Cardcaptor Sakura: Clear Card – 11

In what felt like a brisk episode, after a class lesson in formulas and equals gets Sakura thinking about how similar the Clear Cards are to Clow Cards she once captured, she has lunch with friends, during which Yamazaki informs everyone the ball sports tournament will begin soon.

On the way home from school, Sakura, Syaoran and Akiho encounter Yuna D. Kaito, who escorts Akiho the rest of the way home. Syaoran, meeting Yuna for the first time, is spooked—the butler is definitely a magic user. Eriol tells him via video chat that there’s an order in the UK that grants it’s highest-ranked magic users “D”—and for Syaoran to stay on his toes.

CCS is nothing if not adept at suddenly shifting from ordinary life to weird magical scenarios. After dinner with her brother during which she notices he switched up a recipe to include butter, she senses the presence of another card, which leads her and Kero to Penguin Park, the venue of a Clow card encounter in previous series.

Tomoyo placed Kero in charge of getting Sakura dressed up and filming her in case of her absence, and it’s a good think Tomoyo isn’t there, because this card loves pulling things off or out of the ground, inverting them, and smashing them back to earth.

In a rare interruption of Sakura’s capturing routine, it even lifts her off her magical circle. It’s only thanks to Kero diving in to catch her that she doesn’tsuffer a big bump on the noggin…or worse. But he wouldn’t have been able to save both Sakura and Tomoyo simultaneously.

Sakura figures out that up and down don’t matter if she’s already in the air, so she activates her Flight Card and secures the “Reversal” Card while airborne in a short but sweet little burst of action.

Unfortunately, just like last time the inverted playground equipment attracts the attention of bystanders and ends up a news story on TV; Sakura and Kero are able to fly home without being seen.

Back home, while chatting with Tomoyo, they also learn most of Kero’s footage is useless since the camera shifted when he caught Sakura. Tomoyo, containing her rage well, orders a training session for Kero so such mistakes aren’t repeated.

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Owarimonogatari – 09

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After escaping the trap of the snail by going over the rooftops, Koyomi and Kanbaru encounter a crab-monkey hybrid. Once they deal with it (and as a fellow left-hander I feel for Kanbaru mixing up directions), snakes emerge, which Shinobu grabs, then lends Kokoro-watari to Koyomi to finish the demi-apparition off. All of the animals that afflicted Koyomi’s girls are coming back, and all seemingly in service of the samurai.

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After lying under Shinobu as she swings—revealing a small sticker with Gaen’s location, the shrine—Koyomi heads there with Kanbaru and Shinobu. When Koyomi describes what the samurai was after (and imitates his laugh all too perfectly, another clue as to who he is), Shinobu is incredulous. The minion she created, from whom she took Kokoro-watari…she watched him burn up in the sun and die 400 years ago.

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He can’t be back, she insists; This is all some kind of lie or trick. But when they meet up with Gaen Izuko (introducing herself as Oshino Izuko to Kanbaru and Shinobu, who seem to buy it), and Koyomi tells her everything that happened, Izuko disputes Shinobu’s assertion the first minion is dead.

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While her scenes are primarily exposition, she inhabits a variety of interesting environments as she provides it, eventually whipping out “game pieces” of all the Monogatari characters. She makes connections between the first minion and Koyomi, the second minion, and describes coincidences that weren’t coincidences, like the fact that the first five animal apparitions infected five of his female friends, and later phoenixes and cats and tigers.

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She then takes things all the way back to four centuries ago, glossing over Shinobu’s story (because Shinobu already told it, and beautifully so) and focusing on the first minion, who became so after Shinobu drank his blood. He came to loathe what he had become, but that loathing couldn’t change the fact that his immortality was such that even burning up in the sun would not kill him, only disperse him into a cloud of ash.

Over 400 years, exposed to the elements and through trial-and-error, the first minion resurrected, not necessarily because he wanted to but because that’s just what happened. And the final reveal, that the minion was finally successful in coalescing fifteen years ago, leads us to wonder if he’s someone Koyomi already knows…the fifteen-year-old Oshino Ougi, for instance.

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Owarimonogatari – 08

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After Ononoki Yotsugi saves Araragi and Kanbaru, Araragi asks if he can take Kanbaru home because she needn’t get involved. But Yotsugi isn’t okay with that. Not only did Araragi promise her master Gaen Izuko that he’d bring Kanbaru to meet her, but by not only touching but punching the suit of armor, Kanbaru is already inextricably involved. Taking her home wouldn’t necessarily be the best thing for her safety. Yotsugi drives this point home by pressing her bare foot into Araragi’s face, which is a weird way to admonish someone!

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So Araragi carries Kanbaru to the aforementioned rendezvous point. When she comes to, Kanbaru is so excited about being carried she locks her arms and legs around her upperclassman, demanding to remain on his back. But then she notices they’re going the wrong way, and after an hour, Araragi can’t find the right way.

Either due to the samurai or some other apparition (like the one that affected him and Mayoi), they’ve become lost. Araragi calls Gaen, but she just tells him to figure it out on his own, otherwise he’s of no use to her. Harsh! Anyway, it’s his cute, reliable, and above all extremely athletic underclassmen who bails them out of the situation by climbing a telephone pole and charting a route that doesn’t rely on conventional paths.

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Due to the delay and detour, they don’t get to the rendezvous at the park until three in the morning, and Gaen is nowhere to be seen. Again, Kanbaru comes in handy quickly combing the park. She doesn’t find Gaen, but she does find Shinobu sleeping under a swing. She wakes up and tells Araragi she’s there because Oshino’s master (Gaen) intends to restore their (Shinobu and Araragi’s) pairing.

She also bears the marks of some kind of recent battle, which she says isn’t quite over yet. Sure enough, a figure starts to draw near to their position, silhouetted by the rising sun (or some other light)…a menacing figure with a giant crab claw. This has been some night!

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Ikoku Meiro no Croisée 11

Claude forbids Yune to join Alice for a trip to the department store, and she obeys, once again saying one thing while possibly thinking another. Instead Claude, Yune and Oscar go to the park for a picnic. Oscar impresses her with a “spell” that stops the rain and sleight-of-hand tricks, but they remind her of a similar “spell” she put on her older sister that she believes made her blind and weak.

Who would’ve though Yune had a Dark Past She’s Not Proud Of, eh? Well, a dark coincidence at least. Yune’s sister Shione had pale blue eyes, which would have been no big deal in Paris, but in Japan, people gave her looks and even feared her. Lil’ Yune insisted that Shione only look at her, and otherwise keep her eyes closed, sparing her from the looks. Anime eyes tend to be all the colors of the rainbow, but in this realistic period piece, color matters.

It’s an innocent enough sentiment from a concerned lil’ sister, but when Shione grew frail and went blind, Yune blamed herself out of superstition. Shion’s plight is a dreadful shame – but not Yune’s fault. It turns out every time she sees Claude’s eyes, she thinks of Shione. She finally stopped holding everything in, let it all out, and experienced a catharsis. Another cute chapter of a cute series that has just one more cute episode to go.


Rating: 3