Fruits Basket – 24 – The Rosary

When Kyou’s mother committed suicide, everyone blamed him because he was cursed with the Cat spirit; everyone but Souma Kazuma, who took him under his wing and trained him without judgment. It was Kazuma’s grandfather, after all, who carried the spirit before Kyou, so even though he himself didn’t know what it was like, he was close to someone that did, and had empathy for them both.

Now Kazuma is back, and while he doesn’t show it around the others, Kyou is elated. He assumes he’s to go back to living with his shishou and continue his training. But Kazuma is there for something else. He’s seen Kyou with Tooru, and believes it’s time to tell her the truth about what Kyou is, even if Kyou would prefer to keep running away from that truth.

Kazuma doesn’t see much point in dragging things out. After informing Tooru, he takes Kyou’s arm and removes the rosary of red and white beads that never leaves his arm. Once it’s off, his true form is revealed, and it’s a truly terrifying, monstrous form with a smell to match. Throughout the transformation, Kyou recalls how Akito reacted (how you’d expect Akito to react—with utter disgust and rejection).

He expects the same reaction from Tooru, and while she’s initially frozen in shock, and later nauseous from the sight and smell of him, she still dutifully chases after him, completely forgetting that she just got over a cold!

Assuming she’s only there to have pity on him and offer hollow comfort, both things he’s sick to death of, he tosses her aside, hoping to hurt her enough so she’ll never forgive him. This strategy fails, of course, because we’re talking about Tooru here.

Kyou is weary of Tooru’s comfort (the “lukewarm bath” in which he’d gotten too pruny) because that’s what he got from his late mother: she gave him the rosary, checked his arm dozens of times a day to make sure he was wearing it, and wouldn’t let him outside. He could never trust or accept the love she insisted she had for him because she worked so tirelessly to hide his true form, sweeping it under the rug like it didn’t exist.

Even though his mother told him all the time that she’d die for him, that wasn’t what Kyou needed, or needs. What he needs, and what Tooru ultimately provides, is not an assurance she’ll die for him, but that she’ll live life with him. She doesn’t claim to have all the answers, but she won’t look away or turn away from him, even in his true form.

Tooru fears Kyou never returning to Shigure’s house more than the reality of his true form, so she takes hold of his misshapen limb and doesn’t let go, until he transforms back into human form, and then into his cute Zodiac cat form, and they return to the house together triumphant and to Kazuma’s relief.

In this regard, Tooru has emerged as his new proverbial rosary; one that doesn’t hide what he is but accepts it and is committed to living with him anyway. And however dark the future gets, he’s able to move past his dark past because she’ll be right there facing that future beside him.

Ushio to Tora – 39 (Fin)

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No more dancing around the matter at hand: this is the final week of Ushio to Tora (for the forseeable future), so if Hakumen’s going down, Hakumen’s going down today. And I couldn’t be happier; frankly, I’d gotten a bit tired of its raspy, evil voice-of-many-voices.

The souls of the recently deceased like Hyou and Nagare aid Ushio against a Hakumen who has been exposed as jealous and terrified; a Hakumen that never wanted the existance it got, but couldn’t escape, and so became more and more twisted.

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Ushio’s parent’s also finally unite, but at the end of the day, all the amassed allies of Ushio can only do so much; it’s Ushio and Tora and the Beast Spear that must defeat Hakumen once and for all.

In a last-ditch effort to kill them without fear, Hakumen gouges out its own eyes and goes by the smell of the spear. Tora counters this by stabbing himself with the spear, hiding its scent long enough to disorient Hakumen. Ushio and Tora go in for the kill, drive the spear through Hakumen’s skull, and end it.

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Hakumen goes out not cursing the victors, but wishing someone, just one person, could say its name—it’s real name, which we never learn—in a soft, quiet voice, as something other than the wretched monster it was throughout its existence.

Not long after Hakumen evaporates into the either, Tora, whose spear wound was mortal, also passes away before Ushio’s eyes, content that he already “ate” Ushio and he’s full now.

Put another way, Ushio filled Tora’s once empty, black heart (which had been thoroughly wrung out in his past life) with experiences and people Tora cared about and fought to protect. Now it’s time to go home to his family, who is no doubt waiting for him. Tora’s death was a surprise, but a welcome and noble one.

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When it becomes Ushio’s turn to pay the piper and become the next Tora, the souls of Jiemei and Giryou bail him out by leaving the Beast Spear (which shatters into dust) and entering his body to keep him from transforming into a beast.

Back to being a human, he falls from the sky, and his dad catches him as Mayuko watches. But Tora isn’t coming down; she never got to change him back to a human. Ushio got a happy ending, but Mayuko most assuredly did not. What did she do to deserve such a raw deal?

Oh, and Saya has to say goodbye to Omamori, who goes in her place in order to close the gate from the inside. It’s the right move; like Tora, Omamori has lived far longer than her friend, and so it’s only natural she be the one to go. Ushio and Saya have their whole lives ahead of them.

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With that, there’s even more loss, as the bulk of monsters turn to stone in order to prop up a sinking Japan—not purely for the humans’ sake, mind you, but because they love the country too. Thanks, youkai! Also, some like Kagari and Raishin remain behind so the humans aren’t lonely. How thoughtful!

Of the life that stretches far ahead for our young protagonists thanks to their efforts and the sacrifices of those dear to them, we see precious little, which keeps a good finale from being a great one. I liked how Kirio wants to step in to fill the void in Mayuko’s heart, but Ushio and Asako didn’t meet until the end credits, and only then wordlessly as they walk to school with the other two.

While I can’t help but feel a little disappointed by the lack of quality Ushio x Asako time at the end, the fact remains this was a tight and often moving finale. Things got a little heavy in the home stretch, but Ushio to Tora was worth the watch.

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