The Millionaire Detective – Balance: UNLIMITED – 09 – Old Tricks Are the Best Tricks

This episode begins encouragingly, with Haru and Daisuke in the same room together. Unfortunately, they’re soon separated again, as Daisuke refuses to return to the station and tosses his badge, telling Haru the case is a personal family matter he’ll be handling in his own way, i.e. ostensibly alone, but really with the help of Suzue and his bottomless purse.

Back at the station, the Second Division is on the job, even as the First Division now led by Hoshino takes Haru in for questioning. No doubt awakened by his old friends’ deaths, Kiyomizu shows his underlings that the dice Cho-san always had on him were in fact a nifty transmitter-receiver set, and Cho-san’s last act before being killed was planting the transmitter on Shigemaru. Natural Po-lice to the end.

After mostly goofing off for most of the show, it’s awesome to see the Second Division misfits pull off through pure pluck and resourcefulness what it costs Daisuke hundreds of millions of yen to achieve. Even deprived of official cars, under the pretense of “going out for lunch” they slip out one by one to the “kabob truck”, actually an old surveillance van with an antenna.

As the lanky Kamei contorts himself on the van’s roof to get the antenna into position, Saeki works her computer mojo to attain a clear enough signal to hear. It’s the boat-loving Yumoto who first recognizes a marine motor, and then they hear sweagulls and a huge steam whistle. That means in the 10km-range of the die, the Oura Wharf is the only place Shigemaru could be.

Haru isn’t able to participate in this awesomeness, but he tells Hoshino the whole truth and nothing but the truth, which Hoshino can’t really believe because he still resents Haru for washing out of the First Division. However, upon searching Takei’s desk, he find’s Haru’s letter of resignation from two years ago; after killing the bank robber’s accomplice he’d become unable to fire his weapon. Thanks to Takei, he remained a detective with the Second Division.

Daisuke’s much more expensive solo investigation bears fruit when Suzue finds Shigemaru’s car, but assumes it’s a trap…and it is. Upon entering the car to read a letter bearing his name Daisuke is hit by nerve gas; thankfully he was wearing a protective mask.

As Suzue tracks surveillance footage of Shigemaru, HEUSC starts painstakingly deleting all the camera data in the city. With their video trail suddenly dried up, Daisuke suggests they create their own surveillance network with the power of Balance: UNLIMITED.

As Haru and a newly convinced and contrite Hoshino head to the wharf, he gets a video message offering cash prizes to anyone who turns on their video camera and spins around in place. In addition to reminding be of the excellent Gatchaman:Crowds in clever hijacking of mass technology, it’s a wonderfully whimsical workaround.

But the fact is, it is almost totally unnecessary. Had Daisuke kept in touch with Haru and his police colleagues he would have learned the position of his father a little bit quicker and with none of the cost. Haru actually beats Daisuke aboard the huge cargo ship in the wharf where Shigemaru’s signal is located.

Hoshino is there to tell Daisuke Haru is aboard, much to Daisuke’s surprise. He also tells Daisuke about Haru’s past, and that while he’d “stopped being a hero” after the bank incident, thanks to Daisuke he seems to have gotten his spark back. Daisuke listens as he puts on a Black Panther-like nanotech suit Suzue calls an “Active Support Veil”, one of the highest-tech toys we’ve yet seen.

Plunging his apparently amphibious Bentley Continental into the sea, he catches up to the ship and stows aboard, using his suit as camouflage until he locates Frantz Weinski, bodyguard of an international arms dealer and apparent accomplice of his not-dead dad.

But while Daisuke gets the jump on Frantz, upon confronting his dad, who stares down at his son from the bridge, an “Allodium antenna” is activated that causes EMP-like burst, deactivating Daisuke’s suit and thus his tactical advantage. Frantz smashes his earring and Suzue loses all contact; I wonder if she’ll stay away or take a helicopter out to sea.

Before his phone is fried by the Allodium burst, Haru gets a text from Suzue asking him to look after Daisuke. Just like that, the two detectives are back together, having chased the same trail by very different means. I liken those differing means to two very different consecutive James Bond films.

In Die Another Day the spy tech reached its peak of goofiness with the cloaking device-equipped Aston Martin “Vanish” (a pun on the car’s real name, Vanquish). Casino Royale, on the other hand, was a return to basics, and Bond’s “toys” were similarly stripped down, until by Skyfall he had the same old DB5 with an ejector seat.

If Daisuke was Die Another Day Bond when he boarded the ship, now he’s just a well-dressed man with no tech at all. Haru is unable to immediately rescue him from Frantz because he still can’t fire his gun. But he’s there, and Shigemaru pointedly says his son is not to be killed. It’s a big ship, and if there’s a way to save his partner that doesn’t involve cloaking suits or revolvers, I’m confident Haru will find it.

Toaru Kagaku no Railgun T – 13 – Wagering to Lose

After a week-long postponement, followed by roughly 8 minutes (or a full third of the episode) of Kuroko recapping events so far, events finally, finally take a turn in the good guys’ favor.

There may not be a full episode of full content here, but what we do get is just so goddamn good—not to mention perfectly set up by the events previous episodes—I can’t hold back my “9” rating rubber stamp, which will simply keep coming out as long as Railgun continues to be this compelling and satisfying.


For one thing, even a recap is a delight if narrated by Arai Satomi, including her flowery fluster when mentioning Mikoto’s intoxicatingly trusting smile. The recap is also plot-appropriate, as Kuroko is “calmly reassessing the facts” in real time prior to taking decisive action against Kozaku Mitori.

When Kuroko finally appears in the sewer just as Mitori is about to celebrate her win, it’s not only a great moment (one forgets how much Kuroko can bring the pain), but the culmination of a logical string of events.

Mitori is ultimately undone not just by Kuroko’s constant countermoves, but by the simple fact that she’s operating all on her own (Kihara is obviously indisposed), while Kuroko has the trusty pair of Ruiko and Uiharu back at the Judgment office.

Uiharu is able to isolate the one festival relay camera Mitori hacked out of the thousands and manipulate it so Mitori loses her tactical advantage…at the height of her confidence in said advantage. A proud Ruiko fanning an exhausted Uiharu is the cherry on top.

Over at Exterior HQ, Kihara uses the code he forcibly extracted from the asphyxiating Misaki…only for the giant brain to self-destruct, rendering Kihara unconscious.

We backtrack to when Misaki first considered how she’d use the gravitron panels against Kihara.  Like Kuroko, she’s calmly assessing her options until the only one that gives her the best chance of winning is…to bet on losing.

In a stunning gamble, she turns her Mental Out remote on herself, switching the limit release code with the self-destruct code then erasing her memory of doing it. Kihara assumed from her body language she was out of options…but only because she herself forgot she had one more option. Just smart, competent writing.

With both Kuroko and Misaki scoring victories, it was inevitable the good guys wouldn’t come out on top in every situation, and so it is with Mikoto, who remains on the way to Level 6.

Even when Kihara goes down and she regains her self-awareness, she remains trapped in the slowly-developing star that is her berserk mode. Sogiita is bloodied and gassed, and all Touma can seem to do is defend from intermittent attacks.

But as he says before the credits roll, this isn’t over. I’m sure Sogiita has a second or third wind in him, and he and Touma no longer have to deal with this alone; Kuroko and Misaki are now free to assist. Even if Misaki is adamant that she doesn’t care what happens to Mikoto, like Mitori she doesn’t like how things ended with Dolly.