This week’s Drrr! is all about the contrasts between similar pairs of people, starting with the Two grizzled Ivans somewhere in Russia, both post-Soviet arms dealers; one’s pretty much fire one’s pretty much water. The water Ivan is Vorona’s father, and she possesses both characteristics, sometimes in sync, but sometimes in chaos.
When Egor enters Russia Sushi, Simon and Dennis initially suspect he’s there to knock them off, but he’s really there for Vorona over, among other things, stolen anti-materiel rifles. Dennis is doubtful Vorona would use such a weapon in Tokyo unless she was in “a real crisis”, and at that moment it become’s Chekhov’s AMR.
For all its prolific complex, multi-modal, zig-zagging storytelling, Drrr is just as capable of focusing in one one person an delivering a quick, efficient profile. Vorona’s life as an assassin and general badass began with one of those real crises; an unsavory home invader.
Vorona, armed with a sprawling library full of knowledge in every field, but useful and useless, Vorona answers her sudden fear of being killed with a ruthless plan, luring the burglar into a trap and literally killing him with water (from the bath) and “fire” (from a hair-dryer), executing everything perfectly and precisely like her dad, but also seeming to take a bit of enjoyment from it like the other Ivan.
Seeing this new side of Vorona for the first time, her dad let Simon and Dennis train her, and she learns quick. These two ex-military guys ostensibly came to Ikebukuro to start new, laid-back lives, but it’s cool to see their old lives on display here, and how closely they’re connected with Vorona, who’s only just arrived.
Without their tutelage, she wouldn’t be nearly as tough and honed a killing machine as she is when we meet her. But because she’s not just a carbon copy of her father, once she gets really good, odd jobs and small fry aren’t enough for her. She seeks out her father’s rivals and eliminates them to a man, but not for his approval or to help with the family business or because they were an imminent threat. She did it because it was fun.
Her first kill was overzealous self-defense, armed only with household appliance and her wits. But I don’t think Ivan turned his daughter into a monster by having her trained; he was only facilitating a foregone conclusion.
That brings us to Vorona’s latest job; capturing Anri. Ikebukuro has been so weak and unimpressive to her thus far, she’s riding a wave of arrogance and invincibility, which rams her right into a concrete wall. Vorona is good, but she’s still human, and coming up against something not quite human is a glass of cold water to the face. Even more than that, it’s something she hasn’t read about in any of her books; an unknown.
Vorona and Anri are a lot alike, in that both are imminently capable and potentially dangerous young women, one of whom choses to explore that potential to the fullest, and one prefers as quiet and normal life as she can manage.
Armed with her bookish knowledge, wits, resourcefulness, Vorona thrived, but she didn’t fact Anri with as an underdog, but with the mentality of of a favorite. Her earlier success wasn’t success at all; you cannot beheaded what is already headless. Suddenly outmatched by real and frightening aberrations, Vorona returns to that night before she took action, and remembers again what it’s like to fear being killed.
In other words, she enters the “real crisis” mode Dennis thought so unlikely, whipping out the AMR and firing it right at Celty, blowing her away but obviously not killing her. Having bought some time, and learned more about what she’s dealing with, she’ll formulate a new strategy that doesn’t rely on brute force alone.
That brings back to Mikado, who has followed Masaomi’s advice and stayed in of a Saturday night. Considering what went down, that looked like good advice. Of course, by staying in Mikado is subjected to another manipulative phone call from Izaya, who understands Mikado founded the Dollars not only to put some excitement in his life, but also to fit in, to belong within the ensuing community.
Just because that community is off doing unscrupulous things like picking fights with rival gangs, that Mikado doesn’t agree with, doesn’t mean it’s all falling apart, nor can Mikado impose his pacifist will on them without destroying the Dollars’ fundamental philosophy of freedom. The Dollars are evolving, that’s all, and Mikado’s fear of being left behind is similar in strength to Vorona’s fears about being weak, unable to cope with threats, or killed.
It’s a New Day in the Dollars, and Mikado can’t stem the tide. Aoba, Izaya’s heir apparent arrives at his door the next day, as if to herald that fact. Simon’s voiceover returns, and he mirrors his earlier comparison of the two Ivans with these two Taros: one who is Mr. Nice Guy, and the other who uses nice guys.
Will Mikado evolve, or dig in and let the wave crash around him, leaving him alone and left behind, his greatest fears realized? Such a scenario suggests there’s no one around of like mind to help him resist that wave, which is untrue. But in that case it certainly points to some kind of conflict. Mikado can’t very well stay holed up in that room forever.