Shingeki no Bahamut: Virgin Soul – 24 (Fin)

I’m not going to lie and say I was all that enamored by this finale. In fact, it was a bit of a chore to get through, ironically as soon as the titular Bahamut showed up. Now, all of a sudden, Charioce is a good guy like everyone else, and all is forgiven, at least until the more immediate threat of Bahamut is dealt with (and, as it happens, all is forgiven even after that).

Favaro is dead, and Bacchus’ wagon has crashed. Nina decides the only way to fight a dragon is with another dragon (hers truly) while the gods and demons get together and form a barrier to minimize damage to the capital—though Bahamut’s random breath blasts still causes plenty of apocalyptic destruction. I just wish it was more interesting a boss.

Dragon-Nina doesn’t go up against Bahamut head-to-head; that would be suicide. Instead, she flies to Dromos and lands (naked) on Charioce’s back, much to his chagrin. But that’s just tough: if he’s going to put his life on the line to destroy Bahamut, she will too. They interface with Dromos together and it takes the form of a dragon covered with magical circuitry.

Nina and Charioce’s dragon shoots a beam; Bahamut shoots a beam; the beams meet, the first beam pushes Bahamut’s back and eventually blasts his head off, and badda-bing-badda-bang, the capital—and the world—is saved.

Just before Bahamut is blasted away, Nina (but not Charioce) finds herself in “the light of Bahamut”, where Amira is still hanging out. She gives Nina a big ol’ hug (both are naked, so Nina’s a bit bashful) and whispers something. When the day returns, the Dromos dragon has turned to stone and Charioce and Nina are passed out on the deck.

Fast-forward to the epilogue: Nina is still in the capital, helping with rebuilding; still living with Bacchus, Rita and Hamsa; Favaro announces he’s leaving again to resume his wandering life; Nina tells him about Amira, and he’s heartened; Rita has apparently resurrected Kaisar as a zombie.

Nina can apparently visit the palace whenever she wants to dance with Charioce, who is blind now but still king. As I said, all the horrible things he did are forgiven now because Bahamut was defeated…only Bahamut isn’t really dead, and he’ll be back, because he’s the name of the franchise.

But…I guess Nina’s willing to let bygones be bygones in terms of the atrocities Charioce committed against demons, gods, and whatever humans opposed him. She’s also lost her voice, apparently the price she had to pay (along with Char’s other eye) to use Dromos.

I do loathe running out of enthusiasm right before the finish line, but Bahamut really undermined much of this season with its inexplicable insistence that the audience go along with the notion that Charioce was a fellow who deserved redemption.

Nina’s love always felt as blind as the king ended up. She gave and gave and never got anything back for her love, except for the occasional decently-animated dance.

This season was at times fun, often gorgeous, occasionally sweet or funny or even moving. But in the end I just wasn’t buying what Virgin Soul was trying so hard to sell, and as a result I doubt I’d have any use for a third round.

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Ushio to Tora – 39 (Fin)

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No more dancing around the matter at hand: this is the final week of Ushio to Tora (for the forseeable future), so if Hakumen’s going down, Hakumen’s going down today. And I couldn’t be happier; frankly, I’d gotten a bit tired of its raspy, evil voice-of-many-voices.

The souls of the recently deceased like Hyou and Nagare aid Ushio against a Hakumen who has been exposed as jealous and terrified; a Hakumen that never wanted the existance it got, but couldn’t escape, and so became more and more twisted.

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Ushio’s parent’s also finally unite, but at the end of the day, all the amassed allies of Ushio can only do so much; it’s Ushio and Tora and the Beast Spear that must defeat Hakumen once and for all.

In a last-ditch effort to kill them without fear, Hakumen gouges out its own eyes and goes by the smell of the spear. Tora counters this by stabbing himself with the spear, hiding its scent long enough to disorient Hakumen. Ushio and Tora go in for the kill, drive the spear through Hakumen’s skull, and end it.

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Hakumen goes out not cursing the victors, but wishing someone, just one person, could say its name—it’s real name, which we never learn—in a soft, quiet voice, as something other than the wretched monster it was throughout its existence.

Not long after Hakumen evaporates into the either, Tora, whose spear wound was mortal, also passes away before Ushio’s eyes, content that he already “ate” Ushio and he’s full now.

Put another way, Ushio filled Tora’s once empty, black heart (which had been thoroughly wrung out in his past life) with experiences and people Tora cared about and fought to protect. Now it’s time to go home to his family, who is no doubt waiting for him. Tora’s death was a surprise, but a welcome and noble one.

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When it becomes Ushio’s turn to pay the piper and become the next Tora, the souls of Jiemei and Giryou bail him out by leaving the Beast Spear (which shatters into dust) and entering his body to keep him from transforming into a beast.

Back to being a human, he falls from the sky, and his dad catches him as Mayuko watches. But Tora isn’t coming down; she never got to change him back to a human. Ushio got a happy ending, but Mayuko most assuredly did not. What did she do to deserve such a raw deal?

Oh, and Saya has to say goodbye to Omamori, who goes in her place in order to close the gate from the inside. It’s the right move; like Tora, Omamori has lived far longer than her friend, and so it’s only natural she be the one to go. Ushio and Saya have their whole lives ahead of them.

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With that, there’s even more loss, as the bulk of monsters turn to stone in order to prop up a sinking Japan—not purely for the humans’ sake, mind you, but because they love the country too. Thanks, youkai! Also, some like Kagari and Raishin remain behind so the humans aren’t lonely. How thoughtful!

Of the life that stretches far ahead for our young protagonists thanks to their efforts and the sacrifices of those dear to them, we see precious little, which keeps a good finale from being a great one. I liked how Kirio wants to step in to fill the void in Mayuko’s heart, but Ushio and Asako didn’t meet until the end credits, and only then wordlessly as they walk to school with the other two.

While I can’t help but feel a little disappointed by the lack of quality Ushio x Asako time at the end, the fact remains this was a tight and often moving finale. Things got a little heavy in the home stretch, but Ushio to Tora was worth the watch.

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Charlotte – 10

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After all the shock and intrigue of last week’s masterpiece, this week started off a bit slow and rigid, with Shunsuke telling Yuu and Nao the story of what happened after his time leap.

He returned to a time a couple of years before the three of them are captured, tracks down his trusty friends Kumagami (or “Pooh”), Shichino, Medoki, Maedomori, and helps them expand a syndicate of ability wielders. However, something always ends up going wrong, everyone is captured or killed, and Shun has to time leap and start all over.

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The re-re-re-built syndicate starts to become more wealthy and secure thanks to gambling winnings, but Shun learns that he loses a bit of his vision every time he leaps, and when he goes blind, he won’t be able to leap at all.

So he makes his last leap count, by working to set up a school to educate and protect ability wielders until they lose those abilities, including his brother and sister. To further protect them while working behind the scenes, his friends help him erase all memory of him from Yuu and Ayumi.

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That brings us back to the present, where Shun announces the next mission is to save Ayumi. He may not be able to time leap anymore, but if Yuu uses his true power, “Loot” (or “Plunder”) to steal Shun’s power, than he can time leap and save Ayumi. And that’s exactly what he does.

Being back in a time when his sister is alive—something he took for granted the last time around—is ample motivation to save her this time, and he moves forward with confidence and a solid plan to save her not only from “Collapse”, but from Konishi the knife-wielder as well.

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Yuu also finds an understanding ally in the Nao of the past, who has been through a lot less things with Yuu at this point. Still, she believes his story about time leaping without complaint, and also accepts his thanks for her saving him when Ayumi died before. It doesn’t matter that she won’t actually have to save him from himself in this timeline if he saves Ayumi, because the fact she did in the previous one is the only reason he’s still alive, free, and there, in a position to save her. Yuu understands this, and makes sure Nao knows how grateful he is.

As for the Ayumi-saving caper itself, he steals her Collapse ability without a hitch, while he, Nao, Yusarin and Joujirou all go undercover at Ayumi’s school for a coordinated attack. Yusa and Jou are immediately indisposed and taken out of the equation due to their respective fame and suspiciousness, but then again, they both serve as good diversions for the bulk of the students, giving Yuu and Nao room to work.

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And work the plan does: Konishi stalks Ayumi once more with her click-click-clicky knife, but Yuu is there to stand between the two. He breaks all the windows behind Konishi, and an invisible Nao kicks the knife away and snips away Konishi’s bangs. Konishi retreats, her warning received loud and clear.

With Ayumi safe and by Yuu’s side, he encounters Pooh and Medoki on the streets, who offer to take him to his brother. I was certain there would be some kind of mistake, Steins;Gate-style, that would prevent Yuu from saving Ayumi once more, but everything went off without a hitch.

It was almost too easy and quick a resolution, but it was still a very satisfying episode that covered a lot of ground and still found time for little moments of comedy. Now, with Ayumi apparently safe, there’s still plenty of time for Yuu, Shun, and the resistance to accomplish even more for the cause.

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Charlotte – 09

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Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

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As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

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Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

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Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

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From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

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Charlotte – 08

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Charlotte follows its best episode (and one of the best episodes of the Summer) with another powerful outing, though not quite packing the same punch. It has Yuu returning to school and to the routines he had abandoned after Ayumi’s death. It’s all here, from Joujirou’s fanboying and bleeding, Yusarin’s spells and music videos, Tomori’s standoffishness and drop-kicking.

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But just when Yuu (and I) think the wet guy is going to show up with the next ability user, Tomori says he’s not coming. Instead, she has a second ticket to a ZHIEND show tomorrow, and wants one of them to go with her. Citing their honest ignorance of and disinterest in post-rock (look it up on Wikipedia), the process of elimination makes Yuu Nao’s “date,” and when she says it’s nice to have a breather now and then, he agrees and accepts.

Later that day while walking home, he bumps into a fuchsia-haired blind woman who mixes English in with her bizarre accent and is on a quest for “modern-yaki.”

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Yuu takes her to a okonomiyaki joint for some hiroshima-yaki instead, and learns that she’s none other than Sala Shane, the lead vocalist for ZHIEND. Not only that, Sala is a remarkably down-to-earth person who picks up instantly on Yuu’s still-raw wounds of grief, and decides to spend the whole day with him.

Yuu calls Nao to join them, but she seems utterly disinterested, which I took to mean she might have somehow arranged this, because the fact of the matter is Yuu benefits from hanging out with Sala, even as he still reflexively pulls out his phone to tell Ayumi he won’t be home for dinner.

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Sala once had the use of her eyes, and was once far bigger and more popular than she is now with her “dull” little post-rock band. But when things got out of hand with the fame and the money and the way the people around her changed, she gave it all up, making a deal with God to take her sight in exchange for a smaller, more peaceful life.

I couldn’t help but notice the similarity of her sitting in a dark, trash-filled house with nothing but the light of the TV to similar sights of Yuu in the same position. She remarks that the day may come when he too has to make a deal with God, and tells him to “handle it well” when it does.

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We learn where Yuu is taking Sala when we see the rest of his phone call with Nao, in which he tells her he’s bringing Sala to her brother’s hospital, betting she might be able to help bring part of him back from the fog. Where Nao almost seemed annoyed earlier in the call that she’d jump at the chance to see her heroine (in stark contrast to Joujirou, who worships the dirt beneath Yusa’s feet), here she expresses gratitude as the sun sets before her.

The highlight of the episode is Sala’s stirring solo a capella performance to an audience of Yuu and Kazuki. Sala is old enough that she would no longer have a power, and yet there she is, soothing the soul of a fellow adult, as someone who still has their power listens intently.

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Kazuki does come back; Yuu wins his bet, at least for now. Nao rushes to her brother’s side, then calls Yuu back to thank him from the bottom of her heart. Yuu doesn’t need Sala’s other heightened senses to detect Nao’s sincerity.

As for Yuu, he takes what Sala said to heart about him knowing good people, which have changed him without him knowing it. Last week, Nao straight-up saved him from falling off a cliff of despair. This week, without even thinking about it, Yuu repaid Nao’s kindness by helping her brother. Thanks to his experiences in these first days back in the post-Ayumi world, Yuu can see the light, and himself, and is happy with what he sees.

But he still gets nostalgic when he hears ZHIEND. Will he reach another breakthrough at the concert with Nao?

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