Tenten Kakumei – 07 – The Heretic’s Advocate

The writing of Tenten Kakumi is so solid I was confident I knew Euphie well enough to know that Anis bringing Lainie to the manor be a problem at all. Sure enough, after a few tense moments, Euphie makes clear to Lainie that she’s heard her circumstances, and that there’s no hard feelings. It’s such a sweet and empathetic welcome, and Lainie’s tearful relief is so pure, I gotta admit I tear’d up too! And this is before the dang OP!

As if there were any doubt, these young women have each others’ backs. That extends to Ilia and especially Tilty, who is eager to meet the girl with magicite in her body, unlike Anis, not by choice. Meeting Tilty in person (and experiencing her inherent powers) strengthens a working theory Tilty, like Anis, had already been working on.

She consults a forbidden text Anis brought from the library a while ago, one that chronicles a magician who used the lives of others to extend his life so that he could continue the ages of research needed to find the “truth” of magic. And after a procedure that “awakens” the magicite within Lainie, her eyes suddenly turn red and she sprouts fangs. That’s right, she’s a vampire…or at least the descendant of one. That’s freaking awesome!

With the eyes and fangs also comes a control over her power of persuasion she never had. Lainie is infinitely grateful to Tilty and Anis. As Euphie observes them, she wears a face of jealousy without knowing it. Tilty takes her aside and calls her out on it, asking her what she is to Anis and where she sees this going. Euphie isn’t sure, but knows it requires some serious thought, and Tilty gently warns her not to go into whatever she decides half-heartedly.

Tilty isn’t the only one who sensed something off with Euphie. That night, Anis visits her in her pajamas with the hunch that Euphie was feeling down. Euphie asks Anis why she’s so into magic, and all Anis can really say is that it’s akin to being in love; you don’t know why, you just are. Euphie says she wants to fall in love like that, and Anis takes her hand and asks if she can sleep with her tonight.

That morning, after Lainie gets her breakfast of Ilia’s blood, another side-effect of her awakening (I love how polite Lainie is in asking for it, and how understanding Ilia is) Anis receives summons she’s been expecting. It’s from the Ministry of the Arcane, insisting she give a lecture properly explaining who she intends to use the dragon materials.

To Anis’ surprise, Euphie volunteers to handle this matter, and at the lecture, we find out why. Anis is regarded as a potentially dangerous heretic, and her magicology and magical tools are considered sacrilege against the spirits and gods those in the kingdom worship, as well as the old boy network that is the ministry.

The fact she can’t actually use magic is another mark against her, but Euphie steps up and provides a passionate, full-throated endorsement not just of Anis’ broom, but of the concept for a more practical and versatile flying machine—the development of which will require dragon parts.

As a famous and established magical genius, Euphie speaks with an authority the ministry cannot challenge or throw into doubt, especially with the new knowledge that essentially exonerates her of wrongdoing in the Prince Algard affair. She also makes clear that Anis’ inventions aren’t an affront to the spirits and gods, but are in fact an expression of respect.

Anis’ talents are a gift from those very gods—like Mozart’s music—and magicology and the products it yields will make the kingdom more secure and prosperous. With her combined full-hearted defense of the princess and convincing sales pitch, Euphie wins the majority of the ministry’s hearts and minds. She also gets an impressed smirk from Tilty, and moves a grateful, blushing Anis to tears of joy.

While watching Anis and Tilty talk the other day (and inadvertently glaring at them), Euphie thought to herself “these two are incredible”. That’s true, but she is too! And now they’ve got the ministry on their side and an adorable vampire friend!

In fact, things are looking so far up that part of me worries about what Algard might have cooked up for them down the road. But really, as long as these women continue to love and support and be good to one another, I’m confident nothing can stand in their way!

Tenten Kakumei – 05 – A Dragon and a Dance

Before they reach the battle zone where a dragon is causing a monster stampede and overwhelming the royal defenses, Euphie is worried. Before she hopped on the broom with her, she asked Anis what she would do with the dragon’s magicite. Anis’ answer—that she’d implant it within her body—is the primary cause of her worry. She doesn’t want Anis taking her dream to become a “real” magician too far, lest it change who she is.

But something Euphie doesn’t truly learn until this week is that Anis is in it to win it; she can’t hold back, not even an inch, in the pursuit of that dream, or it won’t happen. Anis drops in just in time to slash a giant monster in two before it kills two fighters, then chats casually with the captain of the knights and tells him and his peeps, and Euphie, to deal with the small fry and leave the dragon to her.

Euphie doesn’t like the idea of Anis going it alone, but Anis makes the very reasonable argument that she’s the only flying fighter they’ve got, and Euphie is still not experienced in aerial combat. She also pops some “magic medicine” that not only heightens her speed and stamina, but also makes her somehow even more unhinged than she usually is. Drugged Anis’ faces run the gamut between badass and, well, worrying.

When Anis finds herself surrounded by hordes of monsters, Euphie bails her out with an Explosion spell, showing Anis that not only is her magic beautiful, but also highly effective in a battle. All this commotion attracts the attention of their main target, the dragon, and once more Anis flies off on her own, confident of an easy victory.

And then her mana sword bounces off the dragon’s magical barrier. Honestly, I thought this episode would be a cakewalk for Anis, but unlike Euphie I had been completely taken in by her now apparent overconfidence in both her technology and the extent of her limits. This dragon is no slouch, and after a couple more failed strikes, Anis gets a taste of its dragon’s breath.

She’s only kept from being incinerated by her wrist-shield, but when it shatters, she’s knocked from her broom. She can’t re-summon the broom, and for a moment, thinks that this might be It for her. With the ground approaching fast at fatal speed, “Euphie” may be the last word she utters.

But Euphie spots Anis falling, and rushes to catch her. She runs faster than she ever has, and perhaps for the first time, uses her magic to turn her into a human missile. She catches Anis just in time. When Anis prepares to jump right back into the battle, a distraught Anis stops her and asks why, why is she going back in the state she’s in.

Anis simply says she’d cease to be a magician if she didn’t fight with everything she had to eliminate the thing keeping people from smiling. So Euphie, her eyes welling with tears says fine, if she has to go to keep being herself, then take her with her as well. Anis gives her a warm smile and accepts, and off they go.

With Euphie aboard, the broom is a lot faster and more maneuverable. The duo determine that hacking off the dragon’s wings will bring it down, and that means slipping around and doubling back. Euphie serves as a decoy, going straight up into the night sky and distracting the dragon, who is too late to spot Euphie bringing her sword right down on the base of its wing.

But the battle is only halfway over. The dragon may be grounded, but it still has its breath, and it prepares an immense ball of incredibly dense mana that will destroy the entire area and everyone in it…if Anis and Euphie don’t stop it. Anis removes the limiter on her sword, and the strain causes her to cough up blood, but Euphie is right there to keep her steady. When the ball of pure mana comes at them, they’ll either come out of it alive or not.

They end up surviving the full force of the dragon’s Ultima, as Anis’ unlimited mana sword cuts through it and delivers a fatal blow to the dragon. Then, as if this hasn’t been awesome enough, the dragon speaks to Anis, accepting his defeat and saying she can do what she wants with his corpse. It’s only when she says he must resent her that he decides he’ll hit her with a dragon’s curse before he dies.

What that curse will mean for Anis short or long term, we’ll have to wait and see. It and the magicite may lend her incredible power—it may even let her finally achieve her dream of becoming a real magician like Euphie—but at what physical cost? Will she still be Anisphia the Maurading Princess?

In an episode so packed even a seminal scene like Anis and Euphie’s first dance together has to take place during the end credits. Fortunately, those credits are timed so we see the best shots of these two abandoning the haughty victory party, declaring their undying affection for one another and committing to be by each others’ side forevermore, and then, yes dancing together (Euphie makes clear dancing with men feels oppressive).

We now have a strong contender for best episode of the season, if not all of 2023. It is the culmination of all the careful character work done in the previous four episodes. Truly, the emotional beats here would not have hit so hard had we not gotten to know and love these two leads.

We also got to see them at their most badass, making the impossible possible. While not ufotable-level, the battle animation still shone.  We didn’t need to see the prince show up too late, so we don’t. The only minor mark against this episode is that there’s no Ilia. There are certainly things to worry about down the road, but for now, life is good.

RABUJOI WORLD HERITAGE LIST

Tenten Kakumei – 04 – Breaking the Mold

Anisphila, clearly sleep-deprived from making Euphyllia’s new magic sword, nods off in her lap for quite some time, and thanks her for it when she awakens. Euphie is just glad to be “somewhat useful”, unaware that she’s been Anis’ magicological muse for years.

Ilia, who continues to slay in every scene she’s in, scolds Anis for leaving herself so vulnerable “to the person she likes”, then lays into the princess for stinking and having messed up hair. It’s as if Ilia isn’t a maid at all, but the big sister Anis never had.

Euphie can’t help but feel smitten by Anis, who mistakes her for having suddenly come down with a cold. Into bed Euphie goes, and Nurse Anis prepares some medicine, even patting Euphie’s head like she’s her little sister. As Anis talks spiritedly about Arc-en-Ciel, Euphie simply watches her admiringly, as a beautiful bird that flies as far as it wants. Meanwhile, Euphie feels like a bird that just can’t stop falling.

She feels empty. Anis seems to sense this, and takes Euphie’s hand. Euphie asks what she should do; Anis of course says “whatever you want”. And if she doesn’t know what that is, that’s okay, they’ll take their time looking for that together. That’s when, after weaving her fingers into Euphie’s, Anis draws closer to Euphie, who starts to panic until it’s clear Anis is just touching her forehead to check for a fever. That negative space tho…

After a few moments like this, Euphie relaxes; she likes the feel of Anis’ warmth. She nods off, and when she wakes up, Anis is still there holding her hand as she sleeps, glowing in the sunlight, so bright and beautiful it makes Euphie’s chest ache.

Anis may have minced no words about her prospective romantic intentions with Euphie, but little by little Euphie is coming around to the fact that this girl is special, and makes her feel like no one else in the world ever has. That’s powerful, and I love how gently and poignantly the girls’ love is developing.

We briefly check in with Prince Algard, who is under house arrest after his little stunt. The head of the Ministry of the Arcane pays him a clandestine visit, no doubt to inform him of the appearance of the dragon in the cold open. Then we get right back to Euphyllia secretly watching Anis practice swordsmanship.

Ilia spots Euphie and tells her that the princess has taught herself most of her skills in battle, but then changes the subject to Euphie herself. As Euphie awkwardly follows Ilia as she does chores, Ilia asks her if she finds it hard to voluntarily do things outside her given role; her mold.

Euphie then states that she’d always worked towards becoming the best duke’s daughter and future queen she could be; an ideal Ilia tells her defined her self-worth. Ilia too was once fitted into a predetermined mold, and even offered to an old, rich man for marriage.

That mold was shattered by none other than Anisphila, who took her in, and demanded not to be treated like a princess, but something like equals. Ilia adds that it’s okay for Euphie to worry, because Anis will see to it she has all the time she needs to figure things out.

This lovely heart-to-heart is interrupted by Anis boisterously rushing at them with News: there’s a stampede of monsters, caused by the appearance of a dragon—and she’s going to take it down! It’s the first Euphie is hearing that Anis is not only an adventurer, but a Gold-Ranked one at that. She’s utterly stupified that a princess, even a princess like Anis, could go off and battle monsters.

And yet, Euphie remembers that Anis is a bird who can fly as far as she wants, looks at Ilia, who wordlessly tells her there’s no talking Anis out of this, and tells Anis that she accepts her flying off into danger to battle a dragon…but she’s coming too! Considering she’s a magical genius and has Arc-en-Ciel, I have no doubt she’ll be able to contribute.

Anis and Euphie unknowingly steal a march on Prince Algard, who barges into a royal council meeting and declares to his father that he’ll slay the dragon if he can get what he wants—Lainie Cyan’s hand in marriage. He tells his father and his courtiers how he’s always heard people saying “if only” his sister was a man.

Orphans can tell that after Anis and Algard got along famously as little kids, a rift grew between them when Anis discovered magicology. The resentment and bitterness have been stewing within his only son. He also knows that Anisphila could most definitely assume the throne, and perhaps do a better job than Algard—but made a conscious choice to reject it for Algard’s sake.

But while Anis’ intentions were good and loving, a part of Algard must also feel patronized by his amazing big sister. So the king isn’t going to hold him back from trying to stand on his own two feet and prove himself. The only problem is, I seriously doubt he’ll get his chance at the dragon before Anis and Euphie take care of it.

After two episodes off it’s good to have Algard back in the mix. I still hate him for what he did to Euphyllia, but I also understand why he did it. I can also understand how he wants to be with the woman he loves, not the one chosen for him. He’s an ass, but he’s also a compelling character who wants to break out of his mold.  I can’t wait to see him, Anis, and Euphie in action—either together or at cross purposes.

Tenten Kakumei – 01 (First Impressions) – A Bundle of Unexpected

We start with a pretty girl who looks like she’s in trouble, surrounded by horned wolves. A young adventurer rushes to her aid, but she tells him not to butt in, then hops on her broom, whips around, pulls out her magical swords, and ices the entire wolfpack. This is Anisphia, the Princess Maurader, and no one comes between her and her loot—not even the inability to use magic without tools!

But while Anisphia’s loot is her own, she also believes it her duty to protect the smiles of her subjects. Her straight-laced royal family would disagree, and find her to be a huge pain, even if some of the court is intrigued by her  development of magical items (called “magicology”). Her tomboyish expliots are distasteful to both her father the king and her brother, Crown Prince Algard.

He is prince because Anisphia renounced her claim to the throne. The episode doesn’t go into exactly why, but the end result is clear: she is allowed far more leeway to live her life as she sees fit than if she were next in line. Far more than ruling, she’s always been chasing her dream of flying.

She also believes the kingdom is in good hands with her brother Algard, who is marrying Lady Euphyllia, the genius daughter of a powerful duke. She doesn’t share this with her goth friend and fellow researcher Tilty, but the day she met Euphyllia may also be the day she fell in love!

But is the kingdom in good hands with Algard? The sight of him flaunting a relationship with a girl born a commoner at school would suggest a lack of judgment, and when he grudgingly shows up for tea with Euphyllia, he couldn’t possibly want less to do with his fiancée, whom he describes as “so perfect it’s disgusting.”

Here is Euphyllia, established as a genius, doing her duty as a duke’s daughter and making the best of the situation to try to engender trust in her future husband and learn more about him. But Prince Algard finds his royal obligations and lack of free will intolerable, and her obedience to hers only make him loathe her more.

Algard is a huge piece of shit, as exhibited when he shows up to the big academy graduation ball with a reluctant-looking Lainie Cyan in matching white. He then declares to all assembled that he’s calling off his engagement to Euphyllia, and then accuses her of plotting a campaign of bullying and other horrible atrocities against Lady Lainie.

By assassinating an unprepared Euphyllia’s character, Algard hopes to smooth over the fact that he’s rejecting the arrangement his father the king had made for him. I could almost sympathize for Algard’s inability to choose someone he loves, and the fact his sister left him with the responsibility of the throne.

In other words, I understand his motivations and frustrations. But when he pulls shit like this, it’s pretty hard to take his side!

This sudden series of developments comes as such a shock to Euphyllia that she can do little but fall to her knees and start crying. After all, she hasn’t actually done anything wrong, and believed she was doing exactly what was expected of her. We may have just met her, but I felt horrible for Euphyllia, and hoped that she could find some comfort, even if revenge is farther off.

So color me tickled pink when Princess Anisphila, who loses control of her broom on a test flight, flies right through the window and lands between her brother and Euphyllia in a most unladylike way possible. Anisphila may be eccentric, but she reads the room pretty darn fast, and decides that the best thing to do is toss the distraught Euphyllia over her shoulder and get out of there.

When Euphyllia is done screaming from the shock of suddenly being in flight, she asks where they’re going. Anisphila told her brother she’d be reporting what she saw at the ball to their father to see what he thinks about it (thus potentially ruining Algard’s careful planning to get what he wants).

But she also wants to meet with Euphyllia’s father Duke Grantz, to ask them if she can keep her! It’s a beautiful subversion and reversal of rescuing the princess from an unwanted marriage, and the start of a revolution for both girls. After all, it looks like the wrinkles in the broom project are being ironed out.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady is way too long a title, but otherwise, this show, and its first episode, ruled hard. It looks great, its lead is a seething ball of energy and vivacity (wonderfully voiced by Senbongi Sayaka) and her friend-and-maybe-more?-to-be equally charming, and the evil prince is the kind you love to hate.

Each of these three characters is very effectively introduced so you know their personalities and goals, which of course all butt up against each other. The animation and direction is attractive and clean, and the writing is solid. Definitely looking forward to more!

Little Witch Academia – 20

Despite Akko’s protesting (with backup from Andrew) Diana insists she has no choice but to perform the ritual before the transit of Venus behind the moon is complete. She goes into the ritual chambers alone, but is immediately impeded in her mission by Aunt Daryl, who wraps her in one of her many giant magic snake familiars.

No matter how much logic he tosses at Akko, she knows it’s not right for Diana to be dropping out; she’s clearly putting her own dreams aside for the good of her family. When they eavesdrop on Daryl and her twin daughters talking about how she had no problem stopping Diana, Akko has all the moral capital she needs to break with sacred Cavendish custom and enter the sanctum to rescue her.

Andrew helps, convinced that Akko is right. He remembers how passionate Diana became years ago when talk flew around she wouldn’t be able to perform magic. We know the spark of inspiration was the twin pillars of her mother and Shiny Chariot. But to her credit, Akko keeps Andrew out of the sanctum: she’ll bring back Diana on her own…all the way back the academy.

Akko proves she can mostly take care of herself, using her patented partial-transformation magic in rapid-fire mode to lure the snakes away from Diana and stay one step ahead until she regains consciousness and saves her.

With Akko bitten and poisoned, Diana sacrifices her chance to complete the ritual by healing and staying with Akko, who wakes up, then scolds Diana for staying there with her instead of continuing on with the ritual. But this is just Diana being Diana: kind, caring, and healing, just like her mother and the centuries of Cavandishes who came before her.

It’s no coincidence their conversation is held in a facility borne of that family “affection”, a secret hospital where Diana’s ancestors used their considerable magical knowledge to heal the wounded from conflicts that plagued history, without regard to whose side they were on.

Diana’s confession of her lifelong dream (to protect and preserve her family’s and mother’s names and the home they left behind) moves Akko to assure her she can still achieve that dream, restoring her family and complete her education at Luna Nova, as long as she…you guessed it, believes in her heart.

In this manner, two Chariot superfans—one current, one lapsed—come together to realize her credo that a believing heart can make anything possible. To that end, traditional and modern powers mingle, and Diana realizes the fifth word is Akko’s for the taking.

Reciting it summons Chariot’s broom, which they ride together to reach the site where the ritual is to be completed…only to find Aunt Beryl and her daughters waiting to disrupt Diana once more.

For this latest act of treachery, Diana’s relations are punished not by her or Akko, but by the system itself, and are quickly encased in trees. As she did with Akko, Diana stays true to her family’s legacy again by putting judgement aside and helping others before herself.

By the time she’s saved Daryl and the twins, the Venusian eclipse is over, but Diana still gets a momentary nod of approval, so to speak, from her family’s founder, Lady Beatrix. She may not have quite completed the ritual, but it’s clear to all who will lead the Cavendish family’s future.

Until that time, Diana is free to return to Luna Nova, much to Akko’s delight. She also gives Akko a ride home on her broom, which is the perfect time for her to express her gratitude for what Akko did…softly, and only once. Still, Akko heard her, and after their shared experiences this week their bond has never been tighter.

After charming and fun but inconsequential episodes involving the B-characters, this Diana-focused two-parter was a welcome and worthwhile outing that brought two rivals closer together and brought Akko one word closer to potentially changing the world.

I also appreciated the bonhomie that’s gradually developed between Akko and Andrew (who will be back, at least to give Akko her hat back). While I would have preferred if Diana’s full fleshing-out arc had come sooner, it’s better late than never, and well worth the wait.

Flying Witch – 06

This may not make much sense, but Flying Witch felt like it was almost trying too hard to be about nothing all last week, which pulled of took me out of its world. But this week it returns to its effortless coziness. Like the magic it contains, Flying Witch is not usually flashy, but it can be powerful.

Just seeing Mako in the air on her broom again was a sight for sore eyes, and Akane’s suggestion that she not try to ride a broom she is levitating, but levitate herself along with the broom, provides invaluable insight into the ways of witching.

While Makoto figures out how to ride properly, Chinatsu is satisfied she’s seen enough: she wants to be a witch too, and formally requests Akane take her on as an apprentice. Akane entertains the request, waiting until the young child is out of the room when she tells Kei that it’s a difficult, possibly life-changing path for one who was not born a witch.

But young and impulsive as Chinatsu is, there’s no arguing with her assertion Akane and Makoto are cute and amazing. And Chinatsu’s fantasies of how she’d use her powers are just as cute.

Akane drives home the point that magic isn’t always about telekinetically manipulating toys, transforming cars into pumpkin carriages, or creating candy houses that eat people. The basic stuff is subtle, and yet still requires precise preparation to work at all.

Akane proves to be a good teacher, precise in her directives while maintaining her pupils’ faith throughout, in spite of evidence of the spell working. I like how Kei, meanwhile, is simply sitting on a bean bag watching dumb movies. Hey, after that weeding, he earned a break!

When the spell is finally complete, and Makoto eats the newly-enchanted Pocky, I perked up to see what, if anything, would happen. Turns out the lesson also served as a prank, which is it’s own lesson about the power of even minor spells. Makoto ends up crying at everything for about an hour, while Chinatsu ends up laughing at everything

Cats be all like “humans be crazy”, Kei’s movie is interrupted by their noise, while Chinatsu and Kei’s mom has a little fun making her daughter laugh (though I dunno about letting Makoto handle a knife while crying uncontrollably). As for their dad, he eats both snacks and is domed to spend the next hour laugh-crying over everything. Magic, man: You gotta respect it.

P.S. One issue I wish would be addressed, but probably won’t be: the music. There seems to be one main musical theme to FW, and it’s used every week, usually more than once. It was cute and matched the mood, but it’s totally played out. More musical variety, please!

Flying Witch – 03

Flying Witch continues to engross and enchant with a deft, gentle touch. It excels at showing life at the pace a Yokohama girl transplanted into the boonies would see it: much slower, but pleasantly so. I appreciate the dialect barrier: she has no idea what her uncle is saying, so it’s good her cousins do.

When Makoto wants to start a garden, Kei and Chinatsu help prepare a patch of the field out back, neglected since their grandmother’s passing. Like their dad’s accent (and their lack of same), the family’s move away from farming is a sign of the times, but the show doesn’t dwell on it in a negative light; it’s just the way things are.

Similarly, when Makoto, city girl, sees a pheasant tantalizingly close up for the first time, she and Chito just can’t resist trying to catch it. Makoto exerts almost as much energy chasing the thing (which has nothing to do with her witch training) as she does preparing the earth. But the three get the job done, and now it’s up to the soil to absorb the nutrients, which will take, you guessed it, time.

It’s a testament to just how calm and quiet this show is that Chinatsu later describes Makoto’s world-wandering sister Akane as a typhoon, even though Akane isn’t particularly forceful or stormy or a burden; she’s just not at the same pace as this quiet country life.

Akane is a mover and a shaker, living as a nomad (currently in Africa); giving everyone unprocessed gifts of cacao, salt, and oil; and correcting her modesty by agreeing with her sister that she is, in fact, a big deal in the witching community.

But like the signs of the times, the show makes no bigger a deal of Akane than anything or anyone else. It’s a rare anime instance where hearing bits and pieces of the larger witching world is more effective than showing everything. It leaves the imagination step in to wonder.

Akane hears (from Chito…the cat) that Makoto hasn’t used any magic since moving there, and only flown on her broom once. This confirms what I’d already suspected: not only is the show downplaying more overt forms of magic, but Makoto herself still isn’t comfortable with them.

That’s okay with Akane, and even sees it as a boon for her sister, not having to rely on spells the way she does. That being said, she wants Makoto to cast spells from time to time, lest her powers dwindle. I like the the idea that the magic a witch possesses must be nurtured and polished like any non-magical skill.

To that end, Akane shows Makoto and Chinatsu one of the simplest beginner spells there is: summoning a witch with a girl’s black hair, fire, and an incantation written on paper. Makoto uses her own hair and ends up making a huge column of black smoke that summons all crows, which is what happens when a witch’s hair is used.

I’m fascinated by the fact that the power of a witch can be expressed in such a subtle way as her hair burning differently than a non-witch. It’s another detail that enriches the world of the show, a world grounded in reality with little flourishes of magic you’ll miss if you’re not looking.

Flying Witch – 02

 

Part travel guide to the magical world of the countryside, part cooking show, this week’s Flying Witch is leisurely and incredibly comfortable. I’ve never been so transfixed by a show with so little drama or humor and has no stakes at all.

What happened? Makoto finally makes it home from school on her own and spends a pleasant afternoon with Chinatsu-chan. Then the Harbinger of Spring arrives and poor Chinatsu is terrified by his mask and great size.

Later, after learning about the Harbinger’s job (to bring spring) and receiving a gift of spring flowers from him, Chinatsu’s heart warms and she asks if he will return soon.

The second act is presented in 3 small parts. First, Makoto dreams that Nao is marked with a sign of great luck only to wake up, having no idea what the class is being quizzed on. Second, as they walk home talking about witch dreams, Kei stops and shows them Bakke growing beside the road, which they pick for dinner. Finally, Kei deep fries the bakke for Makoto to try while Chinatsu alludes to this being a sign of being an adult.

Flying Witch reminds me of taking a casual walk with a friend in spring. It’s crisp, un-strenuous, and surrounds you with subtle details to admire and talk about. When picking bakke, Kei reminds us not to pick near utility poles because dogs pee there. While cooking bakke, Kei reminds us that the bubbles on our chopsticks mean the oil is hot enough to cook.

Slow bites, warm smiles, loving conversation.

It’s worth watching: because each character feels ernest and specific. Its characters are cute, but not KAWAIIIIII over the top and when they are nice, they are nice, not absurdly selfless.

Its all so welcoming, there’s no reason to criticize it for a lack of overall plot, lack of conflict, or clear purpose. Flying Witch is just Makoto’s happy life, observed closely, as if we were sharing the space with her.

Flying Witch – 01 (First Impressions)

Like Shounen Maid, Flying Witch has a very self-explanatory title, and is also a lighthearted slice-of-life tale about a young person starting a new chapter of their life.

In this case it’s an of-age witch, Kowata Makoto, moving out of her parents’ house in Yokohama to live with her second cousins in sleepy Aomori, where she’ll remain until she becomes full-fledged.

She also brings along her black cat Chito, though he only speaks Cat, not Human. Still, the first thing that came into my head was Kiki’s Delivery Service, only Makoto isn’t living all the way on her own and doesn’t have to worry about money and such.

I like the excitement of moving to a new place and basking in its newness, though by God Makoto has a lot of moving boxes!

I also like the very realistic way her younger cousin Chinatsu is initially weary of the new freeloader, especially when she hears her talking to her cat.

That changes when the two girls go out shopping, Makoto picks up a bamboo broom, and starts levitating above the ground, a magical scene full of quiet awe.

Once Makoto takes her on a ride around town (which we unfortunately don’t get to see), Chinatsu’s weariness is replaced by the sheer glee of, well, having been flown around on a broom by a real witch.

Another girl who doesn’t initially warm to Makoto is her cousin Kei’s childhood friend Ishiwatari Nao, who first meets Makoto while the latter is on her broom.

‘Alarmed’ and ‘cautious’ are the best word to describe Nao’s attitude, though Makoto makes it clear that besides being a witch, she’s just a normal girl who would like to be friends, and would hope that Nao bear with her occasional lapses into…witchiness.

The latest comes when Makoto smells something and starts bushwhacking in a random lot to procure a “present” for Nao that turns out to be a Mandrake root.

Both the horrifying screams of the root and its bizarre cooing and squirming thoroughly creepy Nao out, and who can blame her? Makoto is her first witch acquaintance.

Flying Witch is a calm, quiet, earnest slice-of-life with tinges of supernatural-ness and comedy dispersed throughout, and Makoto is a kind, likable Amami Hibiki-type with a healthy tinge of eccentricity. A nice little feel-good show if you have the time.

Witch Craft Works – 03

About those “larger and more organized attacks” we talked about? They don’t quite arrive this week, as an early-morning strike by Tanpopo and her girls is twarted in the blink of an eye by Kagari; almost too easily. But the focus here is the start of Takamiya’s magic training, and here the episode excels at evoking the awe and wonder inherent in such an exercise. While short-statured and not immensely strong, while wearing the magical garb Kagari personally selected for him, he can leap tremendous heights and even carry her with ease.

But we knew Chronoire Schwarz VI was planning to attack, and this week she finally does, luring Kagari and Takamiya onto a magic bus and quickly paralyzing Kagari. She then puts Takamiya in his first real spot, telling him to swallow something that will extract his mana, or watch his beautiful knight bleed out. But ends up not having to do much, as Kagari is able to overcome her paralysis and destroy Chronoire’s avatar (it’s assumed the body we see isn’t her only one). But he still has the mana-extracting candy, a symbol of the insidious threat Chronoire still poses.

The threat of enemy witches aside, Takamiya is also finding himself particularly hated by everyone in his school, and we mean everyone. There hasn’t been so much as a bawdy male classmate to put Takamiya in a half-nelson for no reason; he’s literally friendless, except for Kagari, which is kind of sad. In this regard, the remainder of the student body is really just one uninteresting character that worships Kagari and curses the one she favors. Though it isn’t as if Takamiya was Mr. Popular before Kagari started doting on him.

The piece-de-resistance this week was the broom-flying lesson, a very majestically-presented scene that surely dulled the effect of the peer-hate for Takamiya. It’s also an opportunity for him to show initiative independent of Kagari, when he summons his own broom to save one of those peers from delinquents—despite not knowing how to fly yet. It proves to be another Tower witch trap that Kagari must swoop in and handle, but we like how Takamiya isn’t going to allow Kagari’s fear of him getting hurt stop him from doing what he feels is the right thing.

Rating:7 (Very Good)