BEM – 02 – It’s a Nice Face

Bela, or “Annabella”, as her high school friends call her, may be a youkai, but she has a human form and dreams of one day becoming a real human. So she “practices” by going to high school, having friends and interacting with them, including teasing a young man who likes making very nice drawings of her.

But when a woman in her late twenties recognizes Bela as Mary, someone she went to high school with, the question arises: where exactly did Bela get her human face? As it happens, she got it from the corpse of Mary Russell, which is now nothing more than a skeleton when Sonia and the police find it. But who killed her?

After a very weird (and animation-wise, pretty lazy) canvassing montage, Sonia is no closer to learning the actual truth, just that different people say the opposite things about Elaine, the blue-haired woman who recognized Bela. The next day, Bela is assaulted by three guys at the mall, but who comes to her rescue but Elaine.

Elaine then proceeds to tell Bela her side of the story, in which Mary was blamed by their mutual friend (and queen bee) Dominic Vali for stealing her jewelry, then punished by being forced to undertake a test of courage in the Outside, and ends up never returning. Elaine says the piece of jewelry Bela wore when they first met, along with the one she gifts to Bela, were made by Mary, who dreamt of becoming a jewelry-maker.

The more Bela thinks on it, the more she wants to tell Elaine the truth, since she seems like a nice person. That turns out not to be the case, as she has both Bela and Dominic meet up at the cemetery where Mary died, just so a hitman she hired can kill them both.

This entire scene feels like it comes out of the blue, but more importantly, it’s just patently silly that the bad guy is some kind of “bowling greaser monster.” Both Bela’s transformation, youkai design, and the ensuing battle that ends with Bela victorious, are pretty mediocre.

The disappointment continues when Bela (who doesn’t bother to change after transforming back into a human) pays Elaine a visit, and Elaine immediately drops the nice lady act and becomes a leering villain, complete with a “covering one eye” move. When she cops to having Mary and Dominic killed, Bela loses her cool and transforms into a kind of Alien Queen-type monster, only lamer.

Bem ends up intervening before Bela kills Elaine, and also calls Sonia to arrest Elaine, the culprit in the case of Mary and Dominic’s murders. Basically, by helping the cops clear homicides and assisting them in other ways, Bem hopes to one day become human. Bela shares that dream, and despite being very aloof about it, so does Belo (he does play video games with kids “his own age,” after all).

Bela comes away glad she learned more about Mary Russell, whose face she took, and hopes to honor her memory by leaving the youkai life behind. But who knows when or if that will happen. In the meantime, while BEM is pretty solid in some areas (the jazzy score for one), it seems odd that a show heavily featuring monsters would do such a bad job visualizing said monsters and their battles.

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BEM – 01 – It’s All Elemental

Across the bridge from a gleaming “Upper City” lies a “Lower City” where crime and corruption are rampant…and a water monster is preying on humans, drowning them in his aqueous body on the spot. That’s where idealistic rookie cop Sonia Summers is headed, partially for the challenge.

When she stops her Range Rover to chase down a purse-snatcher, a mysterious man in a wide-brimmed fedora saves her from getting run over before vanishing into the night. But he can’t stop her car from getting stolen.

Turns out the police are corrupt too, taking kickbacks from organized crime to look the other way. This is something Sonia “the girl scout” is extremely not okay with. Little does she know cops on the take are the least of her problems, as the serial drownings mount.

The man with the fedora (and string tie and skull cane) confronts the monster, who is growing increasingly murder-happy. It mentions that it was once human but has shed that humanity and now couldn’t be happier.

The man, the titular Bem, is also not quite human despite his appearance, and after electricuting the water monster and forcing it to flee, he meets with his two compatriots, Bela and Belo. Belo says Bela values humans too highly, while Bela says Belo values them to low.

Bem seems to be the man in the middle of a group that’s also in the middle of the struggle between monsters and humans. Bem believes (and the other two follow along) that if they save enough humans, they can become full-fledged humans.

The episode culminates in a final battle between Bem, who transforms into his true, beastial youkai form, and the water monster, who keeps resolving into a joker-like form. Sonia is there to witness, and three of her fellow cops are sliced to death in the crossfire. Once Bem defeats the monster, Sonia is so frightened of him, both in youkai and human form, that she empties her sidearm into his chest.

The bullets bounce off and he’s fine, but the message is clear: getting a human, even one as virtuous as Sonia, to trust him and his kind is not going to be easy. And yet still, he won’t stop trying, just as Sonia won’t stop turning down kickbacks. No doubt they’ll cross paths and Bem will try again to reach out (but not with his beast claws).

Bem is a sleek, elegant supernatural noir, supported by some excellent “camera”work and night lighting, a very tight soundtrack by MICHIRU and SOIL&”PIMP”SESSIONS, and character design by Range Murata (joining Cop Craft as the second show this season with his designs).

With a mysterious lady (voiced by Sakamoto Maaya) in a board room in one of those gleaming towers in Upper City apparently after Bem, it looks like monsters roaming the mean streets and befriending Sonia aren’t all he needs to worry about. Definitely worth a watch, even with another cop show in a gritty city airing this season.

P.S.: This is the second remake of the series Youkai Ningen Bem, which first aired in Fall 1968(!) and was remade for the first time in 2006. I’ve never seen either of those, so I’m coming at this with a clean slate.

Mayonaka no Occult Koumuin – 01 (First Impressions) – Believe What You See

MOK’s first episode takes place entirely at night, as Miyako Arata reports to his first shift at the Shinjuku Ward Office “Nocturnal Community Relations Division”, the exact nature of which is something Arata himself is a little fuzzy about.

He meets two of his new colleages, the bishounen scientist Himezuka Seo and their bespectacled shift leader, Sakaki Kyouichi. They’re both warm and friendly, and inform Arata most of his shifts will take place outside, which only compounds his confusion with what their division does.

Kyouichi and Seo take him to the entrance to Shinjuku Gyoen, unlock the gate, and head inside for a “rite of passage” that involves spraying a “helper spray” that makes fairies and other supernatural creatures visible to those who aren’t able to see them.

Arata meets a tiny (and somewhat surly) pixie, a giant, cuddly Cu Sith, and more, and learns that it’s the NCR Division’s job to maintain good relations with the various supernatural beings that inhabit the forests. It’s most comforting to learn that Tokyo’s ultra-urbanization over the decades hasn’t resulted in the destruction of these beings.

Rather, they exist much like conventional city animals—pigeons, crows, raccoons and squirrels—they’ve adapted to exist beside humans, albeit out of sight to most. Only occasionally, they can cause a disturbance, such as a fight breaking out between angels and tengu.

Arata discovers that an angel and a tengu are lovers who wish to elope, but neither the angel’s older sister nor the tengu’s father approve, and since the two races just naturally don’t get along, it isn’t long before their bickering spills outside of the park and into the city proper.

While Arata can tell the angels and tengu mean no harm, Kyouichi and Seo both seem to ignore them and present a defensive posture, ready to use gas grenades and the like to disperse them. However, Arata informs them that he can hear what they’re saying, and manages to defuse the situation by being the one person who can have a calm dialogue with everyone.

Arata’s colleagues are amazed that Arata can understand what the angels and tengu are saying—it’s a rare if not impossible gift for a mere human, and sure enough when an elder tengu appears and addresses Arata as Abe no Seimei, it’s all but confirmation Arata isn’t a mere human at all.

MOK follows a long tradition of night-oriented Tokyo-set shows like Tokyo Ghoul and Durarara!! in creating a rich and lived in animated version of the Eastern Capital. It also follows the latter of those two shows with a usually laid back, upbeat tone, helped in no small part by the jazzy score by Evan Call (previously of Violet Evergarden and currently of YU-NO). I found MOK—or Midnight Occult Civil Servants—clever, cozy, and cool.

Youkai Apartment no Yuuga na Nichijou – 02

This week Yuushi settles into his strange new life in the titular Youkai Apartment by meeting several of its eccentric tenants, from a painter with an awesome dog and some kind of wizard to a beautiful hard-drinking woman who’s “not ready for heaven.”

Yuushi also meets Ryuu-san, a psychic whom everyone, human and youkai, seems to greatly revere. When he speaks, everyone listens, including Yuushi, and he points out to Yuushi how long his life is, how far out the world stretches, and that the most important thing is to relax, man.

Since losing his parents, Yuushi adopted a resting aggro face that kept most people away, especially women, but Yuushi finds that since he moved into the YA he’s able to speak with people more easily, like his classmate and clubmate Tashiro.

He also learns about a power he didn’t know he had: a kind of precognition that Tashiro is about to be hurt, then a “synchronization” that allows him to take the pain from Tashiro when her leg is injured by a passing motorbike. Akine then takes his pain and disperses it.

What had seemed like a six-month chore has become a kind of journey of self-discovery for Yuushi, as he learns to befriend people other than Hase, whom he is writing to throughout the episode but is certain he’ll find the conditions he describes crazy. YA remains watchable Monday feel-good fluff.

Youkai Apartment no Yuuga na Nichijou – 01 (First Impressions)

Inaba Yuushi, newly graduated from middle school, intends to move out of his aunt, uncle, and cousin’s house, where he’s lived since his parents were killed in a car accident. When his high school’s dormitory burns down, he moves into a grand old apartment building that turns out to be populated by both humans and  youkai, which he didn’t know existed. Thus, Yuushi’s “first step toward independence” has landed him “somewhere incredible.”

That’s a pretty elegant premise, and the simplicity works in Youkai Apartment’s favor. The enjoyment of this premise is to be found in the details, like a seemingly normal, cute Kuga Akine who is actually an exorcist-in-training, or Yuushi’s favorite author being a resident, or his gradual realization that things in these apartments are something other than normal.

There’s a distinct Spirited Away atmosphere to the apartment, especially once the youkai start to appear, mill around, and interact with each other and Yuushi. But rather than not belonging in this nook of the “spirit world”, Yuushi and other humans (albeit weird ones) are welcome to coexist.

At the same time, while Chihiro learned what it meant to grow up, the message to Yuushi, who has always felt like a burden to his relatives, needs to relax and not worry about growing up too fast. He’s just a first-year in high school, after all!

The pleasant, easygoing, whimsical world of Youkai Apartment is, despite the presence of a few scarier youkai, a very warm and cozy place to spend time, and the slice-of-life nature of the narrative makes YA perfect Summer comfort food.

We’ll see how things go with Yuushi, his best friend/rival Hase Mizuki, Akine, and all the other characters human or otherwise we’re sure to meet in future episodes. This first one was an effective hook to draw us into its world.

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Ushio to Tora – 39 (Fin)

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No more dancing around the matter at hand: this is the final week of Ushio to Tora (for the forseeable future), so if Hakumen’s going down, Hakumen’s going down today. And I couldn’t be happier; frankly, I’d gotten a bit tired of its raspy, evil voice-of-many-voices.

The souls of the recently deceased like Hyou and Nagare aid Ushio against a Hakumen who has been exposed as jealous and terrified; a Hakumen that never wanted the existance it got, but couldn’t escape, and so became more and more twisted.

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Ushio’s parent’s also finally unite, but at the end of the day, all the amassed allies of Ushio can only do so much; it’s Ushio and Tora and the Beast Spear that must defeat Hakumen once and for all.

In a last-ditch effort to kill them without fear, Hakumen gouges out its own eyes and goes by the smell of the spear. Tora counters this by stabbing himself with the spear, hiding its scent long enough to disorient Hakumen. Ushio and Tora go in for the kill, drive the spear through Hakumen’s skull, and end it.

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Hakumen goes out not cursing the victors, but wishing someone, just one person, could say its name—it’s real name, which we never learn—in a soft, quiet voice, as something other than the wretched monster it was throughout its existence.

Not long after Hakumen evaporates into the either, Tora, whose spear wound was mortal, also passes away before Ushio’s eyes, content that he already “ate” Ushio and he’s full now.

Put another way, Ushio filled Tora’s once empty, black heart (which had been thoroughly wrung out in his past life) with experiences and people Tora cared about and fought to protect. Now it’s time to go home to his family, who is no doubt waiting for him. Tora’s death was a surprise, but a welcome and noble one.

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When it becomes Ushio’s turn to pay the piper and become the next Tora, the souls of Jiemei and Giryou bail him out by leaving the Beast Spear (which shatters into dust) and entering his body to keep him from transforming into a beast.

Back to being a human, he falls from the sky, and his dad catches him as Mayuko watches. But Tora isn’t coming down; she never got to change him back to a human. Ushio got a happy ending, but Mayuko most assuredly did not. What did she do to deserve such a raw deal?

Oh, and Saya has to say goodbye to Omamori, who goes in her place in order to close the gate from the inside. It’s the right move; like Tora, Omamori has lived far longer than her friend, and so it’s only natural she be the one to go. Ushio and Saya have their whole lives ahead of them.

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With that, there’s even more loss, as the bulk of monsters turn to stone in order to prop up a sinking Japan—not purely for the humans’ sake, mind you, but because they love the country too. Thanks, youkai! Also, some like Kagari and Raishin remain behind so the humans aren’t lonely. How thoughtful!

Of the life that stretches far ahead for our young protagonists thanks to their efforts and the sacrifices of those dear to them, we see precious little, which keeps a good finale from being a great one. I liked how Kirio wants to step in to fill the void in Mayuko’s heart, but Ushio and Asako didn’t meet until the end credits, and only then wordlessly as they walk to school with the other two.

While I can’t help but feel a little disappointed by the lack of quality Ushio x Asako time at the end, the fact remains this was a tight and often moving finale. Things got a little heavy in the home stretch, but Ushio to Tora was worth the watch.

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Ushio to Tora – 38

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Despite the title “The End”, this week is not the end; just the beginning of it for Hakumen. The united counterattack is now in full swing, with supernatural and military forces working in concert to make Hakumen’s life increasingly difficult. Even better, the battle is being broadcast to Japan from a news chopper, lessening the fear of those who didn’t evacuate (like Asako and her fam).

I must say, after so much darkness and dread, I was glad to see the mood of the show brightening along with the skies around the battle. The irreverent chatter between Ushio and Tora flies as furiously as the cameos, which, to be honest, are a bit out of control; but are to be expected, as the end, titles aside, is very quickly approaching.

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Hakumen is a little slow on the uptake, and in assessing exactly why things are going so bad, determines that Ushio and Tora are the cause. If they can be smitten once and for all, Hakumen can crush everyone else’s spirits and get back to wreaking havoc. So Hakumen unleashes a Malboro-esque poison cloud, isolating and trapping the duo.

All everyone else can do, from Asako to Mayuko to Hinowa and the Moritsuna siblings, is keep fighing; keep doing their part; and trust Ushio and Tora will be okay.

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And they do do okay. Ushio’s armor is shattered and he comes close to his soul shattering as well, but he’s not like the other wielders who turned into azafuse, and both he and the spear are able to calm themselves, buoyed by the knowledge, and Tora’s confirmation, that Hakumen is not only terrified of his adversaries (for their ability to unite humans and youkai, among other things)—he’s also insanely jealous.

Hatred, pain, fear, and death are the only things Hakumen has ever known, and perhaps believes they’re the only things in the world. But seeing what Ushio and Tora have been able to accomplish; watching all the assembled friends and allies fight with everything they have for their sake; even watching the beast spear reassemble itself to fight again; it’s no surprise the increasingly puny bastard would be a bit envious.

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Ushio to Tora – 37

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This week we check in with a thoroughly defeated and battered Tora who is basically ready to throw in the towel; a Tora we’ve never really seen before. So who better to cheer him up and remind him of the work that must still be done than Mayuko, via her her “spiritual form”.

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I’ll be honest, I never thought all that much about Mayuko’s feelings for Tora, and when she comes out and confesses here, it’s not that surprising, but the tears she sheds when she realizes she can’t turn Tora back into a human no matter how much she loves him (or combs him) was pretty damn moving. I too want to see Human Tora and Mayuko double-dating it up post-Hakumen with Ushio and Asako!

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Mayuko takes some solace in the fact that Tora gets his fighting spirit back, and she also heals him, ending what had been a precipitous drop ever since he killed Nagare. His revival couldn’t have come at a better time: even with all the myriad barriers of various parties in play, Hakumen is not returning to the spot in the ocean where he was originally locked away without a fight, and those barriers are weakening.

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The earlier scene with Mayuko and Tora and dozens of other instances before are ample evidence Ushio to Tora isn’t able getting a little emotional, which sometimes can’t escape stiltedness or maudlin. I wanted to like the half-hearted insult-slinging reunion of Ushio and Tora more than I actually did.

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Cutaways to Kagari and Raishin helping out some human soldiers, or the HAMMR guys making a valiant last stand, felt like curtain calls of a kind for these characters as we wind down to the finale.

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Thanks to all their friends and allies, Ushio to Tora manage to back Hakumen back into his pen, where he’s none to happy to be, no sir! He promises to kill the ones erecting all the barriers through his minions, but something tells me he’s not going to find a whole lot more success.

He’s had his day in the sun; now it’s time to put him away for good so we can bask in the glow of a victory hard-earned by enduring all this hardship and emotional stress and strain.

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Ushio to Tora – 36

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The last three weeks have been rough and the ratings have suffered because everything’s so dark and brooding and hopeless and INTENSE GRRRRR, but glimmers of light at the end of the tunnel have been gathering.

Take Saya. She’s through sitting on the sidelines, and adds her own lights to the battle, in the form of summoned dead she brings back in order to help bind Hakumen. She’s totally badass, even though she’s all on her own.

Now that everyone else has their memories back, everyone is working towards the same end, which means Hakumen finally, thankfully has his ass righteously kicked by their combined efforts.

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Nothing like hearing all about your monster friend’s appallingly tragic past to forgive that friend for his recent transgressions. Tora doesn’t come out of his unconsciousness this week, but he does become the forge into which the millions of shards of the Beast Spear accumulate and bring forth a new spear, one far more powerful than the first.

As all his friends and allies prepare to launch fresh attacks on the Big Bad, Ushio takes a moment to thank Tora for everything he’s done, and even gives him some blood from his arm, though if I’m honest, that was a lot of blood; Ushio should probably be a little woozy at this point!

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No matter. Hakumen sets up the underbosses at the tips of his tails, and Ushio knocks ’em down. Combined with the HAMMR scientists’ TRUMP weapon, Ushio’s Mom and Mayuko, a ghostly Oyakume, Saya, and the Kouhamei sects on nearby islands, Ushio’s new spear packs a whollop, and Hakumen gets the beating he’s so sorely deserved all season.

Up against the wall and moving in another direction against his will, Hakumen calls for help…from uber-Tora Guren. But Guren is occupied with Hyou, who we find, of all things, in the yard of an alcoholic, Academy Award-winning starlet. HWAHHH?

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Yeah, it’s pretty random, and the actress is kinda a dick to her seven-year-old daughter, but when Hyou repeatedly saves them from Guren, at the cost of numerous parts of his body and quite a bit of blood, the woman undergoes a swift transformation. It’s almost too perfect that Hyou should make his last stand not dying alone for no reason, but to save a mother and daughter, after he couldn’t save his own so long ago.

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Letting the gluttonous gasbag Guren eat his eye and arm are certainly last-ditch tactics, but hey, they work, and Guren goes up with n immensely satisfying big blue BANG; Guren was almost as annoying as that whiny Hakumen, and I’m glad he’s gone, and essentially by his own dumbassery.

As for Hyou, well, he achieved the revenge he sought his whole life, and saved a couple of people in the process. One can be forgiven for getting a little glassy-eyed at his farewell, when he joins his family in the afterlife. It certainly seems to have an effect on the previously disaffected mother, who isn’t as quick to swat her little girl away when Hyou passes away.

The cherry on top?  Hakumen can whine and scream all he wants, Guren ain’t coming. You’re on your own, chump!

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Ushio to Tora – 35

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Now that Ushio, his Mom, and Mayuko have gotten the skinny on Tora, as well as the knowledge that all previous wielders of the Beast Spear have become Azafuse, they can start to move forward (Saya also starts to add her power to the game). As Hakumen starts terrorizing city after city in Japan, the shards of the shattered Beast Spear that saved Ushio start taking their own journey.

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Those shards pierce each and every person who lost all memory of Ushio, including Asako, and just like that, she and everyone else remember him, and as a result, they start to rally all the frightened people around them and tell them that things are going to be okay.

Ushio dons his bone armor, meets up with the cloud of East/West youkai (who also remember him now and feel really bad about opposing him earlier), and begins the hunt for Hakumen; perhaps the final hunt.

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Tora gets to Hakumen first, but his attacks have no effect on him; apparently he has no memory of ever having raised Hakumen within his shoulder. No matter: as the calming words of Asako and all of Ushio’s other friends spreads, and Ushio’s own words spread, the fear across Japan weakens, and Hakumen starts to smell the Beast Spear re-gathering power.

Ushio to Tora has become so serialized at this point, it’s probably a better idea to binge-watch the rest rather than review individual episodes that are only pieces of a larger connected whole. That being said, I’m damned glad everyone has their memories back…that makes things a lot less dire for Ushio!

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Ushio to Tora – 34

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Things aren’t quite as bad as last week’s closing events indicated: Asako is safe (for now), Kouhamei is still kickin’, and Tokisaka has brought Kirio back from a past where he learned about the origins and weaknesses of Hakumen no Mono.

Ushio needs to rejoin the battle ASAP, but before that happens he takes a deep plunge not just into the ocean, but into the head and heart of a man named Shagakusa, who led a far worse life than Ushio, eventually becoming the Tora he knows.

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This show involves so much inexplicable magic that I didn’t really have a problem with Ushio going back 3,000 years to live Tora’s cursed life through his eyes (instead of drowning or being finished off by Hakumen in the present), but it still seems awfully late in the game to be digging into Tora’s past; not to mention somewhat momentum-killing.

That being said, I felt Tora’s hate and pain build as awful things kept happening, and even when he found happiness in his friend Raama and Raama’s kind and pretty sister, that small surrogate family of his was always bound to be doomed, adding fuel to the fire of hatred within him.

This constant “foregone-conclusion” feeling, combined with paper-thin supporting characters and intentional but still cheap-feeling animation, made it hard to get fully invested. And what’s all this about “hiding in Shagakusa’s mouth?”

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Raama’s sister, who tilled the earth and planted seeds so they’d bear fruit, warned Shagakusa that hatred breeds nothing. She wasn’t entirely right, as Shaga’s hatred eventually gives birth to Hakumen, a seed that had been planted in him as an infant when a shooting star fell upon his home and family, leaving only him alive.

There, in Shagakusa’s shoulder, Hakumen fed off of all that hate, until his corporeal body was strong enough to emerge. With the only people he ever loved dead, Shagakusa devoted the rest of his life to tracking down and ending Hakumen, including with the Beast Spear.

Now the spear is in shards in the sea with Ushio, but those shards form wings around him and help him rise to the surface. Now that his own hatred has passed for the time being, and he’s seen how ineffective that kind of tack is against Hakumen, Ushio is ready to return to a battle he now realizes has only begun. Those who love him are still alive, and they’re waiting for him. Hatred won’t work…but hope might.

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Ushio to Tora – 33

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Looks like last week lifted our spirits only to utterly crush them here, as Hakumen no Mono rises out of the ocean, and its tails take the form of monsters Ushio already defeated, reminding him of how much he lost, and how much hatred has built up inside of him after enduring all that loss.

His mom tries to slap him out of his spiral of hate, but that only makes things worse. Whether she’s there with him now, for the majority of his life she was lost to him, and he has very little time to be with her now. Ushio dredges up all of that accumulated hatred to launch a counterattack, but he’s going about it entirely the wrong way.

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But Ushio won’t listen to reason from anyone. Not his mother, and not even Tora. Especially when Tora admits he killed Nagare and doesn’t bother explaining the extenuating circumstances. He doesn’t bother because he knows nothing he’ll say will change the fact that Ushio told him not to kill Nagare, and he killed Nagare.

The Kouhamei Sect awakens from their stone slumber and comes in force to set up a barrier, but they, and apparently the prison where Asako was waiting, are easily destroyed by Hakumen. He destroys an entire island, killing untold thousands, in the blink of an eye. And news cameras get it all on camera, spreading the fear across Japan and further fueling the demon.

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Did I mention the stone pillar the JASDF fleet destroyed had kept Japan from sinking into the sea? Well, that happened to. The triumphant return of Mayuko isn’t triumphant at all; it’s an afterthought, as nothing anyone can do can snap Ushio out of his berserk hatred-mode.

But he can’t fight hatred with hatred, and when he tries to stab Hakumen in the head with the Beast Spear, the spear shatters into a million shards. So yeah, this was not a feel-good week for Ushio and Tora; not at all! Ushio lost; Hakumen won, Asako could be dead…it’s all over. Japan is hosed. 

Except it isn’t, right? There are at least six whole episodes left! So even with no spear, no hope, and nothing but seething hatred in his heart, we can’t rule out a come-from-behind win. But I have to salute this show for letting things get so very FUBAR before that happens. This Hakumen guy is one tough little shit!

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Ushio to Tora – 32

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“Mother” – such a simple title for an episode positively bursting with powerful, complex emotions; frustration, loneliness, and powerlessness among them. Ignoring his fearful young colleague, the Undine’s grizzled pilot Goro is willing to take Ushio where he needs to go now that he knows what Ushio wants to do once he sees his mom, which is to give her a stern talking-to about how devastating her absence from his life has been.

But nothing, nothing can prepare Ushio, who has been through so much, for the singular occasion of being in the presence of his mother for the first time since he was barely crawling. He doesn’t even remember her face, and for one horrifying moment I thought a monster or corpse would be all he would find. The episode really does a good job building up this, one of the most important moments both of Ushio’s life and for the show as a whole.

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The sights and sounds of his journey to his mother’s side is filled with a sense of quiet awe and grandeur. And to my relief, his mom is just a regular woman…who happens to have been sitting in the same place for nearly Ushio’s entire life. She may have freakishly-long hair, but she also has Ushio’s familiar dark eyebrows above warm, kind eyes. There’s no doubt about it: this is Ushio’s mom.

And look a how all of the things Ushio wanted to say to his mom melt away, replaced by love, gratitude, and relief. He’s in awe of his mother and her own meekness and contriteness. Her first act upon seeing him is to bow her head. But before he lets her ask his forgiveness, he assures her, by showing her all of his various scars and wounds—some acquired fighting monsters, others just doing stuff kids do—that it’s no big deal; and it’s true.

While she’s been here, the love she put into Ushio endured and sustained him, and made him into the fine young man he is today. He knows that, and he no longer has any hard feelings on the matter. How can he, when his mother sacrificed so much?

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Her look when he starts dusting her off, and the laugh they share when he bashfully askes for miso soup (there’s no kitchen there, bub!), it’s all wonderful. Finally, goddamnit, Ushio gets to see his mom, and she’s not terrible! What is terrible is the impending situation, in which the shit hits the fan before his mom can pat him properly on the head.

The East and West youkai have arrived up at the surface (in giant amalgamated forms), with the former keeping the latter from attacking Hakumen by fighting them. The navy fires its torpedoes and destroys the stone pillar, as Hakumen had planned. Ushio’s mom’s barrier finally fails after 700 years of continuous activation.

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It’s the end of the line for Ushio’s mom as far as being the Oyakume goes, which begs the question: where the heck is Mayuko at? Isn’t she supposed to pick up where Ushio’s mom left off? I hope she gets there soon, because it becomes clear Hakumen isn’t going to stay put.

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Indeed, after ignoring Ushio’s mom’s warning that he’ll be dealt with by Ushio and the others soon enough and has no reason to celebrate, Hakumen still appears to be very happy to be free, and does celebrate by tossing the entire sub fleet into the air and impaling the East youkai, then vowing to destroy everything in the world.

All poor Tora can do is watch! I do hope his girl Mayuko arrives soon with a barrier, or some other somebody comes out of the woodwork to lend him and Tora a hand. I also hope that while her Oyakume days are over, Ushio’s mom doesn’t have to die; at least not until she gets to see her son defeat Hakumen no Mono once and for all.

Then she gets to pat Ushio head, and they get to spend some time as mother and son, with worries about saving the world far behind them. But I’m getting ahead of myself…the next episode’s title isn’t vague at all: “Beast Spear Destroyed.” Nuts!

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