The Devil is a Part Timer!! – S2 E07 – A Boom, a Whoosh, and a Hug

The first day’s haul at the beach shack is beyond Ms. Amane’s expectations. Emi meets with Maou, Ashiya, Urushihara, and Camio at the lighthouse to discuss Amane, who is clearly no ordinary human.  Camio explains that the Demon Realm split into hardliners and pacifists after Maou’s fall.

A group of the latter, all ginned up by Olba Meyer, are on there way to Choshi now for the Sacred Sword, AKA Alas Ramus. Both Emi and Maou want to take responsibility for the war they started without leaving it all to Amane, powerful though she may be.

It’s actually a relief that Amane isn’t specifically after Maou or Emi or the sword, and even delivers Maou’s sword that Camio brought along when he arrived in Japan. When a Gate opens and the demon soldiers start pouring through, Emi flies over to meet them first and starts cutting them down, though notably not killing them.

When their leader steps in to have a duel, Emi is game, and has Alas scale down so it’s a more even fight. The fight never happens, though, because Emi bought all the time Maou, Ashiya, and Urushihara needed to transform into their demon forms of King Satan, Sariel, and Lucifer. The troops and their leader are immediately cowed by the presence of their masters.

With a final flourish, Maou puts his arm around Emi and tells his underlings to return home with the message that the king lives and is gathering his power on Earth to bring peace to the demon realm once more. The demons and Camio return peacefully through the light of the lighthouse, and then Maou, Emi, Ashiya and Urushihara close the Gate.

Chiho, Suzuno, and Amane greet the four when they wash up on the shore, most of their power expended. Amane is glad the mess these folks brought to her little seaside town has been cleaned up, but also tells them that they have to leave as the magic they used has upset the balance of one of the few places where souls can be cleansed during Obon.

The bad news is, Maou & Co. are fired and in a flash of wind Amane and the beach shack have vanished, but the good news is that Amane paid them handsomely for their work, and Maou’s apartment has been repaired, so after a tour of Choshi, the crew is poised to return to the “Castle”.

Maou explains that the sword Camio brought him was made of his magic-packed horn that Emi had cut off, and then perhaps chooses his words poorly when he boasts to Emi that once his power is fully back he’ll “dominate” her and everyone else. That gets both Emi and Chiho upset and demanding either an apology or clarification.

The Devil is a Part Timer!! – S2 E06 – Chicken Curry

When a fog rolls in so thick they can’t see their own outstretched arms, Maou, Ashiya, and Urushihara seek shelter in their comfy five-tatami room. But when they look out the window, a large form is approaching them: a cyclops. Then a demon centaur.

Finally, a anthropomorphic black chicken Maou actually knows arrives. The other two demons are swept away by some kind of powerful wind magic; only the bird, Maou’s old chancellor Camio, survives, and he soon reverts to a chibi chicken mode.

The first day the beach shack opens things get super busy super fast, and Maou, Ashiya, Urushihara and Amane can’t keep up with the sheer volume of customers or the food and drink orders. Chiho, Emi, and Suzuno come to the rescue, each in character-appropriate swimsuits, and with double the labor (I’m not counting Urushihara) the day is a success.

While Emi cleans one of the ice shavers, Urushihara starts asking her about Olba, a dude from first season who I honestly don’t remember, but who promised him he’d not only spare his life but put in a good word for him in Heaven, where he thought was the only place he could return to after the Demon Army fell.

Later that afternoon, Maou introduces his leal servant Camio to Emi, Alas Ramus, and Chiho, emphasizing that unlike most demons who were more about fighting and killing, Camio’s whole deal was being a thinking man’s demon, and Maou says the creation of the Demon Army was thanks in no small part to Camio’s hard work.

After the episode spends much of its time either being coy about the human that wounded Camio and defeated his two demon escorts or having Urushihara suggest it might be Olba, Amane pops in to ask Maou for help, and Camio immediately fingers her as the culprit. So now Maou knows he’s working for a human powerful enough to waste demons. But to what end?

Also, it’s official: this second season is distractingly awful-looking at almost every turn. This is especially evident with most characters in swimsuits. Those suits and the bodies they’re attached to take different distorted forms in almost every shot. Everyone looks stiff and awkward. If I wasn’t so intrigued about what will become of this revelation about Amane, I’d probably have already dropped this.

Heroines Run the Show – 10 – The Stir

The rumors of a LIPxLIP member romance around going away, as evidenced by the appearance of the photos on television, with Hiyori’s face pixelated. That makes it so Narumi Mona can’t quite recognize the girl she met a few weeks back, while Sena insists neither of the boys would be incautious enough to date a classmate.

But while the rumors and nasty online comments abound, it’s not that bad for our LIPxLIP and their manager-in-training. Her support network was already established last week, but the three also have the support of their teacher and by extension the school. Yuujirou’s father also sees this as evidence his son actually is making something of himself, and that the Someya family is far tougher than these petty rumors.

That said, Hiyori decides to keep her distance from the two and encourages them not to talk or interact with her, which they rightfully consider to be a pain. They may not admit it, but Hiyori is not just their manager-in-training, but a friend. Speaking of friends, Hiyori feels terrible having to lie about her connections to the boys, even to Chizuru and Juri.

Back at the studio, Uchida outlines the steps being taken to reduce the damage to the LIPxLIP brand, including explaining and apologizing to all of their corporate sponsors and supporters. Yuujirou’s kabuki prodigy brother Kouichirou makes a surprise appearance to help the lads track down whoever did this and punish them.

But for Hiyori’s that’s, as she would say it, crossin’ a line. Idols shouldn’t be accusing or fighting with fans. She’s read their fan mail; she knows the genuine love and support they have for LIPxLIP, and she knows that even if it was unintentional, she damaged that bond by simply being in those photos. For that reason, she decides to quit her job as manager-in-training.

It’s a very Hiyori move, putting the fans of her charges ahead of her own dreams, even if the boys remark that she’s not one to back down from a race or a challenge, considering they were that very thing at the beginning. But ultimately it’s a decision they let Hiyori make because it’s hers to make.

Suddenly bereft of their chipper manager-in-trainin’, Yuujirou and Aizou end up hanging out with their respective brothers. An odd shot of Ken earlier in the episode had me suspecting him as the sneak photographer, and his making what looks like a huge homemade meal of Aizou’s favorite dishes look like an apology.

As for Yuujirou, we learn the reason he got in trouble with the police: he was covering for his younger brother, who had been led astray by his senpais into a club where he was underage. It’s why Kouichirou wanted to help Yuujirou out with the scandal; he owes him.

But Yuujirou decides to hold onto that chip; he’s got this, along with Aizou. After all their time together, it’s amazing they don’t have each others cell phone numbers, and even though Aizou sneaks onto the Someya compound and climbs a tree as if to meet with his Juliet, they make no effort to exchange them.

That said, with help from Uchida, they set up a press conference in which they bare themselves to the masses salivating for content. All of their responses are quick, calm, well-rehearsed, no doubt also due to Uchida, but also the boys’ consummate professionalism, even when backed into a corner.

It’s also easy for fans and onlookers alike to relate to their situation: they could have gone full-in to professional entertainment, but chose to balance that with a legit high school life, and all the fun, simple little moments that make it. Moments like the ones the photos captured. At the end of the day, the photos tell the truth: these three are good friends.

The press conference invites the public to see their side of things, and their explanation of their “precious classmate” with whom they share their high school life is largely accepted, even embraced. But Hiyori watches it all in her darkened apartment, suddenly out of the picture and out of action. Again, this was her choice, but if she hadn’t made it, no one would have asked her to give up her job.

Uchida wasn’t being nice when she said she was glad she hired “Hiyako”. I just hope Hiyori comes to her senses and returns to work. If nothing else, her living expenses ain’t gonna pay for themselves!

Rating: 4/5 Stars

Kaguya-sama: Love Is War – Ultra Romantic – 09 – Running Start

Diving Into the Muck

All along both Miyuki and Kaguya have maintained that the one to confess their love first is the loser, but now we have a Kaguya openly declaring her love for Miyuki to Ai and planning to confess during the festival, and Miyuki ready to confess if she doesn’t. But truth be told, Miyuki is already the “loser” of this particular war, and he lost before the first season even aired!

Yes, before Kaguya even knew who he was, Miyuki was a surly first-year with a chip on his shoulder. Shuchiin offered the most student aid but was proving most obnoxious due to how much richer everyone was except him. That’s when the previous Student Council President (with that distinctive gold rope on his jacket) reaches out to Miyuki and recruits him.

The Prez says he wants someone with a “level gaze” who has seen outside the cloistered garden of privilege and wealth, but in practice, he has Miyuki help fish trash out of a swamp. That’s when someone falls in, and Miyuki freezes. Not being able to swim, he simply hopes in his mind someone will rescue the girl. That someone turns out to be Kaguya, who comes out of nowhere,

Kaguya doesn’t hesitate to sully herself with swamp muck when diving in to grab hold of the girl, having tied a rope to herself so the others can pull them both out. That right there was the moment of victory for Kaguya, and she didn’t even know it! Not only was Miyuki smitten with her from then, he was also inspired to become a better person, and eventually swap that muck-covered rope for the golden one of the StuCo President.

Good to the Last Drop of Love

Back in the present, Kaguya’s classmates have ensured she’s dressed as an adorable and elegant Taisho-era Japanese woman for the cosplay café—a look they maintain no one can pull off better. She told Miyuki about her shift times and is hoping he’ll show up to see her in her outfit, but as she’s manning the entrance the cafe is soon swamped with customers.

Kaguya has to wait on customers, and gets the short and very annoying end of the stick when her first two customers are J and San, two of the Four Ramen Emperors of Tokyo. They’re just as fussy and dramatic about coffee service, and when Kaguya starts to serve them, they make her stop and ask that Ai (an actual maid) serve them instead.

Not one to back down, Kaguya admits to her shortcomings when it comes to coffee, but insists that she has no peer when it comes to black or green tea. San and J allow her to serve them, but just when she’s ready to put them in their place, Miyuki shows up. No matter; Kaguya swiftly dispatches San’s concerns with a beautiful cup of tea.

San is moved by his cup of tea, declaring that it was made with love. When he later sees Kaguya doting on Miyuki, he understands where that love comes from and who it’s meant for. Unfortunately, there’s another annoying middle-aged customer right after the first two, so the first day of the festival passes with Kaguya unable to confess to Miyuki. Mind you it’s not tallied as a loss per se, merely a lost opportunity.

Look Past the Discrepancies

That’s the end of Kaguya and Miyuki for the episode, as we move on to Yuu and his new best friend Shijou Maki, AKA “Miss Mood Swings.” She is true to that nickname throughout their interactions, swinging wildly between giddy enthusiasm of the sort one of your mates would dish out when armed with the knowledge you’re trying to ask out your crush, and crushing depression over her own lost opportunity with Tsubasa.

Yuu and Maki are soon joined by Nagisa and Tsubasa, the one established couple in the cast who are probably worth listening to about asking out considering the success they found, even if their PDA is hard to watch. Nagisa also decides to be friends with Yuu, since both Tsubasa and Maki vouch for him as a good guy.

All three of them are behind him in his quest to ask Tsubame out, and while he’s being ambitious by crushing on the Madonna of the third years, he can’t approach the situation with a sense of inadequacy or he’ll get nowhere. When Tsubame goes on her break, the nerds sneak around in the shadows, but Yuu is the one who approaches her, brings up his class’ horror house, and in more words than are probably necessary, gets across his desire to go there with her.

Tsubame picks up what Yuu is laboring to put down, her face lighting up like a Christmas angel as she immediately agrees to go with Yuu, and leads the way with an outstretched hand. It’s a solid victory for Yuu, even though at this point Tsubame may not fully grasp Yuu’s intentions. At the end of the episode Yuu has taken a crucial step forward (one Maki couldn’t), but there’s more work to be done if he’s to exit “beloved kohai/pal” mode.

The only question is whether we get to see Yuu and Tsubame next week, or if the focus shifts to Chika and Miko, who did not appear outside of the background. There are three more episodes for Kaguya, Miyuki, and Yuu to accomplish their goals. FIGHT-O!

Rating: 4/5 Stars

Heroines Run the Show – 09 – Whose Girlfriend?

After what felt like a relatively sedate field day detour, HRS kicks back into gear, though there’s a bit of lag as the first half or so of the episode is slice-of-life luxuriating. This is not a complaint: it’s great to see Hiyori back on the track, her hard work motivating the boys to work harder towards their goal of a slot on Countdown Live. The guys even hang out with other guys at school for the first time, playing basketball in the schoolyard.

The episode briefly shifts to montage mode as we see Hiyori, Yuujirou, and Aizou growing closer and closer not as an idol unit and their manager, but three friends, culminating in their celebrating LIPxLIP getting a CDL slot with a three-way high-five. But that private moment is captured by a photographer hiding in the bushes, and the next morning photos of the happy trouple are made very public, causing a scandal.

Hiyori is ostracized by most of the school, but her friends show their quality by unconditionally supporting her all the way, even when she can’t properly explain the photos to anyone. Yuujirou and Aizou try their best to deflect, while Juri, Chizuru, and Hina offer Hiyori the support she needs in an unprecedented time in her life when all eyes are on her.

But while Hiyori the high schooler can power through the gossip and harassment, Hiyori the manager-in-training is another story. Throughout her difficulties, I kept thinking “just tell everyone you’re childhood friends!”, but once the photos are posted online they become a trending topic, and the narrative is officially out of Hiyori’s LIPxLIP’s, and their managers’ control.

Hiyori’s job would seem to be in jeopardy—the next episode is called “I’m Quittin’ Being a Manager”, for cryin’ out loud—but even if this is the beginning of the end, she can look on the bright side: she’ll have more time to hone her track dreams. I for one still hope she can pull out of this tailspin with a little help from her friends, some focused messaging from the adults, and a little luck.

Rating: 4/5 Stars

Heroines Run the Show – 08 – Photo Finish

With the departure of Nagisa (and, it would seem, Hiyori’s makeover) the show moves on to something else…Field Day, which always ends up a lot blander than the other big school event episode archetype, the cultural festival. That said, a jock like Hiyori lives for such days, and can’t understand why no one in her class wants to volunteer to run in the mixed relay with her.

The teacher has to choose, and he ends up putting Aizou and Yuujirou on the team. The boys are grumpy, as they didn’t think they had to participate in any events, but Tamura actualy made it so their schedule was free to enjoy their “youthful high school life”. They get a lot of attention from the girls, and invoke a lot of envy in the third-year boys.

They find out from Juri and Chizuru that a bunch of girls backed out of their assigned events, and Hiyori is just doing them in their place. At first they’re worried their messy-haired friend is taking to much on, but when they see how much goshdarn fun she’s having darting around like a pinball, they relax.

The field day is also the stage for three distinct couples: one of which we already know of in Hina and Kotarou, who ace the three-legged race by being perfectly in sync. Then there’s Aizou’s brother Ken, who decides to give up his casanova ways and choose one girl, the twin-tailed, slightly tsundere-ish Arisa. Finally, it’s clear when Yamamoto points his camera at Juri that he’s the BF she’s mentioned in passing.

Yuujirou gets the motivation he needs when three third-years try to rough him up; both he and Hiyori are saved by the bell for the relay, otherwise they might’ve started something. Aizou doesn’t care about winning…until his brother is his opponent. As for the fourth unnamed member of the relay team? She’s kinda just there…and I assume she’s their teacher’s kid sister?

Unnamed girl starts the race, but passes the baton cleanly to Yuujirou, who gets to run against one of the surly jealous third-years, and even passes him with his idol smile! It’s a win for Melancholy Cats (one of the listeners of LIPxLIP’s podcast) everywhere.

I would have thought Hiyori would be the last to run, but she’s second-to-last instead, running against her senpai Hina, who builds a bit of a lead for the final handoff. Aizou and Ken slug it out, cheered on by Aizou’s entire grade and a tentative Arisa, respectively. Ultimately, Aizou wins, and in an unguarded moment of joy, Hiyori gives both members of LIPxLIP a high five.

Certain she’s made an enemy of all the school’s fangirls, instead they follow her lead and a hearty exchange of high-fives ensues. Juri then reveals to Hiyori and Chizuru that Yamamoto is her boyfriend. Everyone has a wonderful time, and Hiyori will certainly sleep well later that night. As for me? Ehh. It was a perfectly fine Heroines Run the Show, but by no means the finest.

Heroines Run the Show – 07 – Always My Heroine

Nagisa knows who LIPxLIP is, and it doesn’t take long to get Hiyori to admit that she’s working as their manager-in-training.  It still doesn’t explain why they accompanied her to the station, however. Of course, Hiyori has her revenge for having her secret job so easily revealed. When Nagisa says she seems “different”, she gets him to admit she’s cute just as easily!

I had my reservations about the sudden arrival of Nagisa, but these two are basically the cutest; they’re just such a good fit together…nice and balanced! It’s crystal clear to Aizou and Yuujirou that Nagisa is in love with Hiyori, and only a couple of minutes of riling him up has him standing up like a shounen hero saying “She’s the only girl for me!” Unfortunately for him, when Hiyori tells Nagisa he can stay at her place, it’s just as clear to LIPxLIP that she has no earthly idea Nagisa has those kinds of feelings for her.

Nagisa, being so in love with Hiyori, warns LIPxLIP that he won’t give up on her, even to an idol, and that they “can’t have her.” This comes as a surprise to them, but Nagisa has a point: as someone who once teased Hiyori because he liked her, our idols can’t pretend that there’s something about Hiyori they value above other girls, even as they endlessly say she doesn’t act like a girl most of the time.

As for Nagisa, his stature, good looks, and instant likability have Uchida-san trying to recruit him as an idol. He respectfully declines, as he already has a dream in place: taking over the family restaurant, the fish for which Hiyori’s family provides, making their coupling that much more inevitable.

The actual FT4 show is a lot less built up and laid-back than I expected, but there are some very good reasons for that. True, Aizou and Yuujirou are stewing in the front row as their rivals play with the crowd like putty in their hands, but Nagisa and Hiyori are an island of serenity by comparison.

You can tell he’s super chuffed that Hiyori’s attending a show with him. His favorite member of FT4 is all too fitting: the glue guy who hangs out in the background and lets the others hog the spotlight, but without whom there’d be no music. He doesn’t come out and say it—he may not even be aware—but that’s what Hiyori is becoming to LIPxLIP—increasingly indispensable.

Nagisa has a plan. He never had any designs on staying at Hiyori’s place overnight, but he did bring all the gear he needed to cook her a gourmet meal as thanks for attending FT4 with him. But the sumptuous feast is only a prelude…a way of preparing the ground for a confession of love.

Earlier at the station, Nagisa played dumb when she mentioned how he said she looked weird in a dress, which we know has informed her personal style ever since. But not only does Nagisa remember, but he’s mature enough now to admit why he teased her at the time: because she was too cute, and he was worried someone else would take her away.

No sooner does he say “I love ya” does he stand up and walk out of the apartment, saying he’s leaving on the shinkansen tomorrow. He doesn’t want to pressure her into an answer; a text or call sometime will suffice.

A good word for Hiyori after hearing Nagisa’s confession: befuddled. It never once occured to her that her best friend forever felt…that way. Hell, she never thought anyone would ever say they loved her. Fortunately, she remembers she has two girlfriends and calls them up for their help over hamburgers.

Juri is happy for Hiyori, and when asked, is extremely genuine and eloquent when she tells Hiyori when she started liking the guy who became her bae. He wasn’t even her type at first, but he gradually became so. As for Chizuru, she won’t brook any hesitation on Hiyori’s part: a confession from a hot childhood friend is both a rare treasure and a cliché…and Chizuru has no problem with clichés.

Juri brings things back down to earth a bit, and assures Hiyori that Nagisa is probably just as worried as she is about their relationship possibly changing for the worst. But as he was brave enough to tell her how he really felt, all Hiyori can do is return the favor.

Hiyori may not know what she wants when it comes to romance, but she does know what she doesn’t want: anything that will negatively affect what she’s got going on now: school, track and managing. She’s going all out with all three, and there just isn’t time for romance right now…not until she’s seen those things through.

Nagisa is surely a bit disappointed, but probably also relieved that it’s not a hard no, just a “not just now”. He even admits he jumped the gun. He tussles her hair, tells her she looked good when she dressed up but also thinks she looks good when she’s running around and covered in sweat, which is just beautifully heartwarming. Hiyori thanks Nagisa for telling her how he feels, as it gives her confidence she can become a heroine.

Nagisa tells her the truth: to him she already is one, and always will be. He promises he’ll be back in Tokyo after graduation to take business courses in college and train in restaurants. He’ll be working hard too, and hopefully, they can work hard along side one another soon. Their parting is such sweet sorrow, but they’ll surely remain in each other’s hearts as they go after their dreams with everything they have.

The aquatope on white sand – 24 (fin) – Fishness as usual

The eight-word review? It stuck the landing with heart and soul. Aquatope wraps with three big events, the first of which is the most workmanlike. The entire staff is mustered to stock the new White Sand Dome, and it unfolds mostly without dialogue, just showing us just how complex such an operation is, and how speed and efficiency is balanced with the utmost care and delicacy with the living things they’re welcoming to Tingarla.

The second big event is the first wedding ceremony. We start with Kaoru and Chiyu joining Kukuru, Fuuka, and Karin in preparing the little personal touches that make the ceremony special and memorable, like name cards that feature a sea creature that matches the personality of the named. The barefoot magical affair goes off without a hitch; even Suwa can’t help but smile at the success, both in terms of getting a couple married and getting their family and friends interested in aquariums.

The third big event is the Grand Opening of the White Sand Dome, for which there’s a line going out the door and all the staff are out on the floor to greet them. Karin is now an attendant, and Kukuru’s grandparents attend and are proud of the growth they see in Kukuru. That said, she still wonders if she made the right choice to stay in PR and asks her gramps what she should do. His wise-as-usual advice: do yourself the favor of turning the path you chose into the correct one.

Kukuru and Fuuka take a break at the White Sand Dome, and Fuuka recalls how when she first got to Gama Gama she felt like she was drowning in a dark sea, which is just how Kukuru felt after Gama Gama was razed. But neither of them feel that way anymore. They love Tingarla, and right on cue, the same “effect” once thought to only occur at Gama Gama happens in the White Sand Dome, as Kukuru’s parents and twin sister join her and Fuuka in reveling in the sea life.

The fourth and final big event is, of course, Fuuka departing for Hawaii (specifically Oahu, as we later catch a glimpse of Honolulu). The difference between their last airport farewell and this one is like night and day. There’s no frowns or tears, all smiles and heads held high. Kukuru says “off you go” to Fuuka like she’s leaving for school for the day, not two years. “I’ll be back,” Fuuka replies in the same casual way. By the time Fuuka is in the air, Kukuru is already back to work at Tingarla.

As I suspected, the two years practically fly by, both in that we get a time jump to Tingarla’s third anniversary and the day Fuuka and Kaoru return home. There are a lot of subtle changes you’d expect, both in Kukuru’s hairstyle to her more confident demeanor at her desk. You can tell she’s taken on what’s in front of her with all her heart, and thrived.

She’s not alone: Kuuya has embraced his role as chief attendant and senpai to his old friend Karin. Udon-chan is now Tingarla’s chef. Kai is back as an attendant, and Choko has found a pretty young mate. Suwa has promoted her from Plankton to Nekton…though honestly I would have been a lot happier if he just called her by her damn name.

While in the taxi back to Tingarla with Kaoru, Fuuka gets out to stop by the shrine to Kijimunaa that she and Kukuru set up in a little wooded area not far from the aquarium. Fuuka gives the deity an offering of Hawaiian Macadamia nuts. These last two years, she and Kukuru have continued to do what’s right, and everything has worked out.

In scene where the two run straight at each other and embrace, I had all the feels. I could feel the love between these two young women; I could feel the relief they were back on the same island together; and I could feel the strength and wisdom they’ve both amassed, finding and nurturing their new dreams. The spirit of Gama Gama lives on in both of them, and as Gramps said, the hardships they both endured eventually led to wondferful rewards.

Macross Delta – 17

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As the oldest Windermerean soldier smirks at the fact only Lord Lloyd heard Gramia’s last wish—to press their fight until all the galaxy is theirs—Lloyd becomes more interested in Freyja and Mikumo. Targets to take out, or backup weapons in case Heinz falls prematurely?

Whatever his plans, it’s back to work for Delta/Walkure, as Arad and Kaname announce a new plan to infiltrate Vordor (where Var-immune rebel forces are still holding out) and try to find a way to use the ruins to their advantage. Freyja, meanwhile, has totally fallen for Hayate, who sadly seems only a quarter-aware.

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Work Comes First this week, however, and it comes in the form of an elaborate Walkure network and media saturation campaign spearheaded by Reina as a huge, dazzling cover for hacking the galactic network in order to facilitate their infiltration of Vordor.

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It’s Walkure’s most aggressive “tour” yet, able to appear seemingly in every planet in the cluster, and they turn up the heat by, for one, exploiting their sexuality, Makina’s in particular.

While discussion of objectification may crop up in some circles, the fact is Walkure chose to go in this direction; the military didn’t make them. This was all Reina and Makina’s scheme, and it works,

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While watching Freyja sing and glance at him with a bright rune, Hayate starts to maybe-kinda-sorta pick up on all the lovey-dovey vibes emanating from Freyja. He gives her an, ahem, glowing review of her singing, and Freyja is this close to confessing her feelings.

What stops them? An elderly couple waving to her, before walking off, hand-in-hand. At that crucial moment, Freyja saw a future she’d never enjoy with Hayate. It’s the opposite of the Arwen-Aragorn tragedy, with Freyja leaving Hayate by death before he even reaches the middle of his life.

Things get more awkward when Hayate brings up how he hasn’t seen his Mom in a while, but it’s “no big deal” because it’s “just a couple of years.” That stings Freyja to the core, and her rune goes out like a candle.

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Still, her work continues, and with even Windermeran pilots (and Bogue) falling for their spell, Reina’s hidden virus reaches 100% saturation, clearing the way for the Vordor operation.

Before they set out, Hayate runs into the guy who knew his dad, and after getting nowhere answers-wise, Hayate storms the bridge and confronts Arad: He wants the truth, now.

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He gets it, or at least more of it than he’s ever gotten, and it’s nothing good: Wright Immelmann stole a dimensional weapon and dropped it on the NUNs garrison in Windermere, killing all the forces, a good number of civilians, and leaving that scar on the landscape.

Now he knows: his father was, at least according to the facts at hand, a mass murderer and war criminal, a realization that makes Freyja’s rune go darker than ever. It’s not a great place for either of them to end up after she’d gotten so close to telling him how she felt; now the love window has closed for the time being.

Freyja has her job, and so does Hayate. As Mikumo’s voice seems to be changing (and possibly weakening, suggesting she may be a secret Windermerean, nearing 30), Walkure will support Freyja while Mirage and Chuck will support Hayate. Because as long as King Heinz can sing, Lloyd’s not going to stop his galactic conquest.

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Dimension W – 12 (Fin)

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I’ll be honest: I came into the DW finale with a “Let’s just get this over with” attitude. While initially promising, the Easter Island arc to close the show ended up repeating and amplifying the issues I had with the Haunted Mansion arc. In hindsight, I should have dropped the show then.

Over-stuffed with characters, plot points, explanations and contrivances, all surrounding an item—Genesis—that has no limits or boundaries to what it can do, Dimension W was just the latest demonstration that more is usually not more. More is meh. Cavalierly throw too much crap and I stop caring—and I stopped caring long ago.

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But I got this far, so yeah, let’s get this over with. The big crucial memory Kyouma needed Mira to go into his head and “trace his memories” (what does that even mean?) is that when he had a chance to save Miyabi with Genesis, he didn’t. Instead, he destroyed it, and she died, perhaps to save the world from a cataclyism that would have resulted from its use. It’s the classic “too powerful for anyone’s hands” concept.

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Haruka Seameyer, the most horrendously irritating villain I’ve come across in a good long while, wants that Genesis coil bad, but along the way offers Loser a chance to come over to his side (what side that is, why, or why in God’s name Loser would agree to that are all beside the point). When Loser refuses, Seameyer attacks him with his weird and pointless “Sophia Corpse-Bot”, which can morph into Sophia’s original human form.

Seameyer then turns his attention on Mira, who after the tracing is trying to get as far away from Kyouma since her coil is going critical. He considers using her to make improvements to his body, but Kyouma shows up to rescue her and ruin Seameyer’s day (which I’m all for) by telling him Genesis is gone.

With the help of Loo, the siblings, etc., they unearth a “particle accelerator” coil to tie up Seameyer’s monster, because all these characters need something to do.

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Seameyer fumes and screams a lot, but Kyouma tells him to chill; nothing that happened is pointless; after all, because Miyabi died he has Mira as a friend and partner.

He tells Seameyer to go willingly into the “sea of possibility”, because even his future may not be as bad as he imagines. Of course, it sure looks like Seameyer is being swallowed up into oblivion, so I’m not sure what Kyouma’s on about…but I get his point about Mira…and I’m glad he gets it.

With the expulsion of Seameyer and closing of the gate, the island returns to a state of stability, and flowers start to bloom. Everyone returns to their lives, which for Kyouma is continuing his collector work with Mira as his official full-time partner.

As per usual, the nice Kyouma/Mira stuff saved the episode. If nothing else, I enjoyed the evolution of their relationship and where it ended up. But this arc was hampered by some serious restraint and focus problems.

6_ses

Dimension W – 11

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With KK captured, Yuri neutralized, and Chrysler disabled by Loser, one would hope things would start to simplify towards the end, but this second-to-last episode does not comply with that hope.

Rather, it is very quickly descending into the anime version of tl;dr: tc;dc, or too complicated; don’t care. No one can say DW doesn’t have enough stuff going on in the frame, but the problem is so little of it matters; it’s all had a numbing effect on me.

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I’m glad the surviving collectors are more or less working together now, or at least looking out for each other, but there are still way too many of them and I simply don’t care about the vast majority of them.

Another problem is that as our people draw closer to the story’s conclusion, the general nebulousness and wishy-washy technobabble-as-plot becomes more exposed and more problematic.

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There’s plenty of cool imagery and action, but this episode was often choked with lengthy explanations from all sides. At some point it all kinda sounds the same and becomes a sparkly-yet-muddled mess.

The fact that Kyouma and Mira are able to enter and observe Loser’s memories of the events that led up to the calamity on the island lose a lot of their gravity due to the utterly boring, shallow, generic mad scientisty evil of Seameyer.

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Seameyer’s evil and cruel for the sake of evil and cruelty, and it doesn’t elicit much more than an apathetic shrug. And we know even if he (and the giant robo-monster he somehow turned Sophia into…don’t even ask) are defeated, the bigger problem of what to do about the Genesis coil is the true conflict here. Seameyer is just taking up space.

But the thing is, Genesis is even more generic and nondescript as Seameyer. At least he has some semblance of a personality (he’s a dick); Genesis is naught but an all-powerful MacGuffin; a Holy Grail/God Machine that isn’t safe in anyone’s hands.

I regret to report that my enthusiasm for Dimension W, and my optimism for a strong finale, have dwindled significantly in this, the home stretch, but I’ll watch it to completion nonetheless.

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Hanasaku Iroha 9

The longest day at Kissuiso continues with Ohana in a labyrinthene exhibition hall, looking for Tohru. Her search initially proves both fruitless and disruptive, and she retreats to a lonely staircase. Just then, Ko calls her, and tells her exactly what she needs to hear. She and Ko are never quite on the same wavelength, which is a factor of Ko not making it clear what he’s doing and why. If he likes her, and wants to see her, he should just tell her and meet up with her. Instead, he’s intent on keeping crucial information from Ohana, and as a result, he is never able to see her.

I prefer this, his decision to withhold his intentions, to dumb luck and coincidence keeping them apart. Ohana is extremely busy and extremely ditzy; Ko should know this, and spell everything out as clearly as possible. It’s disappointing that he isn’t able to get the words out in the precious few moments on the phone with her, but the fact he’s able to cheer her up at just the right time doesn’t quite seem like enough for either of them. These two are stuck in a long-distance holding pattern, which is a shame, but there’s plenty of episodes to resolve (or not resolve) this.

Meanwhile, the highly-charged energy and kinesis of Kissuiso continues. Ohana’s instincts prove correct, as when she brings Tohru back, the situation matures from barely-contained fiasco it was to a more controlled scenario where everything that needs to be done will get done. She also proves correct in insisting every guest be treated with equal care, as the mystery guests turn out to be different from the ones the consultant lady assumed. The manager returns to a reinvigorated Kissuiso, that can run smoothly in her absense and gained new pride in their teamwork and the service they provide. That should prove a great comfort and great worry to the aging manager. Rating: 4

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