Rakudai Kishi no Cavalry – 07

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Ayatsuji Ayase is lost. To her, reaching and winning the Seven Stars Battle has become everything. In order to beat Ikki, she must cast away her pride, which she deems useless as it has not garnered any positive results. So in a stunning trick, she throws herself off the roof, forcing Ikki to use Itto Shura to save her. Because their battle is in just ten hours, Ikki won’t be able to use his trump card against her.

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Ikki stumbles home and wakes up in the nurse’s office, where we learn why Ayase’s sudden but inevitable betrayal isn’t totally unjustified or evil, but simply misguided. When Karaudo fought her legendary father, he took his ability to hold a sword and left him bedridden for the last two years, while he took everything the Ayatsujis for everything they were worth.

Alone, broke, and harboring that “worthless pride”, Ayatsuji is no longer a swordswoman so much as a wounded, desperate beast who has been backed into a corner. It doesn’t excuse her actions, but it does make them understandable. But Ikki won’t let her reach the point of no return. He’ll face her in the selection match, Shura or no Shura.

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Ayase is incredibly confident, but there’s the sense that her hardscrabble “evil” armor is as delicate as an eggshell, just waiting to be cracked so a redemption omelette can be made. But her battle with Ikki is nothing short of thrilling and brutal. She certainly has the weapon of a villain, as her Hizume ignoble art is able to recreated every previous sword slash on the field of battle, as well as open small wounds on Ikki wider for maximum blood loss and pain.

And while this Ayase character is extremely different from the one we met last week, that’s just because she hadn’t born her wounded, desperate, relentless side. She makes it clear she harbors no particular ill will toward Ikki, but he’s an obstacle she must cut down.

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The color commentary clashes with the serious tone of the battle, but there’s no levity in the reactions of Alice, Shizuku, or Stella. Stella in particular looks troubled that her lover is getting so torn up, but there’s also the sense she knows something the others don’t; a plan of Ikki’s she hopes goes smoothly. That plan is revealed in the turning point of the battle, when Ayase’s coup-de-grace is barely blocked by Ikki’s “irregular guarding” technique.

Ikki tells Ayase she’s not fighting like the girl he sparred with. She’s ignoring his instructions and even what she already knew. Her mind is so consumed with convincing herself and everyone else that she’s a revenge-seeking dark angel of evil, she can’t actually fight properly. Her conflicted mind is at odds with her pure soul, where the love and pride of her father and his sword school endures.

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Before the battle, Ikki reported Ayase’s foul play, which was enough to disqualify Ayase and hand victory to Ikki without stepping foot in the arena. But Ikki doesn’t want that, because he wants to prove to himself and to Ayase that Ayase isn’t completely lost, and that there’s another way to get what she wants.

He cracks her evil armor by forcing her into submission, using the Fourth Secret Sword, Shinkiro to create an illusion of himself that she cuts, then drains her energy so she can no longer fight. His latest lesson to his pupil is that if those with nothing lose the pride in their swords, their swords will disappear. No sword, no win. She concedes defeat.

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But that’s not the end. She may feel the damage she did to her friendship is too severe to repair, but she clearly doesn’t know Ikki well enough. He offers not only forgiveness to someone who lost her way but was able to come back, but offers to help her get back what she lost, without sacrificing friends or pride.

Free of her evil villain act, when Ayase sees the callouses on Ikki’s hand, she sees her father’s hand reaching out. She asks Ikki for help, and Ikki is glad to offer it. Ideals that don’t produce results aren’t meaningless, as results ill-gained by casting them away will crumble to dust, leaving nothing.

Things might have gone far worse had Ayase not reached out to her swordsman brethren last week, but she did, and it made all the difference in the world.

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Rakudai Kishi no Cavalry – 06

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Perhaps energized by their new status as lovers, Stella and Ikki dispatch their opponents with ease in their respective selection matches. Stella still has to deal with Shizuku glomming onto Ikki, and Ikki has yet to set his sister straight (perhaps because he doesn’t realize the extent to which she likes him), but there’s a new problem: Ikki has a stalker girl!

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Thankfully, she’s not a stalker, she’s just bad at looking at or talking to men. She’s Ayatsuji Ayase, the daughter of a famous swordsman who Ikki worships and whos style he knows of. Ayase has a good reason for coming to Ikki: having seen what he can do in the matches, she wants to train with him to get her out of her rut. If this sounds a lot like Kirin and Ayato training in Gakusen Toshi Asterisk, well, I’m with you in my continued astonishment by how often the shows echo one another.

In this case, since Ayase is older and a third-year, she’s not the Little Sister-type like Kirin, but rather the (slightly) Older Woman-type. Despite her mentioning her discomfort with men, Ikki gets right down to business putting his hands up and down her legs in order to adjust her stance. Stella and Shizuku are mortified, Ayase is embarrased and beet-red, but Ikki is very clinical about the whole thing, and doesn’t once express arousal by what he’s doing.

And dagnabbit, his adjustments pay instant dividends for Ayase’s fighting style. Her attempts to exactly copy her father, someone of the opposite sex, was what was holding her back. She needs to capitalize on the strengths her female body to improve.

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Ayase is amazed by her improvement and ebullient in her gratitude, to the point of possibly coming off as romantically interested in Ikki, despite him having no idea or desire for such a thing. Stella asks Shizuku if she’s okay with this, but it’s a question that could just as easily be asked of her. That’s when Shizuku states that as long as the person Ikki is with makes him happy and never betrays him, she’ll be okay with it.

Of course, Shizuku’s not talking about Ayase, but Stella. Only problem is, Shizuku still thinks she’s the best woman for the job, despite being his sister. Ikki, however, is a lot more certain. He touched Ayase as a doctor or therapist would; that’s it. Stella is the only girl he likes. And if she wants his hand and a kiss in the middle of the night, she—and only she—gets them. And she’d probably get more, if she asked.

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With that fact reiterated, Stella joins Ikki in training Ayase, who treats them to dinner to thank them. That’s when the subject of why she needs to get stronger and become a Seven Star finalist. One big reason might be the guy who walks into the restaurant (Wagnaria?) with his entourage of floozies and toadies: Karaudo, who picks on Ayase, then bashes Ikki’s head with a bottle and spits in his face when Ikki comes to her defense.

Stella wants to jack Karaudo up, but Ikki stops her, and does nothing to retaliate himself, leaving Karaudo free to take off with his posse in a cloud of insults at what a cowardly punk he is. But even if Ikki wanted to fight back, to do so would probably get him expelled, so he endures. I mean, his life isn’t all that bad; he has a badass live-in girlfriend, a cute sister, and a beautiful training partner. And Alice! Enduring a little bullying is a small price to pay, right?

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A couple of student council members were watching the whole thing, just waiting for Ikki to make a move, then commending him for not. The whole incident leads Ikki and Stella to want to know what’s going on with Ayase and those douchebags. But before she can tell them, she and Ikki get simultaneous texts: they’ll be fighting each other in the next selection match. That’s…unlucky.

Now Ikki is in a tough spot: he promised he’d help Ayase become stronger, but Ayase only wants to become stronger to progress in the Seven Star Battle; if he beats her, it will ruin her. But he also promised Stella they’d be the last two fighters standing, and that promise must take precedence.

After briefly consulting with Alice (a nice scene between the two that shows how good an adviser Alice is with everyone, not just Shizuku), Ikki decides to accept Ayase’s ominous rooftop invitation, where she stands wearing a kimono and an enigmatic grin. If her goals are as important as they seem to be, and Ikki is in her way, this could be the beginning of the end of their friendship, which despite having just begun this week, still feels like a loss I’d lament.

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Rakudai Kishi no Cavalry – 05

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RKC is full of surprises. I never thought I’d be awarding two nines in a row to it, but it showed this week, categorically, that the excellent handling of Stella and Ikki’s confession wasn’t a fluke; that wonderful romance is here to stay, and there’s lots of room to grow.

But there were sure to be bumps in the road, and the first is that they’ve been lovers for two weeks…but haven’t done anything. That seems to bother Stella more than Ikki, but as we eventually find out, that’s not the case at all. It’s another common romantic convention: both lovers waiting for the other to start something and getting frustrated by it. Yet it’s another convention RKC picks up and runs with, showing how potent and relatable idea it can be.

While they’ve been lovers doing nothing for two weeks, Ikki has only risen in school standing, no longer the Worst One, but “Another One” (that’s not really his nickname, is it?). The girls swarm around him wanting lessons in swordsmanship; a group of guys gets jealous, but he beats them so easily they become his loyal students, a nice change of pace from the typical “you’ll regret this!” storming off that even the reporter mentions.

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The group of students he’s teaching keep growing along with his popularity, and while Stella is probably proud of him and admiring of his generosity, there’s no doubt she’s getting nudged out of chunks of time he could be with her.

Also Shizuku, as it turns out, hasn’t quite given up on him, or at least intends to make life difficult for Stella if she fails to assert herself. I particularly liked Shizuku’s ear-to-ear grin as Stella must follow through and chug her two bottles of Pocari Sweat.

Another great moment was when Alice lent Stell a game whose protagonist looks and sounds very similar, if not identical, minus the glasses, to Ikki. Her “illicit” vicarious play hearkens back to that great scene where she can’t help but touch Ikki’s chest while he’s sleeping.

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When Ikki takes his class to the pool, he invites Stella along. When she angrily wonders why he doesn’t want to teach her, he gives a very good explanation that not only appeases but flatters her: her ability is beyond anything can teach her, that his style would undermine her strengths, and he wants her, over any other, to continue to go beyond his imagination.

But the fact of the matter is, nothing continues to happen, and Stella is forced into the background as he teaches the others. The reporter puts two and two together, threatens to ask Ikki out, then gets Stella to let slip they’re lovers going nowhere. The reporter’s advice is simple: be forceful and tell him what you want. But of course, it’s not that simple.

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The reporter’s talk with Stella mirrors Alice’s talk with Shizuku, and in this case Alice has valuable insight into the male mind, since he shares their biology, if not that identity. The episode cleverly cuts between the two discussions, Archer-style. It’s also notable that Alice, hardly a conservative, doesn’t think Shizuku’s love for her brother is necessarily wrong, and that she shouldn’t accept defeat just yet.

Still, that’s because Alice is rooting for her beloved friend and roommate. In reality, Ikki is very much in love with Stella, and vice-versa. When the two come together, Ikki starts to talk in a way that Stella interprets as a break-up. The two have their first lovers’ quarrel, and it’s a damn fine one, with the two of them belting out increasingly reasonable things even as they get unreasonably upset with one another.

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Brass tacks: Ikki didn’t make the first move because he was worried she’d think he was a dirty man; Stella didn’t because she was worried he’d think she was a slut. They’re both wrong; both want the other to make a move. So they agree to say the thing they want to do right there and then, and it’s the same thing: kiss. Ikki makes it clear he wants her to ask him for a kiss when she wants one; Stella lets him know she only likes it when one guy looks at her in a naughty way: him.

Having cleared a common hurdle at the start of relationships when the two parties are still feeling each other’s patterns and ways of doing things out, they confidently hold hands on the bus ride home, each knowing a lot more what the other expects, and likely feeling foolish for ever worrying about it. Some tough battles with the Evil Student Council executives lay ahead for both of these lovers, but they won’t have to worry about what the other wants anymore.

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Rakudai Kishi no Cavalry – 04

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Stella’s first battle is over before it begins, when her lower-ranked opponent forfeits out of a desire not to be hurt too badly. When she checks in on Ikki, he’s studying tape on his opponent, Kirihara Shizuya, and his “Area Invisible” technique that’s such a mismatch against Ikki’s swords skills. He seems focused and committed, and promises her he won’t lose. And Stella, having come off an easy victory, having lost to him herself, and used to Ikki acting tough and cool, believes him, without suspecting anything amiss.

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Alice is different. Her woman’s intuition, if you will, senses something is off with Ikki on this particular momentous, high-pressure occasion. She learns about how years ago there was a conspiracy to get Ikki expelled for some petty infraction, and how Shizuya attacked him brutally, but Ikki wouldn’t fight back no matter what, worried (rightly so) that he’d be kicked out for it.

Alice comes to the conclusion Ikki is so used to being downtrodden, both physically and mentally, by those who see themselves as better than him, that he’s developed a hard skin that prevents him from hearing the “screaming in his heart”—that release valve everyone has.

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Now that he has to either win the Seven Star Battle or be expelled, that pent-up anguish has a profound effect on Ikki, such that he does not strike the moment that gives him the best chance at victory: before Shizuya activates Area Invisible. He can’t, says Alice: he’s too damned nervous down there.

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And so, Shizuya, who is perfectly confident in his ability to hide and attack from the shadows like a hunter or assassin, has his way with Ikki, riddling him full of arrows. Ikki collapses in a pool of his own bloood, Shizuya mocks him, the crowd starts laughing and mocking and chanting “Worst One” and it’s almost a nightmare come true for Ikki, until a fed-up Stella stands up and tells the crowd to shut the hell up, and tells Ikki to stop looking pathetic and get up.

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So he gets up. He puts his cool face back on. He can, because Stella’s loud public words of encouragement wash away the nerves. He calms down, then uses his trump card and steals the “logic” of Shizuya’s ability, so he can see right through it every time. Shizuya is able to switch from tactic to tactic, but ultimately they’re all part-and-parcel of his ability, leaving nothing with which he can hold Ikki back other than cowering and crying “uncle.” Ikki spares his life (by one millimeter!) and wins. Then he passes out.

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When he comes to, he’s in the hospital, a dozing, drooling Stella by his bedside, his sister crying into Alice’s shoulder outside because it’s not to be for her. And since he has her alone, Ikki, who won his battle thanks to Stella, confesses to her, and expresses how important she is to him.

Her lovely dere response includes a closed-eyes first kiss and a small nod indicating she feels the same way about him. Then Ikki draws her into a big warm hug (bawww) and promises he’ll one she’ll face in the Seven Star final. You don’t get that a lot in anime these days: a couple working towards facing off against each other in the final battle. I like it!

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Rakudai Kishi no Cavalry – 03

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The Stella x Ikki romance is humming along so well, Stella judges it time to ask him out on a Saturday date. Unfortunately for her, Shizuku had the same exact idea at the same time, sending a text to her bro as Stella trying to get the words out, which Ikki responds to immediately.

When Shizuku brings her roommate “Alice” (a man who identifies as a maiden), it turns into a group date, with neither Stella nor Shizuku happy about the other being there. Alice briefly flirts with Ikki as a joke, but otherwise isn’t in the running.

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Typical harem date hijinx ensue, from Shizuku holding Ikki’s hand (“normal sibling behavior”), to Shizuku calling out Stella on her self-description as Ikki’s servant when she tries to get closer to him, to Ikki wiping cream off Shizuku’s cheek and eating it, then Stella covering the lower half of her face in cream in order to attract similar treatment (Ikki just gets a towel). From Shizuku’s reaction to Ikki’s cream swipe to Stella’s ham-handed counterattack, it’s clear these two are new to the seduction game. It’s a process!

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But thankfully, the whole episode isn’t just a lightweight date, when the mall they’re in gets taken over by gun-wielding, hostage-taking masked goons working for a Blazer named Bisho. It happens when Ikki and Alice are in the john, and Alice hides them in the shadows using his handy shadow-manipulating device, but Stella and Shizuku are among the hostages.

No matter, they put aside their rivalry and start working to resolve the situation. Shizuku needs Stella to stay put and stay off the radar, but when the tough guys start beating an insolent mother and son, she stands up and uses her power to protect them, blowing her cover.

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When Stella goes head-to-head against Bisho, his “Ring of Judgment” absorbs her strikes and fires them back at her with equal force. But he respects her courage and offers to spare the hostages if she supplicates herself…in the nude.

Not wanting any innocents hurt, she starts to strip, but before she can remove her bra, Shizuku springs into action, having prepared a water-based magical barrier that protects the hostages from bullets and allows Ikki and Alice to take out Bisho, while Stella takes out the henchmen in her undies.

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They do so, and Ikki overcome’s Bisho’s weapon by simply cutting his hand off, and all’s well that ends well, with a somewhat woozy-from-exertion Ikki running to embrace Stella (who is surprised by but also happy with such a affectionate gesture. And he doesn’t hug Shizuku!)

But there’s a baddie hiding amongst the hostages too: a woman who threatens to kill another woman nearby if they don’t stand down. Fortunatly for Ikki & Co., an “ally” appears out of nowhere and basically cleans up the mess they were in, saving everyone.

That “ally”, which I put in quotes because he’s someone who seems to do such things in order to get all the credit and groupies, is Kirihara Shizuya, someone with whom Ikki has a past. Specifically, Ikki “ran away like a coward” rather than do battle with him an unspecified time ago.

Ikki tries to be cordial, but Kirihara’s barbs annoy Stella to no end. Worse, Kirihara gets a new text message: the first opponent he’ll face will be Kirihara. I doubt Ikki will be running away this time, and will have a plan to beat him.

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Rakudai Kishi no Cavalry – 02

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It’s nice to see how well Stella and Ikki are already getting along even before their first day of school; it’s a testament to the equity and fairness with which they each treat each other. They’re both on first-name terms without any reservations, and Stella makes a habit of bringing up things like the possibility of indirect kisses as a big deal, but never once denies that she doesn’t mind such things, when sharing Ikki’s sports drink. She also insists on running the full 20km a day that he runs, which speaks to her competitiveness.

But this, like Asterisk War is still a harem, which means there will be plenty of competition for Ikki’s attention. The first to glom onto him is Kusakabe Kagami, who means to run the school newspaper and saw him fight. Whether you’re a boy or a girl, people dig ability, and it’s clear Ikki has skills, even if there’s no surefire way to evaluate it. Still, the way the six school reps will be chosen works in his favor: rather than assess people by their stats, everyone will be fighting for those spots.

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Kagami essentially fades into the background, however, when a petite silver-haired girl everyone calls “Lorelei” beckons to Ikki. As we gleaned from the cold open, she’s his little sister Shizuku, and the only member of his family who she believes really loves him. Because of that, on top of her sheltered, upper-crust upbringing, to her, that means she needs to show Ikki enough love to make up for all the family members who show none.

To Shizuku, that means French-kissing him in front of Stella and half the school. Now, this is some standard brocon incest ikkiness? On the surface, sure, but it’s nicely mitigated by two factors: Shizuku’s aforementioned strange upbringing, and the fact no one else, including Ikki, is okay with his sister Frenching him.

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Then a catfight breaks out between Shizuku and Stella, who draw their devices, but they get in trouble with the director and must clean all 27 of the school’s girls’ restrooms, which they do while exchanging insults about one another’s breast size and body type.

It’s petty, but it’s conflict born out of mutual misunderstanding. Shizuku doesn’t yet know the full extent of Stella’s bond with Ikki, and Stella doesn’t yet know why Shizuku is acting so possessive.

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That changes quick when Shizuku mentions that the rest of the Kurogane family has always treated Ikki like he didn’t exist, and she hates them for it. Stella, concerned and eager to learn more about her roommate (and master, a promise she hasn’t forgotten), wastes no time asking Ikki about it, and he’s very open about it: due to his lack of verifiable talent, he was shunned as the family’s black sheep. The ostracization was so bad, he once ran away from home into the brutal cold.

He was saved from death by his grandfather Ryouma—a samurai so famous even Stella knows the name—who told him to harness his frustration with being called the weakest or the worst; make that weakness a strength, and never give up or stop working to prove everyone wrong. Ikki then started to train alone—something Stella also did when she was younger. Thus Stella’s understanding of Ikki deepens, as does her affection.

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Those affections lead her to make a move on Ikki for the second week in a row, entirely on a whim while cooking. Her excuse is that a good servant must fulfill a master’s wishes before he even asks, but really, she liked what she saw and felt last week, and wants more. Ikki is understandably a bit on-edge about the whole thing—Stella is a knockout in her pink bikini (her concession to modesty and not letting things get too far too fast)—but lets Stella do what she wants to do, and tells her what she wants to hear.

A nice detail: when the newspaper girl Kagami put Ikki’s arm against her chest, Stella noticed, and so brings it up here, because it looked like Ikki liked it…and Stella wants Ikki to like when she does it. I loved the honesty and equity of this romantic encounter: both Stella and Ikki are getting something they want out of it…right up until Stella loses her top, which she didn’t want to happen. Scream; Slap; Womp-Womp.

Lastly, we come to the show’s ED, with all the girls in Ikki’s prospective harem lounging around nude in a bed of roses with their weapons, to the welcome eclectic tunes of ALI PROJECT.

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Rakudai Kishi no Cavalry – 01 (First Impressions)

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Fall 2015 is the season of battling magical school anime, and after previously sampling the very similar Gakusen Toshi Asterisk, I’m going to come right out and declare Rakudai Kishi no Cavalry the week one winner, and it wasn’t really close. Rakudai had the smarter, fleeter, more engaging intro, and featured far stronger characters and an actual arc. It even handled fanservice better, as Ikki manages not to use any boobs as handrests.

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Stella Vermillion, like Asterisk’s Julis, is also a pink-haired princess with high-ranked magical skills and initially reacts in a similar fashion when Ikki, a much lower-ranked student accidentally peeps on her. But her later reactions are a lot more nuanced, as she’s actually impressed by Ikki’s “manliness”, and is disarmed by his appeal to her rare beauty.

The show is also pretty cheeky in witholding the reason Stella (finely voiced by Ishigami Shizuka) was even in Ikki’s room changing. The director of the school, in an effort to shake things up, brings together the strongest and weakest Magic Knights at her school by making them roommates. When the two quibble over house rules, she also suggests they settle matters with a mock battle.

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The method in her madness becomes clear when the two knights clash in the arena. Ikki may have the least natural talent, but he works uncommonly hard to overcome his weaknesses.

Stella, who came to Japan to escape the box labeled “Genius” her people put her in, wants to prove she works hard too, and isn’t just gliding on her natural talent.

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To Stella’s surprise, not only is Ikki not a pushover, but he notices how hard she works in the way she’s fighting. He also steals her sword skills in order to keep up, and uses a once-per-day trump card to nullify her coup-de-grace and nab the victory.

In the hospital, Stella realizes she wasn’t any better than her legions of worshipers, putting Ikki in a box labeled “The Worst One.” But as the director asserts, and what is proven in their battle, is that there’s no reliable way to evaluate Ikki’s true strength. And there’s value in sticking around someone like him if she wants to grow as a knight.

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In a nice inversion of the scene where he walked in on her dressing, Stella almost grows up too much when she comes home to find Ikki asleep, and can’t help but touch him, curious as to how a man really feels. He’s a twist-and-turner in bed, so she gets snagged by one of his arms, and seems on the verge of having a crisis when he wakes up asking what she’s doing on top of him.

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And that gets to the strength of Rakudai so far: its central couple, Stella and Ikki. When they meet they misunderstand one another, but they never outright hate each other, and by the end, they fully embrace sharing a living space and learning more from one another.

This is partly because Stella lost the duel and is merely honoring their arrangement, but also because she gained a lot of respect for Ikki, now that she knows more about him. And while Ikki does slip up early, he is, well, very chivalrous. This isn’t rocket science: decent characters can go a long way towards making a decent show.

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Shingeki no Bahamut: Genesis – 02

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This was one of those episodes that had a little bit of everything, and just kept getting better and better. I don’t care if this is based off a Pachinko game; it’s a blast. The cold open takes us to an Olympus-style heavenly realm, then down to a legendary battle between Jeanne D’arc’s army of knights and the forces of darkness. All with the titular Bahamut floating in the sky, dormant but ominous.

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After an awesome OP with a healthy dose of metal, we return to the present and to Favaro’s latest predicament: in kissing him the previous night, the pink-haired maiden gave him a demon’s tail, which won’t go away until he tells her the way to Helheim as promised. Life’s tough in a world without Google Maps. The only thing that matters to Favaro is getting rid of that tail. But he probably lied about knowing where Helheim is. Probably, because when he looks the lady straight in the eye, it isn’t long before he has to smirk.

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That’s beside the point, as after escaping once again from his noble nemesis Kaisar, Fav immediately considers simply murdering the woman in order to break the spell. That’s right, this guy shot Greedo first; he’s no saint, and he’s always looked out for one guy: Favaro. When he brings her along to a manor to slay a demon goat (ram?) mounted in the wall, he sees her demon power again and realizes killing her won’t be so easy. So he plays a longer game.

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With the bounty Bacchus pays him for the work the lady mostly did, Favaro buys her some clothes (after trying on a good number of outfits), some food, and then some drink, which she’s apparently never had before, but enjoys quite a bit, to the point that when the music picks up, she joins Favaro for some stirring, sexy and very well-animated dancing, followed by a dip in a gorgeous starlit lake.

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At this point, Favaro is thinking it’s the perfect time to stab her in the back, but then he learns her name—Amira—and why she wants to go to Helheim—to reunite with her mother—and he hesitates just long enough for Kaisar to burst out of the lake, having held his breath an untold amount of time. Kaisar, momentarily dazed by Amira’s beauty, gets drop-kicked by Favaro, and the two escape again. Between the goat in the wall, the fantastic dancing, and Kaisar, this episode is full of surprises.

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Here’s another, though I shouldn’t have been surprised: the next day, Favaro sells Amira out to knights for what looks like pocket change. Can you believe this piece of work? Lucky for him, his own horse won’t sit back and let her get killed. And oh yeah, the knights, with all their bad-ass armor and magic circles, only manage to give Amira strange and oddly pleasant tingles, so she was never in much danger.

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Still, now that he’s with Amira again, Favaro decides, for now at least, to stick with her. When they’re blocked on either side of a rope bridge over a massive waterfall, Fav shoots the bridge and they drop, Fugitive-style. I imagine a lot more thrilling predicaments and death-defying stunts are in store for this trouble-prone couple, as they now have a bounty out against them (which Kaisar takes up), while a collection of demon authorities watch the progress of Amira, who bears one of the two “God Keys” that can unlock Bahamut.

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Even if Amira is your standard fish-out-of-water bishoujo with hidden powers, it’s a hell of a lot of fun whether she’s hanging out with Favaro having fun or showing off those frightening (and slick) powers. The cat-and-mouse between the roguish Favaro and Kaisar, stemming from some incident we don’t yet know about (but the details of which vary greatly between the two) is similarly amusing to watch unfold.

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Shingeki no Bahamut: Genesis – 01

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Shingeki no Bahamut’s first episode was a breathless and unrelenting assault on the senses…in a good way! From a beam- and explosion-packed prologue to a highly-caffeinated chase through a Renaissance-era town, this show doesn’t let up for more than a few moments before it springs back into action.

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Mind you, I’m still processing everything that happened, but basically, Favaro Leone is a maverick bounty hunter who does what he wants when he wants it, and somehow because of him the wealthy Kaisar Lidfort has also become a bounty hunter. Favaro tracks down his target, Garth, then celebrates at the bar, where he boasts of heading to Helheim soon. A mysterious but beautiful woman overhears this.

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She asks him to lead her to Helheim, and he agrees, in exchange for a kiss. Before that kiss can happen, Garth’s brother Ghos shows up, summoning an even bigger beast than his brother to batle Favaro. The pink-haired lady steps in and transforms into a monstrously-powerful demon woman who takes care of the summon as Favaro kills Ghos, another bounty for his godlike patron Bacchus.

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The woman reverts to her human form and give Favaro the kiss he desires, and he passes out, entering a dream world of crumbling earth and ferocious Bahamuts. When he wakes up the next morning he has a demon tail, which is an unusual, frightening thing even in this world—and there’s no doubt the woman is responsible.

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It’s one hell of a loud, boisterous, and elaborate opening salvo for Shingeki no Bahamut. It’s great to hear the always-hilarious Yoshino Hiroyuki (Bossun, Sket Dance; Meow, Space Dandy) voicing a lead role, and the brash swashbuckling rogue Favaro is a perfect role for him. The setting is lush in detail; the action frenetic, and the pace is fantastically brisk. I’m not exactly sure what’s going on, but I like it.

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