Magia Record – 14 (S02 E01) – Don’t Let Go

We begin this second season of the Madoka spinof in media res with what else, a battle against a weird and unsettling witch. This one has a general spider form, only her legs are human limbs and her web in the sky is made up of clotheslines stocked with sailor fuku shirts. The combatants are a trio of familiar faces: Kaname Madoka, Homura Akemi, and eventually, my avatar, Miki Sayaka, who saves the other two from getting wasted.

Of course, this isn’t the timeline or story we know from the original series; this is an alternate timeline, one of countless Akemi has traveled through in a so-far-vain effort to save Madoka. This episode is the equivalent of the original episode where the girls learned The Truth from the famously blunt and unsympathetic Kyuubey, who will only ever insist that magical girls are getting a fair deal. The Mami Sayaka saw is no longer the Mami they knew.

Sayaka, classically one of the moodiest of the girls, goes home and sits on her bed, depressed, while Akemi prepares to take a train to Kamihara City, where magical girls—and thus Madoka—can purportedly be saved. Before she can depart, the spider laundry witch returns. Madoka, sensing Akemi went off on her own, soon joins the battle, and through telepathy urges Sayaka to join her, with Madoka saying “she wont be coming back”.

Sayaka can’t exactly keep sitting at home when Madoka says this, so she once again arrives just in time to save Madoka, who along with Akemi had been just barely holding serve against the quick and crafty witch. Now that Madoka knows the witch was once a magical girl like them, all she can do is apologize before firing her pink laser arrows.

With the battle stalled, Akemi calls a timeout with her escutcheon, and because she’s touching Sayaka, she can move along with her even though time is stopped. They collect Madoka, touch her so she can move, and then the three magical girls operate as a single entity bound by their arms, with Sayaka in the middle providing transportation around the frozen witch as Madoka looses arrows from all sides.

When time starts back up, the hundreds of arrows find their target, and Sayaka delivers an excellent coup-de-grace with her sword, leading to that ever-so-satisfying sound of the witch’s domain fading away and reality returning. Sayaka, Madoka, and Akemi won the day, but there are no promises for tomorrow, especially in Kamihara, where the witches are much stronger.

While I went into the first season of Magia Record with a healthy dollop of tempered expectations and was ultimately frustrated with how few questions it answered (and how many new magical girls it introduced), I also made clear the original masterpiece bought more than enough goodwill for me to not dismiss the second season out of hand.

I was rewarded for my loyalty to the franchise with a stunning barn-burner, but as with the OG magical girl trio this episode focused on, there are no guarantees for the future. Will we even see these three next week, or will we shift back to Iroha, Yachiyo & Co.? I don’t know, but I also know I want to find out.

Armed with the knowledge there will also be a third and final season in December means there is ample time to set up and execute a satisfying, coherent conclusion. Like Sayaka and Madoka held on to Akemi in the timeless zone, I’ll hold on to hope this is building to something. And if it isn’t, at least it looks and sounds like no other anime currently airing.

Rating: 4/5 Stars

Isekai Quartet 2 – 04 – Time Cheaters

In a light, brisk episode that flies by even quicker than most IQ half-episodes, Roswaal informs the class that The Test is nigh, so they’d best study. Among the most nervous is Ainz, who in real life didn’t even finish middle school, and Aqua, who challenged Ainz to a bet to see who gets the higher score. Meanwhile Subaru feels nostalgic studying with Rem and Emilia, even though he can’t recall ever doing it.

The day of the test arrives, and a panicking Ainz stops time in order to copy someone else’s answers. However, Aqua is immune to the magic due to her goddess status, and both Subaru and Tanya also aren’t affected. When he sees Aqua blatantly cheating Ainz reconsiders doing the same and resumes time…before Aqua can get back to her desk. An unfrozen Roswaal makes her wait outside, while Ainz takes the chance that the answers on the test form the shape of its creator, Pandora’s Actor.

Unfortunately, the characters from Shield Hero don’t even appear this week after only the briefest glimpse of them last week. Hopefully they get something meaningful to do at some point…

Cardcaptor Sakura: Clear Card – 14 – Forest of Illusion

CCS:CC is a show replete with beautiful pastels and idyllic scenes of Sakura’s lovely, happy life, but from its first moments this is an episode that throws a number of strange and even unsettling images into the mix, starting with Sakura waking up to find Meiling and Kero-chan right in her face, trying to compete to see who has the more intense face (it causes the first of ten Sakura “hoeees!” in the ep).

Sakura with her new ‘do and Meiling meet up with their friends at a shrine market, but Syaoran is running late because he’s doing some rather intense magical training, no doubt to be able to support Sakura when the going gets tough.

It’s a fun and pleasant day as usual, until Sakura and only Sakura starts seeing animal ears and tails on all of her friends. They even start “talking” like the animals they represent, until the very environment around them starts to blur and twist and Sakura finds herself in a great grassy valley with a planet in the purple sky.

This is one of the trippiest cards since the Escher-esque labyrinth, and Sakura doesn’t have a clue where she is and how to change her increasingly animal friends back. She can’t even catch up to them, as they scatter and run when she approaches, eventually settling down at the base of a massive baobab tree.

Sakura is scared, and things suddenly get scarier. A storm swoops in, and a lightning bolt splits the tree in pieces, causing it to burst into flames. As it begins to fall on her animalized friends, time suddenly stops, and Syaoran literally tears through the fabric of the environment to join Sakura.

The time magic he used has gassed him, and the magic won’t last long but he still manages to calm a panicking Sakura down with a big hug, urging her to control her breathing and think about the situation. Sakura realizes she wanted to go to the zoo, so the card turned her friends into animals. When she became scared, it made things scarier.

Once sufficiently calm, Sakura is able to break out of the illusion and secure the “Mirage” card that caused all of the trouble. Everyone ends up back at the shrine, none the worse for wear save Syaoran, who is still exhausted from his use of powerful magic.

Meiling acknowledges her cousin Syaoran doing his best for Sakura’s sake (and the fact he calls her “Sakura”), while expressing her aggravation that she has no magic with which to help out. Still, neither Meiling nor any of Sakura or Syaoran’s friends need magic to support them; their friendship is something worth becoming stronger to protect.

I imagine Sakura will have to grow stronger still in order to face whatever nefariousness Yuna D. Kaito is up to.

Sakurako-san – 12 (Fin)

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Shoutarou is not satisfied with being separated from Sakurako, especially when it’s “for his own good,” but as of the start of the episode, he has yet to gather the courage to confront her about his displeasure. That is, until he reminisces about the time he first saw her (she put a spell on him with her ethereal beauty) first called the cops on her (when he saw her boiling bones), and accompanied her on their first case as a mystery-solving duo, during which Sakurako did all the heavy lifting.

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The case involved an elderly relation of his neighbors, who had the urge to visit a certain shrine. Sakurako canvases the shrines and determines the old lady murdered the man she finds buried beneath the tree, and does her Sakurako thing that transforms her into the young girl she was when she did it, in order to save her mother from her father’s beatings. It packs the usual emotional punch of such encounters throughout the show.

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The part of the flashbacks pertinent to Shou’s present predicament is Sakurako’s assertion that “time stopped” for Yachi-san when she killed her father. Her regret kept her standing still, no better than a still-living corpse, just waiting to die. But time never stops for anyone, and stopping in fear of the future gains nothing, according to Sakurako’s past self. Shou now has all the inspiration he needs to face the present Sakurako-san, and all the ammo he needs to get her back in his life, and him back in her’s.

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So Shoutarou storms back on to her property, declares he wants back in her life, and won’t take no for an answer. Like the first time they met and he followed her around, he’s come to “escape his everyday life”…only he wants his everyday life to be one with Sakurako in it. Saku warns him of the “abyss” Hanabusa, and by extension she, represents, and how she dreads seeing Shoutarou’s bones. But he rattles off all of the people she saved from Hanabusa’s machinations—Ii-chan, the baby, Fujioka-san—as well as two of the three girls who worshipped Hanabusa, along with Yuriko’s peace of mind.

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With that track record, Shou feels safer with Sakurako than without, and asks her to continue protecting him. Defeated, Sakurako agrees, and we know she’s a bit relieved herself that this boy shook her out of her attempt to carry on alone. So much so, she calls him by his name again, without reservation; a sign she herself may be willing to keep moving forward beyond whatever dark mysteries are in her past, or whatever skeletons are in her closet.

Shou is well aware their path won’t be an easy one; Hanabusa is definitely watching them and will try to tap into their grief and regrets and despair just as he has his many victims. But in a battle of wits between him and Sakurako, there is no choice for Shoutarou: Sakurako will win. Especially with an excellent assistant such as himself by her side.

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Wizard Barristers: Benmashi Cecil – 06

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This episode begins rather appropriately with Cecil getting chewed out for using magic in practically every single situation she’s found herself in so far, causing collateral damage and inducing fines for the firm. So naturally, she ends up in yet another situation where she’s forced to use magic to protect others. It makes sense to us because there are shadowy types—including Asst. Inspector Shizumu, who’s a closet Wud—creating these situations so she’ll awaken to more and more powers.

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While it makes sense to us that trouble will always follow her around, it hasn’t yet occured to anyone else that it might mean anything other than the fact she’s unlucky. This was also the first episode with no case and no trial, just a terrorist hostage situation with some heroine costumes thrown in for fanservice, and very weird little details like the teacher promising to protect the kids, then shoving them out of his way when things get hot, getting shot in the back for his betrayal.

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That’s pretty dark stuff in an episode where we were still thinking these terrorists may just be messing around for a hero show (especially after their leader’s speech about world domination). But this scenario underlined the fact that as powerful as Cecil is with her diaboloids and elemental magic, she lacks any kind of restraint. You’d think someone that could mine metal from her surroundings could make a smaller weapon, but no: just a giant robot, which is kind of overkill.

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It also sure looks like a few cops get killed and maimed in the melee, resulting in a pretty hefty butcher’s bill. One Wizard Barrister who has a very useful skill indeed is Tento Moyo, who literally saves Cecil’s life by stopping time and redirecting what would have been a fatal bullet. Interestingly, neither Cecil nor anyone else perceived Moyo’s presence, suggesting she prefers to work stealthily. We also liked the observation that kids aren’t prejudiced against Wuds like most adults. But while this episode had some nice details, it also felt thin and padded at times.

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