Flying Witch – 03

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Flying Witch continues to engross and enchant with a deft, gentle touch. It excels at showing life at the pace a Yokohama girl transplanted into the boonies would see it: much slower, but pleasantly so. I appreciate the dialect barrier: she has no idea what her uncle is saying, so it’s good her cousins do.

When Makoto wants to start a garden, Kei and Chinatsu help prepare a patch of the field out back, neglected since their grandmother’s passing. Like their dad’s accent (and their lack of same), the family’s move away from farming is a sign of the times, but the show doesn’t dwell on it in a negative light; it’s just the way things are.

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Similarly, when Makoto, city girl, sees a pheasant tantalizingly close up for the first time, she and Chito just can’t resist trying to catch it. Makoto exerts almost as much energy chasing the thing (which has nothing to do with her witch training) as she does preparing the earth. But the three get the job done, and now it’s up to the soil to absorb the nutrients, which will take, you guessed it, time.

It’s a testament to just how calm and quiet this show is that Chinatsu later describes Makoto’s world-wandering sister Akane as a typhoon, even though Akane isn’t particularly forceful or stormy or a burden; she’s just not at the same pace as this quiet country life.

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Akane is a mover and a shaker, living as a nomad (currently in Africa); giving everyone unprocessed gifts of cacao, salt, and oil; and correcting her modesty by agreeing with her sister that she is, in fact, a big deal in the witching community.

But like the signs of the times, the show makes no bigger a deal of Akane than anything or anyone else. It’s a rare anime instance where hearing bits and pieces of the larger witching world is more effective than showing everything. It leaves the imagination step in to wonder.

Akane hears (from Chito…the cat) that Makoto hasn’t used any magic since moving there, and only flown on her broom once. This confirms what I’d already suspected: not only is the show downplaying more overt forms of magic, but Makoto herself still isn’t comfortable with them.

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That’s okay with Akane, and even sees it as a boon for her sister, not having to rely on spells the way she does. That being said, she wants Makoto to cast spells from time to time, lest her powers dwindle. I like the the idea that the magic a witch possesses must be nurtured and polished like any non-magical skill.

To that end, Akane shows Makoto and Chinatsu one of the simplest beginner spells there is: summoning a witch with a girl’s black hair, fire, and an incantation written on paper. Makoto uses her own hair and ends up making a huge column of black smoke that summons all crows, which is what happens when a witch’s hair is used.

I’m fascinated by the fact that the power of a witch can be expressed in such a subtle way as her hair burning differently than a non-witch. It’s another detail that enriches the world of the show, a world grounded in reality with little flourishes of magic you’ll miss if you’re not looking.

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Durarara!! x2 Shou – 06

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As plots and criss-crossing jobs are implemented, and the myriad enemies of the denizens of Ikebukuro amass, it’s the beginning of the end of “normalcy”, particularly for Celty. As she lies on the ground stunned by the other biker’s attack, she’s overcome by a desperate incredulity: things were so normal, and good…with her work, with her Shinra, with being able to be herself…this just can’t be happening, not now.

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A portion of the “abnormailty” slowly infecting all our friends’ lives is caused by one little girl, Akane, the granddaughter of Shiki’s CEO, whom Shiki hires Celty to find, while also keeping her eyes and ears opened for any information on Yadogiri Jinnai. This should have been a bad omen for Celty: this isn’t a normal transporting job, but she’s in a comfortable, safe place in her life and has Shinra’s blessing to keep working so she’s willing to take greater risks.

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Yadogiri, meanwhile, is after Akane too, and hires two elite foreign Assassins—Vorona and Sloan—to abduct her. The reason he needs the likes of them is that the girl will be protected by the Black Bike, whom Yadogiri believes is some kind of “magician” and thus human.

Would that Celty had Sloan’s intense superstition and penchant for getting stuck on very obscure thoughts like why men have nipples. Of course, Sloan is balanced out by the extremely knowledgeable and no-nonsense Vorona, who has straight, correct, and calming answers to all of Sloan’s bizarre questions.

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As Celty and Vorona begin their jobs, Akane is ironically at Shinra’s, the place Celty would be if she’d taken the night off. Brought there by Shizuo and Tom because they weren’t sure where else to take her, Akane runs a fever and Shinra puts her in bed to recover. Having her there puts Shinra at direct risk, especially if Shizuo leaves.

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Back in high school, Mikado takes Masaomi’s warning seriously and advises against going out at night for the weekend. He tells Aoba he has plans, but quickly backtracks when Aoba asks Anri out and it doesn’t look like Anri is going to turn him down.

It’s a rare but appreciated moment of Mikado asserting his fondness for Anri to the extent he’s not okay with some kohai going out alone with her. This, despite the fact neither quite know what they are to one another. Even with Masaomi gone, they haven’t grown that much. Then again, they’re still kids.

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As we know, Vorona finds Celty easily, sets a trap, beheads her without any trouble, and rides back to her and Sloan’s cool and cozy customized Mobile Assassin Base. It’s a great look into the lives of this peculiar new duo, but after Vorona explains why 13 is deemed unlucky by society, she comes up to sit in the cab with him and laments on how easy taking out Celty was (assuming she died when her head was removed)

She’s disappointed with how Ikebukuro has turned out so far. Doubtless she’d heard more impressive tales of the place…or possibly just watched the season one blu-ray and figured the town would put up more of a fight.

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But that’s the thing about Ikebukuro and the Dollars: Mikado never meant for them to be the kind of group that would pick fights with rival gangs or get swept up in supernatural battles. More than anything, it was meant to be a community of friends for Mikado. “Kanra”, i.e. Izaya, contacts Mikado (with Masaomi’s number) to essentially say it’s out of his hands, and an otherwise sleepy Saturday night turns more sinister.

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Anri, who was in the chat room along with Mikado and the twins, all noted that “Setton” (Celty) was missing. This unsettled Anri more than anything. Both Mikado and Anri’s rooms are so dark and foreboding looking, and lonely, that even the modest chat group cannot brighten them up. Those who are absent cast a far darker shadow.

That shadow rings Anri’s doorbell, and when she cracks the door, a pair of shears snap the chain. Is she “other job” Vorona mentioned? Whatever the case, things aren’t going to be normal from here on out.

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Vividred Operation – 05

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Akane and her three friends invite their classmate Kuroki Rei to be in their group for the upcoming summer trip, but she refuses. On her way home Rei saves a child from an I-beam, and her master, speaking in the form of a crow, warns her not to waver in her duty. That night she tries and fails to infiltrate the Manifester facility herself. Akane finds her washed up on a beach and takes her home. When an Alone alert sends Akane away, Rei follows her, but passes out before she can fire the arrow. She wakes up again at Akane’s, but refuses to be friends. Akane’s mom tells Akane not to give up on Rei.

By merit of being her grandfather’s granddaughter, Akane ended up fighting to protect the Manifester engine he invented. By merit of becoming friends with Akane, Aoi, Wakaba, and Himawari ended up on her side. They’re the “Good Guys”, but Kuroki Rei is different. She shoots arrows at the Alones to make them stronger. She’s on the side of the “Bad Guys”, and her contact is a sinister crow. Why? Because they’ve convinced her they can restore the world as it was – when her beloved parents were still alive. She’s decided she’ll do anything – including destroying the current world – to bring them back. And yet Akane and the good guys want to be friends with her, and don’t know she’s their enemy, working against them.

On her extremely badass, Mission Impossible-style night raid, Rei frags the robots that snapped her picture. Her incriminating bow and arrow vanish before Akane finds her. When Rei asks Akane if she’d do anything to bring back her dad and get her mom out of the hospital, Akane says sure – as long as it doesn’t end up troubling others. But on her current path, Rei is going to trouble and hurt a lot of people. She’s signed a deal with the devil, and it’s unlikely they’ll let her back out unscathed. And yet even if Akane learned the truth, I doubt she and the others would rescind their offer of friendship. After all, there’s nothing like bringing a Bad Guy over to the Good side.


Rating: 7 (Very Good)