Fate/Extra Last Encore – 10 (Fin) – Hakuno Picks a Third Way

FELE’s last episode for a while elaborates on the plan devised by Rin and Rani to bring a Master to the Sixth Floor, and they relay those plans to Hakuno on the roof of a high school down on what I assume to be the level where he started.

Waking up in the ladder with Saber, Hakuno explores his code casting powers, which apparently contain all of the weapons and skills of the masters who died before him. That combination of abilities adds credence to Saber’s insistence that he is himself and no one else, and must proceed as such.

When they reach the Sixth floor, it is a white wasteland piled with long-unused lances. Suddenly, Rin appears in her Lancer garb and attacks Saber, and a giant Rani sneaks up on Hakuno. Then Rin and Rani fight each other, more Rins show up, more Ranis show up, and Hakuno and Saber basically get a very efficient course in what’s been happening for about a millennium.

They realize the lands and waters are littered not just with weapons, but corpses of endless Rin and Rani copies. But there is one place where there are no corpses, and Hakuno determines that’s where they should go.

While pondering what the heck is up with all the Rin copies, the “real” Rin arrives, but like her “soldier” versions, she’s only a digital copy, and a fragile one at that. She’s just able to lead them to the central dome when she starts to disperse, a process she tells them actually hurts quite a bit.

Within the halls of the dome, recorded video of Rin and Rani is projected on cross-shaped supports. They once fought as rival Masters on this floor, but Moon Cell deemed their fight a draw just before the Holy Grail War was suspended, leaving them in a horrifying limbo of fighting and killing each others’ endless digital copies as the “originals” lay dormant.

It’s a stalemate, but it’s also a bug in the system that’s gotten way out of control, so they both sent avatars of themselves to guide Hakuno here, so he could end the cycle and choose a winner and a loser, something Moon Cell couldn’t do.

However, Hakuno doesn’t choose to kill either Rin or Rani. Instead, he tries to revive both of them. Only Rin survives, while Rani passes on due to the “peculiar” nature of her digital body. But she’s grateful for the attempt, and Rin is grateful he succeeded in bringing her back. Once Rani is laid to rest, she commits herself to continuing to aid Hakuno until the end.

“Fate Spin-off By Shaft” was met with mixed and polarizing emotions, but I for one enjoyed it immensely. It took the parts of Fates I’d seen before and liked and placed them in a gorgeously-rendered distant and unsettling future where a tiny glimmer of hope still remains thanks to a walking talking manifestation of death itself and his trusty, adorable, formidable Roman Emperor of a Servant. I’m looking forward to Part Two.

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Juuni Taisen – 10

Juuni Taisen may be at the bottom of RABUJOI’s Fall 2017 barrel, but it’s by no means a bad show, and strong, simple, yet heartfelt episodes like this one only help the case for sticking with it till the end. I thought I’d had my fill of Kanae’s endless drinking and killing; it turns out, so had the show.

It wasn’t done telling us Kanae’s story, about how one day, on some random battlefield, she was mistaken for a civilian who had been plied with alcohol by the dastardly soldiers operating in the area. The man making that mistake was none other than Ushii.

Kanae never has the guts to tell Ushii the truth about her, and instead lets him rescue her and take her to a refugee camp on his back. While near him, Kanae soaks up as much as possible about the guy. She wants to know how a warrior like him does the right thing. His answer is simple: first you have to choose to do it; then do it.

Anyone—including Kanae—who is suffering or tortured has to reconcile the fact that it isn’t that she can’t do right, but that she’s chosen not to. Intent is everything. Figuring out how to do right is folly unless one decides that right is what they want to do.

Kanae takes this to heart, and decides she’s going to crawl out of her drunken hole of misery (in which she realizes she’s been suffering the whole time after all) and re-dedicate herself to becoming a warrior that would make Ushii acknowledge her.

That leads her back to the Aira dojo, where she successfully begs her way into the next Juuni Taisen, all to face off against Ushii. To her annoyance, he doesn’t remember her in the slightest (though to be fair, she was wearing a lot more back then).

And yet, the moment she chooses to do the right thing—save Ushii from Usagi’s disembodied killer arms, and take the sword strike meant for her—even seems to take her by surprise. She’ll be damned if she’s going to let such a horrible fate befall the man who not only saved countless innocent lives during his many exploits, but saved her as well.

If it weren’t for him, she wouldn’t even be there; she’d probably have drunk herself to death (though considering the tolerance she’s demonstrated thus far, perhaps not).

Turns out Ushii has never before been saved by anyone the way Tora did. That means he’s determined to save her again to repay his debt, unaware of the debt she was repaying him.

I thought it ludicrous even in this heightened reality that Tora would last long with a wound like that, especially with the jostling of riding on Ushii’s back. It’s not long then, that Tora herself tells Ushii to put her down; even if they find a hospital and her life is saved, she won’t be able to fight in their duel.

Instead, she calls the duel off and asks Ushii to kill her, lest Usagi claim her corpse. It’s a strong argument, and Ushii agrees to do it. Tora leaves the world with no regrets, with a smile on her face. Her wish, as it turns out, was to be acknowledged by Ushii.

She did more than that. By saving him, perhaps if he survives Nezumi and what’s left of Usagi, Ushii can continue his life of doing what’s right. All because in one crucial moment that made all the difference, Tora chose to do the same.

Re:Creators – 22 (Fin)

With Altair, well, not defeated per say, but ceasing to be a threat to the world last week, Re:Creators can relax and do a leisurely victory lap. The five creators remaining on the battlefield accept their supporting roles in a story that ended up being primarily about Altair and Setsuna. The other creators congratulate Souta for his achievement, even if, especially for Matsubara and Takarada, it hurts that their heroines had to die in order to win.

But Meteora steps in to assure Matsubara that only one possible Selesia’s story ended there; there are countless others that remain alive, and more still as long as he’s committed to keep adding to her world…coffee, for instance.

After a celebratory feast at a down-home restaurant, Meteora also points out to the other creations that they will all have to return to their respective worlds soon, as her magic will eventually cease to work as the world restores its proper order (an order in which her magic doesn’t exist).

After the creations and their creators spend one last day together, saying what they want to say and suggesting what they want to suggest, Meteora opens a return gate.

One by one, the Creations say their final goodbyes and walk through the gate, disappearing from the world in physical form but not in the hearts and minds of their creators and fans. I was kinda wondering where Magane was in all of this, and I really wish we’d been able to see more of her…did she de-coalesce off-camera after using her ability to help Souta?

In any case, Meteora has one more plot twist in store: she’s staying. I mean, even if she wanted to go back, she can’t go through a gate she is keeping open any more than she can pick up and throw herself. But she loves this world, and has always seemed quite comfortable here. So while she loses the rest of her magic as soon as the gate closes, I have no doubt someone as strong and brilliant and charming as she will land on her feet.

A bit of time passes, marked by the emergence of several new advertisements around the city promoting new seasons of the creators’ creations, each with new stories that reflect their experiences during the Chamber Festival: Shou and Yuuya fighting side by side, Blitz with his daughter by his; Hikayu’s new martial-arts master alter-ego; Magical Slayer Mamika meeting Aliceteria.

Everyone continues to create. Whatever problems people had with the story of the Chamber Festival (and it did kinda go all over the place, if we’re honest), creators can’t look up to a standard they worry they’ll never approach; they can only keep moving forward, and keep creating. That’s the surest way to achieving happiness not just for themselves and those who consume their work, but for their creations too.

I’m also heartened to see Souta and Meteora exchanging texts in much the same way Souta used to do with Setsuna, only now he’s a little older, a lot wiser, and more importantly, confident enough in his ability as a creator in his own right, to be anything but proud and supportive of his friend’s efforts.

Meteora has pivoted to creation herself, and has decided to name her first work Re:CREATORS—the very work we just spent 22-plus weeks watching.

Eromanga-sensei – 03

When Masamune investigates the abandoned, possibly haunted house next door, he’s surprised to find Yamada Elf has just moved in: and likes to play the piano naked after a shower to get inspired to write.

After the standard accusations of peeping tommery, she invites him in, and most of the episode is given over to making Elf a little more dimensional, if still grating in her intense, obnoxious arrogance.

As Sagiri’s bedroom window faces Elf’s office, you’d think it wouldn’t be long before she found out who Eromanga-sensei is, but Elf sees Masamune’s sister and thinks she’s just that: a little sister who has fun drawing, not the person whose services they’re fighting over.

It’s also a bit shitty of Masamune not to even mention to Sagiri his little wager with Elf, considering Sagiri is the ‘prize’. Then again, it’s a good thing that Masamune isn’t the perfect MC while everyone around him is flawed in some way.

Indeed, Masamune’s flaw seems to be that in spite of Elf’s toxic personality, incessant pretentiousness, and pronunciation of ahhh-neee-may, he can’t help spending time with his new neighbor, nor indeed being a fan himself, even if meeting Yamada-sensei wasn’t what he expected.

For a time, it doesn’t seem like Elf invited Masamune in just to rub his nose in her superior success, but to spend time with a fellow author. She earnestly asks why he’s a fan, and he earnestly answers: after a death in the family, her books cheered him up. They taught him that novels can “save lives” of some readers, and for that she has his heartfelt thanks, competition or no.

Elf’s reaction betrays a softer, more genuine side to her, even if it’s short-lived and she’s back to being awful the next day. But it’s also clear that she’d rather have Masamune around than not, and also strongly disagrees with his workaholic approach to authoring, as she considers her job a “hobby” and only writes if her motivation is maxed out.

Despite knowing nothing of their competition involving her, Sagiri is uneasy anyway because her big brother, who has been All Hers up to this point, is suddenly ‘in the web’ of a cute, rich next-door neighbor.

While her music and online fans keep Eromanga merry, I feel one of the factors that drives her motivation to draw is knowing Masamune will always be there in the house, serving her meals and protecting her.

Yamada throws a thorn in that arrangement, and it will be interesting to see whether that motivates Sagiri to explore beyond her room. But yeah…Masamune really should tell her about his wager with Elf.

Ao no Exorcist: Kyoto Fujouou-hen – 11

Ao no Exorcist wasn’t going to be able to sustain my interest in the battle without resolving it for two more episodes, so I’m glad it was finished in one. And what a finish! All the little separate parts of the battle came together wonderfully, and Rin finally figures shit out.

As Shura says, the only think he lacks is confidence. He’s been holding back all this time because he was scared of who he truly was: the spawn of Satan. As the Observing-from-on-high Mephisto quotes: sometimes to defeat a monster you have to become one.

Dealing with Todou certainly requires vicious and vigilant attention, as Kurara enables him to regenerate right quick; if it wasn’t for the heavy rain (and added effectiveness of naiad bullets) Yukio & Co. would have been in bad shape. Again, though, this fight seems a bit of a distraction beside the Impure King threat, and Yukio’s realization that he shouldn’t be listening to the temptations of a demon comes curiously late in his battle.

Sick of watching Rin ineffectually hack at the seemingly infinite tendrils of the King, Ucchusma, noticing the Koma Sword, agrees to lend his power to Rin, shrinking in size, turning blue, and perching on the tip of the sword as a result.

But while Ucchusma wants the two of them to completely obliterate everything on the mountain—including all those who have been “contaminated”: Rin’s friends and comrades—Rin has something less destructive in mind; something only he can do: use his flames to defeat the Impure King without harming anyone or anything else. When he does so, the flames threaten to overwhelm him, tearing away his humanity.

Rin eventually calms down and remembers what happened to Shiemi when his flames enveloped her in Mephisto’s prison: nothing. So after Shiemi herself, after losing Nee again, climbs the rot that has enveloped Izumo, ignoring her insults, and pulls her free, and after Rin’s blue flames pour out in all directions and envelop them both, Shiemi is not afraid; everything will be fine.

Bon, Shura, Renzo and Koneko; everyone is bathed in the blue flames. At first they feared it would mean their death, but the flames are harmless, and only destroy the King and his Impurity. High above the mountain, Mephisto applauds the “bonfire” Rin created, happy the powers of the Blue Exorcist have finally awakened.

Shura, Renzo, Koneko, and the Myoda monks are all smiles in the aftermath of Rin’s great achievement, but there’s one guy who rains on the parade with a brutal punch to Rin’s face is Yukio, who is furious that he’s out of his cell. Obviously, he’s not up to speed, and Rin’s puckish grinning and laughing doesn’t help matters.

So Rin gets serious, and shows his little brother who he truly is; the thing he’s no longer afraid of facing himself. Shino never directly told Rin what he should do with his life, but left it up to him. So he chose: with the power he always had, but could not control because he feared it, he will keep his friends and family safe from the forces of evil, using Satan’s own flames against them.

Ao no Exorcist: Kyoto Fujouou-hen – 10

It seems like the tide is about to turn with the arrival of Juzo & Co., but because Todo has a stronger fire-element demon, all their attacks are absorbed. Bummer! Yukio (whose guys stop glowing blue before anyone sees them) has a plan: let Todo absorb their fire…all of it.

In a well-planned gambit, the youngsters take Todo on as a distraction while the others chant, and Juzo drops a huge fireball down upon Todo. The Phoenix absorbs so much that Todo can’t handle it, and his body turns to ash, which is then soaked by the rain, slowing down his regeneration considerably.

That being said, it’s not the end of Todo, which was a bit disappointing, as he goes all muddy T-1000 on Yukio, Juzo, and the others, who dilly-dally in storing and separating his pieces to keep them from joining. I tellya, what’s it going to take to get this guy and make it stick?

We don’t learn that, though Koneko and Renzo manage to inform Shura that Rin and Bon are within the barrier, with Bon just barely keeping the barrier up to prevent widespread disaster.

When the super-ugly “pizza roll”-like Impure King advances, Bon has to cast a second spell to force him back, considerably weakening him in the process. Shura can’t come soon enough. Even Kuro’s in trouble.

When Shura finally does get there, Bon had dropped one of his two spells and let the miasma cover him, confident that Rin—his friend—will find a way to unsheathe his sword and save him. And what do you know, he does! And not a moment too soon.

In doing so, Rin seems to be doing exactly what Mephisto—his “older brother”—had hoped he would do: unleash the power of the blue flames for good, and show the Vatican that the son of the devil, once under control, is a vital asset in their struggle. But first thing’s first: Rin’s gotta pierce the king’s heart.

Ao no Exorcist: Kyoto Fujouou-hen – 09

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Todou’s “join me” schtick doesn’t work, as Yukio tells him he loves Rin as much as he hates him, but hates the old Yukio who was a sniveling little punk always in need of Rin’s help.

Yukio summons a coven of naiads and puts Todou in a water prison. I’m glad Exorcist isn’t playing the “Yukio switches sides” angle here, and that Yukio actually gets one over on Todou in what had been a laughably one-sided match.

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As for Rin, he’s trying to stay positive and cheerful while riding Kuro to the sproangium, but Bon can tell from his shaking hands that Rin’s just trying to keep it together, like he is. Kuro gets them into position, and Bon is able to put up a giant fire barrier to contain the sporangium (during which a phoenix screams like a red-tailed hawk for some reason).

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As all his family and friends fight what looks like a hopeless battle, Shino is consumed by fear and self-preservation, even going so far as to abandon Koneko when he refuses to run away. Shino only gets a few paces away before Koneko is about to be killed and he swoops in with his staff. As much as he wants to run from this situation—and his blood—he just can’t. He’s a part of this.

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Meanwhile, Izumo lets her guard down while admonishing Shiemi for not letting herself be protected by someone stronger, and gets covered in spores. Using the “if not now, when” argument, a desperate Shiemi finally manages to summon Nee-chan, and prepares to free Izumo, who takes time to ponder why she agreed to all this in the first place.

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Despite everyone’s efforts, the sporangium still bursts, and it feels like a huge setback when it happens. Fortunately the barrier holds, but that Bon can’t move if he wants to keep it up is a huge challenge for Rin and Kuro.

Rin almost felt like he could unsheathe his sword when Kuro was in trouble (Kuro gets out of it on his own); I imagine the time is quickly approaching when, like Shiemi with Nee-chan, Rin can’t go without its blade any longer.

As for Yukio, his water prison crumbles and he’s about to get burnt alive by Todou, but his eyes suddenly glimmer with blue flame—like Rin—which causes Todou to instinctively jump back.

Before Todou can get back to killing Yukio—or Yukio can determine what the hell’s up with his eyes—Juzu & Co. arrive to fight Todou. But yeah, those blue eyes are definitely an interesting development.

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Ao no Exorcist: Kyoto Fujouou-hen – 08

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It was great to watch Shiemi finally kick some ass after sitting on the sidelines for so long, and for the gang to get back together and head out as a team. The question was, could this episode keep the momentum going as we draw nearer to the final battle with Todo and the Impure King? The answer, unfortunately, is not really.

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Sure, lots of things happen: the exorcists summon a fire vajra to give them more strength against the rot, the kids find Bon’s dad, who Kurara is keeping alive, Kurara is transferred to Bon, which is a pretty big deal, and Bon and Rin ride MegaKuro closer to the place where they’ll have to destroy the Impure King’s heart.

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But none of it feels that significant; it’s as if the show is intentionally holding back and content to show us more preparation for the fight. We’re told many tens of thousands of innocent people are at risk, and the billowing rot of the Impure King is a nearly constant and menacing presence, but the fact remains: the episode felt slow, almost plodding, and I didn’t like Rin’s group splitting up so soon after getting back together, even if it makes sense to the plot.

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Yukio has never been my favorite Exorcist character, what with his occasional temptations to cast away the burdens of his family and cross over to the dark side. Todo spends a lot of time toying with him in an interminable one-sided duel, with the apparent intent of bringing Yukio over to his side. I mean, if that wasn’t the case, he could have killed him many times over.

Chances are Rin will be able to unsheathe the Koma Sword, but only in the moment he needs to the most. That means the Impure King’s heart is probably not long for this world. The true wild card is Todo, especially if he manages to turn Yukio. But it wouldn’t be particularly satisfying if he could be turned so easily by a brief monologue.

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Ao no Exorcist: Kyoto Fujouou-hen – 07

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Once Yukio has finished reading Tatsumi’s letter, Shura puts her trust in the master, removing the sword from safekeeping (within her body) and handing it to Rin, who wants to help defeat the Impure King, and heck, may be the only one who can.

There are only two problems: in Rin’s current state of fear and lack of confidence, he can’t physically draw the sword, and Mephisto Pheles pops in and throws Rin in an even more impenetrable prison, as the Vatican has sensed his tail seal from when he flared up, and have sentenced him to death.

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Let’s get one thing out of the way: Rin is not going to be executed. Shura and Yukio don’t want that, but they can only do so much in their positions. So Shura appeals to Rin’s friends, gives Bon his father’s letter and the sword, and tells them to go bust Rin out. If he’s their only hope, they’re his.

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Shiemi is the first to grab a camo poncho, and does so without hesitation. One by one the others agree with various levels of grudging. But once they reach the prison, the sentient door freezes everyone in their tracks, except the one person neither armed nor bearing hostile intent.

That’s right: Shiemi’s purported weakness is a strength here, as she can casually open the door to the prison and stroll in. Her gentle nature and loyalty and affection for Rin are the X-factor that enables everything that follows to occur.

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Once in Mephisto’s prison, there’s supposedly no way out, but Shiemi takes things one step at a time. First, she finds Rin, who starts wondering if maybe he should die before hurting more people; maybe that’s the best way for him to be useful.

Bollocks to that, says Shiemi. Just as she told all the others they’d all regret not trying to save Rin, she knows Rin will regret dying here and now. She also, for the first time, truly sees the weight of his flames, and when he lashes out to try to make her leave, rather than run from the blue flames, she leans into them, and they’re not hot…they’re warm.

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She believes Rin is keeping the flames controlled so as not to harm her, without even thinking about it. Sometimes, you gotta stop thinking and just be, and that seems to be the case here.

Rin’s flames won’t hurt people he cares about, so there’s nothing to fear. To drive the point home, Shiemi draws Rin into a big hug, showing him he has nothing to fear; she’s just fine.

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With that, Rin blasts them out of the “impenetrable” prison with ease Methinks Mephisto knew the conditions under which Rin could escape, and possibly even counted on it. For to get Rin out, his friends would have to band together, set aside their fears (either about him or repercussions from the Vat), and, as Shiemi did, get him to realize he can control his power.

Hell, even Ryuuji is ready to fight with Rin, and the two apologize for their earlier fight. Ryuuji reveals that he’s only mad at Rin because he bore his burdens alone for so long without telling his friends. No more of that. If they’re going to take out that Impure King on the mountain, they have to do it as one.

The second straight great episode from Ao, bringing us back into the present and getting Rin and friends to finally make up as a great battle looms. But Shiemi was the star, doing things no one else could or would do. Honorable mentions go to a gravely injured Mamushi racked by guilt, and a forgiving Juzo who’s not going to let her die.

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Ao no Exorcist: Kyoto Fujouou-hen – 06

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Who’s cuter than Mamushi? LIL’ MAMUSHI! XD

As soon as we were in flashback mode with Mamushi, I knew Ao no Exorcist had a better story to tell than her turn to the dark side and ultimate demise. It was also an early indicator I was in for a good episode, and this turned out to be the best Ao 2 to date. For once, I wasn’t feeling impatient or shortchanged during the credits. Instead, I was pumped up.

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Whether intentional or not, the backstory of Master Tatsuma meeting Fujimoto, and the resulting expanding of his world (and evolution of his beliefs) is, at least so far, the best thing to come out of this Ao 2. I’d say it’s done Rin & Co. a disservice by sidelining and outshining them, if it wasn’t such a good backstory.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people.

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Despite his bluster and stated plans to kill a kid with the Koma Sword, Fujimoto spends enough time with Fujimoto to know he won’t actually kill the kid he speaks of (the, ahem, spawn of satan, as it turns out). And Tatsuma is done praying to a sword he knows is empty, having unsheathed it as a curious youth.

By being exposed to Fujimoto, Tatsuma learns there may be a better way to protect his people other than strict, at times self-destructive orthodoxy. So ever since his father died and passed on the ultimate secret of the Myoda sect to him, he’s been looking for a way to exit the sect from its 150-year obligation.

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To Mamushi’s surprise, that obligation turns out to be holding the shriveled body of the Impure King, employing the power fire demon Karura and removing the King’s eyes to keep him in a dormant state. Karura not only demands but draws its power from the secrets of men—the more and bigger the better.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people. Those secrets have done nothing but allow the Myoda to keep, essentially, a nuke in their sub-basement.

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Mamushi, who is also determined to protect her people, is quickly betrayed by her former teacher when he takes the eye she was carrying and re-awakens the Impure King himself, Akira-like in form and expanding to ginormous size.

The twist is that the titular Fujouou isn’t even Todou’s target. He only awakened the King to force Suguro Tatsuma out and compel him to summon Todou’s true target: Karura, whom Todou devours and from whom he gains youth and vigor.

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Todou is now more powerful than ever, but to my relief, Mamushi is no longer his acolyte, now that she knows their interests don’t align at all. Before Karura is taken from him (and before he’s stabbed through the throat) Tatsuma manages to seal the Impure King with a powerful spell. But using that spell means he can no longer defeat him.

He entrusts that task, in his hastily-scrawled letter, to Rin, knowing it’s an unenviable task to be saddled with, and indeed that it could result in Rin’s death, either by failing to take down the King or by being executed by the authorities for using his blue flames. Of course, we all know Rin isn’t just going to sit back and save himself.

Tatsuma saw a good man in Fujomoto, and clearly saw a good young man in Rin. I doubt Rin will let him down.

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Ao no Exorcist: Kyoto Fujouou-hen – 05

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Alright: I’m officially frustrated with how slowly this arc is moving. It’s one thing to spend an episode or two in one place, but this is getting ridiculous. Yaozou holds another tedious meeting to bring everyone up to speed, and we keep seeing the same flashbacks of Rin flaring up and standing trial. The show seems to be spending so much time reminiscing while setting the table, I’m starting to lose my appetite.

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Mamushi, still being portrayed with the possibility she could still be redeemed, if barely, is having difficulty bearing the evil of the Right Eye, but Todou claims he can’t bear them both alone. Mamushi honestly thinks she’s doing what’s best for her order, so a little suffering is par for the course.

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The sitting around back at Myoda HQ is all the more frustrating because no one, save Tatsuma, seems to be in any hurry to follow Todou and Mamushi. Granted they vanished without a trace, but…you’re exorcists. Do something exorcisty to detect and find them! Instead we get more meetings, then are treated to Yukio reading a letter by Tatsuma that’s as big as a goddamn book.

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Granted, at least the book-letter takes us to a different place, namely the Myoda Temple years ago, when Tatsuma was a young man with a dying pregnant wife and preparing to take over from the master, his ailing father. We also learn that Rin’s Koma Sword was once the main relic of the Myoda sect…until one day Rin and Yukio’s dad…stole it.

Now that sounds like an interesting story. But in the back of my mind, I know that back in the present Rin and Yukio and Shura are sitting around in a jail doing nothing. What little momentum had been built up isn’t likely to survive such a leisurely stroll down memory lane.

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Ao no Exorcist: Kyoto Fujouou-hen – 04

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Bon is our eyes and ears for most of this episode’s first half as he follows Renzou’s bro Juuzou, suspicious of his movements (and of the trail of bodies in his wake), until it’s revealed those exorcists were knocked out by Mamushi, not Juuzou.

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Having been told about the eye when she was a student of Todou’s, her general argument is that neither Saguro Tatsuma nor her own father can be trusted; that they are the real traitors, and she’s acting in the best interests of the Myoda Sect.

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I for one am glad the obviously more sinister-(and awesome!)-looking suspect, while indeed the traitor, at least has halfway viable reasons besides “I’m just evil BWAHAHA!”, though it does take quite a bit of exposition to get her somewhat complex positions and accusations out.

Meanwhile, Rin is making progress with the candles on the roof when the whole earth shakes. He starts to run off but Shura catches him and forbids him from moving and acting on his own, lest he be “put down” as per the agreement that spared his life (for now).

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It’s also good to see Todou back so soon, even if he claims Mamushi is acting on her own (clearly he’s been manipulating her for some time). There’s something appealing about his frumpy, unexceptional, harmless functionary look; especially contrasted with everyone else’s more traditional garb (Shura aside). Mamushi grabs the eye, and she and Todou skedaddle.

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Tatsuma prepares to go after them, but Bon wants a goddamn explanation out of him, now. Tatsuma, for whatever reason, won’t or can’t give him one, only saying “it’s a secret” and other fatherly platitudes to stay out of trouble and be patient. It’s not enough, and Bon all but disowns him, warning if he runs away he better not come back.

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Those sentiments set Rin, who had been pretty passively in the background, off. Understandably so, as he had a similar falling out with his dad Shiro that was never able to be resolved, since Shiro died. Rin may want to repair his friendship with Bon, but trying to stop him from making the same mistake, something he’ll regret forever, takes precedence.

Of course, Rin gets so worked up, his blue flames come out, scaring the crap out of everyone who didn’t know about them and forcing Shura to knock him out with the shock collar-like ring on his tail, but not before he calls her a hag and tells her to buzz off. I admire Rin’s passion regarding Bon, but he really does need to realize how short his leash has become.

Honestly, I wanted to rate this episode higher, but it had a bit too much standing around talking/explaining, the flashbacks to the trial seemed redundant, and I’m bummed Mamushi’s pretty much a bad guy right now and it’s not certain at all whether she’ll be redeemed.

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Ao no Exorcist: Kyoto Fujouou-hen – 03

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In the dining hall, Konekomaru is taken aback by Shima’s rediscovered chumminess, and later calls him out for it, but Shima repeats his assertion from last week that it’s far more hassle to avoid Rin than simply slip back into their friendship; that, and Rin’s a good guy.

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Meanwhile, the Impure King plot gets mired in infighting when the gathered families gather and it’s believed there’s a traitor in their midst. My first instinct is to go for the snake-people, but that’s kinda profiling; besides, it could just as easily be Shima’s brother…or Bon’s father, who is absent.

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The resulting meeting is tense and full of accusations. This is not how you want to see a group of exorcists tasked with protecting a dangerous artifact like the right eye. But it also creates a sense of intrigue: we’ve got the suspects, but I, at least, will need more info in order to determine whodunit.

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And now, your weekly Ao no Exorcist Shiemi Report: Does Shiemi actually have lines in this, the third episode? She does! Unfortunately, most of them are used running herself down for being so “useless” and “underfoot.” Izumo counters that she shouldn’t stress, since she’s strong, or rather resilient, like a weed. Shiemi is a big greenthumb, so she takes it as a compliment and as motivation to try harder.

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Later, Shiemi spots Rin training, and recommits herself to trying her best so she can catch up to him. So yeah, no contact between the two quite yet, but she’s well on her way to getting there. As is Konekomaru, whose hard line fades when Rin assures him he’ll prove to him he’s not a threat, despite his blue flames.

Of course, the toughest friend in whose good graces to get back into is Bon, who is currently occupied with wondering if his Dad is the traitor in their midst. Another decent episode that balanced Rin’s efforts to make up with his pals with the right eye plot.

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