Ushio to Tora – 39 (Fin)

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No more dancing around the matter at hand: this is the final week of Ushio to Tora (for the forseeable future), so if Hakumen’s going down, Hakumen’s going down today. And I couldn’t be happier; frankly, I’d gotten a bit tired of its raspy, evil voice-of-many-voices.

The souls of the recently deceased like Hyou and Nagare aid Ushio against a Hakumen who has been exposed as jealous and terrified; a Hakumen that never wanted the existance it got, but couldn’t escape, and so became more and more twisted.

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Ushio’s parent’s also finally unite, but at the end of the day, all the amassed allies of Ushio can only do so much; it’s Ushio and Tora and the Beast Spear that must defeat Hakumen once and for all.

In a last-ditch effort to kill them without fear, Hakumen gouges out its own eyes and goes by the smell of the spear. Tora counters this by stabbing himself with the spear, hiding its scent long enough to disorient Hakumen. Ushio and Tora go in for the kill, drive the spear through Hakumen’s skull, and end it.

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Hakumen goes out not cursing the victors, but wishing someone, just one person, could say its name—it’s real name, which we never learn—in a soft, quiet voice, as something other than the wretched monster it was throughout its existence.

Not long after Hakumen evaporates into the either, Tora, whose spear wound was mortal, also passes away before Ushio’s eyes, content that he already “ate” Ushio and he’s full now.

Put another way, Ushio filled Tora’s once empty, black heart (which had been thoroughly wrung out in his past life) with experiences and people Tora cared about and fought to protect. Now it’s time to go home to his family, who is no doubt waiting for him. Tora’s death was a surprise, but a welcome and noble one.

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When it becomes Ushio’s turn to pay the piper and become the next Tora, the souls of Jiemei and Giryou bail him out by leaving the Beast Spear (which shatters into dust) and entering his body to keep him from transforming into a beast.

Back to being a human, he falls from the sky, and his dad catches him as Mayuko watches. But Tora isn’t coming down; she never got to change him back to a human. Ushio got a happy ending, but Mayuko most assuredly did not. What did she do to deserve such a raw deal?

Oh, and Saya has to say goodbye to Omamori, who goes in her place in order to close the gate from the inside. It’s the right move; like Tora, Omamori has lived far longer than her friend, and so it’s only natural she be the one to go. Ushio and Saya have their whole lives ahead of them.

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With that, there’s even more loss, as the bulk of monsters turn to stone in order to prop up a sinking Japan—not purely for the humans’ sake, mind you, but because they love the country too. Thanks, youkai! Also, some like Kagari and Raishin remain behind so the humans aren’t lonely. How thoughtful!

Of the life that stretches far ahead for our young protagonists thanks to their efforts and the sacrifices of those dear to them, we see precious little, which keeps a good finale from being a great one. I liked how Kirio wants to step in to fill the void in Mayuko’s heart, but Ushio and Asako didn’t meet until the end credits, and only then wordlessly as they walk to school with the other two.

While I can’t help but feel a little disappointed by the lack of quality Ushio x Asako time at the end, the fact remains this was a tight and often moving finale. Things got a little heavy in the home stretch, but Ushio to Tora was worth the watch.

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Ushio to Tora – 38

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Despite the title “The End”, this week is not the end; just the beginning of it for Hakumen. The united counterattack is now in full swing, with supernatural and military forces working in concert to make Hakumen’s life increasingly difficult. Even better, the battle is being broadcast to Japan from a news chopper, lessening the fear of those who didn’t evacuate (like Asako and her fam).

I must say, after so much darkness and dread, I was glad to see the mood of the show brightening along with the skies around the battle. The irreverent chatter between Ushio and Tora flies as furiously as the cameos, which, to be honest, are a bit out of control; but are to be expected, as the end, titles aside, is very quickly approaching.

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Hakumen is a little slow on the uptake, and in assessing exactly why things are going so bad, determines that Ushio and Tora are the cause. If they can be smitten once and for all, Hakumen can crush everyone else’s spirits and get back to wreaking havoc. So Hakumen unleashes a Malboro-esque poison cloud, isolating and trapping the duo.

All everyone else can do, from Asako to Mayuko to Hinowa and the Moritsuna siblings, is keep fighing; keep doing their part; and trust Ushio and Tora will be okay.

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And they do do okay. Ushio’s armor is shattered and he comes close to his soul shattering as well, but he’s not like the other wielders who turned into azafuse, and both he and the spear are able to calm themselves, buoyed by the knowledge, and Tora’s confirmation, that Hakumen is not only terrified of his adversaries (for their ability to unite humans and youkai, among other things)—he’s also insanely jealous.

Hatred, pain, fear, and death are the only things Hakumen has ever known, and perhaps believes they’re the only things in the world. But seeing what Ushio and Tora have been able to accomplish; watching all the assembled friends and allies fight with everything they have for their sake; even watching the beast spear reassemble itself to fight again; it’s no surprise the increasingly puny bastard would be a bit envious.

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Tanaka-kun wa Itsumo Kedaruge – 10

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I never though it would be possible: a pool scene with no girls in bikinis flitting about! Just a shirtless Ohta and Tanaka, surveying a very nice public pool filled mostly with kids.

A couple of said kids discover Tanaka can’t swim, try to tease him, and incur the wrath of Ohta. They make peace, however, and Tanaka inadvertently teaches them how to float perfectly along the water, a talent he owes to his listlessness.

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It was fun to see Miss Wac at her other part-time job as pool lifeguard, criticizing Tanaka and Ohta from a place of ignorance, this time in aquatics.

It’s left to out imagination how exactly Tanaka gets home when Ohta reports he’s too tired and listless to carry him, but I loved the fact Tanaka’s floating method became a trend with grade schoolers, much to the dismay of their swim teacher.

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The second half is all about girls in yukatas, making up, if you will for a first half that was mostly ‘beefcake’. Miyano wants to attend the fireworks festival with Ecchan in a sexy yukata, but thinks she needs to grow 10cm to do so.

Tanaka and Ohta decide to help Miyano out: not with rapid growth, which ain’t gonna happen, but by helping her choose a cute yukata. Shiraishi also joins them, and we learn that, just like Tanaka, she’s more used to watching the fireworks on TV in an air-conditioned room. Frankly, part of me wanted to see these two doing just that at episode’s end.

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Instead, Shiraishi regrets to inform the others that her two girlfriends already invited her, but it’s no big deal. Shiraishi gets all the joy and satisfaction she desires when Tanaka heartily endorses her yukata.

Miyano…is a different story: even the smallest-size yukata off the rack fits…poorly. So Shiraishi, reciprocating all the good Miyano did for her, decides to dust off another one of her wrecklessly-perfected skills, in this case sewing, to make a custom yukata that wil fit Miyano properly.

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The result is…well, adorable, but also with an air of maturity. It’s a complete success, and Echizen is so charmed by the sight of her cute friend, she allows Tanaka and Ohta to join them.

Not moments after Echizen internally remembers when she and Ohta used to go see fireworks in matching yukatas, Ohta asks her if she remembers that very memory; and when she denies, he’s suspicious.

Ohta starts off well by properly complimenting Echizen’s yukata, which isn’t what he or Tanaka expected. But things take a turn for the worse when, in the middle of Echizen working up the courage to compliment his yukata, Ohta runs off at the mention of unlimited syrup at the water ice stall. But then, I guess we always knew Ohta’s priorities.

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Tensions lesson once the fireworks start, and we see Shiraishi with her two friends enjoying them in one spot, and Echizen, Ohta and Tanaka in another, united in their awe of the fireworks’ magnificence.

But wait…where’s Miyano? She’s so short she can barely see the fireworks over the taller masses around her. Someone put her on your shoulders, already!

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Ushio to Tora – 37

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This week we check in with a thoroughly defeated and battered Tora who is basically ready to throw in the towel; a Tora we’ve never really seen before. So who better to cheer him up and remind him of the work that must still be done than Mayuko, via her her “spiritual form”.

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I’ll be honest, I never thought all that much about Mayuko’s feelings for Tora, and when she comes out and confesses here, it’s not that surprising, but the tears she sheds when she realizes she can’t turn Tora back into a human no matter how much she loves him (or combs him) was pretty damn moving. I too want to see Human Tora and Mayuko double-dating it up post-Hakumen with Ushio and Asako!

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Mayuko takes some solace in the fact that Tora gets his fighting spirit back, and she also heals him, ending what had been a precipitous drop ever since he killed Nagare. His revival couldn’t have come at a better time: even with all the myriad barriers of various parties in play, Hakumen is not returning to the spot in the ocean where he was originally locked away without a fight, and those barriers are weakening.

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The earlier scene with Mayuko and Tora and dozens of other instances before are ample evidence Ushio to Tora isn’t able getting a little emotional, which sometimes can’t escape stiltedness or maudlin. I wanted to like the half-hearted insult-slinging reunion of Ushio and Tora more than I actually did.

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Cutaways to Kagari and Raishin helping out some human soldiers, or the HAMMR guys making a valiant last stand, felt like curtain calls of a kind for these characters as we wind down to the finale.

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Thanks to all their friends and allies, Ushio to Tora manage to back Hakumen back into his pen, where he’s none to happy to be, no sir! He promises to kill the ones erecting all the barriers through his minions, but something tells me he’s not going to find a whole lot more success.

He’s had his day in the sun; now it’s time to put him away for good so we can bask in the glow of a victory hard-earned by enduring all this hardship and emotional stress and strain.

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Tanaka-kun wa Itsumo Kedaruge – 09

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Much of this week is spent in a McDonalds knockoff called “Wac”, where Tanaka’s disappointment at not getting the “Lucky Meal” toy he wanted (a mini-Roomba) is misconstrued as some kind of personal vendetta by the employee who served him.

We spend as much of the first segment with her worrying about Tanaka and Ohta “glaring” at her than we do with Tanaka and Ohta. She starts to go a little insane, though we know, of course, she’s totally mistaken and has no reason to fear our protagonists.

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She finally realizes at the end of Tanaka and Ohta’s visit to Wac that they’re actually nice people who thank her and call her amazing. Of course, that only makes her more confused and suspicious.

That brings us to Saya, Ohta’s little sister, who just happens to be Tanaka’s little sister’s best friend. Unlike Rino, Saya isn’t a perfect opposite-sex doppelganger of her brother, though she is blonde and tall. She’s also voiced by Touyama Nao, who for once voices a painfully shy, not boisterous, character.

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Saya is at first scared of Tanaka, but once Rino assures her there’s nothing to fear, Saya relaxes a little. She’s even able to carry on a convo with Tanaka when Rino is off ordering a drink, albeit talking about her own brother’s “Gorilla Level” on a scale of 1 to 5, which is apparently how both Tanaka and Saya gauge the effectiveness of a brother to protect his little sister.

When Ohta arrives and the cat comes out of the bag that he’s Saya’s big sister, it’s a big blow to Rino, who considers Saya her best friend but still can’t abide Saya’s big brother’s existence, at least in terms of his near-constant proximity to Tanaka.

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Saya at first thinks she’s an eyesore to Tanaka, causing him to be in a bad mood by sitting with him, but Rino can tell he’s actually in an uncommonly good mood. Saya chalks that up to the unique perspective of a little sister.

Then the opposite happens when Saya walks home with Ohta, and he can tell she had a good time hanging out with Tanaka, even though she doesn’t think she shows it on her face. Basically, Ohta shows the power of a big brother, which like a big sister, can tell things non-sisters and non-brothers simply can’t, due to their extensive experience living with each other.

I enjoyed the long-expected introduction of Saya, but also the little portrait of the McDonalds part-timer, and how books shouldn’t be judged by their covers, especially in the case of Tanaka and Ohta. They’re exceedingly nice guys; just give ’em a chance!

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Ushio to Tora – 36

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The last three weeks have been rough and the ratings have suffered because everything’s so dark and brooding and hopeless and INTENSE GRRRRR, but glimmers of light at the end of the tunnel have been gathering.

Take Saya. She’s through sitting on the sidelines, and adds her own lights to the battle, in the form of summoned dead she brings back in order to help bind Hakumen. She’s totally badass, even though she’s all on her own.

Now that everyone else has their memories back, everyone is working towards the same end, which means Hakumen finally, thankfully has his ass righteously kicked by their combined efforts.

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Nothing like hearing all about your monster friend’s appallingly tragic past to forgive that friend for his recent transgressions. Tora doesn’t come out of his unconsciousness this week, but he does become the forge into which the millions of shards of the Beast Spear accumulate and bring forth a new spear, one far more powerful than the first.

As all his friends and allies prepare to launch fresh attacks on the Big Bad, Ushio takes a moment to thank Tora for everything he’s done, and even gives him some blood from his arm, though if I’m honest, that was a lot of blood; Ushio should probably be a little woozy at this point!

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No matter. Hakumen sets up the underbosses at the tips of his tails, and Ushio knocks ’em down. Combined with the HAMMR scientists’ TRUMP weapon, Ushio’s Mom and Mayuko, a ghostly Oyakume, Saya, and the Kouhamei sects on nearby islands, Ushio’s new spear packs a whollop, and Hakumen gets the beating he’s so sorely deserved all season.

Up against the wall and moving in another direction against his will, Hakumen calls for help…from uber-Tora Guren. But Guren is occupied with Hyou, who we find, of all things, in the yard of an alcoholic, Academy Award-winning starlet. HWAHHH?

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Yeah, it’s pretty random, and the actress is kinda a dick to her seven-year-old daughter, but when Hyou repeatedly saves them from Guren, at the cost of numerous parts of his body and quite a bit of blood, the woman undergoes a swift transformation. It’s almost too perfect that Hyou should make his last stand not dying alone for no reason, but to save a mother and daughter, after he couldn’t save his own so long ago.

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Letting the gluttonous gasbag Guren eat his eye and arm are certainly last-ditch tactics, but hey, they work, and Guren goes up with n immensely satisfying big blue BANG; Guren was almost as annoying as that whiny Hakumen, and I’m glad he’s gone, and essentially by his own dumbassery.

As for Hyou, well, he achieved the revenge he sought his whole life, and saved a couple of people in the process. One can be forgiven for getting a little glassy-eyed at his farewell, when he joins his family in the afterlife. It certainly seems to have an effect on the previously disaffected mother, who isn’t as quick to swat her little girl away when Hyou passes away.

The cherry on top?  Hakumen can whine and scream all he wants, Guren ain’t coming. You’re on your own, chump!

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Ushio to Tora – 28

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The East/West youkai decide Asako can go on her merry way, but Mayuko is to be sacrificed. Obv., Asako ain’t taking that sitting down, and tries with everything she has to fight back, but the monsters are too strong.

Asako’s only kept from being killed by the barrier when Mayuko starts flexing her oyakume descendant muscles, saving her with a protective magic. I’ll admit, it’s a little strange seeing Mayuko use magic, but all this hullabaloo seems to have awakened her true power.

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Mayuko is willing to be thrown into the forge, but Asako stops the youkai, and offers herself as a sacrifice so Mayuko can perform her duties as the oyakume. Mayuko doesn’t like this one bit, but she can’t stop Asako from sacrificing herself. Only Ushio and Tora, arriving in the nick of time, can do that.

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For a second there, I really thought this was the end for Asako, which would make things very tragic indeed for Ushio, who’d have to carry on fighting Hakumen having lost one of the people most important to him in the world. Indeed, Asako only remembers Ushio when she’s about to leap into the flames—and she does leap in—but Ushio jumps in before her and catches her.

Both of them are badly scorched, and the youkai start attacking them mercilessly for interrupting their plan, but Tora steps in to take the punishment, and Mayuko uses her magic to protect them and eject them from the building.

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Of course, things aren’t any safer out there: a Tora lookalike named Guren has arrived to fight the youkai and destroy the Beast Spear on behalf of Hakumen. Guren’s crew and the youkai engage in an aerial battle while Ushio, Tora, and the girls fly away with Jeimei.

Saya enlists Kappa to help heal Asako’s burns, but Ushio doesn’t have time for medical attention, and rushes back into the fray, even against those who no longer know who he is and don’t wish him well. Tora, unable to let his meal get killed by someone else, soon follows him, and the two show the youkai how well they fight together, and that the present Beast Spear is still a powerful weapon.

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Before Ushio returns, Mayuko leaves with Jeimei to fulfill her destiny, leaving Asako with Saya and the Kappa. When Ushio and Tora get back, Mayuko is gone, but Ushio doesn’t persue her. He knows he was lucky to come away from the day with one of his friends alive and free. He’s going to trust in Mayuko’s strength, get back to the fight with Hakumen, and eventually come to get her back.

Things are still in a pretty dark place in Ushio to Toraland: Asako’s in bad shape, while most everyone still forgets who Ushio is, and may well still be convinced a new Beast Spear needs to be forged. I’m guessing he has to address the mass amnesia (which is likely curable) and get his allies back before he can fight Hakumen in earnest. Lots of trials still ahead for our hard-headed protagonist.

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Ushio to Tora – 27

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Our easing back into the world of Ushio to Tora seems at first like it will be a bit of a respite for Ushio, as he and Asako butt heads when passing each other in a romantic sakura-strewn street.

Then Ushio questions his default conduct towards Asako (to yell at her, feigning disinterest, and for her to yell back) when he realizes this kind of foolishness might not be able to go on for another year because for him, there might not bea next year.

So he offers, in his very Ushio-to-Asako way, to walk her home, and the two are on cloud nine—right up until Asako suddenly loses all memory of who Ushio is. So does her family. And when Ushio heads to the Kouhamei Sect HQ for help, they’ve all turned to stone. Sooo…not a rest episode, then!

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Instead, it’s more of a Murphy’s Law episode, where everything bad that can happen to Ushio does happen. But even that turns out not to be 100% the case, as Tora, bless the big furry guy, remembers Ushio all to well, to Ushio’s giddy delight. You wouldn’t forget someone you’ve promised to eat one day, now would ya?

Whatever is going on, Tora’s no affected, and he suspects neither is Mayuko, who he’s always thought was a human who never feared youkai or monsters as much as she should. Mayuko has taken Kirio into her home and is showing him both simple kindnesses like a hot breakfast, and the idea that simple kindnesses need not be things that send one into a spiral of self-hatred for being unworthy of such.

Unfortunately, Ushio and Tora are a little to late to get to Mayuko. Ushio meets amnesiac Asako, who wants nothing to do with him and suspects he has no good reason to be bothering her friend. The two exchange slaps, but then things take a turn for the worse: the heads of the East and West, all amnesiacs, arrive to take Mayuko and Asako captive. Ushio and Kirio try to stop them, but they escape.

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THey pursue, but Kagari and Raishin strike them down, and after dreaming of the Beast Spear shattering, Ushio wakes up in Saya’s house. She remembers him too (again, to his giddy delight) and they’re protected by her barrier from the culprits behind all the amnesia going around: memory-devouring hiyou; one of Hakumen’s latest tactics against Ushio.

Not only that, but the time-traveling Tokisaka is there. He saw the same thing Ushio dreamed—the spear being shattered—and reported it to the East/West alliance, all of whom had had their memories wiped. Thus fear and apprehension swept across the ranks, and fear is Hakumen’s most powerful weapon.

Things are bad, but there’s still plenty to hope for. Mayuko and Asako are both safe for the time being. Mayuko remembers enough of Ushio to candidly lay out the nature of the triangle she forms with him and Asako, who is starting to remember (though isn’t keen on the idea of loving a guy who loves her if it makes Mayuko cry).

Furthermore, Mayuko is confirmed (if it wasn’t already pretty clear) as a descendant of Jeimei, whose soul lives on in the spear. That means if Ushio, Tora, and Saya can’t fix the memory loss, the East/West guys may try to forge a new Beast Spear with her. It never rains…

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Suisei no Gargantia – 08

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Before Fleet Commander Fairlock passes away, he gives command of the fleet to Ridgett. It’s a surprise even to her, and not popular with other ship owners, who are eyeing Flange’s imminent departure. As Fairlock’s funeral procession makes its way from one end of the fleet to the other, Amy and Saya say goodbye to Melty, and Amy learns Ledo is also leaving. When Bevel confronts him, Ledo tells him his mind is made up. Ridgett manages to say goodbye to Fairlock before his sand-filled boat slides into the sea, and she asks the assembled citizens of the fleet to lend her their strength. Ledo says goodbye to Amy, and Flange’s fleet pulls away.

As that summary made clear, this is an episode of many goodbyes. Gargantia is about to say goodbye to Flange’s fleet, a huge loss that affects everyone aboard, but then Fairlock’s death means they must also say goodbye to him, while Ridgett says goodbye to her training wheels and assumes command. Amy and Ledo also say goodbye, but because as Amy said, they hadn’t made much progress as a couple anyway, and she can’t leave Bevel, the Doctor, and Saya behind. Heck, even Melty is leaving. All these goodbyes, and the deftness with which the episode juggles and presents them, made this the saddest episode of Gargantia yet, but also one of the best.

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After Fairlock dies, the rest of the episode’s events wrap around the central event of his wonderfully conceived funeral rites. He is placed in a boat at the bow of the fleet and sent aft, as people fill the boat with sand one by one. He’s then sent down a slide at the fleet’s stern, and sinks to the bottom of the sea he plied his entire life. It’s a gorgeous centerpiece without a speck of melodrama. In fact, the episode does a great job showing the pain everyone with cause to feel pain feels (Pinion and Ledo, notably, don’t shed any tears). Even Amy tries to keep it together, but can’t. Her new friend is going away and may never return, after all.

This was an episode full of solemn grief, and every emotional moment is earned. But Ledo has Amy’s welfare at heart, and doesn’t believe he can adequately protect her or anyone else if he stays on Gargantia. In a way, he has the same problem as Ridgett has earlier in the episode – he can’t see beyond himself, his own abilities or weaknesses or obligations. But Ridget is going to seek help from her colleagues and friends to become a better leader for Gargantia. Ledo is going to go kill things underwater to line Pinion’s pockets.

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Rating: 8 
(Great)

Stray Obervations:

  • Just wanted to note again how badass that funeral ceremony was. We’re also glad Ridgett didn’t miss it.
  • The schematic on the wall in Ridgett’s office, with the lights going out on the connections to the Flange ships, is another subtle way of showing the loss going on in this episode. And when a couple lights come back on, it’s a relief.
  • The pic of ‘Lil Ridgett is adorable.
  • We’re wondering if he and Melty will meet up on the new Flange fleet; though she hasn’t shown more than a superficial attraction to him.
  • Amy and Ledo don’t have a long goodbye, or even spend their final moments alone. It’s almost a non-goodbye. Though we can’t imagine they’ll never see each other again.

Suisei no Gargantia – 06

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Ledo ponders the value of the money he was given in exchange for his services, and Amy promises to show him how to spend it on things other than food at the upcoming festival. He volunteers to pilot a Yunboro in order to catch fish, but he cannot swim, and fails. Amy, Melty, and Saya perform a belly dance while Pinion and Bellows try to recruit Ledo. When an octopus is brought out as a main course, he thinks it’s a Hideauze. Amy later performs her dance just for him during Veils of Light. He goes with Bellows to the sea floor, where they encounter a giant iridescent squid that he and Chamber are convinced is another Hideauze.

Between the calm day and the festival day, Ledo is steadily learning that Gargantia is a far more easygoing society than the one he came from, if you can even call what he came from a society at all. On two occasions this week, he reacts reflexively in the presence of creatures he believes to be Hideauze. Such is his conditioning, the annihilation of that enemy overrides all other considerations: even a steamy belly dance by his three female admirers. He’s also learned that the money he receives for his work isn’t just a means to an end or a means for buying food. That’s only part of it; it’s also a symbol of the support he contributed to others.

The girls belly dance may have been a  bit fanservicey, but it was also another symbol of the difference in priorities between Gargantia’s culture and Ledo’s. Eliminating the enemy doesn’t come first, because there’s rarely an enemy to eliminate. Survival isn’t a constant struggle, because there’s plentiful manpower, fresh water, fish, energy and oxygen. Therefore Amy and her friends aren’t just surviving. They’re enjoying life, something Ledo was never taught to do. He may not even be aware of the concept of sex either, but he’s at least open to experiences that would have been irrelevant or wasteful in his universe…like watching a cute girl dance for you with a gorgeous natural phenomenon as the backdrop.

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Rating:7 (Very Good)

Stray Observations:

  • Chamber and Ledo don’t do to well on their own this week, but once they’re working together as pilot and robot, they do just fine.
  • Chamber fails by whipping up a huge batch of ‘Lil Lisa’s Patented Animal Slurry. We should just be thankful he didn’t accidentally hurt any humans…
  • The men seemed to like the girls’ dance very much, but we’d feel a lot better if there were a couple bouncers to keep some of the drunker and therefore friskier gents away from the talent…
  • We like tako sashimi, but that enormous octopus didn’t look very appetizing. Maybe it’s because we prefer small portions
  • Gargantia now shares its Spring lead with the surging Aku no Hana, and interesting (though not intentional), Gargantia’s ratings are now the exact mirror image of Aku no Hana’s.

Suisei no Gargantia – 04

Bevel, Red

As Gargantia welcomes a new ship to their fleet, Red and Chamber are put to work moving and storing cargo, partially in payment for the collateral damage they caused as itemized in Ridgett’s invoice. The organizational nature of the people on Gargantia as inefficient and undisciplined, but when he meets the fleet “sage” Dr. Oldham and Amy’s brother Bevel, he learns that they’re not a strictly military organization. Bevel realizes Red has fashioned a flute, and when he plays it Red gets a flash from his childhood that brings tears to his eyes.

With no battles to fight for the interim, Red gets restless, and the longer he observes the people of Gargantai around him, the more frustrated he gets with their lack of organization. He’s come from a society (if you can even call it that) in which even children are put through drills and conditioning immediately to become useful fighters in the war with the Hideauze. The purpose of humans where he’s from is to fight the Hideauze, and the war stimulates their development. The frail and weak are “culled”, as Chamber coldly puts it. Red can’t help but initially view someone like Bevel as useless, it’s just the way his worldview developed.

What Red still needs to fathom is that the Gargantia doesn’t exist solely to fight their enemies, in this case pirates. Their mission is to simply survive and do everything they can to live in peace. Again, Red’s from a place where it’s understood that the only way to survive is to be of use to the Alliance and to fight the Hideauze, but that isn’t the case on earth. Red starts to understand this when he watches Gargantia mobilize to to fight, but to catch precious rainwater, crucial to survival. And in the absense of orders, he’s on standby, just like Gargantia when there’s no emergency. Bevel also teaches him there are other ways to be needed beyond military service.

8_great
Rating: 8 (Great)

Black Rock Shooter – 07

Mato is still trapped inside Black Rock Shooter, and Saya’s attempt to use Black Gold Saw to reach her fails. Yuu decides she’ll give it a try, communicating with Black Rock Shooter via her counterpart, Strength. But in the middle of their battle, Strength talks. As it turns out, Koutari Yuu switched places with Strength just before Strength was killed, so that Yuu could escape reality. Mato also realizes she has been running away by never opening up to people. When it’s announced Mato is missing, Yomi stops forgetting her, and Dead Master starts to awaken…

With just one episode left to wrap things up, this week set out to explain a little more about what the heck’s going on with this alternate world where girls kick each others asses literally. It turns out the world was created by those girls, as a physical means for their pain to be expressed. Their counterparts are supposed to lack emotions, and fight each other purely by instinct, fueled by the suffering of the girls in reality (we had no idea Japanese schoolgirls had it so tough). We kinda figured this was what was going down, but the reiteration was comforting.

We were treated to more deliciously over-the-top battle sequences in which Black Rock Shooter and Yuu bounce off each other and deliver sick bullet rain and some creative chiropractic. When Yuu, who it turns out is the bad-ass version (Strength is in the real world, which explains a few things) suddenly opens her mouth and speaks, it’s pretty surprising, as no one in the otherworld had yet spoken. In any case, Mato is in a bad way; still unable to escape Black Rock Shooter. It looks like it will be all up to Yomi to bust her out of there.


Rating: 3

Black Rock Shooter – 06

Black Rock Shooter duels with Black Gold Saw as Strength drags Dead Master away. Yomi wakes up feeling much better, but when Mato doesn’t regain consciousness, Yuu panics and visits Saya for help. Saya tries to reach Mato through Black Gold Saw, but Black Rock Shooter only attacks her. Saya tells Yuu the story of a girl she was friends with (who looks just like Yuu) who first told her about the “other her” who took the brunt of the pain from her life. Strength saves Black Gold Saw and pummels Black Rock Shooter.

The two worlds cross over more than ever this week, with normal selves inhabiting their warriorlike counterparts to achieve various goals. Mato wants to save Yomi from despair, and it would seem she was successful, but she got lost in Black Rock Shooter as a result. Yuu, who put her up to this and used her power to send her to the other world, naturally feels guilty. As for Saya, her antagonistic, even sadist attitude from previous episodes fade away as she recounts her story of an outcast girl who had a really awful life, but whom she promised to protect at any cost.

Which brings us to this girl she knew in high school, whose name is Yuu. Like Mato’s friend Yuu. They look and sound alike. We can only surmise they’re the same Yuu. Is Mato fuzzy about her memories with Yuu because Yuu is something more or less than a regular girl? She appears to be the same age as the Yuu Saya befriended, so it’s likely she’s just different. Yomi seems more cheerful, which pisses off Kagari, and she even deletes all her messages to/from Mato. Perhaps Mato took Yuu’s place as a forgotten friend who took her pain away? We have to be honest: it doesn’t make a whole lot of sense, and we kind of feel silly for obsess about it too much.


Rating: 3.5