Kaguya-sama: Love is War – 12 (Fin) – The War Continues

Last week ended on a hopeful note, but there was still a lot that could go wrong with Kaguya and Miyuki’s big night at the fireworks festival. And what do you know, it does! Just as she’s ready to head out, one of the butlers not named Hayasaka vetoes her outing as too dangerous, so she has to text Chika that she can’t go, and she’s sorry.

Kaguya enters heretofore unplumbed depths of dejection, but Hayasaka tells her to regain her Kaguya attitude that would have normally had her trying to sneak out by now. Hayasaka aids in all the ways she can by posting a tweet to Kaguya’s feed that Miyuki picks up on, then disguising herself as Kaguya so she can swing Tarzan’s Jane-style over the wall and to a waiting taxi.

While getting out of bed and sneaking out of the house was a big win, Kaguya still has to get to the fireworks before they’re over…and she isn’t able to succeed. The taxi is stuck in traffic, and there’s only so much ground she can cover in yukata and geta. She’s able to glimpse the fireworks closer than ever before—between buildings—but by the time she reaches the meeting spot, the display has concluded and the crowds are cleaning up after themselves (what a concept!) and heading home.

Of course, all this time, we know that Miyuki has been racing around on his bike, attempting to intercept Kaguya on her ill-fated solo mission to reach the fireworks. He manages to pick the right alley where she’s chosen to cry, then takes her by the arm and tells her he’s going to make sure she sees some fireworks. He accomplishes this with help from Yuu and Chika, who are waiting with the same taxi  Kaguya took before, driven by one of the Four Ramen Kings.

The driver takes liberties with the speed limit and gets them under the Aqua Line towards Umihotaru, where the fireworks display will still be going on for another twenty minutes. There’s an action thriller flavor to their undersea tunnel trip, and an ultimate feeling of triumph when they emerge at the other side to a sky full of gorgeous fireworks. Only now, that she’s closer than ever to those fireworks, all Kaguya can watch is Miyuki’s face, and all she can hear is the beating of her own heart. Daaaaaw.

While the fireworks night turned out to be a great victory for everyone, pulled from the jaws of defeat numerous times, the real proof in the pudding of whether Kaguya and Miyuki’s relationship has grown would come in the aftermath. We get a glimpse of that as the new school term begins, and both of them are so bashful and self-conscious that every time they try to approach each other, they end up sailing by like ships in the night—or two dogfighting planes.

Again and again they swoop by, with Chika eventually getting into the spirit of things with an “asterisk” before Yuu arrives and unwittingly makes it a “triangle.” Kaguya and Miyuki then banish both Yuu and Chika (“shooting them down”, as it were) in order to get the privacy they need to finally confront each other about last night.

Kaguya just wants to thank him for everything he did, but as they finally meet and end up bumping into a kind of half-hug, her broomstick juts into his chest, and she says the very words he feared she’d say as an appraisal of his “egotistical” behavior and “cringeworthy lines” the other night: “it must be painful.” Of course, she was talking about the broomstick, not his behavior. But he runs off anyway, and Kaguya gives chase, and henceforth everything is pretty much back to normal.

Surely other situations will come in the future where the two will be able to hang out and do fun stuff and experience moments of beauty and honesty together—but due to their stubborn pride and persistent self-consciousness, any such interactions will only come after much hand-wringing and hesitation. Perhaps, given enough time, it will get easier. But as long as they think something that manifestly isn’t a war is, it’ll remain akin to pulling teeth. But hey, a romantic can hope!

Kaguya-sama: Love is War – 11 – Twitter, Ramen, And Missed Connections

This week’s collection of stories vary wildly in tone from ludicrous to serious to unabashedly earnest and poignant—and that’s all fine, since it depicts the reality of high school life, it’s highs, lows, and MEHs. First, due to their stubborn refusal to make the first move, both Kaguya and Miyuki are letting the sand pour away in the hourglass of summer without meeting up.

When Kaguya learns Hayasaka is following Miyuki on Twitter, she decides to sign up to mitigate her loneliness. Her appalling lack of IT skills (beyond speed typing) mean poor Hayasaka’s much-needed replenishing bath is being constantly interrupted by Kaguya panicked cries for assistance. In the end, Kaguya runs into the same issue as texting or calling: she has to make the first move to follow Miyuki (garnering her mental image of Miyuki saing “how cute” for once).

Alas, she’s unable to do so and risk breaking the stalemate. She and Miyuki might describe the importance of to winning the “war of love” and preserving their pride through inaction, but the “war” is Pyrrhic, and their pride only a thin facade barely concealing their fear. Hayasaka muses at how happy they’d be if they simply acted on their obvious mutual feelings, and is envious of the depth of those feelings.

Part Two is from the POV of a “ramen connoisseur” who treats the acts of ordering, seasoning, and eating ramen as a kind of war all its own. When Chika enters the same shop, he assumes she’s lost, but all of her actions suggest a fellow connoisseur, one of “his people.”

Even when she seemingly makes missteps that detract from his respect for her, she surprises both him and the chef with increasingly choice moves, from choosing super-firm noodles that will withstand the “mini-ramen” method, crushing garlic into the broth, and even draining the bowl like a boss, something that makes the aging dude recall his youth when sodium intake was of no concern.

Chika is adorable and awesome throughout the segment in which she attains an easy victory, living her best summer life while her president and vice-president wallow in their dark rooms. One day it finally becomes too much, and both of them don their uniforms and go to school in hopes of possibly meeting the other there.

They both have the right idea, but the wrong timing, as Kaguya has already departed the office by the time a winded Miyuki gets there by bike. The ennui and melancholy so very palpable in this gorgeous third segment that takes its time, and in which no one wins. The solution to seeing each other (something both want very badly) is to simply shoot a quick text to each other, but because neither can do that, they fail to meet. The pointless war continues.

Post-credits we get a surprise fourth-segment, narrated entirely by Kaguya in monologue. She describes all of the things that have kept her, the privileged daughter of a very wealthy man, from living a normal girl’s life and experiencing the simple things people like Chika take for granted.

The segment makes no attempt to hide Kaguya’s ornate, grandiose lifestyle, but also never fails to make us sympathize with her. The lack of warmth, love, or even the sharing of a damn room with her father, who summoned her to the main house for a two-second exchange, causing her to abandon shopping plans with Chika, her sister, and Kei, is particularly devastating, as is Hayasaka’s holding of her hand for emotional support.

The segment thankfully ends on a triumphant note: no longer will Kaguya have to settle for the view of distant lights from her giant, lonely bedroom window; she’s going to the festival to see them up close, with people she cares about and who care about her in return. Maybe, just maybe, an armistice in the war of love can be reached…

Fuuka – 11

Ay Caramba was that a jumbled mess of an episode, full of people being selfish and awful, other people being pushed and pulled around like ragdolls, people saying things no normal people would ever say out loud, and peppered with seemingly even more superfluous fanservice than usual.

First up, Fuuka, who leaves the band she forced everyone into to begin with to sign a contract with a studio. You know she’s leaving the band because it’s too painful to be around Yuu, and I know that too, but Yuu doesn’t, because he’s an idiot.

This isn’t about pursuing her dreams. You can tell because throughout this episode she’s sad and saying out loud “I AM MAKING THE RIGHT CHOICE HERE,” as if trying in vain to convince herself.

As for the other girl whose feelings for him Yuu is totally unaware, Koyuki surprises him when he’s moping in the dark his bedroom, presumably a few days later. When Koyuki learns why he’s blue, she tells him it’s for the best, how she wants to be on stage with him, no matter how much he sucks at bass, then opens her blouse and pounces on him.

Yuu is just not feelin’ it, and Koyuki starts to sob, talking about how she knew she wasn’t the one, how she knew about the feelings he doesn’t know he has, and how he needs to “be honest with himself” before leaving the site of her almost comically brief and awkward attempt at seduction. I feel bad for Koyuki, not because she was rejected so utterly, but that she likes a schlub like Yuu in the first place.

Yuu isn’t just a schlub: he’s also a deeply selfish, destructive person. Mind you, it feels like only a few days have passed, but all the other members of the band have already moved on to other things; Fuuka was the now-absent glue that held them together. Without her, Nachi goes back to focusing on track, Mikasa prepares to move back home and be the finance bro his dad wants him to be, and the talented Sara instantly finds another band to play in.

The wound of the short-lived The Fallen Moon (ugh) is healing nicely for everyone…except Yuu. The band was, apparently, all he had, so he tears it back open, writing a song that “contains all his feelings” (ARRGH) and delivers them to the members one by one in person, totally ignoring their firm yet polite attempts to decline.

Mikasa’s egregiously soapy-yet-oddly robotic monologue to Yuu borders on self-parody:

Sorry, Yuu…I’d moved out of my family’s home as a rebellion against my father, but that’s over now too. I’ve decided to listen to my father. He’s literally promised me a happy future! So I won’t have to suffer or stress myself out chasing pointless dreams anymore!

Who talks like that? Who wrote this drivel??

Yuu doesn’t give a shit what you’re up to now. HE wants the band back together, and he knows if they just hear his song, they’ll come running back to Denny’s. And of course, one by one, the rubes prove Yuu right.

“You’re absolutely right Yuu! How silly of us to move on with our own lives after the most talented, charismatic member of our band quit. Let’s re-form the band on the recommendation of the least talented and charismatic member!” What are these people, lemmings?

The only one he’s not able to immediately bring back is the one who he let leave in the first place without a word of complaint, saying at the time, “if it’s her decision, there’s nothing we can do.” Moping in the dark, getting jumped by Tama-chan, and pouring his feelings into a song have changed him. Now he wants the band back, Fuuka included. Everyone has to do what he says, dammit!

It’s tricky, though, because Fuuka, perhaps not ready to face the band she started then abandoned, is using her mom to screen visitors to her house. She mopes much like Yuu mopes, clutching his feelings-song in her hands, insisting she’s on the right path despite all outward evidence to the contrary, to say nothing of the turmoil in her head.

The insinuation is that, like Yuu had been doing until now, Fuuka isn’t being honest with herself. So go ahead, pursue your dreams as far as your talents will take you…but only until Yuu incessantly hounds you to return to the band. You’re done with the band when he TELLS you you’re done.

I don’t like this show anymore!

Fuuka – 10

Fuuka still hasn’t written the lyrics. Everyone’s hounding her, but it isn’t until Yuu tries to offer some friendly help when she momentarily snaps. She’s sick of feeling the way she feels about Yuu, and seeing him flirt with Koyuki.

Of course, Koyuki isn’t satisfied either, because it’s not as if she and Yuu are really a couple. There something in between, something that just isn’t cutting it, and she can’t go on. So yeah, Yuu’s making precisely no one happy right now.

Fuuka eventually does finish the lyrics, and they’re apparently awesome. Yuu seems to think so. But whether Yuu’s calling her on the phone and being nice, smiling at her, or praising her awesome lyrics, Fuuka continues to feel like shit.

The night of their big gig we get a little slice of all the band members’ lives. Fuuka perches precariously from her roof, but we don’t see her family. Yuu’s sisters promise they’ll be there. Nachi’s grandma sparks some flint for good luck or something. And Makoto? Makoto’s getting disowned by his asshole father for daring to be in a useless band. I wish I cared…but I don’t!

Fuuka’s pink alpaca strap falls off right in the middle of the street, and everything seems to be pointing to Fuuka getting clobbered by the classic “anime truck doing 70 mph in the middle of downtown,” with Fuuka either buying it or ending up in the hospital, probably with a ruined voice on the eve of her big break.

Instead, she avoids the truck (she is pretty athletic), and leaves the alpaca strap behind, which is like a symbol for her attempting to be move beyond the torturous slog of pining for Yuu, something I’m still not quite sure why she’s doing in the first place.

So The Fallen Moon (uuuuuuggggghhhh) performs their Hedgehogs (I’m sick of capitalizing it) cover for the millionth time, followed by a slower number, and then Fuuka’s big number. Throughout the gig, there’s more than one person singing, even though Fuuka is the only one singing, which is weird.

Also, because apparently there wasn’t enough animated material in this episode, we cut to a slow pan of the classic “impossibly starry city sky” again and again. Honestly, the episode went to that sky almost as much as the band goes to Denny’s!

The gig complete (and a huge success), Fuuka finally decides she’ll do that solo contract after all. Mind you, this is the band’s second public performance, and she’s leaving the band. The band Mikasa got disowned to stay in. Nice.

Really though, Fuuka is making the right choice. Even though everyone in the band is pretty good, the offer with the cash wasn’t for the band, it was for her. And you gotta look out for number one. I’m not sure where this is going, but this is actually a mildly intriguing development.

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Fuuka – 09

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Wow, we’re already nine episodes into this? Wow, that’s pretty far. What better way to celebrate than Yuu going on a date with Koyuki. Wait, whuuuh? Last time we saw them, they were locked in a hug on a pier, now they’re touring Little Edo, AKA Tiny Kyoto.

Koyuki starts out wearing a ski mask, but removes all disguises except for magic glasses that make it impossible for anyone to identify her. Also good news: her voice is “back to normal”…but I’ll believe her when I hear her!

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In any case, inertia plus history plus chemistry equals these two becoming something of an item this week, which doesn’t go unnoticed by the band. Yuu is late for practice after all, and while Nachi jokes about him being busy with his girlfriend, Fuuka is less enthused.

After practicing the same damn HEDGEHOGS song for the thousandth time (aren’t they sick of it by now?) they go to Denny’s and Fuuka presents her Next Great Idea: she’ll write an original song…by ear. Yuu ducks out to talk on the phone with Koyuki, and when Fuuka goes out to see where he went, he hears their flirting and remains…not enthused.

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A song-writing montage ensues, filled with still images, one of them showing them going to Denny’s again in short order. Honestly, how can these unemployed kids afford so many trips to Denny’s? They must get allowance out the wazoo! You’d think they were already a successful professional band what with all the cash they’re throwing around.

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They get the instrumentation done, so all that’s left is the lyrics. I’ve never been in a band, so I supposed some bands do the music first then the lyrics, while others do vice versa, while still others do both at the same time. Fuuka, at least for this The Fallen Moon song (ugh, I forgot that’s the name they picked for their band), goes with the first strategy, but gets lyricist’s block, no doubt exacerbated by her heartache.

Then one day Sara’s brother asks Fuuka to have a meeting with him and a music producer, who heard her sing at the school riot. The guy is perhaps unreasonably obsessed with her from a single impromptu recording, but goes on to say she “ate Koyuki alive” on that modest stage, the implication being, for the first time, that Fuuka is just flat-out better singer than Koyuki.

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But Fuuka doesn’t even say she’ll think over the producer’s offer to make her, and only her, a pro. She’s sticking with her unfortunately named band. Her selflessness is rewarded when she once more runs right into the middle of a private Yuu x Koyuki interaction.

The show is really piling it on in terms of Yuu and Koyuki rubbing their longer relationship all up in Fuuka’s face. Girl can’t catch a break! But she can’t worry about stuff like this right now; The Fallen Moon (UGH) is opening for other bands in like, no time at all, and she needs to get those lyrics written or she will LET EVERYONE DOWN.

Still, I’m sure no matter what happens, cash will somehow continue to appear out of thin air for the band, with which they’ll continue to buy fried food and sundaes at the local Denny’s. Eat more fish, kids.

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Fuuka – 08

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Um, so yeah, I don’t know why I didn’t mention it last week, but band solidarity aside, it was really really dumb and selfish to stride out on stage before such a hostile, volatile crowd. By doing so, they put not only themselves, but everyone in that room (including Yuu’s sisters) in unnecessary danger.

It only takes a spark from a couple of n’er-do-wells for the audience to become a mob. So what I wanna know is, where in the hell were the adults in this? Isn’t this a school auditorium? Did no one bother to inform any of the festival organizers of the circumstances surrounding the performance, or the potential hazards?

The bizarre, total absence of any of the controls that would have put the kibosh on this show before it even began were conveniently missing so that “the show could go on.”

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So Yuu gets his bass wrecked and his head cut open from a bottle (which is pretty rock-and-roll, now that I mention it), and the crowd grumbles loudly, starts shoving Yuu’s sisters when they protest, and start to crush Koyuki when she reveals herself (another dumb move on her part).

And yet, like the flip of a switch, everyone in the rowdy mob just kinda…shuts up as if suddenly a single unit, and are so charmed by Fuuka’s powerful voice, her unison duet with Koyuki, and the talent of the other band members, their heckling and hostility turns to joy and cheers.

Are you takin’ a piss, Fuuka? Seriously? Quell the crowd with lame J-rock? Sorry…but I ain’t buyin’ it!

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After Koyuki is shuttled off by her minders, the band heads to Denny’s to celebrate their bafflingly successful concert, which was streamed on the internet and greatly boosted by Koyuki’s presence. They then come up with a band name, The Fallen Moon, which is, well, there’s no other way to say it, the worst name for a band everno hyperbole.

What did elicit a laugh was when Fuuka protested over using her surname to name the band, making it seem like she forced everyone to join, followed by everyone else confirming that yes, she did indeed force them. But why did you let her force you? Is she just that really, really, ridiculously charismatic?

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On the other side of the charisma spectrum is Koyuki, who is gently warned by her manager not to pull any more shit, and to stay away from Yuu lest she cause more riots and brawls. Yuu calls and calls, perhaps dozens of times, but Koyuki lets it vibrate, and he doesn’t seem to leave any messages.

All those ignored calls, combined with her guilt over what transpired and her production company cancelling all of her TV appearances (since she’s proven she’s a loose cannon no doubt) conspire to stress her out so much she literally can’t sing when called upon to do so, and has to cancel the last show she had left: the Christmas concert she invited Yuu to.

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While walking on the beach, Yuu calls once again, and it looks as if Koyuki feels she has no choice but to answer, or else he’ll just keep calling. The call is brief and curt. Yuu, not satisfied, hops on a train to track her down; not obsessive behavior at all! He finds her at the pier where Fuuka found them in the rain.

Why did she go there? Why did he know she’d be in that specific place at that specific time? Not sure, but Koyuki becomes a wreck upon seeing him, breaking into tears, blaming herself for everything, and begging him forgiveness “for loving him.” Aw jeez. Yuu’s answer is to rush at and embrace her, which…the sea’s right there dude. Be careful!

But it just doesn’t seem like Yuu loves Koyuki…at least anywhere near the extent she loves him. It seems more like an obligation hug, a comforting a friend hug, not an “I love you too” hug. But hey, at least they didn’t fall into the ocean, right?

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Fuuka – 07

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As expected, the photo of Yuu and Koyuki goes viral, creating problems for both. Yuu’s sister and mother chew him out for being so reckless with his celebrity childhood friend. He’s mobbed at school by both classmates and total strangers.

Fuuka is disappointed that when she told her she saw Koyuki, he didn’t feel the need to tell her he saw her too. But with their first concert coming up at the cultural festival, they decide not to get too bent out of shape out it.

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Meanwhile, Koyuki’s handlers coach her on the proper PR response to the photo. Yuu tweets that they’re just friends, while Koyuki’s company was ready to deny it was her and decline further comment.

Instead, Koyuki stays true to herself, and in a bit of a personal coup, blows things up even more, stating on live TV to the masses that the boy in the photo is not just some friend, but her unrequited love and muse for all her songs.

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While admirable, Koyuki’s decision is a bit selfish, and only results in more potential problems for both Yuu and his band when the day of their first show arrives. Koyuki arrives in disguise, not wanting to miss it, and sees that legions of her fans—and haters of Yuu, the guy who apparently won’t love her back—are amassed, ready to shit all over Yuu’s show…figuratively of course.

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Yuu apologizes to Fuuka and his bandmates over and over, but they understand it’s not his fault, nor is it Koyuki’s. What happened happened, and all they can do is put on the best performance they can. You can’t please or appease all the haters, and trying is a proposition of diminishing gains.

That being said, we’ve essentially jumped two months from last week to now, so all the bonding the band has done was done ‘off-camera’ (not that I particularly wanted to watch more band practice, mind you). It also seemed a bit anti-climatic to end the episode before the big performance takes place.

As for Fuuka’s dilemma about her feelings for Yuu conflicting with her pledge to Koyuki, well…at this point I still see Fuuka winning out. She’s the title, after all.

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Fuuka – 05

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Fuuka continues to cement its role as my guilty pleasure of the Winter, thanks to its utterly shameless tendency to put protagonist Haruna Yuu in the most favorable situations imaginable, and still have him complain about it. That might sound unpleasant, but it’s actually pretty fun.

Adorable childhood friend coming by his house to reminisce? Sure, why not? Flipping through photo albums, where most of the pics are of Koyuki yelling at Yuu for various reasons, most of them related to him being a pushover? You got it! Yuu managing to blurt out that he liked her then…b-b-but not now! Seriously! (Now as well.)

Koyuki leaves suddenly, which Yuu takes as meaning he said the wrong thing, but little does he know she’s weeping tears of joy at the news her love wasn’t one-sided. I still don’t see her beating Fuuka. Fuuka’s the title.

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You know what this show didn’t need? Another girl! Especially not one who is impossibly tall and gorgeous, like she just jumped out of a magazine or something. But we get one nonetheless in the person of Iwami Sara, who seems very standoffish and aloof but I’m sure is really sweet deep down.

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She also happens to be the sister of Hisashi, one of the members of Hedgehogs (styled as HEDGEHOGS…because you have to YELL IT) who also graciouslly offers the use of one of his studios for the new light music club to practice…free of charge. Where’s this guy’s sense of entrepreneurialism?

In any case, the band…kinda sucks, particularly Yuu and Fuuka, but Sara is kicked off her third band and Fuuka decides to invite her into theirs, and the girl can not only play, but look very cool doing it.

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After practice they head over to Denny’s, I mean Danny’s, which—wait a second…

Kuzu no Honkai – 03

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Oh, that was Banny’s, not Danny’s. Nevermind…

…Back to Fuuka – 05

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Anyhow, the whole band is at some Denny’s ripoff, when all of a sudden everyone has somewhere to be…except Yuu and Sara. Did I mention Yuu’s face accidentally made contact with Sara’s boobs? Yeah…that happened, and then she smacked him in the face with a guitar, which should have caused a lot more damage to Yuu than it did. The magic of anime!

I’ve been ragging on this episode up to this point, but I have to say, I did not expect Sara to end up being one of Yuu’s best Twitter buddies, @0704-yamato.

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It happens so subtly as you expect Sara to be bored and checking her phone with just Yuu there struggling to find words to say. Turns out Sara’s the same way: finding it far easier to communicate through tweets than with her vocal cords, which so often uses the wrong words, or the right words the wrong way, resulting in misunderstandings (and getting kicked off bands).

When Yuu first started tweeting I was like “Oh great, this gimmick again,” but it paid off big league here, from the sundae, to Sara’s sudden change of character, for which she actually apologizes for by saying “sorry for the sudden change in character!”

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The next practice, held not at the full-up studio, but at Nachi’s ideal place (which he withheld so it didn’t look like he was as into this band thing as he really was), everyone has practiced a lot more, and they play a much smoother version of the show’s theme song, “Climber’s High!”

When Sara’s praise of Yuu’s progress is interrupted by Fuuka’s praise, and Yuu thanks her, Sara punishes him for allowing the interruption by jamming her guitar into his back. So this is how it’s gonna be, huh? Look out Koyuki: you’ve got more competition. (Note: next week’s episode is titled “Hinashi Koyuki”. Should be interesting.

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Fuuka – 01 (First Impressions)

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Twitterphile Haruna Yuu has moved to Tokyo with his younger sister to live with his two older sisters. In a misunderstanding, a blue-haired girl breaks his phone; he later transfers to her class. After more interactions, the girl comes to trust Yuu, gives him her name, Akitsuki Fuuka.

She accompanies him to a movie, the theme to which is sung her favorite idol (and Yuu’s childhood friend) Hinashi Koyuki. After a surprisingly pleasant date, Yuu gets a cryptic photo text from Koyuki, asking if he remembers her.

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From the creator of Suzuka and Kimi no Iru Machi (Seo Kouji) comes Fuuka, about a guy with an unconventional family situation, an old friend who is now a celebrity, and a weird but charming girl with which he gets off to a rough start, but gets smoother as the episode progresses.

The episode is the same way, relying on a super-lame upskirt photo-based misunderstanding that’s followed up by a second instance of Yuu pointing his camera at Fuuka and just happening to catch a glimpse of her panties.

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This is a show with the sheen of a serious, naturalistic romantic drama, but too often leans on exaggerated actions and coincidences that strain credulity.

It doesn’t help that while he seems to be a nice guy, Yuu is pretty dull, and is more defined by outward things, like his many sisters who don’t mind being undressed around him, or his patently awful Twitter feed. No one cares what you’re doing every waking moment, brah.

As charming as she is, Fuuka also seems at times to be trying too hard to be the hyper sporty weird girl. Minorin you ain’t, kid.

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Still, neither party is as loathsome as the couple from Kimi no Iru Machi, but I have a feeling the could become so at some point, as the love triangle forms. For now, I’m still barely on the guy’s side. I’m just hoping the fact that Fuuka’s favorite singer being Yuu’s childhood (and likely another love interest as well) doesn’t collapse under the weight of its own coincidence.

The idol herself was only on the margins of the episode, lurking; I imagine we may see more of her in the next episode…which I’ll be reviewing soon, as it aired right after the first. For now, I’m hedging.

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Gi(a)rlish Number – 04

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Now that she’s preparing for voice roles and singing like a professional should, Chitose gets way ahead of herself in a daydream where she, not Momoka or Kazuha, is the top star beloved by all whose fans wear robes that say “Chitose Is Life.” In reality, she still has a very long way to go, but as her brother suspected, her guts are helping to carry her along, making up for her lack of talent.

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The anime she’s working on is seemingly doomed, as the first episode preview is replaced with a slightly altered repeat of the PV, as the first episode is nowhere near done and no one seems to be in a hurry to finish it. This ain’t KyoAni, folks. Though she’s nervous, Chitose is still able to wrangle the understandably frustrated crowd with her charms, as the five cast members sing the long version of the theme song.

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It goes pretty well, but by the time the awful first episode actually airs, even Chitose has to struggle to find the good in it: adoring Twitter followers, another sign that she’s “WINNING” at being a seiyu idol. She knows how to be all buddy-buddy with Kuzu-P, but he’s already planning to use her and the others as a tool for recruiting more talent, all of whom will likely be so excited to be working, they won’t feel as Kazuha feels, that this all feels very stupid.

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Denpa Kyoushi – 04

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Kagami-sensei’s latest lecture kills two birds with one stone: teaching Irregular Twintails (Makina) the true dignity of maids (Akiba, not regular), while encouraging Potatoes (Kiriko) to get back to doing what she loves: performing as the underground maid idol and YouTube sensation “Cutter Girl.”

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Makina puts up a fight, offering her Wikipedic knowledge of real-world maids and dismissing the Akiba kind as “fakes.” Even so, she agrees to serve as a maid at a cafe run by a friend of Kagami’s who has gotten serving down to an intricate science.

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Kagami, or rather the cafe where he brought Makina, makes a decent case for the dignity of Akiba maids by showing her the amount of skill, initiative, creativity, and people skills required to make a diverse array of “masters” happy. Sometimes that means acting cute or subservient…sometimes it means being standoffish and rude.

He paints maid cafes as a microcosm for society at large, but Makina fires back that most of society doesn’t “get” or approve of maid cafes, so she can’t let Kiriko continue lest she give the school a bad image.

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In the B-part (which Kagami announces by tapping on the fourth-wall), Kagami arranges a live performance in front of a growing crowd of people, with the idea being if society doesn’t approve, she’ll make them approve by delivering a dazzling performance.

Potatoes, suddenly full of confidence, calls Makina’s bid, stating she’d be able to weather explusion better than not being able to do what she loves. She then takes the stage and becomes an instant hit online and off, with Kagami pulling the logistical strings. Now, it would hurt the school’s image if they did expel Potatoes.

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While I’m glad the show seems to be back on track with regard to Kagami tackling the problems of a student or two per week, this will be my final review of Denpa Kyoushi. It’s far from terrible, and often downright charming. In a lighter season, or with higher quality visuals, I’d keep it. But the fact of the matter is I’m reviewing more shows than I want to this season, and Denpa’s iffy production values made it vulnerable for culling.

Class dismissed!

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Space Dandy – 02

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Space Dandy is the intergalactic comedy that takes its time and hangs out in bars—ramen shops. When none of Dandy’s alien quarry turns out to be rare, he ejects Meow into space, only letting him back into the ship when Meow promises he knows the location of a Phantom Ramen. A wide-ranging culinary journey ensues, with the contents of the bowls growing more bizarre and outrageous as Dandy’s bank account empties.

So what happens here is that Dandy, eager to make a buck, agrees to spend what money he does have matching noodle bowls with his unreliable new sidekick, who Dandy knows is only interested in eating and wasting time. All the while, Meow is inadvertently telling the enemy Dr. Gel exactly where they are by tweeting each restaurant they patronize. Dandy also meets the lovely (and limber) Scarlett, who takes out the first wave of Gel’s foot soldiers not to save Dandy, but as payback for spilling her bowl.

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Honey may give Space Dandy the time of day, but that’s her job. Scarlett is not the least bit seducd by Dandy’s wiles, especially when he asks for money. Still, once QT discovers Meow’s tweets and his phone is disposed of, the threat from the Gogol Empire is neutralized. It’s about this time when we started wondering how Dandy & Co. get themselves killed this week, but the episode’s final act didn’t follow that pattern; not exactly, at least. The only similarity to last week’s ending is that Dandy and Meow end up in another tense, dangerous situation, as the source of the stale but tasty Phantom Ramen turns out to be in a wormhole.

But after that mind-bending journey they emerge on the other side in a very calm, eerily gorgeous alternate dimension, and the comedy is put on hold for the surprisingly moving story of an ancient Earth-trained alien ramen master, possibly inspired by Jiro Dreams of Sushi (which we still have yet to see). The alien lives there alone for centuries, and his tears are the secret ingredient. After hearing the old alien’s tale, out of deference, Dandy lets him decide if he wants to come back with them. He declines, and in a hint of karmic justice, Meow loses his to-go bowl in the wormhole, and only Dandy gets the final taste ever.

9_superiorRating: 9 (Superior)