and/or Uruka. The comedy also leaned a bit too heavily on Kirisu’s arrested development, penchant for running into students outside of school, and talent for humiliation that verged on piling on.

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BokuBen – 10 – A New Challenger Appears!

As thanks for his tutoring services, Nariyuki is able to attend classes at a prep school on the school’s dime. He incorrectly assumes his petite purple-haired desk-mate Kominami Asumi is a middle schooler, drawing her immediate ire. However, his nineteen-year-old pixie senpai actually has a kind heart, and shares her notes with Nariyuki when the teacher erases the board too fast.

After class, Nariyuki gets lost, but is picked up by a couple of heavies and tossed into a maid cafe…the very maid cafe where Kominami not only works, but is the star of the place. She makes her adorable entrance as “Pixie Maid Ashumi” before she notices, then excoriates the heavies (who look up to her as their big sis and boss) for bringing in another broke kid.

Howeva, the coincidence turns out to be a boon to “Ashumi.” While she may not admit it, when Nariyuki knocks her science mock exams over while getting up to leave, he learns that despite trying to get into med school, her science grades stink. Turns out she’s just like his other tutees: her passion doesn’t match her talent (in this case, for business and being a people person, as she cleans up doing the maid thing).

You can see where this is going: Nariyuki starts coming to the cafe to help tutor her, and she makes fast progress with her studying. Then she runs after Nariyuki with his bus pass he left behind to find that he’s collided with her father, who owns a clinic. Backed into a corner, Asumi blames her “boyfriend” Nariyuki’s “tastes” for her get-up.

Nariyuki salvages the encounter by telling Asumi’s father he’s confident she has what it takes do what she’s set out to do; that even if it seems like she can’t do it now doesn’t mean she’ll never do it. Asumi wants to take over the family clinic from her father some day; it’s not obligation, it’s what she wants!

Later, Asumi teases Nariyuki by suggesting they kiss as long as they’re pretending to be dating, but then pats his head and praises her kohai for helping her out. Another day they encounter one another at a family restaurant, where Nariyuki is with Uruka, Fumino and Rizu, all of whom are amazed by her beauty and petite-ness. She’s even smaller than Rizu!

To Nariyuki and Asumi’s surprise, the next time they’re at the prep school, the three girls have taken up supplemental classes, figuring they can’t rely exclusively on Nariyuki all the time. However, like Nariyuki they learn that prep school is no cakewalk. While Asumi finds these three girls annoying busybodies, she still helps them out by offering pointers.

Then it suddenly rains after class, and she invites them to her clinic to dry off. Super nice! Nariyuki even gets to see the bra he recommended for Uruka. She might not know it was him under that mascot costume, but the bra was bought with him in mind…not that she thought through how she’d get him to see it. Well, job done!

When Fumino hears that Asumi’s dad thinks Nariyuki is his daughter’s boyfriend, she pulls Nariyuki aside and thrusts her hand into his midsection, hard. On one level, she’s angry that Nariyuki might be off with some other girl while Uruka and Rizu continue to pine for him.

On another, and as Asumi herself brings up (after explaining the situation and clearing Nariyuki of wrongdoing), Fumino herself clearly has some kind of feelings she needs to work through.

While studying at the maid cafe, Asumi asks him who he’s crushing on. Nariyuki serves up the usual “no time for that before exams”, but Asumi follows that up with “what about after exams?” It’s a good question, and one I hold out hope will get answered, even if it probably won’t.

Asumi then serves him some omelette rice and provides some service by sitting quite close to him and adorning it with a ketchup message. Clearly already an expert in torturing the naive young scamp, and just as clearly enjoying it, she wonders what he’d do if she said their “lie” wasn’t a lie, before pointing down to the ketchup, which reads “YOU DAMN WOMANIZER.” Nice.

Kominami Asumi is certainly a latecomer to BokuBen—there are only three episodes remaining after this one—but she’s a welcome one, offering some notable and refreshing differences over the other “suitors” while effectively and efficiently positioning herself as a worthy one herself, including being the only one of them who at least jokes outwardly about being a couple. I don’t know how much of the remaining time we have will be spent on Asumi, but I liked what I saw.

3D Kanojo: Real Girl – 14 – Festival of Conviviality

Hikari and Itou are alone in the classroom painting and sewing late at night, and falling behind, but Ishino arrives with a squadron of classmates to help out. They thought she was a ghoul at first, so unaccustomed to being assisted in things that were foisted upon them. Things have certainly changed for the better with these two.

The day of the festival arrives, and Itou goes all out for the class, cross-dressing and wearing a wig. To the surprise of male and female classmates alike, he’s stunning, and even Ayado can’t help but take a break from her own busy day to check in on Itou, and is similarly enchanted.

When Ishino asks Itou why he’s working so hard, Itou tells her: because someone helped him get the lay of the land maid cafe-wise, and it would be an insult to her not to give it his all. Ayado happens to hear this from the other side of the wall, and she’s both glad her advice went to good use and flattered it was taken to heart with such conviction.

As the preliminary beauty contest vote comes in, Takanashi tries to joke around with Ishino about not having a chance…until she starts legit crying. Knowing he went way too far, he course corrects by giving her his honest opinion, with no joking around: she is pretty, and was cute in the maid outfit, and for what it’s worth, she has his vote. Frankly, his vote is probably all she wanted anyway!

Iroha’s main rival tries to rattle her, and when it’s time to give a little speech on stage, that rival’s voice is suddenly an octave higher and much more playful. While Iroha played around with the idea of winning this thing, her own attempts to sound stupid and cute ultimately fail when she gives up in the middle and instead tells the assembled student body that she’s plenty satisfied that the friends she has love her for reasons other than her looks, and she doesn’t really give a crap about anyone else, especially if they don’t know her.

Her no-BS honesty probably ended up helping her cause, as all it would’ve taken is a vote from her boyfriend to win. But because she told him she wasn’t really all that interested in winning, Hikari votes for the other girl instead. Iroha predictably takes her defeat in stride, and is consoled by hearing some (but not all) of the many reasons Hikari likes her besides her looks.

That night, as the festival winds down, Iroha’s class rep serves her some soup from their cafe, knowing she probably didn’t have an opportunity to try it, while she insists he use the opportunity at the bonfire to talk to the girl he likes.

Itou finds Ayado still hard at work cleaning up, and when he tries to lend a hand, that hand ends up touching Ayado’s hand, spooking her. She runs off to collect/admonish herself, even giving herself a slap and calling herself stupid. She feels she has no right to have any feelings for someone she turned down.

But Itou, worried about her, heard every word, and doesn’t care; if holding his hand helps her to see him as someone she could love, then he wants her to hold it as much as possible. Iroha and Hikari almost intrude upon this tender moment, but thankfully don’t. So maybe it’s not as hopeless for Itou as he thought last week!

3D Kanojo: Real Girl – 13 – In It to Win It

Well well well, if it isn’t my favorite poorly-animated romance of Spring 2018, picking back up like nothing happened. In truth, it looks a little better, if still not very good. At least the light pastel palette is soothing enough. Visual shortcomings aside, I’ve always thought of 3DK as more than the sum of its parts, and stayed invested enough in the first dozen episodes to welcome a dozen more. Also, it’s a slow Winter so far.

So. Reaching another normie milestone, Hikari is voted cultural festival rep by his class. He and Itou have classically peace’d out for such things but this year is different, and he doesn’t have a choice. As for Itou, he’s trying to evolve, which means finally mustering up the guts to confess to the eternally pleasant Ayado, who turns him down simply because she’s not quite over the emotional turmoil of her first crush and rejection.

Hikari is there for Itou, and it doesn’t even take that long for Itou and Ayado to encounter one another and recover from the incident. They value each other too much as friends to throw that away, and so they agree to continue on as they have.

Ayado also offers to assist Itou with his class’ maid cafe, seeing as how she’s a pro at that. The next day Itou cuts his hair—which Ishino really likes—continuing to move forward with purpose.

The stress of Hikari’s job as festival rep is somewhat undercut by Itou’s exploits, but that’s actually okay. It’s Iroha who gets the really short shrift this first week. She and Hikari are cordial enough to start, but when he misreads her reluctance to enter the beauty pageant, she storms off, and by the time he sees her again, she’s already decided she’s going to do the pageant anyway. Hikari may be lucky, but he often lacks the best timing.

Itou worrying about Iroha slipping away from him when the pageant makes her more popular also feels like an older version of Itou; the one who didn’t understand why Iroha actually loves him.

Never mind; he’s been appointed a judge in the pageant, which means he’ll be judging his girlfriend. That shouldn’t prove awkward at all, no siree! So this was a brisk episode full of stuff, enough of it that I wonder where characters like Itou go from here if that is indeed that as far as Ayado is concerned. But I guess we’ll find out, won’t we?

3D Kanojo: Real Girl – 07 – Iroha and Hikari Grow Closer as Triangles Form

When Iroha sees Hikari with Ayado after telling her to stay away from him, Iroha is jealous. While she almost immediately regrets asking Ishino for advice, Ishino makes some good points.

Just because Iroha may not have ever told someone “the way she wants it to be” doesn’t mean she “has no right” to do so. In this case, it’s not imposing her will on Hikari so much as expressing how she feels to him, considering he’s not the world’s most perceptive man.

The situation resolves itself in a satisfying way, when Iroha witnesses Ayado being accidentally soaked then openly mocked by classmates, but turning the other cheek. She sees a lot of Hikari in her, someone who is kind and gentle, but also someone who perhaps gives too much without asking for anything in return. Hey, Ayado has a lot of Iroha in her too!

Iroha’s jealousy dissipates as she learns Ayado is a good person, while feeling regret for insisting Hikari trust her while initially doubting him a bit in this case. Iroha also seems worried about coming off as overly hostile or angry all the time, but Hikari doesn’t mind; he wants her to feel she can talk to him about anything bothering her.

The next day Ishino acts as Iroha’s attack dog unbidden, but they’re interrupted by Ayado herself, who wins Ishino over as quickly as Iroha (noting how Hikari surrounds himself with such beauties). With both Iroha and Ishino thus approving of her, Ayado seems poised to join their circle of friends.

Itou, on the other hand, bolts upon being introduced, but that turns out simply to be his shyness, and once he learns what a nice person Ayado is, before long he’s offering her a handkerchief to wipe away the tears of joy she sheds upon being invited to a picnic with the others.

Later, Hikari touches Ayado’s hair while trying to pluck something out of it (it turns out to be a caterpillar, which he’s not into). But unbeknownst to Hikari, his careless gesture of intimacy has Ayado’s heart racing.

When the weekend arrives, Hikari spends some quality guy time with Itou in Akiba, after Iroha politely declines to join them, insisting “she’ll be fine.” Hikari’s been given significant funds to spend on making himself look less scruffy-looking, and who should appear but the stylish Takanashi, who is apparently only in Akiba for a “computer part” (the district’s original claim to fame).

Takanashi reluctantly tags along and offers Hikari tips, all the while wondering “why am I doing this?” It’s not that complicated: Takanashi is not a complete asshole; as such, he feels bad about what he did to Hikari at school, and this is an act of penance.

He is rewarded when he’s able to witness Hikari being a badass when Ayado—handing out tissues in a maid costume for a new cafe to earn money to buy a figure she wants—is harassed by young men who find her irresistible.

Hikari isn’t overly judgy or aggressive—he merely puts himself between Ayado and the lads and firmly informs them of proper Akiba etiquette regarding maids, and encouraging them to come back once they’ve done more research. This performance causes Ayado to swoon once more.

Hikari meets up with Iroha that evening to apologize for not hanging out with her, and Iroha reiterates that it’s fine, and they have a nice chat (and he shows her his new fashionably short pants). The next morning Ayado races past them, and while it’s plain she has a crush on Hikari, it’s not plain to him.

When Ishino suggests, no, assigns the group of friends to a camping trip at her relative’s cabin in the woods, Hikari is firmly against such a “normie” activity—until both Itou and Iroha express genuine interest. Ishino is entrusting Hikari with inviting her crush Takanashi, while Itou is considering inviting his new crush Ayado.

So Ishino likes Takanashi, who like(d) Iroha; Iroha and Hikari like each other, Ayado likes Hikari, and Itou likes Ayado. Should be an interesting camping trip!

Tanaka-kun wa Itsumo Kedaruge – 12 (Fin)

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Tanaka-kun ends pretty much the way it began: quietly, with neither too much flash or too much kookiness. Sure, we’ve never seen Tanaka more focused, intense, or quick on his feet, but when his precious classroom seat is being threatened, he makes sure he puts in the effort to preserve his ability to be listless in class.

Opportunities open up for him, but switching with Miyano (trapped behind the Great Wall of Ohta) means he’s also next to Shiraishi, who sees the switch as fate, and this week she turns on the effort afterburners to get Tanaka’s attention.

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Predictably, none of the classic girl moves work, save opening her shirt, and even then she’d get any teenage guy’s attention; she wan’ts Tanaka’s. But cracking the nut that is Tanaka isn’t something you can learn in a magazine, nor is it even something that can be achieve the way his cushy new seat was acquired, and how Shiraishi has accomplished so much to reinvent her image: hard work.

Indeed, all her hard work trying to get closer to Tanaka results in him very nearly crushing her dreams by telling her he prefers to be alone, even if it’s less about her specifically (which is its own problem) and more about him not wanting to trouble people other than Ohta.

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In the end, Shiraishi comes to an understanding and a way forward—basically, stop rushing and take your time—when her monologue in what she thought was an empty classroom at sundown is interrupted by Tanaka, who just so happened to be sleeping in there.

Tanaka isn’t sure what Shiraishi is up to, but he won’t let her accept failure as the end-all-be-all; to him, failure is a fact of life, and leads to lessons learned that can be used to overturn that failure. All it takes is time. If Shiraishi is meant to be with Tanaka, it will happen eventually, just not in this final episode. And that’s okay.

Of course, Shiraishi and Tanaka end up in a bit of a quandary when the latter’s friends see him walking home with her in glasses-and-braids mode, assuming she’s a different girl and his secret girlfriend. This leads to lots of teasing and unwanted attention, and Tanaka reacts by pushing everyone away.

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Despite Echizen’s desire for Ohta to sweep her off her feet, his offer to platonically carry her Tanaka-kun elicits only a swift punch to the gut. Just as there’s a proper, specific way to Tanaka’s heart, there’s a proper, specific way to Echizen’s, and that ain’t it.

As for Tanaka, while walking home alone he runs into all kinds of obstacles he wouldn’t have had to deal with had Ohta or another friend been with him. The whole system depends on the kindness of and proximity to others, a lesson he relays to a Rino who’d rather he only rely on her.

Just to drive that point home, the next morning all is cleared up thanks to Shiraishi talking with Ohta and creating a new, more plausible story for everyone that still preserves her secret alternate look. And while the ordeal has only made Tanaka dread having a real girlfriend, to Shiraishi’s dismay, I imagine given enough time that position will also soften.

Tanaka-kun was a hoot, and it did it by staying understated and consistent. It was head-and-shoulders above any other shows I watched this season, and the school-based rom-coms and slice-of-lifes that are coming this Summer have big shoes to fill. Naturally, I also wouldn’t mind another twelve episodes of this some day. But there’s no rush.

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Tanaka-kun wa Itsumo Kedaruge – 11

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You’d think a pool episode would wear Tanaka out, but he can always float listlessly on the surface. When his normally relaxing, ordinary school life is infected by vigorous preparations for the cultural festival, we learn what is truly anathema to him.

In preparation for the bedlam, he tries to perfect his cloaking device, but to no avail: he has to perform some task, and the final ones available to him and Ohta turn out to be the role of haunted house ghosts.

Of course, initially, Tanaka doesn’t scare Shiraishi so much as surprise her when he so nonchalantly flashes her while switching how he wears his funeral robe (fortunately, he was wearing underwear).

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Ohta and Tanaka also have a sweet moment when they look on proudly as Echizen interacts with people other than the two of them and Miyano (though she resents their pride as somewhat mocking).

The haunted house turns out alright too, with a couple of little issues: Rather than a ghost in a well, Tanaka looks more like a leisurely bathing spa patron.

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As for Ohta, he’s far more scared of the house than anyone else, and so he must be replaced as star ghost. Miyano steps in, but ends up charming patrons rather than scaring them with her adorable demon catgirl get-up, even posing for pictures. Hey, it’s not what they were originally going for in a haunted house, but if the customers come away happy, who cares?

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During Tanaka’s break, he sees class 1-E has a Maid Cafe, and as a girl with very similar long black hair runs off to watch the drama club, I was all but convinced Tanaka would be forced into a maid outfit to substitute, with hilarious results. Instead, we got something even better: Echizen in a maid outfit, complete with bubbly welcome.

Of course, she realizes far too late who she’s welcoming, resulting in the longest—and best—comedic pause of the episode, ending with Echizen reverting to her usual brusque nature, demanding Tanaka go home and forget what he saw.

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Tanaka continues his quest for a refuge from the hustle and bustle of the festival, barging in on a kissing couple and coming up against a sign barring roof access. He settles on a cardboard box near the roof door, where he soon falls asleep. Ohta, who lost sight of him during the break from helping everyone who asked, searches desperately for his friend, stopping at nearly every food and sweet stall on the way—this is a cultural festival, after all, one must sample all they can!

When he does find him, Tanaka is so accidentally scary-looking that Ohta clean passes out. All Tanaka can do is sit by him and wait for him to come to, but of course he dozes off in the process. When they both come to, it’s time to clean up and celebrate a festival well done. But Ohta doesn’t forget the ghoul he spotted, and presents Tanaka with consecrated salt to ward it off…even though “it” was Tanaka himself.

Another wonderfully solid and hilarious Tanaka-kun, adding new life to a well-worn anime theme two weeks in a row with its uniquely bizarre and unexpected yet warm and charming comedy. I hope it gets a second season!

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Shoujo-tachi wa Kouya wo Mezasu – 02

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Now that Bunta has agreed to make a bishoujo game with Kuroda, he must be properly initiated into the world, which Kuroda achieves by leaving a choice selection of games in his shoe locker. She also shows him where the magic will eventually happen: the room she has reserved for the “Marketing Research Club”, which she helpfully points out is just a front in another quirky discussion between the two.

The Bishoujo Club has a producer in Kuroda and a writer in Bunta, but they’re short, a minimum, four more staff positions: for lead animation, programming, CG Art, and voice acting. She uses English-based acronyms to describe these jobs, but since this isn’t my first otaku rodeo, I found her explanations to Bunta somewhat redundant.

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Despite Kuroda’s belief his social skills would make him the perfect recruiter, Bunta brings back a bunch of unmotivated poseurs. Then Yuuka and Atomu barge into the club to look around, and Bunta realizes Yuuka would be perfect for the voice actress role (of course she is; she’s Hanazawa!) and Yuuka herself is interested in voice acting, even if she doesn’t much care for games.

That leaves Atomu, who isn’t sure how he can contribute, and fails to impress Kuroda…until the subject of dating comes up, and he goes on a bitter rant about how fickle girls are and how he wants nothing more but to abandon the 3D world for 2D paradise. That gets Kuroda’s applause, and she appoints him assistant director.

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Kuroda continues the initiation of her new club members by returning to Akiba. Strangely, Bunta acts like he’s there for the first time despite having gone there just last week with Kuroda alone. Maybe now that he’s into games he’s seeing the place with freshly opened eyes?

There, Kuroda shows them some very nice doujin works (including some by pros) and boldly proclaims they’ll create a game that will leave all the others in the dust. This isn’t a labor of love for her, results matter. Especially when her brother runs a highly successful game company.

After the group breaks up for the day, Bunta visits a maid cafe…where his classmate Andou Teruha just happens to work part-time in secret under the work name “Luka.” I thought sparks would fly, but both parties keep their cool, with Teruha switching from her normal deep voice to the bubbly Luka at the drop of a hat, while making clear her job will remain a secret (she doesn’t have to say “…or else”).

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After spending all night playing games he’s legitimately into, Kuroda’s next task is for him to acquire an artist. He’s not that good at discerning good art from bad, but that’s the person she wants searching for talent: if he’s moved by something, than it’s going to be something special.

Sure enough, while perusing the wares at a bookstore, he comes across a little sign drawn in a style that makes his heart flutter. His research determines it was done by  “Hokikiyo”, alias of the top-ranked-on-Pixi Yuuki Uguisu, who also just happens to attend their school as a first-year, and works at the bookstore Bunta visited.

However, she’s also a painfully skittish milquetoast, however, so the club’s aggressive attempts to recruit her fail at first (i.e., drawing her out with a love letter and then surrounding her menacingly).

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It’s when Teruha sits beside a frustrated Bunta and learns he’s making a girl game and looking for “Hokekiyo”, Teruha reveals she’s a fujoshi (another term defined by side-chatter), is familiar with her work, and helps recruit her, cornering her in the girl’s lavatory and bringing her to the club room. Everyone praises her enough to convince her to createart for their game, though she quietly confesses she really wants to draw for an eroge.

Teruha herself also joins the club as a programmer, and just like that, the team has been assembled, presumably leaving the rest of the show to the production of the game. On this efficiency, I’m a little torn: quickly getting the “building the team” out of the way is satisfying in its way, but it relied on an awful lot of convenient coincidences.

Also, and this is could be an ongoing thing if the two episodes are any indication: the characters all feel rather smoothed over, subdued; as if they lack sharp edges; Atomu’s “breaking”moment being the lone exception. The characterization and accompanying comedy often walks a fine line between understated and overly buttoned-up, even to the point of tedium.

I hope it doesn’t stray too far to the latter side. What with all the intros, there wasn’t a lot of time to go in depth with anyone. Perhaps the show will find a stronger voice once the game-making gets underway in earnest.

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Denpa Kyoushi – 04

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Kagami-sensei’s latest lecture kills two birds with one stone: teaching Irregular Twintails (Makina) the true dignity of maids (Akiba, not regular), while encouraging Potatoes (Kiriko) to get back to doing what she loves: performing as the underground maid idol and YouTube sensation “Cutter Girl.”

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Makina puts up a fight, offering her Wikipedic knowledge of real-world maids and dismissing the Akiba kind as “fakes.” Even so, she agrees to serve as a maid at a cafe run by a friend of Kagami’s who has gotten serving down to an intricate science.

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Kagami, or rather the cafe where he brought Makina, makes a decent case for the dignity of Akiba maids by showing her the amount of skill, initiative, creativity, and people skills required to make a diverse array of “masters” happy. Sometimes that means acting cute or subservient…sometimes it means being standoffish and rude.

He paints maid cafes as a microcosm for society at large, but Makina fires back that most of society doesn’t “get” or approve of maid cafes, so she can’t let Kiriko continue lest she give the school a bad image.

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In the B-part (which Kagami announces by tapping on the fourth-wall), Kagami arranges a live performance in front of a growing crowd of people, with the idea being if society doesn’t approve, she’ll make them approve by delivering a dazzling performance.

Potatoes, suddenly full of confidence, calls Makina’s bid, stating she’d be able to weather explusion better than not being able to do what she loves. She then takes the stage and becomes an instant hit online and off, with Kagami pulling the logistical strings. Now, it would hurt the school’s image if they did expel Potatoes.

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While I’m glad the show seems to be back on track with regard to Kagami tackling the problems of a student or two per week, this will be my final review of Denpa Kyoushi. It’s far from terrible, and often downright charming. In a lighter season, or with higher quality visuals, I’d keep it. But the fact of the matter is I’m reviewing more shows than I want to this season, and Denpa’s iffy production values made it vulnerable for culling.

Class dismissed!

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Denpa Kyoushi – 03

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Kagami’s voluntary dismissal from school seemingly ended the “weekly student project” format I had become comfortable with and fond for, and all for reasons that didn’t do Kagami any favors in the likability department.

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Still, like me, Hiiragi Koyomi (later nicknamed “Options” by Kagami because she herself says she’s loaded with them) has enjoyed watching Kagami improve the lives of his students with amusing methods, and wants to see more of that at her school.

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Only Kagami doesn’t want to teach, so Hiiragi formulates an elaborate military operation, using all of the resources and connections at her disposal to track him down. I think the overarching joke is that Kagami isn’t really on the run, but just has a very busy schedule of YD activities in Akiba.

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I’ll be honest, I didn’t dig the whole chase sequence. I’ve seen super-rich people put on much better shows than Hiiragi did here, and the show’s animation bordered on the putrid this week, and really didn’t do Akiba justice. Hiiragi’s minions also seemed particularly incompetent, and I wasn’t buying Kagami’s hacking prowess.

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Am I being overly pedantic with a show not intending to be that serious? Perhaps; especially when the chase ends with Suzune literally throwing a big net over Kagami and then tossing him in a burlap sack. Still, it’s good to see Kagami brought back down to earth by his little sister (who knew he liked a certain voice actress) after he was able to defeat the might of Hiiragi family, Jack Bauer-style.

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Hiiragi brings Kagami to his sister’s school, Icho, where he’ll teach first before moving up to Hiiragi. But even if its the poorer of the two schools, it’s still pretty fancy. There, Kagami meets Hiiragi’s No. 2, the mirthless twin-tail he quickly nicknames “Irregular Twintails.” Momozono resents Hiiragi recruiting this NEET “thing” just to make things more “amusing.”

Kagami can absorb Twintails’ barbs, but when she turns her ire on Shikishima Kiriko, a student being expelled for having a part time job at a maid cafe, the situation suddenly becomes YD for Kagami. He agree to take the job if Shikishima is reinstated, and vows to teach Momozono about the dignity of maid cafes. And jut like that, we seem to be back in the “weekly student project” format I didn’t mind. Denpa Kyoushi can keep its chase scenes.

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Amnesia – 05

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The heroine finds herself in a new world where Ikku is her boyfriend. Rumors fly around that he treats dating like a game and has dumped all his previous conquests three months after meeting them. However, according to Kent, he has not yet done so with her. Orion reappears but promptly disappears, just before she is able to tell her what exactly is going on.

We’re starting to think Eureka the heroine’s encounter with Merry Nightmare Orion now has her bouncing between universes. Whenever some time passes and she is able to gather information about the universe she’s in, boom, she wakes up back on August 1, in a totally different universe. Well, a slightly different one, at least. It’s all about the details: most importantly, whom she’s dating.

While it’s eventually made clear Ikku and the heroine are a couple, because we know that she doesn’t remember (or is from a universe where they aren’t a couple) there’s a bit of a creeper factor to Ikku. It’s as if the series is relishing putting the poor unwitting heroine in the middle of these relationships with fairly aggressive men who wear the same weird clothes every day, have no notion of personal space, and play nerdy math games.

Of course, the heroine keeps going with the flow. Why bother learning more about where she is if you’re just going to end up somewhere else a couple days later?


Rating: 6 (Good)

Amnesia – 03

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Shin takes the heroine home from the hospital. The next morning he returns, telling her they’ve been dating for three months. He takes her to her university, hoping to jog her memories, including in the practice room where they first kissed. When she returns to work, the trip to Shinano differs in several details, and Kent and Ikku no longer work at the maid cafe. She asks Shin what happened the night of her accidnent, but all he can tell her for now is that it was “all his fault.”

Things don’t get any easier for our poor delicate heroine this week, as she wakes up in a hospital, back in the beginning of August, after an employee retreat that she remembers happened days later. And it isn’t just dates she’s confused about: people who used to work at the cafe are now just random acquaintances. There was no meteor shower. And the “photographer” guy? He helped them look for her, but now he seems to vanish into thin air when she’s not alone. Consistent  facts elude the heroine at every turn. We’d be pissed, but she handles it all with grace and patience.

All we know for sure (we think!) is that she fell off a cliff and was injured How, and why and to what extent she was hurt, we don’t know. Nor do we know if the last episode was just a dream, or if this one is. Shin isn’t forthcoming, because he’s not confident enough to discuss it calmly, or something. Beside their frustrating discussion, a juggler juggles, providing a not-so-subtle visual aid of what the heroine is trying to do. And then, to complicate matters further, Orion, who had been absent in this time, tries to re-establish contact.


Rating: 7 (Very Good)

P.S. The heroine’s university is Rikkyo University in Ikebukuro. We happened upon the real thing while on a trip  there and were struck by its Western design. It looked like someone plopped down a patch of England right in the middle of Tokyo! Also, like Shin, we love melon soda.

 

Amnesia – 02

Eureka the heroine wakes up after her encounter with the girls, wondering if she broke a promise and caused someone harm as a result of her amnesia. She decides to join her co-workers on a 2-night orientation trip to an island where they’ll be able to see a meteor shower. She gets flashbacks of Kent at a festival and of Shin confessing to killing someone, and when she ends up alone with Shin, she panics, and ends up falling off a cliff. She comes to in a hospital. It’s August 1 again, Shin comes in to kiss her, and Orion is gone.

The mysteries continue unabated this week, with the poor unnamed heroine’s plight becoming more and more complicated and confusing. It’s bittersweet feeling, as we’re enjoying all the intrigue, but at the same time frustrated that we just don’t know anything concrete yet. On more than one occasion Orion apologizes for being useless, but really, where would the heroine be without her guidance? Well, we may find out next week, as it would seem she’s gone back in time, her neck is bandaged, and Orion is nowhere to be found.

Is Orion being trapped inside her soul the main cause of this, or are matters more complex than that? How much time traveling has she done? Are there paradoxes to resolve? (sorry, we’re deep into FFXIII-2). It seem’s she’s had/has/will have some kind of romantic connection with all the guys (explored in both OP and ED) at some point. Who knows? She doesn’t even know who she is, only that she’s apparently quite popular, despite spacing out all the time. We haven’t even mentioned that weird photographer guy. Curiouser and curiouser…


Rating: 7 (Very Good)