Toaru Kagaku no Railgun T – 25 (Fin) – Another Lovely Day in Academy City

Last week ended with Mikoto firing and Doppelganger seemingly fading into white, but the Railgun missed on purpose. Mikoto wanted to give Doppel a chance to stop fighting, shed all the slime mold, and live a normal life as she is. But ultimately Doppel doesn’t want to go on living.

Her threats were just a smokescreen for her true objective. She never actually gained a soul, which makes her continued existence a torment. By destroying herself she’ll end that torment, and by destroying the dataship and killing Kuriba, she’ll prevent another her from being created.

The dataship crashes and much of Doppel’s body blasted away, but Mikoto doesn’t kill her, and Kuriba survives. The chief doesn’t believe Doppel has no soul and even pulls a gun on Kuriba, resulting in her accidentally getting shot in the gut. The chief flees, but Misaki tracks him down and “rewinds” his memories so he’ll start over from “behind square one”.

Thanks to Shirai arriving at the scene, Kuriba is poised to make a full recovery, while Doppel was allowed to die with dignity. The next day is bright and sunny and Mikoto enjoys a nice coffee al fresco with Kuroko, who can’t help but ask for a kiss in return for her help. Kuroko, in turn, is teased by Misaki, and when Saten and Uiharu show up, they are in awe of the “Queen” and Hokaze Junko.

We cut to a parting scene with the Scavengers, who learn that due to their client’s bankruptcy they won’t be paid for their work. Leader once again proves her title is well-earned by fighting to get her team’s levels increased as consolation for the cash falling through, while it’s ambiguously revealed when Naru strips him down that Seike is a boy, or the “blue” ranger of their group.

More season housekeeping ensues, including the triumphant return of a fully-recovered Kongou Mitsuko (how I’ve missed her) finally getting to (accidentally) meet Mikoto’s “sister”, whom she nicknames “Ii-chan” (after “1”0032). We also see Misaki with Mitori and Dolly, and they agree to take things slow in terms of loosening their dear friend’s training wheels of normal life.

As Kuriba convalesces in hospital, she has a dream with Doppel, who notes that her creator has always been unable to separate her research and objectives from the rest of her life. To that end, she offers Kuriba a list of issues with her present cyborg designs that she should iron out. When she wakes up, Kuriba thought at first it was her guilt causing the dreams, but admits the possibility of a part of Doppel (beyond the organs used to save her) lives on in Kuriba.

Mikoto then departs the hospital with her schoolbag behind shoulder, and back out into the lovely sunny day in Academy City. Kuroko, Saten and Uiharu are waiting up for her, eager to go someplace good to eat. Mikoto doesn’t care where, as long as they’re together.

With that, Railgun T (as in “T”hird…I can’t believe I never realized that before) comes to a pleasant and satisfying end. Well, satisfying in that everything was resolved nicely, but to be honest I’d much rather watch a fourth Railgun than a fourth Index or second Accelerator. I’m among those who watched the first Railgun prior to watching the first Index, and while Index is regarded as the flagship series, Railgun has been and always will be my number one.

Toaru Kagaku no Railgun T – 15 – Clones Aren’t Just People…They’re Some of the Best

Suck up to the researchers. Words Kozaku Mitori lived by while she was at the facility. Put on a happy face, be chipper, never show them you actually hate their guts and everything they’re doing. But even if it was an act, her secret rebelliousness was futile. As long as she was cooperating, she was giving in to their control.

This became untenable when her chipper attitude led the researchers to pairing her up with Dolly. Like Misaki after her, Mitori initially found the lonely sick girl to be a pain in the rear, but Dolly’s sad, beautiful soul eventually wore her down, until she was looking forward to their visits. More importantly, her smiles were always genuine.

More than anything, Mitori saw Dolly as neither a clone nor a lab rat, but above all, a human being, deserving of rights and care. So when she saw the condition of Dolly’s body as a result of the researchers’ merciless experiments, she used her ability to learn more about her, and became even more outraged.

Sadly, nearly every adult in a white lab coat is a psychopathic, redeemable monster who tortures and murders children without blinking an eye. So it’s no surprise that her protests don’t just fall on deaf ears, but mocking laughter, which fuel a smoldering fire of hatred for The System in Mitori’s heart.

For dropping the nice girl act and breaking the rules, Mitori is held in solitary for months, never getting to see Dolly again. But one day her cell door is unlocked and she finds the place deserted. She vows to wage a one-woman campaign of vengeance against the Governing Board who approved what was happening to Dolly.

Her attempts ended in failure, mostly because she was acting alone and even 10,000 of her wouldn’t be enough to tough the bigwigs. Enter Kihara Gensei, who puts his trust in hatred and thus in their aligned desire to bring Academy City to its knees. Again Mitori picked the losing side and lost, this time to the good guys”.

Following Kuroko’s beatdown, Mitori lies in the sewer having utterly given up…until Misaki pays her a visit. She still has every intention of turning her over to Judgment, but before that, she has a personal matter to attend to and could use Mitori’s assistance. You see, the Dolly they know may be gone, but her memories were transferred to her clone sister, who is still alive…and they’re going to free her.

Where as everything involving her researcher handlers at the facility was about bending to their physical and psychological control, Misaki spares the Mental Out remote and plainly asks Mitori if she’ll accompany her. Aside from Mitori not having much else going on, Misaki knows that if Mitori felt the same way about Dolly as she did, she’ll gladly tag alone of her own free will.

Thanks to Misaki’s ability, the pair are able to easily infiltrate the facility and remove “Dolly II” from her stasis tube. A tearful reunion ensues, where again Mitori doesn’t have to put on any act; she’s overwhelmed by emotion upon finding this girl who is for all intents and purposes the same Dolly who knew and loved her, and whom she knew and loved.

This episode and scene in particular are the perfect way to wrap up the arc of Kozaku Mitori, who started out as a shadowy, one-dimensional baddie but soon evolved into a full-fledged character beyond black-and-white labels. Her alliance with the geezer and resulting actions may have been misguided, but everything she did was out of a desire to hurt those who hurt Dolly, and you can’t argue with that.

Misaki too, gets a nice catharsis in this reunion scene. At first she’s so guilty about misleading Dolly and failing to learn the whole picture before it was to late, and feels like she’s not entitled to forgiveness or affection. Dolly, of course doesn’t care about what happened in the past; what matters is that she, Misaki, and Mi-chan are together again. It’s what she’d been dreaming about in that tube, and now it’s a reality.

Thanks to Dolly, and her clone, Misaki and Mitori not only became strong individuals capable of setting their own courses in life, but were able to endure the cynicism and cruelty of the villainous scientific complex and retain their humanity. As Mitori tried to make clear to one of those villains, Dolly is a person, not a clone of fodder.

She also happens to be one of the best people, with a warm and kind soul. But even she wouldn’t be who she was (not to mention free of captivity) without her two friends. Hopefully they’ll never be separated again.

In other housecleaning, Mikoto’s circle of friends celebrates Kuroko finally being 100% and out of her wheelchair, and then Mikoto visits a recovering MISAKA in the hospital. But Mitori, Misaki, and Dolly were the refreshing narrative and emotional core of this epilogue, and I was more than fine with that.

The effects of their reunion seemingly carries across the network of Sisters, as MISAKA has a vague sense of deja vu and a sudden desire to visit the ocean. She’s most likely glimpsing Dolly’s beautiful dreams—which can now be a reality.

Toaru Kagaku no Railgun T – 13 – Wagering to Lose

After a week-long postponement, followed by roughly 8 minutes (or a full third of the episode) of Kuroko recapping events so far, events finally, finally take a turn in the good guys’ favor.

There may not be a full episode of full content here, but what we do get is just so goddamn good—not to mention perfectly set up by the events previous episodes—I can’t hold back my “9” rating rubber stamp, which will simply keep coming out as long as Railgun continues to be this compelling and satisfying.


For one thing, even a recap is a delight if narrated by Arai Satomi, including her flowery fluster when mentioning Mikoto’s intoxicatingly trusting smile. The recap is also plot-appropriate, as Kuroko is “calmly reassessing the facts” in real time prior to taking decisive action against Kozaku Mitori.

When Kuroko finally appears in the sewer just as Mitori is about to celebrate her win, it’s not only a great moment (one forgets how much Kuroko can bring the pain), but the culmination of a logical string of events.

Mitori is ultimately undone not just by Kuroko’s constant countermoves, but by the simple fact that she’s operating all on her own (Kihara is obviously indisposed), while Kuroko has the trusty pair of Ruiko and Uiharu back at the Judgment office.

Uiharu is able to isolate the one festival relay camera Mitori hacked out of the thousands and manipulate it so Mitori loses her tactical advantage…at the height of her confidence in said advantage. A proud Ruiko fanning an exhausted Uiharu is the cherry on top.

Over at Exterior HQ, Kihara uses the code he forcibly extracted from the asphyxiating Misaki…only for the giant brain to self-destruct, rendering Kihara unconscious.

We backtrack to when Misaki first considered how she’d use the gravitron panels against Kihara.  Like Kuroko, she’s calmly assessing her options until the only one that gives her the best chance of winning is…to bet on losing.

In a stunning gamble, she turns her Mental Out remote on herself, switching the limit release code with the self-destruct code then erasing her memory of doing it. Kihara assumed from her body language she was out of options…but only because she herself forgot she had one more option. Just smart, competent writing.

With both Kuroko and Misaki scoring victories, it was inevitable the good guys wouldn’t come out on top in every situation, and so it is with Mikoto, who remains on the way to Level 6.

Even when Kihara goes down and she regains her self-awareness, she remains trapped in the slowly-developing star that is her berserk mode. Sogiita is bloodied and gassed, and all Touma can seem to do is defend from intermittent attacks.

But as he says before the credits roll, this isn’t over. I’m sure Sogiita has a second or third wind in him, and he and Touma no longer have to deal with this alone; Kuroko and Misaki are now free to assist. Even if Misaki is adamant that she doesn’t care what happens to Mikoto, like Mitori she doesn’t like how things ended with Dolly.

Toaru Kagaku no Railgun T – 10 – Goodbye, Dolly

When Misaki and Mikoto hit a major traffic jam, Misaki summons the power of the “Exterior” to brainwash every driver in their path to pull aside, thus clearing a path. It’s clearly a significant effort for Misaki, pushing Mental Out to its limits. From there, we learn about how her ability was developed at the same facility as Prototype, perhaps the first Mikoto clone. Her nickname, “Dolly” is a reference to the first successfully cloned sheep.

Dolly ‘s handlers have been unable to make progress with her ever since her friend “Mi-chan” (heavily implied to have been Kozaku Mitori) went away. The white coats (who distressingly see both Dolly and Misaki as merely test samples to be used and disposed of as needed) conscript Misaki to be Dolly’s new lab-issued friend.

Misaki uses Mental Out to brainwash Dolly into believing she’s Mi-chan. Misaki was just as haughty back then, so she’s initialy feels his whole enterprise to be a hassle…until she becomes fast friends with Dolly. Like the girl who was cloned to create her, Dolly is far more athletic than Misaki, as evidenced by her far superior garbage can aim.

At the same time, Misaki tries to impress upon Dolly the importance of growing into a refined lady—a losing battle she picks up with Mikoto, to a degree. Without even intending to go along with the white coats, Misaki ends up restoring Dolly’s “inner peace”, allowing research on her to continue without emotional anomalies.

More than that, Misaki forms a real emotional bond with Dolly, blushing when Dolly suddenly hugs her—and pointedly smells out the deception. The two are simply playing around until Dolly suddenly collapses, her clone body shutting down.

It’s then, when she reaches her hand out for a distraught Misaki, that Dolly asks her her name. It dawns on Misaki that Dolly knew she wasn’t Mi-chan, but kept the fiction going because she was happy to have a new friend, and grateful to Misaki for being one. Dolly’s death is a gut punch.

The white coats are then frustrated when Misaki is the one in emotional turmoil, as if it never occurred to them she’d have these things called feelings. Call it professional detachment from one’s scientific subjects…but Misaki is human, for chrissakes! Showing no deference to them, Misaki uses her Mental Out on all of them and learns the truth: once they’re done tinkering with her, she’ll meet the same fate as Dolly.

The Exterior project continues, with part of Misaki’s brain removed and cultivated into a huge brain, which serves as a booster for her powers—and which is what she used to part traffic back in the present. It’s also the “DNA Computer” the urban legends site mentioned. By the time she and Mikoto arrive at Exterior, Kihara Gensei’s forces have already infiltrated, forcing Misaki’s associate Keitz to flee to the roof with 10032.

But Misaki is too late: Kihara tunes the giant brain to his own brainwaves, bypassing the need for length registration and enabling him to use Mental Out. He uses it to freeze Keitz, takes his phone, and uses it to trash talk Misaki, revealing that it was he who instructed Kiyama Harumi on how to use Level Upper.

He then removes all of the protection placed on MISAKA 10032, something First Order immediately notices while playing cards with Accelerator in a hospital room. Then Kihara injects a kind of mental virus into 10032, which is instantaneously transmitted to all other Sisters in the network, knocking them all out.

Mikoto arrives on the rooftop just in time for Kihara to trigger her dormant esper powers. She’s revealed to be his main target all along, as he hopes she’ll be the first to achieve a stable Level 6. Several floors below, Misaki no longer has access to Exterior, while Touma manages to track down Saten as she’s exiting the factory with Xochitl.

The main pair of powerful lasses, then, will need some outside help if they’re going to have a chance of escaping Kihara’s clutches. Mikoto looks completely out of control—half-Akira, half-Little Prince—or worse, under Kihara’s control. Will spirited, virtuous youth win out over the greed and contempt of an old man with a Gorbachev birthmark? We shall see…