Tada-kun wa Koi wo Shinai – 03 – A Day in the Life of Nyanko Big

Much of this week’s story is told by the Tada family cat, Nyanko Big, who is over ten years old and hence not only knows a few things about life and the Tada family, but has a very deep voice that commands respect. But he’s also a fat-ass glutton, and so cannot leap nearly as far as he thinks he can. The cat-POV premise is a bit twee/hokey, but never offensively so; it’s mostly just charming.

Nyanko Big observes Mitsuyoshi with Teresa and Alec, two human women even he can see are pretty special, but he knows the boy who saved him ten years ago has never been that into women. The universe seems committed to changing that, both by having Teresa and Alec live right next door to his home and family cafe, but have then help out at the cafe while his gramps is out.

We encounter both newcomers in a young nervous couple and regulars like an elderly couple and someone who gives off a hitman vibe but shares Teresa’s love for the Rainbow Shogun, and also has the reflexes to catch a pitcher of water Teresa nearly drops.

The group takes a break, during which time Mitsu makes everyone coffee, while Teresa provides “hot chocolate spoons” to dip in their cups. Mitsu nonchalantly takes a taste from Teresa’s cup, making it an unspoken indirect kiss, but he doesn’t seem to realize it.

Later, the photography club gathers at Hibiya Park for some Spring-themed photos, and not only does Ijuuin remember when Mitsuyoshi saved him from a “kappa” the river years ago, but Teresa remembers when Alec saved her after Teresa jumped in to retrieve the crown of flowers Alec made for her.

Nyanko Big, who had finished his patrol and was lounging in the park, encounters and falls in love with the local salon cat, Cherry, but once again his leap is far shorter than he’d like, and he ends up in the drink, then quickly up a tree.

But when he slips and falls, Teresa is there to catch him…and Mitsuyoshi is there to catch her. So far their romance has been extremely quiet and low-key, with no words at all said about it…save those of a cat. Whatever there is between Teresa and Mitsu, it’s clearly going to take some time.

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Shingeki no Bahamut: Virgin Soul – 01

The age of man revering the gods has ended.

Bold, resonant words from a leader of humans invading and destroying the godly sanctuary of Temple Ark. That’s right, it’s not the gods and demons going at it, but humans, all hepped up on power they’re not supposed to possess. Now we’ve gotten to the good stuff…Shingeki no Bahamut has returned, and it’s just as lush, gorgeous, and engaging as I remember it.

Whither Favaro Leone? That’s one of many questions left unanswered in the season two premiere of Virgin Soul. Instead, we have a new heroine in Nina Drango, who is as adorable as she is tough as nails. She has superhuman strength, speed, and stores of energy, which not only make her very popular in the burgeoning Royal Capital of Anatae, but also give her the idea to take up some bounty hunter work, provided by Bacchus and Hamsa, who grudgingly allow her to crash there.

Nina also has an interesting little quirk that seems like just that at first: she’s extremely bashful around handsome men. And who’s more handsome than King Charioce XVII’s right-hand man Kaisar Lidfort? For chrissakes, he’s got better eyelashes than Nina. The two meet while both on the lookout for the “Rag Demon”, a wanted vigilante who seems to be in the business of freeing his fellow demons from bondage, and also bears a striking resemblance to everyone’s favorite fallen angel, Azazel.

The Rag Demon literally bumps into Nina, sending her flying through the air, and we’re treated to a steadicam shot of her appearing still as the world around her spins around and around and she realizes who it was who bumped into her.

The gorgeous setting is matched by even more masterful direction and camerawork, with lovely organic sweeps, zooms, pans, yaws, pitches POV shots…look, I’m not a cinematographer, okay? I don’t know all the jargon. But I know what’s good, and this is very very good stuff.

Turns out, that little quirk of Nina turns out to be much more than that. Climbing to the top of a tower inspired by the Canpanièl de San Marco in Venice, she comes under attack from the city’s dragon knights, beleiving her to be in cahoots with the Rag Demon. She falls and is caught by Azazel, and her close proximity to him finally causes her to blow: streaking through the sky in a pink flare that lands in a building, then emerging…as a really cute, precocious, cool-looking red dragon.

The city defenses give her a fight, but she’s ready for one, and gives as good as she gets in a virtuoso display of destruction. Even the mecha-like giant fighting suits the humans have are little match for her power, which is just as considerable in dragonform as it was when she was in the form of a 16-year-old girl trying to make it in the city to support her mom back home.

The carnage and destruction continues, until suddenly everything goes quiet and white, and Nina wakes up on an operating table, fan blades spinning above her, and none other than Rita at her bedside, sporting her characteristically ambiguous expression. Bored, tired, unimpressed? Probably none of the above; Rita seems aware she’s got herself a rare specimen on her hands: a girl who can become a dragon.

As for the illustrious and well-loved King of Anatae, Lord Charioce XVII: he is the man we see in the beginning, raiding a sanctuary of the gods and no doubt pillaging divine tech, ignoring warnings that humans will never be able to control such power. Nina, in her naivete, goes along with her fellow citizens in voicing her gratitude for the king.

There’s lots of juicy meat to sink our teeth into in this new Shingeki no Bahamut. Familiar faces and places, an instantly rootable new heroine and a fantastic battle combine to get things off to an auspicious start.

One Room – 01 (First Impressions)

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One Room is a four-minute, first-person perspective, single-speaker anime. It may eventually turn into a dating sim, or may get dark, or it may continue to be a string of monologues each week.

This week featured Hanasaka Yui, a girl who just moved into the apartment next to ‘us.’ She’s unremarkable but pleasant, and her gestures a subtle and varied. Along with the camera, that sort of wanders around each scene, and the broad color range, the show has an atmospheric feel.

It’s probably not worth your time, though, because ‘the viewer‘ is a characterless camera, who occasionally looks at Yui’s chest. ‘We‘ offer to tutor Yui, who wants to get into a good school, and coerce her into our bedroom for study, which all feels creepy. Yui’s body language seems to agree.

I don’t know about you, but I’m not interested in being projected into the body of a creeper, let alone a rapist…

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Shuumatsu no Izetta – 03

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Eylstadt’s antiquated, outmatched defenses are brought to the brink against the mighty modern Germanian war machine, and Izetta places us right in the trenches to experience how dire the situation is. A young private is tense before the action even starts; and then all of a sudden his commander is dead, the landscape has changed, and the air is full of cries of pain and despair.

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Fine’s forces are receiving a drubbing, and a rout is all but certain. Her frustration with the ineffectiveness of their defense is compounded by her heartbreak that so many must give their lives, simply to buy time. Yet she has the presence of mind and the discipline not to send the forces she still has out to die in a blaze of glory. She may not like how she has to pay for it, but she needs time for the civilians to evacuate and for new lines to be established.

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It falls to Izetta to do something about this horrible, hopeless situation. Against Fine’s wishes, Izetta enters the battle, and quickly turns the tables, using old jousting lances from the medieval castle as projectiles to take out the Germanian Stuka dive bombers one by one. She manages to take out the last plane with the lance she’s riding, timing it just right so she lands on the stump of it rather than fall to her death.

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She’s stunned by the landing, but quickly springs back into action, right around the area where the private we met is fighting. He, along with the other surviving soldiers, bear witness as Izetta moves her assault on the Germanians to the ground, fighting with a desperate intensity that buoys their spirits.

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This is the best battle of Izetta yet, showing the witch using her powers in creative ways, employing ancient weapons to bring down marvels of modern warfare. The Elystadt armed forces simply can’t compete by playing by the same rules as the Germans. So it’s good their patron saint has arrived to flip the game board over and shred the rulebook.

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Thoughout the Germainian advance, stall, and eventual defeat, we cut to their headquarters, where army and air force generals keep a bottle of champagne on ice for the eventual announcement of their certain victory. But Izetta has thrown their entire prosecution of the war into chaos. A who squadron of Stukas and a company of tanks are simply gone. They popped the cork too early; one general’s glass falls to the ground and shatters.

Meanwhile, after enduring so much death, destruction, and despair, the troops rally around Fine and the second coming of their White Witch, their morale and hope for the future suddenly restored. The nervous private who watched it all leads the men in singing a powerful anthem of victory. Fine didn’t like how Izetta risked herself and defied her wishes, but she can’t deny the results were tremendous.

I imagine relatively “easy” victories such as this will be few and far between; the Germanian leader and those scientists are unlikely to let the military be caught off guard again. And as powerful as she is, Izetta is not invincible; it only takes one well-place bullet to kill her, just like any other girl. But for now, let the men sing.

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ReLIFE – 09

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Much like the way Kariu fell on her ankle, things have gotten very awkward between her and Honoka post-spraining. Kariu has elected to keep her distance, partly because she’s ashamed for what she said to her friend. Honoka sits with Hishiro, who instantly notices she’s looking “uglier” (due to the crying).

Inukai hates to see Honoka like this, wants to force Kariu to apologize; the more diplomatic Asaji holds him back. When two people on ReLIFEare out of balance, everyone is affected adversely. The question is, what to do about it?

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Someone I didn’t mention above is Kaizaki, who all but sat out last week, and is paying the price for not being more attuned to things. He knows something’s up with Kariu, however, and thinks the best thing for it is to leave Oga alone with her and let youth do the rest.

In addition to placating Oga x Kariu shippers, Kaizaki also taps into Oga’s chivilrous nature, sticking around specifically to help Kariu walk home, and not leaving even when she yells at him. She’s not surrendering to his kindness here so much as cutting him some slack. It’s difficult and scary to be honest with one’s feelings, and the truth is she does appreciate Oga.

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Two really great things about ReLIFE: it always finds ways to involve characters who aren’t in the present spotlight. Take Kaizaki and Hishiro, united in their need to figure out what’s up with their friends and what to do about it. Or take Yoake and An, who monitor Kaizaki’s talk with Hishiro. An grows closer and closer to Yoake as the conversation grows more personal and, well, dark.

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The fact is, both Hishiro and Kaizaki ended up heeding peers’ demands they stay out of a bullying situation. Hishiro’s friend left school; Kaizaki’s senpai…well, it sure looks like something awful happened that scarred Kaizaki emotionally. Suicide, I’m guessing.

In any case, the discussion triggers that memory, and for a moment Kaizaki mistakes Hishiro for his poor doomed senpai, and embraces her tightly. Before he does, Hishiro is very concerned for Kaizaki, and comes this close to touching his face before he hugs her.

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True to character, Hishiro doesn’t freak out by the close contact. On the contrary, I daresay she probably enjoyed it, as yet another step toward growing closer to others. But she’s not going to sit back and let what happened to her friend and Kaizaki’s senpai happen again. She wants “revenge”, against the mistakes of her own past self.

Neither she nor Kaizaki would have been able to act were it not for each other and their united front. Taking that next step to actively help your friends, without being asked or even when they specifically tell you not to do anything, is scary as well. They’re essentially each other’s courage.

Hishiro’s friend and Kaizaki’s senpai put Hishiro and Kaizaki before their own well-being and happiness, successfully compelling them to stifle their instincts to act. No longer. Hishiro and Kaizaki corner Honoka and get her to tell them what’s up.

In an interesting assist by Inukai, he tracks down Kariu and brings her to the closed door of the locker room where Honoka is talking with Hishiro and Kaizaki. The first thing Kariu hears shocks her, but not so much me: Honoka never wanted to play volleyball to begin with.

Next episode: Kariu/Honoka flashback! Till then, glad to see Kaizaki’s finger back on the pulse of things, and working so well with Hishiro. It’s been a joy watching these two grow as friends—and as people—side by side.

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ReLIFE – 08

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From the preview, I suspected for some reason that Tamarai Honoka would become interested in Kaizaki, but I was mistaken because I got his room confused with Inukai Akira’s, her childhood friend’s. That being said, Honoka does bond with Kaizaki a bit this week, as he becomes someone she’s comfortable confiding in on matters of volleyball, Kariu, and whether Onoya likes Oga (she doesn’t!).

And while ReLIFE continues its recent trend of focusing on a different character each week, this time Honoka, Kaizaki still gets a key scene in with Hishino, who expresses her envy of Honoka and Kariu’s close friendship. She also seems happy to walk to the station with Kaizaki, indicating her feelings for him are on a steady simmer in the background.

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The foreground this week, however, is all Tamarai Honoka, Volleyball Ace. She’s painted as a victim of her own immense athletic talent, as her coach tells her she’s pivotal to the team (and worries she lacks “appetite”), and her teammates talk about her behind her back like she doesn’t have to actually work to be as good as she is.

Honoka is disheartened when she overhears those teammates, but when Kariu hears them, she storms into the locker room and sets them straight, as Honoka listens around the corner, so happy she has such a good friend, she can’t help but cry. Kariu is absolutely honest about her feelings toward Honoka, including occasional envy and frustration, but she still loves the girl.

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Unlike Kariu, Honoka also has to deal with make-up tests after failing most of her midterms (which is how she comes to befriend Kaizaki), but her ever-loyal childhood friend Inukai Akira (whose older sister is the school nurse, as it happens) helps her study through the night.

Kaizaki is also studying, on his own, even, when Yoake calls to encourage him. An is with Yoake, causing Kaizaki to think the same thing I thought last week: Yoake and An like each other…right?

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The intense studying results in Honoka passing her make-ups (Kaizaki, alas, does not), but she’s exhausted and pale, and even blacks out during practice. Not long after getting back up, Kariu has a spill of her own, trying to avoid a ball that wouldn’t have gone her way had Honoka not blacked out.

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This episode is called “Rift”, and I assumed it meant some kind of rift between Kaizaki and someone else, but it turns out to be one between Honoka and Kariu, sparked by Kariu’s sprained ankle. Nurse Inukai estimates she’l need 2-3 weeks to fully heal, which Kariu takes to mean she’ll miss the last tournament they’ll play in high school. It’s a crushing blow.

But Honoka tries to be optimistic: if the ankle heals in two weeks, Kariu can play! Kariu rebukes her; even if it did, she can’t play without practice. And that’s when it comes out: Kariu says she’s not a “genius” like Honoka; she can’t just run out onto the court and ball like it’s nothing.

In this moment, Kariu is vulnerable and devastated and pissed off, and ends up saying the same things Honoka has heard from other teammates and friends—former teammates and friends—in the past, but never thought she’d her from Kariu, who made volleyball fun for her again.

And so the rift is open. Honoka has Inukai’s and Asaji’s shoulders to cry on, but that rift ain’t gonna repair itself. I’d say Kaizaki could moderate some kind of detente as he did with Hishiro and Kariu, but with Hishiro seemingly growing ever more enamored of him, he may have his own fish to fry.

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ReLIFE – 07

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While we learned a lot more about An in the last episode, it was still mostly driven by Kaizaki’s reactions to those revelations. This time, it’s Yoake who gets top-billing as protagonist-of-the-week, in an episode that takes place while he’s still supporting Subject 001.

The truth about An gave us an glimpse of the world of ReLIFE Lab that this episode expands by setting Kaizaki’s story aside and showing us how Yoake came to support him instead of An (who we see is very enthusiastic early on about the prospect of being Kaizaki’s support).

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ReLIFE Lab is portrayed as very much like any other workplace, just as Lacuna in Eternal Sunshine is very much like any other doctor’s office; a neat amalgam of the mundane and the fantastical. There’s a kind of bizarre magic in what ReLIFE does, and yet Yoake still has to deal with a board of suits concerned with their branch’s rep and interested in results.

My one gripe about this otherwise lovely episode is that we don’t really get much in the way of info about Subject 001, which seems like a cruel tease. However, ReLIFE has been so good up to this point I’m willing to give the show the benefit of the doubt on this. Maybe they’re saving that 001 reveal for later (and 001 went to Aoba High just like Kaizaki) or maybe they’ll never reveal it.

As for Yoake and An, neither seem interested in the other romantically, but one can’t deny there’s have chemistry and warmness to their rapport. Maybe it’s just a senpai/kohai thing, or the fact that their peculiar line of work, what with all the masquerade and stalking, can be isolating. Their scene on the bridge in the rain was very nice; so many complex emotions going on.

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I also got the feeling that while An is obviously disappointed Kaizaki was transferred from her to Yoake, at least it was Yoake, whom she knows and trusts, who got him and not someone else. That, and she’ll be right there at school with both Yoake and Kaizaki.

The episode ends back in the present, with Yoake surveying all the people Kaizaki has changed as a result of gaining the confidence to act. In the past Yoake mentioned Kaizaki had the “trauma of losing someone”, and the uncertainty of knowing if he did enough when he should have led to present part-timer status.

Watching Kaizaki gradually overcome those issues through his ReLIFE is having an inspiring effect on Yoake, who is also pleased that he seems to have found a proper “distance” from Kaizaki that he lacked with 001. And so yet another ReLIFE character has been wonderfully rounded out and humanized, while the world has been further enriched without answering too many questions.

With everything going so well, I reckon it’ll be time to rock the boat again pretty soon!

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Dagashi Kashi – 09

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This week brings back evenly-spaced variety and some interesting candy, all consumed while Hotaru is nursing a pretty bad canker sore (mouth ulcer). Of course, Hotaru has no idea how she got it, and when Saya suggests the obvious—too much candy—Hotaru swiftly laughs it off and pops the equivalent of cotton candy with Pop Rocks in her mouth.

This marks the return of “Candy POV” in DK, in which two of the straggler bits of explosive rock linger on her tongue, saying their heartfelt goodbyes before popping, causing a cascade of sharp pain. However, once it’s all over, Hotaru says it feels great. There’s a fine line between pleasure and pain.

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The discomfort becomes more mental than physical for Saya as she innocently points out a cute cartoon animal package that turns out to be the new hit product for primary schoolers: UnChoco (or PoopChoco), little grape-chocolate balls that are “pooped” out of a hole in the back.

Saya thinks she and Hotaru are a little too old for such things, so Hotaru classes it up by creating a mature lady’s al fresco tea party atmosphere, belying the fundamental immaturity of eating what are essentially candy turds. Hotaru never makes the connection (despite saying poop repeatedly); instead, she likens the candy to eggs being laid.

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Since no one character can withstand an entire episode alone with Hotaru’s hijinx (hojinx?) Saya is swapped out for Koko at the midpoint, and he’s perplexed to find her eating a bowl of rice (the canker sore goes unmentioned here, but we still see it; it’s not going away in a candy store!)

The reason Hotaru is eating rice is because the sweet and sour taste of Sakura Daikon makes her want to. She also decides to confess to Koko that she’s from Osaka, and has always been hiding a Kansai dialect. However, her Kansai-ed-out exclamations feel a bit forced to Koko (not to mention really irritating), so he’s not surprised when she confesses she isn’t actually from Osaka.

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This entire episode takes place in the Shikada storeroom, which technically makes it a “bottle episode”, but the final segment involves not the bottle, but the breast.

Hotaru asks Koko straight-up what he thinks of boobs, and he initially responds as if Hotaru were a normal girl – that they’re no big deal to him. Incidentally, this line would have worked well on Saya, who, while not necessarily normal herself, doesn’t need Koko to be boob-crazed considering her bust size.

But because it’s Hotaru, she nearly storms out at his measured response. He quickly reverses his opinion, and she presents him with tamago ice cream, which she calls “boob ice cream”, but which he’s always called “bomb” ice cream.

In one of the more raunchily suggestive sequences of the show to date, both nicknames are validated, first when Hotaru squishes the ball like a boob, then when the balls explode like bombs, releasing melted vanilla ice cream all over the place, making Hotaru’s clothes see-through. Call it mutual understanding through confectionary…er…release.

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Mekakucity Actors – 03

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After shifting, seemingly randomly, from Shintaro’s story to Momo’s, the show reveals that the events of the past two episodes preceded, then ran concurrently, with those of the first, only from fresh viewpoints. Therefore, the first three episodes comprise thee cohesive story of how the Kisaragi siblings met the Mekakushi-dan.

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I thought this was very clever, and literally and figuratively filled-in the blanks on a first episode that seemed to be a bit too intentionally abstruse at times, while the second episode felt like the first of a series of episodic character portraits. This third episode ties everything together into a satisfying whole that also does a good job formally introducing seven of the nine members in the credits.

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For their parts, the characters we saw hints of in the first episode make a far more lasting impression, and all of them own their roles well: Kido’s quiet angst; Kano’s incorrigible tricksterism; Seto’s affable calmness, and Marry’s clumsy vulnerability. They also all contribute their unique powers (all involving their eyes, which turn red when the powers are active) to the mission to save Momo’s bro.

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Between invisible and super-visible girls, a girl who can stop people with her gaze, a guy who can read minds, and a guy who can make people see illusions, there’s plenty of power to go around. It’s not surprising that once they found each other they decided to form a group dedicated to watching each other’s backs; more family than gang, with a lot of nice interpersonal dynamics.

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