Oresuki – 07 – An Unexpected Side

This week is, as Pansy calls it while breaking the fourth wall, a “totally original swimsuit episode.” Having already befriended his “forever 17” mom Laurier, Joro finds her in his living room, ready for a day of fun at the pool with the others. The episode checks all the boxes when it comes to vertically panning swimsuits, but while boobs come up often, they’re never compared, either by Joro or among the girls, a refreshing departure from the norm.

While in line for drinks, Joro encounters the queen bee from his school, but for whatever reason, doesn’t recognize her (I guess he has anime-vision, so the fact her hair is up is enough). In a very roundabout rhetorical way, she asks how “a friend” (really she) can properly make it up to “someone” (really him) for what was done to them (as a result of the false article).

At first she’s unsatisfied with his “flip” answer that a simple apology will do, but when she directly asks what he would ask of such a girl, he maintains an sincere apology would be enough. If she feels bad enough that it bothers her that an apology is enough, the sincerity will shine through.

Once Joro rejoins his friends, the girls all try to claim Joro for themselves for an activity, then decide to turn it into a competition to determine with whom he’ll have the most fun. Dark Joro can’t help but revel at the present scenario—three girls are competing to make him happy!—but in each instance he gets more than he bargained for.

First, Himawari clutches him closely on the water slide, but it is his trunks (not her swimsuit) that slips off upon splashdown. Sun-chan valiantly swoops in to shield him from her eyes. Second, Cosmos prepares to jump on a pink dolphin with him, but gets distracted by misunderstanding his call to “hurry up” to mean “accelerate your plans for marriage to me.” Sun-chan boards the dolphin instead, so Joro doens’t have to suffer the indignity alone.

Finally, while soaking in the hot tub with Pansy, they exchange thanks for what they’ve done for each other (she’s hanging out with friends, he was able to make up with said friends). But she also brings up all manner of unpleasant information about him he’d really rather no one knew about, such as his reliance on fortune telling, or the location of his porn collection.

Once more, it’s Sun-chan to the rescue, kindly asking Pansy to lay off before Joro comes apart. As such, when it comes time to decide with whom he had the most fun, he picks Sun, leaving the three girls blindsided (though Himawari congratulates Sun, not officially being “after” Joro as Pansy and Cosmos are.)

The next day at school, the It Girl Coalition surrounds Joro menacingly, only to offer heartfelt apologies, and all are impressed by how kindly he accepts them. He learns that the black-haired beauty sitting beside him in Sasanqua’s desk is, in fact, Sasanqua, who took out her hair dye in order to more sincerely apologize. Thus, Joro’s horoscope about seeing “an unexpected side” of someone wasn’t about any of his friends, but the girl he sits beside.

Strangely, this is not the last twist of the episode, nor is it even the last unexpected black-haired beauty Joro encounters in class. That honor goes to a Touyama Nao-voiced transfer student who claims to know Joro gong way back, is hurt he doesn’t remember her, and drops to one knee to kiss his hand as if he were a princess.

I know not what oddness this is, or why his ultimate ideal—”a kind woman who’d do her best for him without conditions”—but I do know that with things now going so swimmingly with his friends and the rumors about him debunked, Joro is in need of a new conflict, and this girl looks to be it!

Fuuka – 01 (First Impressions)

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Twitterphile Haruna Yuu has moved to Tokyo with his younger sister to live with his two older sisters. In a misunderstanding, a blue-haired girl breaks his phone; he later transfers to her class. After more interactions, the girl comes to trust Yuu, gives him her name, Akitsuki Fuuka.

She accompanies him to a movie, the theme to which is sung her favorite idol (and Yuu’s childhood friend) Hinashi Koyuki. After a surprisingly pleasant date, Yuu gets a cryptic photo text from Koyuki, asking if he remembers her.

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From the creator of Suzuka and Kimi no Iru Machi (Seo Kouji) comes Fuuka, about a guy with an unconventional family situation, an old friend who is now a celebrity, and a weird but charming girl with which he gets off to a rough start, but gets smoother as the episode progresses.

The episode is the same way, relying on a super-lame upskirt photo-based misunderstanding that’s followed up by a second instance of Yuu pointing his camera at Fuuka and just happening to catch a glimpse of her panties.

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This is a show with the sheen of a serious, naturalistic romantic drama, but too often leans on exaggerated actions and coincidences that strain credulity.

It doesn’t help that while he seems to be a nice guy, Yuu is pretty dull, and is more defined by outward things, like his many sisters who don’t mind being undressed around him, or his patently awful Twitter feed. No one cares what you’re doing every waking moment, brah.

As charming as she is, Fuuka also seems at times to be trying too hard to be the hyper sporty weird girl. Minorin you ain’t, kid.

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Still, neither party is as loathsome as the couple from Kimi no Iru Machi, but I have a feeling the could become so at some point, as the love triangle forms. For now, I’m still barely on the guy’s side. I’m just hoping the fact that Fuuka’s favorite singer being Yuu’s childhood (and likely another love interest as well) doesn’t collapse under the weight of its own coincidence.

The idol herself was only on the margins of the episode, lurking; I imagine we may see more of her in the next episode…which I’ll be reviewing soon, as it aired right after the first. For now, I’m hedging.

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Kekkai Sensen – 05

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Sometimes, when there’s a girl you like, you just need a kick in the pants to ask her out, or in Leo’s case, a gargantuan monster truck-slash-fortress operated by Aligura, the Queen of Monomania.

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Leo is out with Zapp, lamenting the fact he can’t tell what White is thinking, when that truck suddenly bears down on them, and Aligura snatches up Leo. Once aboard Aligura’s awesome, sumptuously-appointed vehicle-base, Leo gets a little crash course in the monomania Aligura is infamous for.

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Love could be described as a kind of monomania, and when Aligura loved two men: Dendro Brody for his personality and Dog Hummer for his looks, she combined them into one, similar to the way someone takes separate ingredients to make their ideal dish.  Throughout his ordeal with the highly unstable Aligura, who tries to press him for details about his own love life, Leo is mostly terrified and begging Klaus to save him.

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Turns out this is more than just a job for Klaus, or KK, Chain, Lucky, or Zapp; it’s also a job for the object of Aligura’s affection, as well as her creation: Hummer-Brody, who in his combined form is a massive red demon-like monster with incredible brute strength who is also intensely upbeat, friendly and personable.

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Aligura wants her man/men back, but as she herself says about love, you push and push and the one who pushes hardest wins, and that’s Hummer-Brody, fusing all of Dendro’s blood into a giant fist with which he launches Aligura’s truck into the sky, where it breaks up and spreads debris all over the city, injuring “hundreds if not thousands.” Chain plucks Leo out of the sky, and all he needs are five stitches. Just another day!

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Only it isn’t just another day, because even before Aligura kidnaps him, White is on Leo’s mind. When he mentions her, she sneezes where she is, and when she sees him at the hospital smiling and laughing with another guy, he’s jealous. So just when he’s about to drive off home after a long, tiring day, he marches into White’s room and asks her out to a movie.

After the giddy thrills of aiding her escape from the hospital and motorcycle ride, the comedy movie surprisingly makes her cry, but cheers her up with some good-old self-deprecation, calling himself “pathetic” compared to his more capable sister Michella, something White refutes by calling saying he’s a good guy before cuddling up to him.

Thanks in part to Aligura’s unique perspective on the matter, Leo was able to push himself a little closer to the girl he likes.

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Kekkai Sensen – 04

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A third of the way into Spring ’15, Blood Blockade Battlefront is my number one. Nothing can match its scale and complexity, and creativity of its world(s), the swiftness and confidence of its storytelling, or its rapidly expanding yet increasingly diverse and charming cast, anchored by perhaps the weakest among them, possessing the strongest of weapons in their battle for balance.

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Elaborate action and effective comedy go hand in hand with Kekkai, as demonstrated when a big Libra party to let their hair down comes to screetching halt when Leo finally decides to say something, which happens to be his description of something he saw in the subway that matches the description of the greatest potential threat to humanity: blood breeds, AKA vampires.

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Just like that the stakes are raised significantly. We only got the smallest glimpse of what Angel Scale could do to the balance, but this feels like a much more existential threat. Vampires are taken seriously here; something I’m thankful for after seven seasons of True Blood, in which they did everything from play Wii Golf in their living rooms to have sex with their head turned around backwards. But they were never very frightening, nor are the ones in Owari no Seraph. The Blood Breeds of Kekkai are, because they’re strange and unknown and…er…variably corporeal.

That doesn’t mean the leading expert on them can be the hilariously lucky Blitz T. Abrams, who possesses a curse that only affects people (and vehicles) around him, meaning he’s never that fun to be around if you don’t like physical pain, even if it’s not his fault. It doesn’t bother Klaus, who sees Abrams as a mentor of sorts.

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With Leo’s eyes, Abrams is confident they can really get the lay of the vampire land (normally people aren’t able to see vamps unless they want to be seen.) So they plunge into the depths of Hell—on public transportation!—so Leo can take a good look at the “Edge of Nothingness” so Libra can get a better idea of what they’re up against.

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Like previous journeys to the Alterworld, this was another lush symphony of bizarre dreamscapes—I really dug the Final Fantasy vibe of the train station carved into a tree, below which is their ultimate destination. Along with all its narrative and character pros, this eye candy, and the eclectic soundtrack, are what pull Kekkai ahead of the rest.

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While there are a lot of bright sparks affecting his vision, Leo is still able to discern the blood breeds within the nothingness, and it’s not good: more than the 13 believed to exist, there are hundreds of them lurking down there, and if any one of them wanted to take human form and wreak havoc in Hellsalem’s Lot, they’d do plenty of damage indeed. And As the members of Libra back in Hellsalem report, that’s exactly what’s happening.

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When the traditional authorities prove not to be up to the challenge against elite vampires, “specialists” Steven and KK take over, and at least for a time, hold their own with their special abilities, before the female vampire brings the hammer down on them. Klaus, who is watching a live video stream courtesy of Chain (use of modern mobile tech is another neat aspect of Kekkai’s world-building), hops back on the train with Abrams and Zapp, and implores Leo to find those vamps’ weaknesses, because only he has the eyes to see them.

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Steve and KK weren’t sure if they’d survive the fight they were getting into. All they knew was that they had to buy as much time for Klaus and Leo as they could before being neutralized, trusting they’d come through. They do: Klaus makes almost as awesome an entrance as Abrams, and armed with the Vampire’s true name, seals her into a cyberpunk cross.

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Leo is amazed they made it, and weary that it took so much exertion to take out one elite blood breed when there are perhaps a thousand lurking in hell. But the lesson that sets him a little more at ease is as simple as the world he lives in is complicated: no one knows what’s coming tomorrow. Plenty of pain and suffering may be in store. But defeat is assured if one gives up.

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