O Maidens in Your Savage Season – 02 – Holey War

After Kazusa reads about masturbation at the bookstore (no doubt learning it’s natural and healthy and thus way less of a big deal than either she or Izumi are making it out to be, even if it was super-embarrassing) she finds Niina in the clutches of some mouth-breather, and gets a text asking her to follow, along with other instructions.

When Kazusa joins them at the cafe, Niina is acting like “a different person”, talking about having to “take on three guys at once” later, then asking the dude if he’d hook up with her “super slutty friend” instead. That’s when Kazusa declares, loudly and proudly, that her crotch is really itchy. The guy flees.

Turns out it was all according to a script Niina’s friend at a theater troupe gave her to use as a defense against the many guys of all types who have projected their fantasies on her due to her ethereal, girlish good looks, and in doing so push past normal social boundaries. It’s a sad but very accurate commentary on the need to know how to deal with such men; many of whom won’t take rejection well.

Because of her looks, Niina grew up a little faster than the other girls. As for Kazusa, she really only grew up when she walked in on Izumi, who her clueless dad invites over for pizza. Izumi and Kazusa have a mature and productive chat about it briefly tries to make Kazusa forget by grabbing her head and shaking it (the childhood friend rambunctiousness coming out at the worst time) but ultimately would prefer if she just forgot it ever happened.

Later that night, in the shower, Kasuza puts herself in Izumi’s shoes, and of all the things she’d want to cover if he walked in on her, she determines she’d probably most want to hide her face, as if like an ostrich with its head in the ground, it wouldn’t be happening if she couldn’t see it.

At lit club, Rika instructs each member to come up with ten more “literary” words to use in place of the inartful English word “sex”, since it’s an otherwise unavoidable word with the works they’re reading. Then the writer among them gets a call from a potential editor, telling her she’s not quite there yet, but coming by his place will “probably help her chances.”

Then Rika gets “bothered by the chidings of lascivious beasts,” causing her to hurt her crotchal area on the vault; one of the girls doesn’t laugh and wonders out loud if she just “broke her hymen”; Rika later admits to herself she “doesn’t know how to check”.

It’s just and overall unpleasant-as-hell experience, but as she’s washing her face in the sink, Amagi comes by and calls her cute again, even comparing her to a model. There’s no reason to think the kid is messing with her, but Amagi isn’t prepared for the praise, and flees in a cloud of dust.

Then, the inevitable: the girl who boasted to her friend she’d take Izumi’s virginity makes her move. Kazusa is instinctively ready to riot, even tossing out the lame excuse of “having to keep an eye on him while his mother is busy with work!” She ends up getting to watch the meeting thanks to Niina paying her back for “having an STD for her” the other day.

Izumi ends up turning Asada down, but when she learns he doesn’t like anyone in particular, gets him to agree to “think about it,” as she’ll wait for him “forever.”

After Asada leaves, Izumi spots Niina snooping and recording, but Kasuza comes between them and tells the truth: Yes, they were snooping, but he didn’t give the girl a straight “no.” Then she asks if he just wants to “do it” with girls, and Izumi doesn’t understand, she blurts out a variant of one of the club’s euphemisms: “Ess Eee Ecks!” before running off.

The next day, with the whiteboard full of vulgar words and phrases, the principal and vice principal, both men, declare that absent a faculty advisor to keep them in line, the lit club will be dissolved. Kasuza starts weeping form the news; she doesn’t know what she’ll do if there’s no lit club (answer: they can always meet up somewhere after school and in the summer).

But Niina knows better. She knows Kasuza’s tears that just won’t stop aren’t just about the threat of the club dissolving. She gets Kasuza to admit that a “storm is raging in her heart”, and that if she absolutely had to “do it” with someone, it would be Izumi, which indicates she likes him. This may be something we’ve known for a while now, but only then, on the riverbank, does she finally have the official epiphany. She’s in luuuuuuve.

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O Maidens in Your Savage Season – 01 (First Impressions) – Crazy Train

Onodera Kazusa is an almost aggressively normal high school girl. She doesn’t really stand out anywhere, and is part of a literature club whose members include both a budding author, a glasses-wearing prudish type, and a serene senpai who is perfectly comfortable reciting very steamy sex scenes in the book they’re all reading.

Kazusa has a best friend in fellow lit club member Sudou Momoko, and she has a childhood friend in the train-loving Norimoto Izumi. She and Momoko are each other’s main source of verbal and emotional support in these trying adolescent times. She and Izumi were once as close as brother and sister, but have drawn further apart due to his increasing popularity—particularly with other girls.

Kazusa is voiced by relative newcomer Kono Hiyori, who does a splendid job modulating her voice for Kazusa’s vulnerable and frustrated inner monologues. It also helps that she closely resembles Shizuku from Whisper of the Heart, a rare Ghibli film grounded in contemporary life and one of my favorite anime works.

It helps because Shizuku never strayed past the “pure and innocent” phase of her romance with Seiji; the film ended (spoilers!) with her suddenly proposing marriage after they bike up the highest points in West Tokyo and watch the sun rise on the city. It’s beautiful, and it marks a major milestone in their trudge toward adulthood…but it’s incomplete.

O Maidens in Your Savage Season (written by the great Okada Mari) is not incomplete. It reveals all of the insecurities and worries and downright dilemmas far beyond simply developing feelings for someone and being frustrated by one’s comparative lack of accomplishment. By the end, we have a nearly complete picture of who Kazusa is (just a kid), what she is gradually becoming mentally and physically (an adult) and how she feels about that (not so great so far!)

When Kazusa’s mom—whom she says many describe as “child-like” even though she’s most definitely not a virgin due to Kazusa’s existence—asks her to take some food to Izumi’s next door, the comfort of their familiarity is evident, but so is a growing awkwardness punctuated when Izumi asks if he should talk to her around other people.

Kazusa’s wishy-washy reply (depends on who and where) doesn’t help matters. Talking about their issues clearly would be optimal, but again…these are kids. She’s aware enough to know she didn’t handle her interaction with Izumi in a satisfying way, leaving so much up in the air and unclear, but she doesn’t yet possess the tools to do so, hence her frustration and very Shizuku-like private mope on Izumi’s front stoop.

Back in lit club, Sugawara Niina, with her confident stride, ever-calm tone, and shorter skirt, all indicate she’s more mature than the other four members. To put it far more harshly, some boys consider her a diamond atop a pile of dung. But when a story with the premise of “doing something before you die” comes up, she blurts out “have sex,” because as mature as she looks and sounds, she’s still a virgin—still in the bubble with the rest of them. Despite all the classy smut they’ve read, it’s still a totally unknown world.

But her stated desire to have sex before death brings that subject too the forefront, like poking at the bubble until it bursts. Now sex is the first thing on the minds of the four other girls, from Rika (glasses) telling some gals to shut up about sex and being verbally abused by some classmates and then complimented by another; to Kazusa overhearing two of the girls who like Izumi talk very openly about wanting to take his virginity.

The more Kazusa hears about Izumi and sex, the more those two seem like something possible and thus terrifying—a far cry from the little boy with which she used to run around, fall over, and wade in the kiddy pool. The boy who’s crazy about trains. With the bubble of obliviousness popped by Niina, Kazusa finds herself on the deep end, her surroundings growing darker and more morose. But she has to kick and swim and breathe, or she’ll drown.

Things already feel like they’re starting to spiral out of all control for Kazusa, who asserts that she doesn’t like this and isn’t ready for it at all, but she has no idea what’s coming down the track to knock her off the rails of innocence for good, where she was once only teetering and threatening to fall. In an absolutely stunning sequence that plays like, well, a train wreck, Kazusa hears music inside Izumi’s, and so enters through the unlocked front door.

She makes her way up the stairs to Izumi’s room, where the door is cracked but not closed, and lets herself in without knocking. Izumi is inside, his pants down and his feet on the desk, masturbating to porn on the internet. The director lets the two just sit there in the moment of horror, completely silent but for the (likely fake) orgasmic screams of the woman on the laptop. Izumi gives a half-hearted “Hey,” then asks if she’ll keep this a secret. Pretty smooth, considering one of every guy’s worst nightmares just came true.

Kazusa…snaps. She bolts out of the house screaming and just…keeps running and screaming (the action animation is superb) through a market district. Naturally, every food sign is a double entendre, lending credence to her lament that there’s just too much god damn sex in the world.

Worse, her pure, innocent Izumi has changed forever. The boy is dead; a man has taken his place. The last time he saw her penis it was tiny and harmless. Now, not so much. As she stops on a bridge over a train track to catch her breath, she tearfully declares out loud that “that won’t fit in there!” Then, in a moment perhaps almost too on the nose but also pretty damn effective, a train passes beneath her, lining right up between her legs, and enters a very tight tunnel. “It fit,” she says, relieved, but she soon collapses back into a heap of adolescent frustration.

O Maidens is a refreshingly bold, sincere, brutally frank depiction of sexual awakening and its maaaany pitfalls. So far the experience is largely horrifying, terrifying, and overwhelming for Kazusa, and it’s sure to continue to be so. But the show balances the drama and comedy, never letting you forget these are human beings with human being minds and parts, all of which are in a state of open rebellion, but all of which are also very complicated.

The stakes for Kazusa and her friends are far higher than looking fit in a bikini for the summer. This is for all the marbles. All we as viewers can do is ball our fists and hope she hangs on for dear life to this train ride that can’t be stopped, until the ride becomes at least little smoother, if not joyful. I’ll be in the cafe car, quietly cheering on these maidens in their savage season.

Bunny Girl Senpai – 13 (Fin) – Everything is Going to Be Alright

Upon the return of her memories, Kaede doesn’t really seem to grasp why this is all such a big deal; from her perspective, she was never actually ever “gone.” But it’s a huge shock and a gut punch to Sakuta; bigger than he could have expected or was prepared for.

“Kaede”, the entirely new personality he’d loved and cared for as his little sister for two years, isn’t just gone; it’s as if she never existed, and that deletion of her existence occurred just when she was starting to take her biggest steps yet towards living a normal life. It’s enough of a shock for Sakuta to simply lose it upon leaving Kaede’s hospital room.

He simply wasn’t ready to lose Kaede. Even the three huge slash marks reopen and bleed. And just when Sakuta needs someone—anyone, but also not just anyone—most, who should appear but his first crush; the girl no one else can see: “Shouko-san.”

Shouko-san takes the soaked and suffering Sakuta home, gets him into a hot bath, and proceeds to read Kaede’s diary to him. While this may seem like a gross breach of privacy, this is mitigated by the fact that the Kaede that wrote the diary is now gone, and thus the diary is the only link to her Sakuta has left.

Through the diary and Shouko-san’s words of support and reassurance, Sakuta learns that both Kaedes never stopped loving him, and while it might’ve seemed only natural to regret not helping her back when she was being horribly bullied, she never held that against him, and thus there was never any reason for regret, self-hatred, or the physical manifestation of those emotions, his chest slashes.

Knowing that we’ll never see or hear Kaede as we knew her ever again, its a particularly poignant diary/farewell letter, narrated in both Shouko-san and Kaede’s voices. More importantly, it finally gives Sakuta, who had been so busy helping others to help himself for so long, a kind of catharsis and closure. The next morning, Shouko is gone, leaving only a note behind.

Sakuta has no other way of reaching Shouko-san, and can’t even reach the younger Shouko on the phone. He does finally call Mai back, and fills her in on what happened, without really getting into his whole ordeal in the bathtub. When she surprises him by coming over, prepared to spend the night with him, she finds Shouko’s note.

Since this is Mai we’re talking about, there’s no way she’d get jealous over such a note, or that she wouldn’t believe Sakuta’s explanations; rushed and verbose as they are, everything he’s saying is the truth. But Mai is still hurt, and has to leave as soon as she arrives.

Part repaying a debt, part helping out her sister, and part being a good friend, Nodoka meets with Sakuta and tells him to make things right. It’s Mai’s birthday, after all. Sakuta double-times it onto a bullet train to catch up to her in Kanazawa.

Things are chilly both inside the car in which Mai and her manager give Sakuta a ride, and outside, where some snowflakes start to fall. But once Sakuta shares his coat with Mai, the ice is broken and they both proceed to apologize to each other. What caused Mai to say the things she did and leave wasn’t jealousy, but frustration that she wasn’t able to be with Sakuta when he needed her the most; “Shouko-san”, whoever she is, filled that role instead. She feels bad about that and apologizes.

Of course, there’s nothing to apologize for; Sakuta is just happy to have Mai by his side whenever he can, even if it wasn’t at a crucial time this time. She’s his girlfriend, and he loves her, and that’s more than enough for him. She almost leans in for a kiss, but instead gives his cheek a yank, remarking that being “punished” is probably the ideal thing for him anyway.

All is well that ends well, as Sakuta introduces Mai to his parents and re-introduces her to Kaede, continues hanging out with Tomoe and Futaba and Nodoka, and re-bonds with his little sister, who is ready to go to school and ready to see some pandas with her big brother for the first time…again.

While the Kaede and Sakuta arc wasn’t my favorite, it was still a solid way to bring the anime to a close. It’s a shame we couldn’t see more of the “new old” Kaede as herself, or going back to school, and it’s also a shame there was so much mystery surrounding the nature of the Shouko(s), but it sounds like at least the latter will be covered in an upcoming film.

I for one wouldn’t mind returning to this pleasant, charming world where people who feel so alone it starts to do weird things to them are saved by friends and family whose help proves that they’re not alone after all, and never were.

Bunny Girl Senpai – 12 – Trying Your Best ‘Till You Disappear

Sakuta tells Mai and Nodoka the story of Kaede he’s never told anyone, but now that Kaede is making friends and thinking about going back to school, he can’t hold it off. It’s also the story of himself and the rest of his family. When Kaede suddenly enters a dissociative state as a result of online abuse, she loses her memories and becomes the “Kaede” we know.

Other than her outward appearance, everything about her is different, to the point she could have switched personalities with someone the way Mai and Nodoka did. She walks different, talks different, eats different. Kaede’s Mon can’t deal, and due in part to being a big brother who is utterly powerless to stop whatever Kaede’s going through, the slash marks on his chest appear one night.

The doctors believe they’re self-inflicted, as “Adolescence Syndrome” isn’t a theory they’d subscribe to. But Sakuta gets sick of the hospital and sneaks out, finds himself on the beach, and meets his “first crush”, Shouko. Shouko tells him “life is here for us to be kinder”, and she strives every day to become a little kinder than she was the day before.

Sakuta adopts that credo; one could say it’s all thanks to Shouko that he’s able to do any of the stuff he does to help his friends later on. But here, before he meets Nodoka or Tomoe or Mai, we see that the first person he helped was Kaede. He helped her simply by acknowledging that she was Kaede. She didn’t have to be the old Kaede. He was the first and only one to accept her, not as an anomaly, but a person.

Back in the present, where Kaede is on the cusp of “leaving the nest”, Sakuta gives her a book the old Kaede apparently lent to her friend. In it is a note expressing that friend’s wish to be friends with “Kae-chan” again. Tears well up, and Kaede suddenly faints.

She wakes up in the hospital, none the worse for wear, but the doctors believe that her dissociative state may be wearing off. The note was apparently the trigger. The Kaede we’ve known all this time is still there, but she overhears Sakuta reporting to Mai that he doesn’t know how long she has.

Kaede accelerates her plans to go to school, even risking her well-being to do so (the dark red bruises appear when she gets overly stressed, and rushing things when it comes to going back to school is definitely stressful. Sakuta, hoping there’s something he can do for her as her big brother, promises he’ll show her the school.

But first they go to the zoo and watch the pandas, tigers, giraffes, elephants, meerkats, and all the other animals, all just “doing their best to live their lives”. Like Pandas with their not-very-nutritious bamboo diet, Kaede—specifically this Kaede—has it rough. But all she can do is keep doing her best.

That night, before heading home, Sakuta delivers on his promise to take her to school: an empty school at night. It proves just the thing. Having seen the place in the flesh for the first time, Kaede is more optimistic and motivated than ever to go to school during the day. Not because she might be out of time in her current state, but because it’s the next natural step.

Her opportunity to go to put that optimism and motivation to the test never comes. The Kaede who wakes up is the old, pre-breakdown Kaede. You can tell, too: Kubo Yurika totally switches up her voice. She remembers Sakuta, but doesn’t remember going to the zoo, and doesn’t speak in the third person. “Kaede” is gone.

Will it be for good…and isn’t that okay? It’s not like Kaede died, after all. Sakuta may feel like he lost someone precious—and in a way, he did—but that person was never going to be around permanently. We’ll also have to see how the “original” Kaede reacts to everything in her life, from her parents, friends, even her room layout, being different from how she remembers. Will Sakuta seek to bring back a part of “Kaede” to help bridge the other Kaede’s gap of experience?

Bunny Girl Senpai – 11 – #KaedeGoals

That little cliffhanger about Mai (actually Nodoka in Mai’s body) being seen with Sakuta by a photographer? No biggie; the director of her upcoming film decides to spin it into a marketing opportunity, while Mai admits to the relationship and is candid not only in how it occurred (a kohai confessed in front of the entire school) but why it matters (were it not for him she wouldn’t be back in show business).

Now Mai and Sakuta get to hang out without any problems, and the two are on cloud nine. Then Sakuta gets a letter from “Shouko” whom he later confirms is not the middle schooler of the same name who hasn’t come by the house in a while, but rather his “first crush.”

When he confides in Futaba seeking advice, Futaba texts everything he tells her to Mai, making her status as a confidant now somewhat suspect! It’s all good, once more: Mai is fine with him meeting Shouko, as long as he’s back by six so she can make him dinner. He doesn’t get a kiss, though.

The main dilemma this week isn’t Sakuta and Mai’s relationship or the return of “Shouko”, but Sakuta’s little sister Kaede, who’d kinda served as the show’s mascot up to this point. Still, as a victim of such intense bullying she and Sakuta had to move and she stopped going outside, it was clear the show was going to promote her to the lead in an arc at some point.

Sakuta is about to go to the beach to meet with Shouko, but he’s delayed by the sudden appearance of one of Kaede’s classmates, who saw Sakuta in a magazine tracked him down. She wants to meet with Kaede to apologize for not doing more to stop the bullying, now that the ones who bullied her were themselves bullied out of the school. Back home, the numerous visits from the other girls Sakuta has helped has convinced Kaede that she can’t remain stagnant, and begins compiling a list of goals to become more independent.

Her first small step is to answer the phone when someone other than Sakuta is on the line (in this case, Mai), but the stress of doing that for the first time in a long time causes her to nearly faint. Even more distressing, when Kaede is resting to recover from a fever, Sakuta notices a dark red blotch on her neck; no doubt another symptom of adolescence syndrome, much like his own chest slash marks.

However, Kaede recovers, the blotch disappears, and she keeps taking smal steps, aided in no small part by an extremely kind and understanding Mai, who offers a number of cute outfits she wore in magazine shoots for Kaede to wear when she goes outside.

The day finally arrives, and Sakuta comes home to a fully resolved sister. Still, it takes Sakuta lying about how far outside of the entryway they’ve strayed to get Kaede to follow through; call it one last little nudge to get her where she herself wants to be. It’s a truly triumphant, emotional moment that’s a long time coming; even Sakuta can’t help but tear up.

Kaede was scared of the outside, where the love of their home, like a security blanket, wasn’t out there to protect her. She still is. But she’s far more scared of staying inside, so even though her brother tricked her, she’s grateful.

From there, Kaede takes larger and larger steps until she’s able to roam around outside without clinging to Sakuta. He decides to surprise her by taking a trip to the beach, along with Mai and Nodoka. They have a grand old time, and Kaede is having fun…until her friend arrives, and she retreats behind Sakuta once more.

This friend doesn’t understand why Kaede doesn’t remember her, but Sakuta has an explanation, and it’s something he’s been waiting for the right moment to tell Mai too: Kaede has no memories. I suspect that is to say, no memories from after whatever psychological break she suffered as a result of her bullying.

Obviously, that’s still objectively not good, and looking back at Kaede’s behavior, it has seemed like a part of her was missing beyond the part that could go outside and interact with people. The stagnancy she fears isn’t just about remaining shut in, but about that yawning gap in her memory.

The two main questions are 1.) will and how will Sakuta & Co. help Kaede get those memories back, and 2.) where do “Shouko” and Makinohara Shouko” fit into this equation, if at all?

Bunny Girl Senpai – 10 – Damn You, You’re Too Awesome!!

Nodoka prepares for the second day of commercial filming by watching DVDs of her sister in action, including a horror movie, which seems apt; body-swapping carries its own kind of horror, and she’s essentially wearing her big sister’s skin!

The prospect of screwing up similarly fills Nodoka with dread, but after twelve takes she does eventually get the job done.  When Mai calls her, she gives the phone to Sakuta, still not ready to talk to the person she’s made out to be her nemesis. But Mai tells Sakuta to congratulate her nonetheless; it can’t be easy to do your big sister’s job…especially if you come into it not believing you can do it from the start.

As for little sisters, Kaede has seen enough pretty girls pass through the doors of their apartment to start thinking like someone who knows that at some point they have to start going outside again. Putting on her school uniform is a small but meaningful first step on that path, and it’s good to see she’s not just some static mascot of a character. Like Futaba, her own story has been subtly maintained.

Nodoka’s personal horror movie inludes a banshee of a mother who confronts “Mai” to cease harboring her daughter; Nodoka-as-Mai truthfully replies that she’s doing no such thing (since she’s at Sakuta’s…but she wisely leaves him out of the equation).

Mai gives Sakuta and Nodoka tickets to her latest gig in Nodoka’s body, but before that Sakuta has a rare meeting with his Dad. When Kaede became a shut-in, their mother apparently had some kind of breakdown of her own (it’s kept pretty vague). It was serious enough for their father to have to basically choose between continuing to live with his kids, or taking care of their mother full-time and trusting that Sakuta will be able to take care of himself and Kaede.

While at a family restaurant (fitting), Sakuta gleans fresh insight into his Dad; specifically how completely frazzled clueless he was upon his son’s birth. Sakuta says “all of the above” in response to Nodoka’s choices of “love, hate, piss you off, are annoying” as how he feels about his parents. Clearly a part of him has concluded that if he’s able to run a household with his little sister and solve cases involving one girl after another, he can’t really rag on his folks that much.

As for the Sweet Bullet gig, Mai-as-Nodoka is flawlesss, a testament to her consummate professionalism, attention to detail. Hell, she even saves the group leader’s ass when she trips by catching her mic and continuing to sing her part without missing a beat. Her performance is rewarded by the announcement she’ll be singling lead for the next song they release.

Nodoka and Sakuta watch, utterly enthralled. After the concert, Nodoka’s mom is among those who “high-fives” Mai-as-Nodoka, and she smiles, tears up, and congratulates her, things she never did to Nodoka-as-Nodoka. Nodoka demands to go to the beach, and starts striding into the sea, believing she isn’t needed by anyone anymore.

Sakuta stops her, and assures her that’s not the case: if anything happened to her, Mai would be sad, and Sakuta can’t have that. Nodoka doubts him, but he assures her it’s true, and furthermore knows it’s true, especially after looking into the forbidden cabinet at Mai’s place.

He shows Nodoka the box in that cabinet, which contains every single letter Nodoka wrote to her big sis, from before they knew they were sisters. Mai’s always treasured them because they gave her courage and strength knowing someone specific (as opposed to the other faceless masses) was cheering her on.

It was thanks to Nodoka that Mai even started enjoying her work. Mai appears (it is her apartment they’re in) to thank her sister. Nodoka comes back with a tirade about how it’s “too late” since Mai managed to get her mother to smile and approve, and get her own lead singing gig before her.

In response Mai slaps not Nodoka, but Sakuta (since Mai has a shoot tomorrow  and she doesn’t want to risk marring her face). She describes how Nodoka’s Mom’s hands were trembling when she held hers; how she could tell her mom was uneasy about whether her daughter was truly happy; seeing her perform so well all but confirmed she was.

Nodoka asks why her Mom never said anything, but unlike, say, Sakuta’s Dad at the restaurant, parents are always loath to tell their kids how uneasy they feel about raising them, and about whether they’re doing it right. Mai’s solution for Nodoka, as the sisters embrace, is to make her mother happy doing something she wants to do, not just what she’s told. To show that she can stand on her own, without direction, and shine. Seto Asami does a tremendous job voicing Nodoka through Mai in the emotionally cathartic scene.

The sisters now sufficiently made up, their bodies switch back to normal like the snapping of a soap bubble, before Sakuta’s eyes. Later, Futaba posits that Nodoka’s believed need to “be like her big sister” resulted in the swap (possibly through a variant of quantum teleportation), while Mai changed her appearance to Nodoka, out of momentary jealousy.

As for Sakuta, he’s just happy he can be lovey-dovey with the real Mai. But two new obstacles threaten that desire. One, Nodoka moves in with Mai (she got in another fight with her Mom, but hey—that’s what family does sometimes; it’s not the end of their relationship, she just wanted a change—and the little matter of Nodoka-as-Mai being photographed with Sakuta by her side by a photographer. Now there’s buzz out there that Mai Has A Boyfriendsomething Mai calls a “slight problem.”

But I agree with her assessment; it’s not as huge an emergency as a bout of Adolescence Syndrome (the next case of which looks to finally focus on Kaede next week), nor a rift between sisters that was just amicably closed. She and Sakuta are a strong, dependable, shrewd couple. They’ll get through it!

Bunny Girl Senpai – 09 – Two Friendless Sisters

When the second school term begins in September, Sakuta just can’t wait to see Mai. Due to the dating ban and her busy schedule he’s seen neither hide nor tail of her, and that trend continues when she fails to show up to school.

When he finally does happen upon her on a random street, there’s something…off about her. She claims to not know who Sakuta is. Then a short blonde girl appears, telling him she’s the real Mai, and that she and her half-sister Toyohama Nodoka have swapped bodies.

This happened quite suddenly after Nodoka ran away from home and her domineering mother (she and Mai have the same dad) and spent the night at Mai’s impressive, self-bought condo. When they woke up, they were switched.

This is clearly adolescence syndrome, but while the cause becomes clear enough—Nodoka has a lot of built-up resentment for her “perfect” big sis—the means to undo the swap remain elusive, short of propelling Nodoka to the top of the idol charts (something most likely beyond Sakuta’s abilities).

So the two carry on in each others’ lives, trying not to draw to much attention. The fact that Mai’s schedule is comparatively paltry compared to Nodoka’s not only speaks to how hard Nodoka’s mom is pushing her to succeed, but Mai’s desire to have as much time to hang out with Sakuta as possible during the second term.

Despite not having a perfect big sister, Sakuta diagnoses Nodoka’s issues pretty easily, leading to Nodoka confronting Mai and telling her things she’s kept inside, hoping honesty might be a step towards undoing the swap. Instead, Mai shoots her negative emotions regarding Nodoka right back at her.

While it’s not immediately clear from the montage of Mai and Nodoka’s days as one another is just how much easier Mai is able to slip into her little sister’s life, doing the necessary singing, dancing, and training required of a rising idol and purporting herself well.

Nodoka does alright with the photo shoots and interviews—things she’s done before—but when it comes time to film a commercial and memorize lines when a camera is rolling and an entire crew is surrounding her…it’s too much. She hyperventilates and the shoot has to be cancelled. When Sakuta reports the incident, Mai is surprised; she figured Nodoka would have been able to get a good take from that particular director.

Being somewhat out of his element with regards to younger siblings, Sakuta gets some insight from the most unlikely of sources: Kunimi’s girlfriend, Kumisato, who like Nodoka, has a hardworking, overachieving, brilliant, perfect big sister (I assume she’s pretty too).

Kumisato neither likes nor hates her, because it’s nothing that simple. What she can say is that she’s always annoyed by her mom’s constant urging that she take her sister as an example and study more.

Being a middle child myself, I can state that there was always the push-pull of wanting to set a good example for my little sis while not falling too far behind my big bro (who is much more academically inclined than me…not to mention more historically and politically informed. I can paint way better though!) But my siblings and I aren’t competing in the same field, so we never really competed the way Mai and Nodoka seem to be.

More importantly, we had parents who pushed us to be the best individuals we could be; we weren’t used as pawns in a proxy war between our mothers (for one thing, we all had the same mother, but still). I have no doubt a part of Nodoka is proud of her half-sis, and a part of Mai is happy to have a younger sister to inspire and support. But their folks have not made it easy for them to interact with each other on their own terms.

Body-swap episodes seem to be a dime a dozen these days, but I’ll admit to being a big fan of them when they’re well-executed, as this one is. It’s nice to hear Seto Asami switch up her voice style to match the Nodoka in Mai’s body, not to mention Uchida Maaya’s more upright measure as Mai in Nodoka’s body. The fact they are swapped, and the novelty therein, is secondary to why the swap occurred, as well as how to undo it, which, as with the other solutions to adolescence syndrome outbreaks, will require character growth to achieve.

But my main gripe with this arc is that I found it hard to garner as much enthusiasm as I did for the previous ones. Perhaps that’s due in part to the brisk, sudden manner in which Nodoka is introduced, and the fact the only time we saw her in her own body was in that brief TV interview with her idol group. Futaba, who interacted plenty with Sakuta prior to her own arc, is thus proving a tough act to follow for Nodoka, who entered this episode a virtual unknown.

Bunny Girl Senpai – 08 – A Boring Yet Sound Argument

On another night at the Azusagawa residence, Futaba Rio lends Sakuta some insight into how her separation into two different Futabas took place: it was the result of her inability to reconcile her need for attention with her inability to forgive the means of getting that attention.

Futaba developed faster than the other girls in her class—a lonely development, to be sure. It isolated her; made her feel alone, conspicuous, even dirty. And yet, her need to not be alone led her to start the photo stream; any reactions, no matter who from, were a consolation; they made her feel a little less lonely.

This debunks my theory about the competing sides of her psyche splitting off, but only partially: you could still say the Futaba living at Sakuta’s is the one more like the superego, while the one living in Futaba’s house is more like the id. One can live in an imperfect world far easier than the other.

While accepting the judgment of Mai’s manager that she cut out most private meetings with her boyfriend as a “strategic retreat” for the sake of her just-restarted career, Sakuta digs fully into this Futaba Dilemma. After all, he’s dealing with a childhood friend.

“Shut-in” Futaba wants “Wild” Futaba to shut down the account, and while meeting with her she shows him pictures from when she was in middle school; a form of “self-mutilation” in which she intentionally posted pics of her developing form. Both Futabas say they “hate” themselves.

After a day when “Wild” Futaba gets to fan a hot Kunimi, she starts to get unwanted propositions and threats to expose her from strangers looking at her pics online. This naturally freaks Futaba out, and she deletes her account, runs to her (huge!) house with Sakuta, and has him sleepover.

There, she reveals to Sakuta that she felt like she’d be all alone again after both Kunimi and Sakuta got themselves girlfriends. She already feels like Kunimi is so far away, but all it takes is one call from Sakuta on her phone for him to come running (well, biking) to her side in the middle of the night.

Unknown to Kunimi, Sakuta just proved what a loyal and dedicated friend he is. When she realizes she was never alone after all, she tears up, and Kunimi has Sakuta buy them both drinks to rehydrate: him for his biking, her for her tears.

Sakuta also buys fireworks and they go to the beach, lighting sparklers and candles and crackers and rockets until the night sky starts to brighten. Futaba smiles and laughs and the three old friends have the most fun they’ve had together in ages.

Futaba’s “separation” may have been unfortunate, but one could argue it was also necessary in order for her to be reminded of what she has, not to mention bring the three back together after some distance was created between them due to extenuating circumstances.

More importantly, “Wild” Futaba started the day wanting Sakuta to take a side—since “the world only needs one Futaba Rio”—and ending with her urging Sakuta to help the other Futaba. He heads home to report  that the account is history, then passes out, leaving the other Futaba her phone.

The background shows “Wild” Futaba with Sakuta and Kunimi during their idyllic evening. When Sakuta wakes up, she’s gone, but the other Futaba tells him “if it were her” where she’d be: the school, in their classroom.

There, Futaba repeats the other Futaba’s words about there only needing to be one of them in the world, and how the “Wild” one is clearly being “the better Futaba”, and that she should just disappear. Sakuta rejects all of that, an invites her to the fireworks festival he, Kunimi, and the other Futaba agreed to attend (since he and Mai can’t date and Kunimi is having a fight with his GF).

He leaves it at that…then passes out a product of his bike ride in the pounding rain being a bit too much exertion immediately following an all-nighter. He wakes up in the hospital with Mai by his bedside, having been called by Futaba.

By being there for Sakuta, Futaba proved that she actually is needed. And when Sakuta sits with her later, he neither tries to tell her all of her positive qualities nor tells her how she needs to start gradually liking or loving herself, as a friend might be expected to do.

It’s because Sakuta is “the worst” in this way, not saying what a usual friend would say, Futaba is relieved and comforted. She then calls the other Futaba on a pay phone, voices her desire to go to the festival, and in a neat trick where the phone receiver suddenly falls, she disappears. But she’s not gone. Futaba Rio is simply whole again.

Whole, and no longer alone. While watching the fireworks at the festival, she seems to tell Kunimi her feelings, but rather than seeking an answer she already knows, she simply urges him to make up with his girlfriend.

Bunny Girl Senpai – 07 – A Tale of Two Futabas

Fresh off the amicable resolution of the Koga Tomoe arc, we are presented with not one but two new mysteries, both involving characters we’ve dealt with before. Just as Sakuta’s earlier, seemingly random encounter with Koga paid off nicely (butt-kicking leading to quantum entanglement), his past established crush on “Makinohara Shouko” makes the sudden appearance of someone with the same name who looks just like her, only two years or so younger, that much  more intriguing.

At the same time, Futaba Rio is elevated from Sakuta’s sounding board and scientific consultant to an actual participant in Adolescence Syndrome weirdness. Sporting a fresh look with ponytail and contacts, Futaba doesn’t have any answers for Sakuta about why some younger copy of his crush suddenly appeared. If it’s not causing any harm, just don’t worry about it for now.

And the episode doesn’t; not really. Shouko is mostly tabled as the episode veers toward the slow-burn relationship of Sakuta and Mai, who is done with a job early and surprises him by showing up at the restaurant where he works, and even implies he’ll let him make out with her later.

After his shift, the two spot Futaba entering a Net Cafe and follow her. Using Mai’s phone, Sakuta calls her (presumably so the sound of her phone will indicate where in the cafe she is) but as he’s talking to Futaba on the phone, he and Mai spot a second Futaba. Yup, she’s got herself a doppelganger!

This Futaba, with glasses and no pony tail, finds herself temporarily homeless, since the other Futaba is already living in her house. Sakuta invites her to stay at his place, something Mai only approves if she can spend the night there as well.

This Futaba is extremely coy about what could have brought on Adolescence Syndrome to the point she’d split in two. Sakuta puts her up in his room with Mai, but Mai soon comes out to the living room where he’s sleeping, giving him the hints and nudges he needs to indicate she’s open to him making a move whenever, not just a special occasion for an apology. After all, he’s her boyfriend. Unfortunately, their kiss attempt fails when they bump heads. These guys are just to frikkin’ cute together.

The next day, after some domestic bliss with his full house, Sakuta has Mai watch one Futaba while he goes to school to track down the other. Shouko shows up, but nothing further on her situation is explored; it’s just an opportunity to confirm to Futaba that there is a new Makinohara Shouko in Sakuta’s life.

At school, while on the way to science club (which consists only of her) Futaba stops to watch Kunimi play basketball, which is where Sakuta finds her. After talking with her for a bit, it’s obvious he’s not dealing with “real and fake” Futabas; they are both Futaba, through and through.

That’s not to say the two aren’t very different; not just in appearance (though that’s a start): the ponytailed, contact-wearing Futaba just seems far more assertive, confident, and active, whereas the Futaba back at his place seems, well, almost the opposite of those qualities.

When Kunimi’s girlfriend confronts Sakuta with a social media feed of Futaba taking risque pictures of herself, my theory solidified: the two Futabas embody her id and ego (or super-ego). She is out of balance, and her unrequited feelings for Kunimi seem to be the cause. The question is, how is Sakuta going to help her restore that balance and become one again…and where does Shouko fit into all this?

P.S. A powerful little moment is when Mai’s cell phone goes off and Kaede suddenly looks like she’s about to be shot. Now we know why Sakuta doesn’t own one!

P.P.S. Futaba fell for Kunimi when he bought her a Choco-Cornet; Id-Futaba makes that her social media handle for her photo feed.

Bunny Girl Senpai – 06 – Quantum Entanglement-by-Butt-Kickin’

On the eve of finals, Mai decides she’s used enough of the stick and whips out a carrot in the form of her bunny girl suit, which she wears while tutoring Sakuta. Why the change of pace? She witnessed him stand up for Tomoe at the station, and thinks better of him for working so hard even for a fake girlfriend. I can’t tell you how refreshing it is that Mai isn’t the slightest bit threatened by Tomoe.

The finals come and go, as does the last day of school and the start of summer break: July 18. Sakuta and Tomoe have been dating three weeks now, but Tomoe assures him she has an ironclad plan for the breakup. After a fun final date at the beach, she shakes his hand and thanks him for his help. She’ll simply tell her friends she dumped him when she realized he only had feelings for Mai—something that happens to be true.

But I knew, after that “final” date, there was no way July 19 would come. Instead, July 18 resets, as I predicted. What I didn’t expect was that Tomoe isn’t aware of the reset…or at least says she isn’t. They go on their beach date a second, then a third time.

Sakuta starts to suspect Tomoe may be lying about not knowing about the looping. It’s confirmed when she turns around and smiles at him during the principal’s address; something she hadn’t done in previous iterations. Not only does Sakuta know for sure that she’s lying, but he knows why.

On the fourth July 18 Sakuta throws Tomoe for a loop (for a change), taking her to Enoshima, the place they were originally going to go on their first date, but he’s making it their last. They climb the prodigious stairs to the shrine, and he fills out a votive tablet for good relationships. Tomoe thinks it sinful, since their relationship isn’t real, but he tells her that when they both agreed to do this, they agreed to to it all the way, even to hell.

Moreover, it isn’t sinful for Tomoe, since she’s actually in love with Sakuta. She plays dumb, but once they’re alone on the observation deck, he finally gets her to admit that she’s aware of what she’s doing, and why. Sakuta tells her flat out that whether she repeats time a hundred or a hundred million times, his feelings for Mai won’t change.

Tomoe counters that her feelings have changed. At first, she only meant for the fake relationship to help her save face. But every time she loops, her feelings for Sakuta only keep building up. A stirring monologue ensues, with Touyama Nao effortlessly bringing the feels. Finally, Tomoe does what needs to be done to move on: to stop lying to herself confess her love, clearly and loudly.

The next time Sakuta wakes up, it’s not July 18, or July 19; it’s June 27 (again). Tomoe sent them all the way back to the day she was asked out by the guy her friend likes. This time, she turns him down properly, resolved to face the social consequences…which don’t turn out to be that bad; her friends don’t end up ostracize her. Better still, she can still be good friends with Sakuta, which was always part of her plan.

As for Sakuta, he gets to redo asking Mai out, and she responds just as he’d hoped, as she steals a kiss to express how she feels about him. The next three weeks proceed as they did the last time, with the two differences being Sakuta knows what’s going to happen (even the exam questions) and he and Tomoe aren’t fake dating. They don’t have to.

It was, after all, nought but a simulation of the future, and yet still just as real as the future to come. In her traditional casual science-y explanation, Futaba surmises that Sakuta was drawn into the looping with Tomoe due to “quantum entanglement”, which happens when two particles collide. In this case, Tomoe and Sakuta kicking each other’s butts. Will this show’s delicious cleverness never cease? I for one hope not.

It certainly wastes no time getting the next arc started, as the episode closes with Sakuta meeting a middle school girl who just happens to share the name of his first crush: Makinohara Shouko.

Bunny Girl Senpai – 05 – The Penguin that Follows the Others

I can definitely see the similarities to Bakemonogatari and Sakurada Reset here, and that, readers, is not a bad thing, at least for me. Both of those shows could subvert the concept of a Tsundere Girlfriend or Jealous Little Sister without breaking a sweat, and so too does Bunny Girl. 

In a lazier anime, agreeing to fake-date a kohai would land Sakuta in some seriously warm water, but after he explains everything properly to Mai, she withholds punishment, claiming that’s its own punishment, but really it’s a gesture of trust. Sakuta was the one and only person who never forgot her, after all (except for one brief period).

As with Araragi Koyomi, Mai can see her would-be-boyfriend is trying to help someone in need, and doesn’t judge that someone’s choices that led to them needing help. Instead she gives Sakuta her blessing, serves as the first person other than him to interact with his shut-in sister, and then bids him a good night.

However, she does warn him not to let “pretend” turn into “serious”—not to betray the trust she’s putting in him—and he laughs it off too casually for her taste, as well as mine.

The next day Sakuta is ready for his fake date with Koga Tomoe. She’s late, yawns on the train, and can’t keep her hands off her phone (he has neither smart nor flip, the damn hipster). 

When she lists the reasons for her fatigue (group chatting till 2AM; watching funny animal videos; preparing for the date “a bit”), Sakuta starts to get to the root of Koga’s frustration that led to her becoming an all-seeing, all-knowing Leplace’s Demon: She must be informed. She must join in on the conversation. She must be liked, and not seen as a loner or weirdo.

This point is driven home at the aquarium as they watch penguins: she deems Sakuta to be the penguin whom the others laugh at but doesn’t care, while she’s the penguin who follows the others in lockstep. Later, Sakuta gets more insight: Tomoe was once a “country bumpkin” from Fukuoka (hence her adorable lapses into drawl), but began a regimen of thorough reinvention and improvement to become the stylish and proper-speaking person she is.

Sakuta can surmise that she feels guilty about “abandoning” the person she is and wondering whether who she is now is who she really is, but he considers that kind of thinking “immature.” He assures her that who she is now is who she is; the culmination of choices she made and hard work she undertook. It’s nothing to be ashamed of.

Sakuta also shows Tomoe a few things, such as when they spot a classmate of hers from a group further down her class’ pecking order. The two of them help this classmate find a strap she lost on the beach, despite her feeling “unworthy” of someone of Tomoe’s stature wasting their time on her. Sakuta isn’t the kind of person who ranks people by their social stature; all are equal as long as they are virtuous.

When Tomoe catches a cold from falling into the water and spends a day in the nurse’s office, she asks Sakuta why he’s gone along with her “unreasonable” requests. He states it’s because she seemed desperate when she asked. Their differences in how they see the world are laid bare: she wants everyone to not hate her, while he wouldn’t mind if everyone hated him as long as there was One Person who needed him.

That one potential person Mai checks in with Sakuta on his land line phone, and he is honest about having enjoyed his “date” with Tomoe. Her nonverbal response is an enigma; is she intrigued; disappointed; neutral? She’s in Kagoshima on a TV shoot, and casually asks him to “bolt out of his house” to see her, but he doesn’t.

Futaba (who has unrequited feelings for his friend Kunimi) tells Sakuta that since Tomoe is satisfied with her current condition, there’s no need to relive it; the “demon” has found its desired path. Kunimi’s girlfriend Kamisato once again confronts him about spending time with her squeeze. Kamisato is another who only sees a ranking number hovering over someone’s head; if it’s not high enough, she wants nothing to do with them.

Sakuta tells Kunimi about the second fight picked by Kamisato, and it leads to Kunimi informing him of untoward rumors about Tomoe being loose/easy. Despite Tomoe’s efforts and veneer of satisfaction, her relationship with Sakuta has brought a different kind of unwanted attention. When Mai leaves a message on Sakuta’s phone, he moves to call her back, but stops. He has work to do.

Again, like Koyomi of the Monogatari series, Sakuta is going to perform the task he volunteered for to the best of his ability. He may not be the strongest or smartest, but that doesn’t mean he can’t outsmart someone who can easly outstrong him. As Tomoe already starts feeling the fallout by being left out of her friends’ conversation, Sakuta puts his plan into action.

That plan is nothing more than defending the honor of someone who doesn’t deserve the nasty rumors being told about her. He does so by letting the jock (who I believe originally tried to ask her out) come to him, provoking him into punching him, then getting back up, presenting himself as someone ready to throw hands, then kicks him hard in the shin.

The jock protests that Sakuta isn’t being “fair”, but…c’mon; pot, meet kettle! Sakuta ensures the exchange takes place on the train platform where the maximum number of peers watch how pathetic the jock is, giving him the negative attention he foisted upon Tomoe and then some.

In that moment, Sakuta was Tomoe’s boyfriend. She felt it; and surely he felt it too. They may not have spend much time together, but they both have a pretty good idea of who one another are. At her darkest hour, when it seemed everyone was ready to hate her (and indeed when it seemed she’d reset time to before this all happened), he was that One Person for her.

The person who’d go maybe too far to help her. The person she needed. You know…a friend! Hell, he announced in front of half the school he was a virgin for her sake. He’s a stand-up dude, and she couldn’t be blamed for falling for him right then and there.

Whether that’s precisely what happens, it’s without doubt a nudge in that direction; two people becoming a little closer through shared experiences, the most recent of which were fraught enough to require him to take her by the hand and run away, and the adrenaline of which caused them both to laugh uncontrollably as they ran.

Tomoe now understands a little more what Sakuta meant about his “One Person” position, and asks how she can repay him. Sakuta—ever classy yet also a bit arrogant—tells her she can be his friend “when all the lies are over.” The thing is, the lies may already be over, and Tomoe may just want something more than a friend. Why else would she frown at the sight of one of Mai’s TV commercials on her phone?

As for Sakuta…while he fought hard for Tomoe, there’s no overt indication he’s doing anything more or less than what he deems to be his duty, as he promised to be her boyfriend for the first term. As such, Mai may not have anything to worry about.

But he got awfully into the role on that train platform. He showed Tomoe that she only needs one person, and so far that one person is him. Can Mai—can we—trust that he’ll be able to extricate himself from a Leplace’s Demon so satisfied with him as her boyfriend?

Bunny Girl Senpai – 04 – Full Circle to Acceptable

Now that Mai can no longer sashay around in public as a bunny girl, what’s next for the show with the now-obsolete title? Well…

We may regard the present state of the universe as the effect of its past and the cause of its future. An intellect which at a certain moment would know all forces that set nature in motion, and all positions of all items of which nature is composed, if this intellect were also vast enough to submit these data to analysis, it would embrace in a single formula the movements of the greatest bodies of the universe and those of the tiniest atom; for such an intellect nothing would be uncertain and the future just like the past would be present before its eyes.

— Pierre Simon Laplace, A Philosophical Essay on Probabilities

…Oh dear. That sounds complicated! But really, it boils down to Sakuta seemingly reliving the exact same June 27th three times, similar to the plot of Endless Eight, in which some variable has to be satisfied in order to break the loop.

With Kamijou Touma-esque luck, this phenomenon occurs the day Sakuta finally gets a “sure, we can start dating now” response from Mai after a month of telling her he loves her (which she explicitly asked for). The “Leplace’s demon” turns out to be someone else who got a confession: Koga Tomoe (Touyama Nao), the first-year who kicked Sakuta’s butt (and whose butt, in turn, was kicked by him).

The problem is, Tomoe doesn’t want to be confessed to, because the boy confessing is the object of her best friend’s affections, not her own. While hiding from him with Sakuta inside a lecturn, Tomoe panics and knocks it over, and she ends up in what looks like in flagrante delicto. Not only does the guy see it, but so does Mai when she enters the room from the other side. This is the third repeat of the day, mind you, before he got her okay to start dating.

Because Tomoe is never confessed to, June 28th arrives, and Sakuta has a major misunderstanding to clear up with Mai. He returns to Futaba, who always lends him an ear, but to the show’s credit it finally gives her a chance to be more than that, as she is harboring unwanted but increasingly strong feelings towards Tomoe’s friend, who has a girlfriend.

But there’s yet another wrinkle here: Tomoe starts working at the same restaurant as Sakuta, and her three friends show up, both to support her and to warn Sakuta that he’d better not hurt Tomoe, or else. It turns out the misunderstanding that she and Sakuta are dating is something that works to her advantage, and she begs Sakuta to keep the lie going after work, at least for the rest of the school term.

It’s a twist on the usual “fake dating” angle, because Tomoe actually has a good personal reason for doing it: as someone who was uprooted after middle school (and her accent comes out whenever she’s excited), her high school friends are all she has, and she doesn’t want to lose them just because some guy one of them likes likes her instead.

Is this the best way of dealing with her predicament? I don’t know, and neither does she or Sakuta, but he is willing to help her out, at least for now, even as he wonders how the hell he’ll be able to explain all of this to Mai. To Mai’s credit, she’s willing to hear him out. He kept his distance, and then she came to him, wondering why he didn’t come to her at once. He may not have gotten her okay on the third June 27th, but she still likes him, and wants to know what the hell was up with him and that first-year girl. I recommend the plain, simple truth…even when it’s neither plain nor simple.

The show introduces a new science-y phenomenon with the same confidence and satisfying pace as the first one, and if anything, the interactions between characters have gotten even better. They’re very natural; despite their rough butt-kicking start, Sakuta and Tomoe can still be civil, cordial, even friendly to one another.

Similarly, while Mai has every reason to be mad and/or concerned, she reaches out when he doesn’t to get to the truth of matters. Everyone just seems to have a good head on their shoulders; a rarity in anime. Throw in clean, attractive character design and animation and understated yet effective soundtrack, and Bunny Girl Senpai is firing on all cylinders.

P.S., regarding the title of this post, I really Tomoe’s aside about Sakuta’s big bold public confession being the thing that brought him around “full circle” to being acceptable, at least to the first years, since such a gesture was regarded as brave and cool. Also amusing? His genuine reaction of surprise! Hang in there, Sakuta, you’re not so bad as that rep of yours.

Bunny Girl Senpai – 03 – Facing the Atmosphere

Sakuta doesn’t wake up at 6 in the morning, because he never slept in the first place, while Mai sleeps soundly. It starts a string of days Sakuta doesn’t sleep, because as he soon learns upon returning to school, everyone there has forgotten her except his sciency friend Futaba and himself—neither of whom got any sleep last night.

It isn’t murder by Freddy in his nightmares Sakuta fears, but the prospect of forgetting Mai. So he stays up, under the pretense of cramming for exams. The next day, Futaba has slept, and forgets Mai, all but making it official. The bags under his eyes grow larger and darker as he pops stims, chugs “Blue Bull”, but Mai picks up on what’s going on.

One night, during an ostensible study session, Mai slips sleeping pills in his drink, and then strokes his head as he slowly, gradually loses consciousness, tears forming in her eyes as she comes to terms with the fact he may not remember her when he wakes up.

That brings us to the opening moments of the first episode, when Sakuta finds the notebook painstakingly detailing his past self’s experiences with Mai. But when he inspects the book, all of the instances of Mai’s name appear blank, leading him to believe it’s a notebook full of wishful thinking.

While the notebook alone fails to jog his memory, it paves the first stone. He gets another when Futaba shows him the notes her past self wrote to herself, surmising that the collective effort of the school, and indeed the rest of the world, to utterly fail to confirm Mai’s existence, could possibly be overridden by a sufficiently powerful confirmation of her existence…i.e., a confession of love.

The final stimulus that brings the memories of Mai rushing back, like water from an unclogged faucet, is a question in the exam that deals with the characters for “security” and “guarantee”; he remembers Mai’s finger pointing them out, and from them on, he knows what he needs to do…and that is to make a complete and utter fool of himself, by running out into the schoolyard and screaming at the top of his lungs that he loves Sakurajima Mai.

He yells himself hoarse, but it has an effect: the other students begin to remember Mai. Then Mai herself appears to share in the humiliation, but also to slap Sakuta for breaking his promise never to forget her, which he definitely did, if only briefly.

If the school was a box and Mai the cat, Sakuta’s bold actions broke the logical stalemate, declaring once and for all that yes, Sakurajima Mai exists, and he loves her. The “atmosphere” of unconscious ignorance of the collective student body was overcome, and thus the “world regained” Mai. She insists Sakuta continue to tell her he loves her as often as possible so that she knows he’s sincere.

From the emotional lows of Mai willingly saying goodbye to the exhausted Sakuta to the highs of him remembering her again their reunion in the yard, this was a roller coaster of an episode; Bunny Girl Senpai’s best outing yet. Was his public outburst corny? You betcha…but that’s the point!

In order to “bring her back”, he had to step out of the flow and do something no one else did. A stern talking-to from the faculty is well worth it, because Mai will be getting one right beside him. So far BGS is smart, clever, mature, and engaging romantic comedy done right.