Love of Kill – 05 – A Pest On Land and Sea

Hou takes Chateau hostage and sticks her in the back of a car with a bomb, but as soon as she spots the bomb, she’s able to escape the car before it explodes. Despite being only about ten feet from the explosion the most she suffers is some glass in her leg, which I’d call a win.

Song wins his duel with Hou, but it’s not much of a fight, as the main issue is that Hou’s “nerves are fried”, which means it just takes a couple of minutes for his body to realize its riddle with bullets. In those minutes, Song manages to get himself pretty torn up, but he too doesn’t succumb to his wounds until he’s seen Chateau out of the burning warehouse and into his car.

Chateau may be extremely irritated by this guy most of the time, but she still follows a code that won’t allow her to let the man who saved her life bleed out. Thanks to her co-worker Jim (who is the actual most irritating character in the show—like, why no mouth, and why does he talk like that?), she gets him to a mob doctor who stitches him back together.

Chateau sits by his bed and “sleeps”, giving him a chance to slip out. It’s a cute little exchange. The next day she wakes up from a recurring dream where a man, whose hair kind of looks like Song’s covers her face to keep her from seeing his. Then her phone rings that horrible incessant ring, and it’s Song, announcing he’s going on a trip.

It happens to be the same trip Chateau goes on with her boss and Jim after she once again begs his forgiveness for getting into trouble during her suspension. That suspension is apparently suspended for the mission on the megaliner Artemisia, where their job will be to pose as tourist while protecting a VIP.

Along with Chateau and Song, there’s a third assassin aboard: your bog-standard childish happy-go-lucky murderer type. I mean, since he reminds me of Souma Momiji he’s at least a little more interesting than Hou, whose most distinctive feature was his dumb face tattoo. More interesting still will be whatever hijinx Song and Chateau get up to, and how they’ll team up to thwart this kid.

Love of Kill – 04 – Noble Pursuit

Chateau, off-duty and on probation, returns home to visit her mother and to visit the grave of her father, content to be rid of Song Ryang-ha for a bit. Naturally, he follows her there, and it’s probably a good thing too, as she wasn’t sufficiently prepared for the assassins who come for her.

While Song deals with the cut-rate killers, Chateau runs back to her father’s grave, where Hou, the guy she met after her car crashed, is waiting. Once again, Chateau is overpowered, as her stun gun is ineffective against Hou, whose nerves are a bit fried from the drugs he’s taken throughout his life. He knocks her out, again, turning her into a damsel in distress in need of rescue, which is a bit of a downer.

The frustration of Chateau constantly getting her ass kicked is somewhat tempered by a look back at her past, when one Detective Dankworth, one month from retirement, finds her sleeping in a car driven by a boy, apparently dead, named…Song Ryang-ha. Dankworth and his wife end up adopting her, as they’re the only ones she trusts. Let it be said without hesitation that Lil’ Chateau is cute as hell.

So is this Song the same Song who was found apparently dead in that car by Chateau’s eventual adoptive father? Or did the present-day Song simply take his name? I’m inclined to believe they’re one and the same, and that this is the reason Chateau got into bounty-hunting…so that she’d one day encounter him.

It could be he killed her parents, which would make him her arch-nemesis; someone to be killed. So I understand if she suddenly has conflicted feelings about killing him when he continually comes to her aid. Lame car bomb fake-outs aside, I’m intrigued by what Chateau is still hiding from us regarding her deadly admirer.

Love of Kill – 03 – Chez Château

After a recap of last week’s episode that seems specifically designed to pad the runtime, Song opens the curtains of the motel room and learns that Chateau isn’t a morning person. She takes him up on the offer of a shower, only to find he’s taken her clothes to wash them. Chateau’s reactions are fun, and actually suggest she has a pulse, which is nice.

Their motel comedy gives way to a flashback to five years ago when Song, who is about to be promoted to executive in the criminal organization of which he’s a member, betrays his boss by shooting him in the head. But being presented with his treachery doesn’t explain why he did it, or why we should care.

After getting a talking-to from her boss (who is awfully one-note as exasperated bosses go) Chateau heads home to her tiny studio apartment in what looks like the 24th Ward’s Shantytown. Naturally, Song is waiting for her to invite him in—like an annoying vampire—but at least he brought some high-end cream puffs.

Chateau isn’t in the mood to talk, and remains befuddled that Song insists on all this contact with her. His comment about her smell not digusting him is something I’d hoped would be followed up on, but a call from Chateau’s mom puts Chateau in such a state that Song excuses himself for the time being.

Sigh…I don’t think I’ll ever forgive a show for such poorly drawn and animated cars, but I remain sufficiently intrigued by the mysteries Love of Kill is coyly dangling to stick around a bit longer.

Love of Kill – 02 – Slow Road Ahead

When two of the four shows you’re reviewing are Attack on Titan and Demon Slayer, you tend to have a higher baseline when it comes to production values. Love of Kill did not impress with its visuals this week, and oftentimes, especially when a car model was involved, it downright stunk.

But I’ll watch an ugly show if it has something else to grab my interest. Alas, this episode doesn’t move the needle all that much with the weird quasi-romance between Song and Chateau. He gives her the location of a dead target and a living woman, but a mysterious motorcyclist starts shooting at her, and before she knows it, she’s driven off a cliff.

The woman dies, and Chateau survives. First the motorcyclist pays her a visit and shoots her phone, then Song arrives and takes her to a hotel, where she’s running a fever. She still doesn’t trust him, but she’s in no condition to reject his help. Despite how little the show is giving us and how terrible it looks, part of me still wants to see this through…but I should probably resist that urge.

Love of Kill – 01 (First Impressions) – With a Song in Her Heart

Bounty Hunter Chateau Dankworth (Oonishi Saori) comes afoul of a killer more skilled than she: Song Ryang-ha (Shimono Hiro). He overpowers her, but it’s not her life he wants to steal; it’s her heart. So he lets her go in exchange for her name and number.

While Chateau’s options were limited that night, she quickly comes to regret the one she chose. Song proceeds to constantly text, call, and even send her a video of a target of hers he caught first, and is willing to offer her in a trade.

They meet at a juice bar Song digs, but as you’d expect, Chateau wants to get down to cold, logical business, not juice. Her gambit involves surprising and then stunning him with a taser, but he’s to quick, and almost seems to predict her movements. It’s gotta be frustrating for a skilled killer like Chateau to more than meet her match.

Song’s terms for giving her her target are nothing monetary. Rather, he wants to go on a date with her for Christmas Eve. Chateau, who distrusts anything free but can’t pass up the opportunity to cross a name off her list, goes along with it, showing up an hour late doing the bare minimum needed for their encounter to be interpreted as a “date”.

Song takes thing to a fancy hotel room with a gorgeous city view, complete with dinner and a 1982-vintage wine. Chateau wisely remains at a remove, wondering out loud how Song plans to “use her” and why she’d be “of interest” to him. To Song’s credit, he doesn’t try anything truly vile, and when Chateau wants to leave, they check out.

Before parting ways at the station, Song does get in a quick farewell hug to “confirm” something: her “scent” doesn’t bother him, while everyone else smells “putrid”. We end with a cryptic voiceover portending a “final stop” in their romance “ending in tears”, then a flashback to a young Chateau in the back of a car, presumably her parent murdered in the driver’s seat.

Love of Kill had me feeling a lot of things. Contempt for Song, mostly, and sympathy for Chateau, who couldn’t escape his clutches if she tried. I love stoic, logical characters like Chateau; even though she doesn’t really say or do much, she exudes a wonderfully cool detached aura, which makes Song’s stalking that much more upsetting.

The thing is, as someone rather desensitized to antiheroes (Soprano, White, Draper, and Dexter to name a few), I didn’t despise Song, and even kinda sorta came to understand why he decided to pursue Chateau with such gusto. If everyone in the world “smelled” terrible to you and made you sick, what would you do if you suddenly found someone who didn’t?

So far I can’t really see Chateau falling for this guy, but at the very least they seem to be kindred spirits: killers keeping themselves at an expansive remove from the rest of humanity. Regardless, I definitely want to see where this goes.

Shingeki no Bahamut: Genesis – 09

Proving that slipping back into knighthood is like riding a bike, Kaisar gets the command of a search party to find Fava and Amira, and finds them almost immediately in the middle of a very cool forest that wouldn’t be out of place in Nausicaa or Mononoke Hime. Their own arrival there is punctuated by Amira reiterating that she can’t fly with just one wing, which is a pretty good running joke.

Lavalley sent Kaisar because he wants to stay in the city, because some sketchy shit is going down, not least of which Jeanne has been framed for attempting to assassinated the king, who as we know isn’t the most confident fellow right now. Such is the extent of his paranoia, none of Jeanne’s very reasonable arguments sway him in the least.

While imprisoned, a creepy red-eyed fellow pays Jeanne a visit and offers her something very suspicious to drink in order to “learn the truth about her gods”.  The guardian angel Michael is nowhere to be found, but Jeanne is staying true to her faith for now. She’s followed her faith and her fate this far; now’s not the time to be faltering or tasting weird drinks.

Not long after Kaisar and Favaro pseudo-duel, the two of them plus Demon-Amira are suddenly transported to another dimension within the woods, where Kaisar and Amira worry at a large fang-like protrusion stuck in the very odd-looking ground. When they fail, they wordlessly look to Favaro to give it a go, and he yanks it out as easily as a dandelion, to his and everyone’s shock. And that’s not the only shock…

That odd-looking green ‘ground’ is really the flesh of a massive and ancient dragon, who is glad to be rid of the barb, put there by Bahamut 2,000 years ago. I realize having a big ancient animal throw exposition at the heroes is a common trope in this genre, but this dragon is pretty frikkin’ awesome-looking and sounding, so I don’t mind. I also like how Amira initially calls him “geezer”, but Favaro tells her to call him “mister” instead.

Of course, once the dragon says his piece — about how Bahamut’s reawakening and thus everyone’s destruction is inevitable, and only by staying here can Amira maybe stave it all off, meaning she’ll never see her mother — Fava himself uses “geezer” in rejecting the dragon’s talk of fate.

The dragon, perhaps impressed by the puny human’s audacity, wishes them well on their quest to change their fate. In any case, he can’t stop them. But he does pull Fava aside for a quick word before the trio departs.

Back in Antae, the King has decreed that Jeanne is to be burned at the stake as a witch, which is bogus as hell. Lavalley’s entreats for clemency fall on deaf and possibly drunk royal ears. The fact that Rita is still free in the city gives us some hope Jeanne can escape this particular predicament, but Rita snoops around and is caught in the larder of the same sketchy red-eyed guy who probably put the king up to all this in the first place.

Using the Bahamut barb, the trio warps to Prudisia earlier than I expected, though I welcome the quick transition. Something tells me a place called “The Valley of Demons” isn’t going to be a cakewalk, but Amira wants her mommy, so they’ll continue on.

Oh yeah, about that word Puff wanted with Favaro…he tells him if he really wants to change fate — i.e. stop Bahamut from destroying the world, the only thing he can do, according to the dragon, is to kill Amira, thus destroying the key and preventing it and the seal from manifesting.

That’s a tough pill to swallow, and yet again puts Favaro on the darker side of gray, as well as giving him a much larger role to play in the affairs of the world, just as Jeanne suggested could very well come to pass.

Shingeki no Bahamut: Genesis – 08

The battle of Antae is won, and King Charioce offers Jeanne her own lands as a reward, perhaps to get her out of the limelight. Naturally, she refuses, and the king doesn’t take the refusal well. He started out as a somewhat bumbling and generally harmless monarch, but it was only a matter of time before her power and his butted up. Ironically, Jeanne couldn’t care less about the power the king is desperate to maintain. She just wants to do her duty.

Meanwhile, staring at the Bahamut statue brings all kinds of memories to the surface for Amira, including when a demon lord told her she was special and directed her to Helheim, where “her wish will certainly be fulfilled.” For Amira, that means finding her mother.

As for her father, Amira deduces that it’s none other than Sir Lavalley of the Orleans Knights, Jeanne’s lieutenant. While Jeanne turns down land, Kaisar takes the king’s offer of knighthood graciously, while Favaro pretty much just goes alone with it, because hell, if nothing else he gets his nice knife back! The ceremony is crashed by the angel Michael, who’s there to bestow a new, even more bad-ass sword.

The king has his arms outstretched, but it lands in Jeanne’s hands. Doesn’t Michael know it’s not a good idea to make this king look weak? He doesn’t. Must be the disconnect between human psychology and the angels’ logic-based reasoning.

While we’re on the subject of parents, the King looks at a portrait of his dearly departed mother, who then appears in ghost form to warn him that someone is preparing to betray him; Jeanne, specifically. That’s total horseshit, but the king swallows it because he’s a petty, paranoid fellow.

This may also be the handiwork of the demons, but it would be fine if it wasn’t, too, because for the king to be such a volatile wild card at this stage certainly makes things interesting.

Favaro shows Amira (who calls him “Fava”) Lavalley’s quarters, and there we learn that while he’s not her father, he was a bodyguard for her mother, Nicole, who was an angel exiled from heaven. On a particularly nasty demon attack, the demon lord Beelzebub snatched baby Amira away. That demon sped Amira’s growth, which explains why she Amira acts so childish despite being grown-up in appearance.

Before relieving him to go look for her daughter, Nicole gave Lavalley a pendant identical to the one Amira carries. When put together, they bring up a map of her present location: Prudisia, the Valley of Demons. Amira wastes no time sneaking out of the city, and while Fava bristles at the idea of going with her and simply wants his tail gone (as useful as it was last week), she beckons for him to join her and meet her mother, and he tags along.

Of course, this means that they’re leaving Antae, which is where the angels wanted Amira to stay put under the protection of the king. Of course, the king is too busy with betrayals, trysts, murders and conspiracies, which allows Amira slip through his fingers, bound to the absolute last place the Angels want her to go: demon territory.

Then again, considering all the weird crap going on in Antae and with the king, maybe getting away is the safest move after all, at least for now.

Shingeki no Bahamut: Genesis – 07

Bahamut bursts out of its recap week gate full speed ahead with a very well-orchestrated and balanced episode, as Azazel leads a large demon host to the walls of Antae to re-capture the God Key, AKA Amira.

The episode is clever in that on one side of the castle walls, Jeanne d’Arc leads the defense of the city in a big, loud, shiny, yelly battle, in which she successfully uses her trusty Maltet to dispatch Pazuzu. But this battle isn’t the whole episode. In fact, the battle is just a distraction so Azazel can sneak in.

Inside the castle walls, the episode hasn’t forgotten about our quartet of heroes and heroines, but while there’s certainly plenty of dread – especially when Azazel arrives, there’s the feeling the larger battle is far away. It’s a lot more claustrophobic, but also a lot livlier thanks to the banter between Favaro and Kaisar.

After meeting with that shadowy guy, Amira just wants to eat eat eat, and if she didn’t pass out from the wine, she herself would be one more obstacles to keeping her alive and free from the fallen angel’s clutches.

The episode doesn’t pretend this is an even fight, either: Azazel looks down on Favaro, Kaisar, and Rita like they’re insignificant ants to be swiped away before claiming his prize. They can’t hope to beat him, but they can take turns delaying him. First Favaro stays behind so the others can escape, in a display that clearly shows some of what Jeanne said to him about being more than just an ex-bounty hunter stuck. Heck, he even puts his demon tail into it!

Once Rita has Amira safely away from the fight, Kaisar returns, not about to allow someone else to kill “his father’s killer.” Again Fav and Kai show how well they work together and stab Azazel through the heart. But, of course, Azazel doesn’t have a heart, and human weapons can’t kill him. He still plays dead for a moment just to mess with them. This, and his response after Favaro accused him of cheating, are both great moments for the evil yet irreverant bastard: “Well, I am a demon.” You are indeed.

The guys are in a bad way, but Kaisar happens to turn his sword in such a way that he notices a faint glimmer of light down in the city streets. He then makes a seemingly suicidal rush at Azazel, but in the knick of time, a great light appears behind him. It’s not the rising sun, but Jeanne with Maltet, who spotted Azazel and needed those few moments Kaisar gave her to execute her attack and send Azazel packing.

I’m not sure exactly how the physics of Kaisar’s stunt worked, but nor do I care; it was a sweet setpiece that also united the battle that had been going on inside the castle with the one happening outside. Rita, unfortunately got the short end of the stick, but she definitely contributed.

With the demon army repelled and the day won, all that’s left is to stuff Amira back in her room to keep her safe. Alas, it only takes a moment (after she glimpses her ‘father’) for Amira to wander away from Rita and into the square where the giant Bahamut statue stands. There, the terrifying power of Bahamut and the past destruction it’s caused flashes through her bandaged head. We witnessed a lovely battle, but it was only a battle. There are plenty more foes to fight before the war is won.

Shingeki no Bahamut: Genesis – 06

And so, aboard a zombie dragon, our variably gallant anti-heroes narrowly escape the clutches of both Azazel and the Jeanne d’Arc-led Orleans Knights–oh wait, scratch that. They’re free for just a few hours before they’re eventually taken prisoner by the latter. But our pals thrive in constant peril, so I wasn’t concerned.

Azazel, meanwhile, is going to have to try to live (or unlive?) down the humiliaiton of letting Amira and the humans slip through his fingers. Heck, Lucifer won’t even see the man, and both Cerberus and another co-worker are quick to lay into the convert. I for one am glad Azazel’s failure isn’t simply shrugged off. He has to redeem himself, which means going after that God Key.

Favaro, Kaisar, Amira and Rita are brought before the king in the royal capital of Antae, but their al fresco trial is crashed by not one or two but three angels – Raphael, Michael, and Uriel, who direct the king to place Amira under heavy guard and spare the lives of her companions.

I love everything about this scene. The angels beaming onto the scene, as if on some medieval teleconference, reducing the impressive-looking King to a mere errand boy. His Majesty assumed the angels would want the captives executed at once, but the angels show everyone a feed of angels struggling to keep Bahamut contained. Amira is one of the keys to Bahamut, and they fear the emotional damage of having her friends executed could make an element that is presently stable unstable.

Then, after shaking the king’s hand, Favaro immediately proceeds to upset Amira immensely, telling her he’s done risking his neck for her, wants his demon tail gone and to be left alone. It cuts Amira to the quick, and I must say, it’s not Favaro’s best moment, but this is who he is: almost always lookin’ out for Number One.

Favaro and Amira don’t part on good terms when the former checks out what the demon alert warns of: a group of colossal ghouls headed towards the city. He then watches as Jeanne rides out with her heavenly spear and turns the ghouls into mincemeat with an awesome display of pyrotechnics. It’s a neat reminder of just how serious the demon threat is, and how vital Jeanne’s skills are. One even has to wonder how the city survived in her absence.

Back in heaven (I guess?) the lady angels direct blame at Bowie-esque Michael for allowing Amira to escape with the key in the first place, causing this tenuous situation. Michael, for his part, did manage to cut one of her wings off, but the fact of the matter is, Amira is able to transform between angel and demon.

After a night of epicurian delights, a very drunk Favaro settles in for the night against a cold stone wall, but is confronted by an uncertain Kaisar. No doubt Favaro is at the stage in his evening where the booze has stopped flowing and the boobs have stopped bouncing and he can’t help but look back upon how he treated Amira and feel a little regret, and so tells Kaisar to make with the dinner knife he swiped from the dining hall and have at him. He is a nefarious, lying, backstabbing villain, after all. Favaro, naturally, is armed with a fork, which can double as an afro pick if the need arises.

This dinnerware duel, another novel invention of an gloriously inventive show, is broken up by Rita, who manages to smack both of them in the face with her arm-cannon to announce that Amira has flown the coop. They split up to look for her.

The mysterious cloaked man who breaks Amira out claims to be able to fulfill her wish: to know who she is and what she was meant to do. He has a gem that glows like hers, and she even entertains the possibility this is her father, though that could just be because Favaro said she had to have a father because everyone has a father. Even though she’s surely quite angry with Favaro, his influence is felt.

The episode could’ve ended right there, but it wasn’t done yet. We get one of the more intriguing conversations of the show, one between Favaro, who has stumbled upon a stone statue of Bahamut, and an off-duty Jeanne in street clothes. Jeanne tells Favaro the tale of Bahamut, who was sealed when Zeus and Satan sacrificed themselves, and the prophesied hero who would protect the world when Bahamut returned. Jeanne’s people believe she’s that hero, and she, once a simple farm girl, has come to as well.

Because of her own humble beginnings, she questions Favaro’s notion that he doesn’t have anything to do with this mess of angels, demons, and prophesies. I question it too: If booze, girls, and freedom were all he really needed, he wouldn’t be standing in that courtyard talking to Jeanne-freakin’-d’Arc. He met her, and Amira, and reunited with his old frenemy Kaisar for a reason. There’s a greater role than the one he’s settled for so far. He need only step upon the stage.

Shingeki no Bahamut: Genesis – 05

Bahamut delivers yet another exceedingly exciting, breathlessly swift-moving episode where no one is standing still long. Favaro teams up with Rita to infiltrate the enemy castle, then convinces Kaisar to put aside his vengence for the moment so they can rescue Amira. The plot is pretty straightforward, which works in its favor, because what makes the episode truly special (and immensely fun) is the execution and details of that plot, along with its ability to utilize — and reward us for — our emotional investment in the characters.

Last week Azazel snatched up Amira and Kaisar with the tentacles from his boss flying bio-castle, Gregor, and is enjoying a fine repast as Amira is tortured by Pazuzu. I loved the almost office-like atmosphere of the villans’ lair. Kaisar also has to watch, and when he brings up Favaro as the demon who tricked Amira into stealing the God Key, they all heartily guffaw. It’s great how as clearly evil as these guys are, Favaro is even worse than all of them in Kaisar’s mind.

But, of course, that’s far too harsh, and being far too narrow-minded about who is responsible for who’s downfall and death. But harsh and quick-to-judgment is Kaisar’s M.O. in dealings with Favaro. Meanwhile, Favaro is able to convince Bacchus to lend him his flying carriage, but only if he pays the “fare”, which Bacchus leaves up to him. Favaro chooses to sacrifice his bounty hunter armband — practically his livelihood, up to this point — making him just another outlaw. That’s dedication, especially for a demon-girl who gave you a tail and your childhood friend who wants to kill you.

Rita and Favaro prove just as irresistable a duo as Kaisar…moreso, even. Unlike the upstanding-to-the-point-of-back-spasms Kaisar, Favaro and Rita remain stubbornly morally ambiguous (although one could argue that Kaisar’s vendetta and bloodlust are hardly morally pure virtues, even if he thinks he’s righteous). For half a ‘mo, Favaro considered the advantages of having Amira and Kaisar out of his hair, but sees that Rita is willing to spring into action, so he follows her lead.

On more than one occasion, Rita wonders out loud why Favaro is going so far, as if to validate the fact she’s doing the same thing for Kaisar. And so they egg each other on to be the brave, and valiant heroes. And they proceed to kick some Gregor dungeon grunt ass on their way to where Amira is being held.

Kaisar, who is also there, was told all about what Amira is and what she did, but he ends up being used as a pawn by his captors, who egg him on into taking care of their intruder problem for them. And after all that traveling, Favaro is a half-step behind the rested and super-pissed Kaisar, who’s still convinced Favaro is guilty of putting Amira in danger too. Again, this is a perfectly reasonable position for someone with his level of loathing towards Favaro.

Rita ends up breaking up the fight by launching her separated arm at his face and calling him a “brat”; which is a pretty awesome way to break up a fight!

 

Having had some sense knocked into him, Kaisar agrees to table his quarrel with Favaro until Amira is safe and they’re all off Gregor — but only after Favaro makes a gesture that limits his options in a future he’s classically never planned for: he tells Kaisar when the time comes to face him, he won’t run.

As all that’s going on aboard Gregor, we get a little surprise: Jeanne d’Arc! Here I thought we had been watching flashbacks of yore, but she’s actually been in the same present as Favaro & Co. all along. In a gloriously staged deus ex machina, she arrives just when the Gregor is about to pass through the gate to the Demon capital of Cochytus. In a particularly bad-ass tactic, her Orleans Knights close the gate while Gregor is only partially in, thus slicing that portion off and crippling it.

We get a good helping of how Orleans fight: with arrows and catapults and spears, all thrown and launched through magic circles that intensify their offensive effect. This time, the battle was in broad daylight, and thus easier to see!

Favaro and Kaisar work together to take out Pazuzu and use the handy chains and pulleys to lift themselves to safety. Azazel attempts to re-take Amira into custody, but is slapped back and forced to retreat when some form of demon guardian shields her.

All’s well that ends well, with Favaro, Kaisar, Amira, and Rita flying off into the sunset aboard a zombified dragon, presumably to continue their odyssey to Helheim. But a lot of uncertainty lies on that horizon. Azazel & Co. will be back on their tail before long, as will the Orleans Knights. Favaro has cast aside his career and agreed to face of with Kaisar, and still has a tail. Rita could zombify or eat the others at any time! (though that’s unlikely). And the angels are having a heckuva time keeping an awakening Bahamut at bay, which is an existential threat to the entire world.

But so soon after surviving the day by the skin of their teeth, I’m sure the crew isn’t particularly concerned about what may come tomorrow. Instead, they’re probably content to enjoy that sunset and that smooth ride of that Zombie Dragon, which I’m sure is the name of a band.

Shingeki no Bahamut: Genesis – 04

I will never tire of Amira’s many expressions

Put simply, Shingeki no Bahamut simply kicks ass at telling rousing, impeccably-orchestrated stories of adventure. Last week featured a town of illusion and undead ruled by a powerful, devious, but ultimately bored necromancer. Rita ended up following Kaisar looking for a change of pace and a little excitement…and her decision paid almost immediate dividends.

“D’you even know how to USE that?”

Entitled “Reunion at Ysmenport”, we’re immediately treated to a beautifully-rendered, well-worn and lived-in city; I could almost smell the fish…and other things such cities have. As street swindler ends up giving both Favaro and Kaisar information how where to get where they want to go. Favaro needs to get to Helheim (and can only keep up the lie about knowing how to get there for so long. Kaisar simply wants to get to Favaro.

Mmmm…you gotta love crab.

What ensues is perhaps the most complete and exciting episode of the series so far, a journey on the high seas with giant sea monsters of varying tastiness, demon sailors, zombie sailors, demon sailors fighting zombie sailors, demon girls fighting sea monsters, et cetera, et cetera. There’s a lot going on!

Taking an undead necromancer hostage: Not a good idea

But it’s not just action: after three episodes of Kaisar chasing Favaro across the ends of the earth, we finally learn why: Favaro’s dad was the one who attacked the convoy carrying the king’s tribute, which was overseen by Kaisar’s father. Kaisar and Favaro were childhood friends despite being from different classes, but Kaisar saw what happened as a betrayal, and his desire for revenge has driven him on a continuing quest to nail Favaro to the wall.

Ruff! Ruff!

Oh, and also…the demons in demonworld finally stop commenting on what’s transpiring in the regular world and spring into action! I’m not the biggest fan of the dog-demon-girl with her puppets Cerberus (!), but at least these guys are consistent. Every time Amira transforms, they’re able to locate her.

All that work, and it tastes like crap.

Amira does so when that giant crab emerges from the deep and threatens the ship…and Favaro. While there was probably no way Favaro could have dealt with the beast himself, it was still a risky move that ends up giving Favaro’s dad’s old friend and fellow “honorable thief”, Captain Amon, an opportunity to reveal himself as having “gone into business for himself”, just like Favaro. The jewels he and Favaro’s dad stole were filled with magic that brought forth killer demons, and only Amon survived, but he did so by becoming a demon himself…a bounty-hunter demon! And right now, Amira’s price is so high, Amon is fine simply killing Favaro rather than turn him in.

So boss.

Meanwhile, Kaisar and Rita have not been standing still. They secured passage on another ship, which turns out to be pirates who aim to rob Kaisar and sell the girl. What’s so great is that so many people would find this a relatively alarming situation, but Kaisar knows what he’s doing and easily dispatches several pirates with his superior swordsmanship.

Also, Rita isn’t really a “girl” anymore; not entirely. What she is is someone who you most definitely want on your side. The pirates numbers are meaningless; she kills them all then reanimates them as a freaking Zombie Pirate Crew under her command. It just keeps getting better!

She rams her newly-acquired (and much larger) ship into Amon’s and that’s when the previously-mentioned battle between amphibious demon sailors and zombie pirate sailors commences, with Favaro, Amira, Amon, and eventually Kaisar literally above the fray in the rigging. Up here we get some Pirates of the Caribbean-style tightrope combat for good measure.

Frankly, I really liked Amon as a friend of Favaro’s and as a link to his past, but not all baddies can become allies like Rita. Speaking of baddies, after Amon is vanquished, the head demon dude Azazel sends a giant tentacle to pluck up Amira, inadvertently bringing Kaisar along for the ride, too. He stops Cerberus from killing him instantly, but whatever he has in store for the bonus human can’t be good.

I…I didn’t see that coming! Who am I kidding, I hardly saw anything coming this week, and that’s why it was so fantastic. I was almost always on the edge of my seat. Now we have quite a predicament on our hands: both Favaro and Rita’s traveling companions have been taken prisoner by powerful but unknown foes. Will these two team up to get their respective partners back? I’m guessing Favaro still wants to get rid of his tail, and Rita wants to turn more things undead, sooo…yeah.

Shingeki no Bahamut: Genesis – 03

That’s the look of a person you can TRUST.

The town of Nebelville is cloaked in foreboding fog, which causes Kaisar to pass out while searching for Favaro, who now has a bounty out on him. But when Kaisar went into that fog, he already had a fog around him: a fog of singlemindedness bordering on obsession, that occludes his ability to see he’s stumbling into a very carefully-laid TRAP.

The funny thing is, he’s so successful in tracking Favaro down, he arrives at Favaro’s next destination before he even gets there. Lucky for him Favaro’s mind isn’t as fogged up with vendetta and loathing for his nemesis. Favaro wants to get rid of his damn tail. That means escorting Amira to Helheim (which is still way way way far away, Missy), which means he needs coin, which means he has to do what he does best: bounty-hunt.

After climbing a cliff to snatch up herbs to make an antidote before facing his quarry, he realizes he could have used Amira to simply fly up to them. Amira corrects, him, saying she cannot fly (though she can clearly jump really high) after losing a wing in “The Incident.”

That “incident” she speaks of is the time she, as a demon, broke into the realm of the gods — where demons aren’t supposed to be able to tread” — and stole the God Key, which is to say, absorbed it into her soul. So yeah, she’s down a wing, but she’s also totally the God Key, which explains why we’re taken to the realm of both angels and demons as they discuss how to neutralize/exploit this development. Bahamut is waking up, after all. That’s not good…right? It’s probably not good for a simple bounty hunter like Favaro.

Meanwhile, both Kaisar and I are totally taken in by the Fog of Nebelville, seeing it how he sees it when he wakes up: a quaint but cozy town whose doctor’s daughter Rita rescued him, set his broken arm, and fed him, before her father asks him to help them out with a troll-like demon problem. Kaisar, the valiant knight, would be happy to assist in any way he can. All of this seems to piss Rita off.

Look at that place. This show has some sweet-ass settings, I’ll give it that.

Kaisar sees a bit of himself in Rita’s disdain for her family, inspiring him to regale her with pretty much his life story: family of knights; hard upbringing; resented folks and rebelled against them. But then, when a King’s Tribute was stolen under his father’s watch, his dad was hanged and the entire House of Lidfort ruined and torn asunder. It’s a sad tale well-told with energy and drama by Kaisar, but Rita is unmoved, sick of “playing house.”

The next morning (if you can call it that; so damn foggy!), the first of a multitude of dominoes the episode had artfully set up is nudged over, and everything comes together. As soon as the one of the trolls Kaisar faces starts talking with a somewhat Favaro-y speech pattern, I knew the fog was having some kind of hallucinatory effect on Kaisar. In reality, everyone in Nebelville is dead and rotting.

And who’s behind it…Rita! Rita, who also happens to be the target Favaro was preparing for all along. He and Amira come in with handkerchiefs soaked in the herb potion he made, protecting them from the fog’s effects. Whether she aimed to use Kaisar as a pawn to defend her, or was just bored with two hundred years of necromancing, the jig is suddenly up for Little Miss Rita.

She sics her town’s worth of zombies, but again, as they’re both highly capable fighters, Favaro and Amira have no trouble shaking them off. I love how while hunting a bounty, Favaro ends up saving the life of the bounty hunter hunting for him. When Rita’s own father bites her, and she collapses to the ground, I’ll admit, I felt bad. That’s right when I learn Favaro isn’t even after her, just her book, a “black bible.” In another example of how Favaro, like the Honey Badger, don’t give a shit, he leaves Kaisar bent over Rita’s bloody, soon to be zombified corpse, with the decision of having to finish her off before she rises.

She does rise…but later Kaisar walks across the same landscape as Favaro and Amira had earlier, with Rita following behind, seemingly alive and well, but probably…something else as well. And now, just like Favaro, Kaisar has a lovely and powerful traveling companion all his own! You gotta love the dichotomy of these two.

Shingeki no Bahamut: Genesis – 02

This was one of those episodes that had a little bit of everything, and just kept getting better and better. I don’t care if this is based off a Pachinko game; it’s a blast. The cold open takes us to an Olympus-style heavenly realm, then down to a legendary battle between Jeanne D’arc’s army of knights and the forces of darkness. All with the titular Bahamut floating in the sky, dormant but ominous.

After an awesome OP with a healthy dose of metal, we return to the present and to Favaro’s latest predicament: in kissing him the previous night, the pink-haired maiden gave him a demon’s tail, which won’t go away until he tells her the way to Helheim as promised. Life’s tough in a world without Google Maps. The only thing that matters to Favaro is getting rid of that tail. But he probably lied about knowing where Helheim is. Probably, because when he looks the lady straight in the eye, it isn’t long before he has to smirk.

That’s beside the point, as after escaping once again from his noble nemesis Kaisar, Fav immediately considers simply murdering the woman in order to break the spell. That’s right, this guy shot Greedo first; he’s no saint, and he’s always looked out for one guy: Favaro. When he brings her along to a manor to slay a demon goat (ram?) mounted in the wall, he sees her demon power again and realizes killing her won’t be so easy. So he plays a longer game.

With the bounty Bacchus pays him for the work the lady mostly did, Favaro buys her some clothes (after trying on a good number of outfits), some food, and then some drink, which she’s apparently never had before, but enjoys quite a bit, to the point that when the music picks up, she joins Favaro for some stirring, sexy and very well-animated dancing, followed by a dip in a gorgeous starlit lake.

At this point, Favaro is thinking it’s the perfect time to stab her in the back, but then he learns her name—Amira—and why she wants to go to Helheim—to reunite with her mother—and he hesitates just long enough for Kaisar to burst out of the lake, having held his breath an untold amount of time. Kaisar, momentarily dazed by Amira’s beauty, gets drop-kicked by Favaro, and the two escape again. Between the goat in the wall, the fantastic dancing, and Kaisar, this episode is full of surprises.

Here’s another, though I shouldn’t have been surprised: the next day, Favaro sells Amira out to knights for what looks like pocket change. Can you believe this piece of work? Lucky for him, his own horse won’t sit back and let her get killed. And oh yeah, the knights, with all their bad-ass armor and magic circles, only manage to give Amira strange and oddly pleasant tingles, so she was never in much danger.

Still, now that he’s with Amira again, Favaro decides, for now at least, to stick with her. When they’re blocked on either side of a rope bridge over a massive waterfall, Fav shoots the bridge and they drop, Fugitive-style. I imagine a lot more thrilling predicaments and death-defying stunts are in store for this trouble-prone couple, as they now have a bounty out against them (which Kaisar takes up), while a collection of demon authorities watch the progress of Amira, who bears one of the two “God Keys” that can unlock Bahamut.

Even if Amira is your standard fish-out-of-water bishoujo with hidden powers, it’s a hell of a lot of fun whether she’s hanging out with Favaro having fun or showing off those frightening (and slick) powers. The cat-and-mouse between the roguish Favaro and Kaisar, stemming from some incident we don’t yet know about (but the details of which vary greatly between the two) is similarly amusing to watch unfold.