Cop Craft – 12 (Fin) – Forgivable Evils

What had the makings of some kind of grand conspiracy is ultimately boiled down to A Wizard Did It in the exceedingly tidy Cop Craft finale. Captured last week, Tilarna ends up in a penthouse with that wizard with her hands and feet both cuffed. It’s also one of the only instances I can recall where she’s not wearing her Semani cape, revealing an elegant midriff-bearing top.

She has to sit and listen to Zelada drone on about how he believes decadent Earth culture will eventually overwhelm destroy Semani culture: weapons, tools, sex…and that awful, awful rock music. Despite it seeming an awful lot like that ship has sailed, he’s working to make two societies to hate each other…or something. The nerve of someone in Carmen Sandiego pimp cosplay decrying decadence!

Meanwhile, the FBI agent rather ineptly attempts to extract Kei’s iPhone password so he can destroy the last photo of Marla and the assassin (Randall is killed off-camera). Kei, ever the smartass, starts to give it to him: “F-U-C-K-Y…” Hee-hee.

While the camera made sure to show us that Tilarna’s legs were cuffed, Kei’s legs are completely free, and his arms are cuffed to a flimsy folding chair that isn’t even bolted down. All it takes is for Mr. FBI to get too close, and Kei has him in a leg headlock. It demonstrates less how badass Kei is (and he is), and more how excruciatingly dumb Mr. FBI is.

Meanwhile, after ranting virtually all night, Zelada senses that Kei has gotten free and is killing his puppets. After all this time, and with little reason to keep Tilarna alive, Zelada nevertheless takes his sweet old time before finally deciding that yup, he should kill Tilarna. It’s like he’s waiting for Kei to arrive and save her, because that’s what the plot demands!

Even with arms and legs cuffed, Tilarna is also a badass, and manages to dodge Zelada’s attacks until Kei bails her out. Zelada’s invisibility is overcome by activating the sprinkler system (how ’bout that!), but the weakened Tilarna can’t handle the sword, so she and Kei switch weapons, with Tilarna pumping Z full of lead while Kei beheads him with her sword.

With that, our buddy cop odd couple waits for backup that will be late because the town is rife with violent protests. Kei leaves it up to Tilarna whether to give the photo of Marla to the police as evidence of her role in the assassinations, and after weighing the options, decides to do so.

Donald—er, Domingo Tourte wins the mayorship after Marla is arrested, but things eventually cool down as Tilarna thought they would, because for all its warts, San Teresa is still a good town filled with mostly good people. That’s why, as she writes to her father back home, she’s decided to stay put, serving as Kei’s partner in stylish crime-fighting.

And there you have it! A rushed ending, perhaps, which did itself no favors with the idiocy of its villains, but far from eye-gougingly terrible. I’d say Cop Craft would have benefited from another twelve or even six more episodes to give the conspiracy and photographer arcs a little more fleshing-out, but honestly the show probably would have found a way to squander them and be forced to end just as abruptly.

I will say that even if I wasn’t always in love with what Cop Craft did with the episodes it had or the world it built, it was still a neat world, with a solid core duo of likable characters, a smattering of cool supporters, and a fun soundtrack. It wasn’t flawless, but it wasn’t all bad either—much like the situation Tilarna and Kei find themselves in when the end credits roll.

Dimension W – 03

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After their first big job together (which nets Mira a cool ¥6 million cash) DW slows down a little, giving us a largely slice-of-life episode that still nudges some plot points forward. It also happens to be a slice of the lie of an android who thinks she’s a human and really might as well be one, since she has the same need for a place to live, relax, and heal her body.

After being paid and praised, Mira’s excited about interacting with society and carving out her little corner of it. I like how we first see Kyouma having bad dreams, then refuse to accept Mira in his house – too much gloom in there for her, plus he doesn’t want to lose privacy. Mira is plenty elated by the purchase of her very own trailer.

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However, that trailer doesn’t have a bathroom, so she has to use Kyouma’s. When he inevitably walks in on her, she doesn’t slap him, but just explains that for various reasons related to her unique specifications, she needs the damn toilet too sometimes, so they’ll just going to have to work out a system, whether it’s a door lock or simply knocking.

Kyouma, who hates all things Coil, seems to be (inadvertently or not) denying or at least limiting Mira’s humanity at every turn. He certainly has his reasons, but it’s not exactly nice that he doesn’t even bother saying goodbye before leaving, or help her transport her furnishings to her trailer (which she then has to carry herself, quite conspicuously!).

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He also leaves Mira to her own devices (tehe) in dealing with the snoopy neighborhood kids. Mira figures it out, being firm but not too strict with the youngins’, the most inquisitive of which, a girl named Shiora, asks if Mira is Kyouma’s new wife, and whether they’re “doin’ it” (complete with the vulgar Japanese gesture for sex I first saw in Shimoneta). Kids!

When the kids get a little rough in playing with Kyouma’s stacked car wrecks, and disaster is imminent, Mira springs into action like a superhero, putting the kids’ lives above worries about being exposed. She also scares the shit out of the kids, who assumed she was human.

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Man, I love the composition of first-person POV of Kyouma arriving at his place to see what chaos has been wrought in his absence. That clever camerawork is also used to reveal, in a way that’s both hilarious and heartbreaking, that Mira’s head popped off in the ruckus, and she’s been sheepishly sitting in her trailer all along, holding her head in her lap.

She’s worried that those kids will think she’s a monster, and also knowing she may have taken things a little far, since New Tesla could have easily discovered her, meaning the death of Kyouma, Mary, Koorogi, and probably others. Kyouma may see the beheaded Mira as proof she’s just a robotbut to do so would miss the fact that head aside, she’s acting like a human. The reality is, she’s much more than some robot.

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As for where Kyouma was while Mira was getting into trouble: he gets some info on the “Numbers”, which are mini-coils that draw from deep within Dimension W for their power, and which have caused bizarre accidents like the art museum, which NTE is always quick to cover up.

The incident with the cars has Kyouma brought to the Police department for questioning, but he’s soon released and summoned to the roof of NTE 47, where the COO, Clair Skyheart, is waiting for him.

Kyouma assumes she bailed him out for some reason, but it’s just a matter of her granddaughter Shiora telling her what happened and putting a good word in for him. Claire also wanted to meet another “beast of Grendel”, having been told about him by another apparent former beast, Albert.

Shiora whispers to Kyouma that she and the other kids didn’t tell anyone about Mira’s secret, and hope she feels better. The kids later pay a visit to Mira, who is glad they don’t hate or fear her. Of course they don’t; unlike Kyouma, technology has only ever been a force of good. On the other side of the spectrum, I could have done without Kyouma kicking her butt and calling her junk…

This was a fun episode that explores how far Mira’s come, how far she has yet to go, and how much more Kyouma has to learn about the right way to treat her, in addition to learning a little more about the Numbers. The teaser at the end is more of a preview for the next episode, which suggests Kyouma and Mira’s next mission will take them to a remote island castle where Robo-Murder Most Foul is afoot. Talk about a change of scenery!

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