Durarara!! x2 Shou – 07

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This week’s Drrr! is all about the contrasts between similar pairs of people, starting with the Two grizzled Ivans somewhere in Russia, both post-Soviet arms dealers; one’s pretty much fire one’s pretty much water. The water Ivan is Vorona’s father, and she possesses both characteristics, sometimes in sync, but sometimes in chaos.

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When Egor enters Russia Sushi, Simon and Dennis initially suspect he’s there to knock them off, but he’s really there for Vorona over, among other things, stolen anti-materiel rifles. Dennis is doubtful Vorona would use such a weapon in Tokyo unless she was in “a real crisis”, and at that moment it become’s Chekhov’s AMR.

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For all its prolific complex, multi-modal, zig-zagging storytelling, Drrr is just as capable of focusing in one one person an delivering a quick, efficient profile. Vorona’s life as an assassin and general badass began with one of those real crises; an unsavory home invader.

Vorona, armed with a sprawling library full of knowledge in every field, but useful and useless, Vorona answers her sudden fear of being killed with a ruthless plan, luring the burglar into a trap and literally killing him with water (from the bath) and “fire” (from a hair-dryer), executing everything perfectly and precisely like her dad, but also seeming to take a bit of enjoyment from it like the other Ivan.

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Seeing this new side of Vorona for the first time, her dad let Simon and Dennis train her, and she learns quick. These two ex-military guys ostensibly came to Ikebukuro to start new, laid-back lives, but it’s cool to see their old lives on display here, and how closely they’re connected with Vorona, who’s only just arrived.

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Without their tutelage, she wouldn’t be nearly as tough and honed a killing machine as she is when we meet her. But because she’s not just a carbon copy of her father, once she gets really good, odd jobs and small fry aren’t enough for her. She seeks out her father’s rivals and eliminates them to a man, but not for his approval or to help with the family business or because they were an imminent threat. She did it because it was fun.

Her first kill was overzealous self-defense,  armed only with household appliance and her wits. But I don’t think Ivan turned his daughter into a monster by having her trained; he was only facilitating a foregone conclusion.

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That brings us to Vorona’s latest job; capturing Anri. Ikebukuro has been so weak and unimpressive to her thus far, she’s riding a wave of arrogance and invincibility, which rams her right into a concrete wall. Vorona is good, but she’s still human, and coming up against something not quite human is a glass of cold water to the face. Even more than that, it’s something she hasn’t read about in any of her books; an unknown.

Vorona and Anri are a lot alike, in that both are imminently capable and potentially dangerous young women, one of whom choses to explore that potential to the fullest, and one prefers as quiet and normal life as she can manage.

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Armed with her bookish knowledge, wits, resourcefulness, Vorona thrived, but she didn’t fact Anri with as an underdog, but with the mentality of of a favorite. Her earlier success wasn’t success at all; you cannot beheaded what is already headless. Suddenly outmatched by real and frightening aberrations, Vorona returns to that night before she took action, and remembers again what it’s like to fear being killed.

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In other words, she enters the “real crisis” mode Dennis thought so unlikely, whipping out the AMR and firing it right at Celty, blowing her away but obviously not killing her. Having bought some time, and learned more about what she’s dealing with, she’ll formulate a new strategy that doesn’t rely on brute force alone.

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That brings back to Mikado, who has followed Masaomi’s advice and stayed in of a Saturday night. Considering what went down, that looked like good advice. Of course, by staying in Mikado is subjected to another manipulative phone call from Izaya, who understands Mikado founded the Dollars not only to put some excitement in his life, but also to fit in, to belong within the ensuing community.

Just because that community is off doing unscrupulous things like picking fights with rival gangs, that Mikado doesn’t agree with, doesn’t mean it’s all falling apart, nor can Mikado impose his pacifist will on them without destroying the Dollars’ fundamental philosophy of freedom. The Dollars are evolving, that’s all, and Mikado’s fear of being left behind is similar in strength to Vorona’s fears about being weak, unable to cope with threats, or killed.

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It’s a New Day in the Dollars, and Mikado can’t stem the tide. Aoba, Izaya’s heir apparent arrives at his door the next day, as if to herald that fact. Simon’s voiceover returns, and he mirrors his earlier comparison of the two Ivans with these two Taros: one who is Mr. Nice Guy, and the other who uses nice guys.

Will Mikado evolve, or dig in and let the wave crash around him, leaving him alone and left behind, his greatest fears realized? Such a scenario suggests there’s no one around of like mind to help him resist that wave, which is untrue. But in that case it certainly points to some kind of conflict. Mikado can’t very well stay holed up in that room forever.

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Durarara!! x2 Shou – 06

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As plots and criss-crossing jobs are implemented, and the myriad enemies of the denizens of Ikebukuro amass, it’s the beginning of the end of “normalcy”, particularly for Celty. As she lies on the ground stunned by the other biker’s attack, she’s overcome by a desperate incredulity: things were so normal, and good…with her work, with her Shinra, with being able to be herself…this just can’t be happening, not now.

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A portion of the “abnormailty” slowly infecting all our friends’ lives is caused by one little girl, Akane, the granddaughter of Shiki’s CEO, whom Shiki hires Celty to find, while also keeping her eyes and ears opened for any information on Yadogiri Jinnai. This should have been a bad omen for Celty: this isn’t a normal transporting job, but she’s in a comfortable, safe place in her life and has Shinra’s blessing to keep working so she’s willing to take greater risks.

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Yadogiri, meanwhile, is after Akane too, and hires two elite foreign Assassins—Vorona and Sloan—to abduct her. The reason he needs the likes of them is that the girl will be protected by the Black Bike, whom Yadogiri believes is some kind of “magician” and thus human.

Would that Celty had Sloan’s intense superstition and penchant for getting stuck on very obscure thoughts like why men have nipples. Of course, Sloan is balanced out by the extremely knowledgeable and no-nonsense Vorona, who has straight, correct, and calming answers to all of Sloan’s bizarre questions.

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As Celty and Vorona begin their jobs, Akane is ironically at Shinra’s, the place Celty would be if she’d taken the night off. Brought there by Shizuo and Tom because they weren’t sure where else to take her, Akane runs a fever and Shinra puts her in bed to recover. Having her there puts Shinra at direct risk, especially if Shizuo leaves.

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Back in high school, Mikado takes Masaomi’s warning seriously and advises against going out at night for the weekend. He tells Aoba he has plans, but quickly backtracks when Aoba asks Anri out and it doesn’t look like Anri is going to turn him down.

It’s a rare but appreciated moment of Mikado asserting his fondness for Anri to the extent he’s not okay with some kohai going out alone with her. This, despite the fact neither quite know what they are to one another. Even with Masaomi gone, they haven’t grown that much. Then again, they’re still kids.

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As we know, Vorona finds Celty easily, sets a trap, beheads her without any trouble, and rides back to her and Sloan’s cool and cozy customized Mobile Assassin Base. It’s a great look into the lives of this peculiar new duo, but after Vorona explains why 13 is deemed unlucky by society, she comes up to sit in the cab with him and laments on how easy taking out Celty was (assuming she died when her head was removed)

She’s disappointed with how Ikebukuro has turned out so far. Doubtless she’d heard more impressive tales of the place…or possibly just watched the season one blu-ray and figured the town would put up more of a fight.

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But that’s the thing about Ikebukuro and the Dollars: Mikado never meant for them to be the kind of group that would pick fights with rival gangs or get swept up in supernatural battles. More than anything, it was meant to be a community of friends for Mikado. “Kanra”, i.e. Izaya, contacts Mikado (with Masaomi’s number) to essentially say it’s out of his hands, and an otherwise sleepy Saturday night turns more sinister.

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Anri, who was in the chat room along with Mikado and the twins, all noted that “Setton” (Celty) was missing. This unsettled Anri more than anything. Both Mikado and Anri’s rooms are so dark and foreboding looking, and lonely, that even the modest chat group cannot brighten them up. Those who are absent cast a far darker shadow.

That shadow rings Anri’s doorbell, and when she cracks the door, a pair of shears snap the chain. Is she “other job” Vorona mentioned? Whatever the case, things aren’t going to be normal from here on out.

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Ikoku Meiro no Croisée 11

Claude forbids Yune to join Alice for a trip to the department store, and she obeys, once again saying one thing while possibly thinking another. Instead Claude, Yune and Oscar go to the park for a picnic. Oscar impresses her with a “spell” that stops the rain and sleight-of-hand tricks, but they remind her of a similar “spell” she put on her older sister that she believes made her blind and weak.

Who would’ve though Yune had a Dark Past She’s Not Proud Of, eh? Well, a dark coincidence at least. Yune’s sister Shione had pale blue eyes, which would have been no big deal in Paris, but in Japan, people gave her looks and even feared her. Lil’ Yune insisted that Shione only look at her, and otherwise keep her eyes closed, sparing her from the looks. Anime eyes tend to be all the colors of the rainbow, but in this realistic period piece, color matters.

It’s an innocent enough sentiment from a concerned lil’ sister, but when Shione grew frail and went blind, Yune blamed herself out of superstition. Shion’s plight is a dreadful shame – but not Yune’s fault. It turns out every time she sees Claude’s eyes, she thinks of Shione. She finally stopped holding everything in, let it all out, and experienced a catharsis. Another cute chapter of a cute series that has just one more cute episode to go.


Rating: 3