TenSura – 28 – A War Full of Holes

From Dwargon Rimuru returns to Ingrassia where he announces his five students have passed the exams and will move on to the next grade…but Tiss-sensei will be their teacher from now on. I know Rimuru is doing this because he trusts Tiss with their further education and is a busy slime leader, but as the other events of this episode prove, it’s probably a good thing that he’s returning to Tempest soon.

Youm returns to Tempest before Rimuru, and Clayman’s spy Myulan (AKA Mjurran) soaks up the place like a sponge. You can see she’s somewhat unnerved at how nice everyone is to her. When it’s Youm, she can call him stupid, but even powerful Kijin are offering her friendship. To her eyes, the Federation is a direct threat to many other nations, but only because she cannot yet see any other way forward.

Rimuru is diving into the deep end of the commerce and trade pool by making deals left and right while his nation becomes an all-too-enticing potential new hub of trade. He fails to realize that this is an aggressive act in and of itself, even if not intended to be, especially considering his is a nation of “monsters” the human nations simply do not trust.

And because, say, the Kingdom of Falmuth sees Tempest as a direct threat to their very survival, let alone their continued future as an economic powerhouse, the King and his royal council devise a plan to subjugate Tempest. This is done during your typical “dour guys sitting at a table planning shit” scene.

Archbishop Reyheim announces that the Western Holy Church has already recognized the monster nation as an affront to their God, giving them religious cover. They can call it a Holy War to stoke the support of the masses, most of whom already fear the monsters.

In an interesting wrinkle, Falmuth’s advance attack will inlclude their stable of three Offworlders from in Shougo, Kyouya, and Kirara. Unlike Rimuru, they’ve retained their regular Japanese forms and look down on this new world with contempt as vastly inferior to theirs. Kirara in particular misses cosmetics and the internet.

I believe we’ve heard murmurs about others like Rimuru from Japan, but that we meet them in the flesh for the first time really drive home the fact that Rimiru is about to face the biggest challenge to great experiment, as like him they all possess insanely powerful abilities.

At the same time, there’s a pettiness, complacency, even laziness about the attitudes of these three. This world didn’t have manga, so Rimuru created it, along with the onsen and all the other things inspired by his world. It seems these three would rather bitch and complain than put in the effort to create homes away from home.

At least Kyouya seems the least content with their situation, and intends to use the coming war with Tempest as a vehicle to gain his freedom from Falmuth. They call Shougo “Berserk”, while Kirara’s deemed the scariest of all of them, so it seems easier for them to spread chaos, hatred, and destruction—the polar opposite of Rimuru’s designs for peace, love, and cooperation.

Rimuru wants to create a happy, prosperous world for all races; the other three just want to watch the world burn. After all, it’s not their world, so who cares? Speaking of chaos, Milim Nava makes her first appearance of the season, standing in Clayman’s office. Yeah, Rimuru really doesn’t have time to continue teaching the kids!

Rating: 4/5 Stars

TenSura – 27 – Bonds Through Brandy

While we initially see the king in his standard position on the throne in full armor, Rimuru’s meeting with him is a far more casual affair, the two sitting across from a coffee table as equals. Dwargo is pleased to hear that Kaijin, the brothers, and Vesta have all found a place where they can exercise their talents to their fullest.

He also has nothing but good things to say about the apple brandy Shuna presents to him, which gives Rimuru to mention that they’re in trade talks with Eurazania. This impresses Dwargo, who is now at the stage of friendship with Rimuru that he has no need to check his drink for poison. Shion gets into it and demonstrates what a messy drunk she is, but Dwargo isn’t offended. Heck, he’s entertained.

The next day, Rimuru gives his big speech to the myriad peoples of Dwargon in his slime form. Shion is sufficiently sobered up to hold him up high so those in the back can hear his message of mutual respect and excitement over the new alliance between their nations. Dwargo later awards him zero points for coming off far too friendly and humble than a leader of a great nation should be, but the bottom line is, the speech is a success—the people of Dwargon have heard Rimuru and like him.

That night, Rimuru arranges a boys’ night out with the goblins and dwarves at the Elf Paradise hostess club. While I realize that deep down Rimuru is still a salaryman and takes these kinds of rituals seriously, the fact that Gobta and his fellow riders look way too young to be in such a club made the scene a bit awkward.

Granted, this isn’t a brothel, and if Rimuru, the goblins, and dwarves are literally objectifying them by regarding them as lovely jewels in a wood-lined treasure chest, at least the women don’t seem to be exploited; indeed, they’ll happily teast Gobta until his nose is drained of blood. The club manager is also happy to sell the apple brandy and research how much people will pay for it, so Rimuru gets another potential revenue stream out of the business.

I can also forgive the subtle skeeviness of the club scene because the boys are ultimately caught by Shuna and Shion, as one of the elves was too pure-hearted to lie about what they were up to that night. The two women are rightfully hurt that they wouldn’t so much as tell them where they were going, which only indicates they knew they wouldn’t be pleased about it, but that’s no excuse for their secrecy. Rimuru’s punishment is to endure a week of Shion’s cooking. Sounds fair!

From there we travel to what I believe to be the human kingdom of Falmuth, which, if King Dwargo is right, may someday be supplanted by Tempest as the continent’s main trading hub…whether Rimuru wants it that way or not. For now it’s a pretty bustling city, and Youm and his party of champions are walking along when his friend Isaac introduces Youm to his sister Myulan, the wizard we saw who is working for Clayman.

Myulan requests that she join Youm’s party. When he says he has enough magic users (and one of his more sexist comrades mutters that they have no need for a woman) Myulan decides to demonstrate her power to Youm in a duel between them. Myulan wins in an total cakewalk, with Youm ending up waist-deep in the ground and enveloped in a magical wind funnel.

Youm is convinced not only by Myulan offensive capability, but the insights she can offer into improving his clearly-lacking magical defense. They shake hands to make it official: Demon Lord Clayman now has a mole in the party of one of Rimuru Tempest’s best human friends. [Grabs popcorn and apple brandy]…This should be interesting!

Rating: 4/5 Stars

TenSura – 26 – Smooth Sailing

Suphia and Shion’s sizing-up duel starts to grow out of control when Albis, transforming into a serpent woman, breaks up their fight. Both she and Suphia are satisfied that Tempest is a nation worth cooperating with. Unfortunately, Shion loses control of her Magic Bullet, which threatens to destroy everything within a large radius. Thankfully, Rimuru is there to swallow up the bullet with Gluttony, further impressing his guests.

That night in the new reception hall, Rimuru throws a feast, but learns that Albis and Suphia are primarily interested in drinking every drop of the apple brandy prepared in their honor. When Rimuru brings up the limits of fruit harvesting, the Eurazanians offer the first trade inroad: their ample fruit crops. As long as the liquor keeps flowing, the Beastketeers will be happy. The rest of their delegation meets with Shuna, the Riders, and the Dwarves, all of whom are happy to share their knowledge.

After the Eurazanian delegations departs, Youm and his men head out as well, just as Benimaru & Co. return from Eurazania with good news. If Tempest has one weakness, agriculture, which happens to be one of their new animal friends’ greatest strengths. Rimuru will have the next delegation focus on farming, and Benimaru tells him Rigur is up to the task of leading that delegation.

With that, Rimuru heads off on his own diplomatic mission, an official state visit to the Dwarven Kingdom, accompanied by Shuna, Kaijin, the Dwarf brothers, the Goblin Riders, and Shion…who threw a temper tantrum until Rimuru allowed her to come. On the way they see how much progress Lord Geld and the Orcs have made repaving the roads destroyed by Charybdis.

King Gazel seems happy to see Rimuru, an indication that things are going very well diplomatically for the Jura Tempest Federation. Of course, there has to be some kind of obstacle to continued success in the future, and we get a hint of that at the very end, as Lord Clayman watches a crystal ball report from Myulan, one of his spies.

Of course, as with all conflicts in TenSura, it won’t be a matter of whether Rimuru & Co. can come out on top, but how they end up doing so, while keeping their nation and its relationships strong. So ends another feel-good, functional, but not particularly exhilarating outing.

Jujutsu Kaisen – 04 – You’ve Really Made the (Special) Grade

After the conclusion of last week’s episode, a log entry details an incident involving a Curse at a juvenile detention center to which three first-year Jujutsu Tech sorcerers respond—and one of them dies. 

This episode chronicles that incident, in which our newly formed trio of first-years are immediately dropped into a seemingly no-win scenario involving the very highest level of Curses: a “Special-Grade.” As the coordinator Ijichi puts it, carpet-bombing one of these with cluster bombs merely evens the playing field a bit.

Suffice it to say the Curse inhabiting the detention center is way out of Yuuji, Megumi, and Nobara’s league. But not only do they have to face this threat on their own (Gojou-sensei is away, possibly dealing with other threats), this is usually the norm: there simply aren’t enough high-grade sorcerers available to deal with all Curses, which means students are pressed into service. Talk about School of Hard Knocks.

Still, Yuuji isn’t about to shirk his duties, however insurmountable the odds may be. That’s because he hears the cries of a guardian of one of the inmates. But they enter a house of horrors with the Curse’s illusory abilities twisting the interior of the facility to have impossible interior heights and vanishing exits.

When Yuuji finds the inmate the woman was crying about already torn to pieces, he wants to get the body outside so the guardian knows for sure he’s dead. Megumi tries to get his head back in the game; this is about verifying the five inmates in the center, not rescuing anyone. Besides, the inmate Yuuji would have saved had killed a girl while driving without a license. Megumi makes Yuuji consider the crimes those he saves might commit.

Kobara tries to break the two up, but falls through the floor. When Megumi wonders why the Curse wasn’t detected by his demon dog, he sees the dog smashed into a wall, and a second later, the immensely creepy and powerful Special-Grade Curse appears before them. When Yuuji tries to use his blade, the Curse lops his hand off. Shit just got real…fast.

Yuuji sents Megumi away to save Nobara, who ends up swarmed by weird doll faces and eyeball Curses from above. She quickly runs out of ammo and is nearly swallowed up, but Megumi arrives in time to save her by having a giant frog he summoned pluck Megumi away from the curse with its tongue. Nobara, by the way, hates frogs.

As for Yuuji, he struggles with whether to unleash Sukuna onto this Curse. As Sukuna is “King of Curses”, he’d have no problem defeating it…but Sukuna threatens to kill Megumi and Nobara if Yuuji lets him out, as punishment for not fully relinqueshing control of his body. Yuuji tries to focus his cursed energy into his fist on his own, but the Curse easily blocks his punch.

Then Yuuji hears the howling of one of Megumi’s demon dogs, indicating that he successfully recovered Nobara, and he lets Sukuna out. He tried his best on his own, but the only way to fight a Special-Grade is with a Special-Grade.

Sukuna proceeds to toy with his fellow Special-Grade, and demonstrates that despite technically having the same ranking, the gap between their power is so great, relatively speaking the other Curse is as ignorant of the true nature of Curses as a whelp like Yuuji.

To see a Curse that so easily had its way with Yuuji be neatly sliced with ease, Damien Hirst-style, really drives the point home: Ryoumen Sukuna is a force to be reckoned with. The entire boss battle is a tour-de-force of combat animation.

From those slices, Sukuna pulls out one of his own fingers, which will be the third of twenty Yuuji consumes. But here’s the thing: Yuuji never awakens, even when Sukuna tells him to do it already, before he displays a truly devilish smirk—the same smirk a fox might have if it just gained access to the hen house.

That’s what makes this merely part one of two. Nobara is off to the hospital, while Megumi will head back to the center to wait for Yuuji. It also remains to be seen exactly how “lost” within himself Yuuji is, what devilry (if any) Nobara gets up to while he has more time, and if Megumi gets his wish of a Grade-1-or-higher sorcerer (ideally Gojou) arriving to save the day.

All I can say is the first-years did remarkably well considering what they were up against…and that I hope, if they all get out of this alive, they can get an easier mission next time.

Kemono Jihen – 01 – (First Impressions) – Tokyo Dreamin’

Detective Inugami is on his way to a remote village to investigate strange instances of rotting livestock corpses. Yataro, the innkeeper’s son, is quick to show off to his friends, who all think Yatarou will be Tokyo-bound at some point.

Yatarou also warns Dorotabo—a boy working in the fields in lieu of school—not to go near the detective, lest the stench upset him. However, the detective, an eccentric sort named Inugami who wears a flashy suit and drives a vintage car, seems far more interested in Dorotabo than in Yatarou.

Yatarou plays the role of eager-to-please innkeeper’s son, hoping to make a good impression on a Tokyo resident, but soon after he talks to Inugami about Dorotabo in derisive terms, the detective dismisses him in favor of Dorotabo.

Dorotabo has always been ostracized in the village for smelling bad and being generally creepy. He also wears a strange necklace that he was wearing when he was abandoned, but Inugami identifies it as a “lifestone”, which means whatever happened to his parents, they didn’t abandon him.

Yatarou, like the spoiled haughty little shit he is, tries to steal the necklace from Dorotabo, but when he does, Dorotabo transforms into a vicious demon; he’s just barely able to regain possession of the lifestone and transforms back into human form.

He’s hiding when Inugami tacks him down, warning him that he is the cause of the dead and rotting livestock. But Inugami while already has him pegged as the child of a human and a demon—a kemono like him—he knows Dorotabo isn’t responsible. Sure enough, other demon beasts appear as corrupted dogs and deer.

Inugami and Dorotabo are in time to save Yatarou from the dogs, but a giant demon buck with weirdly human teeth appears, and is a tougher customer. Inugami is only able to shoot through half of its thick neck with his gun (which he’s able to summon out of thin air), but Yatarou rips the rest of the demon’s head off with his bare hands.

Afterwards, Inugami reveals to Dorotabo that the innkeeper brought him to the village to kill him. He asks him his real name—Kabane—and asks once more if he wants to meet his parents. Kabane says no with a bright smile, and asks Inugami to kill him. Inugami shoots him in the head, and reports the kill to the innkeeper.

Kabane wakes up in the back of Inugami’s car, having been out for a day healing. A bullet to the head can’t kill what’s already dead, after all. Kabane now finds himself in the middle of the largest metropolis in the world—where that little punk Yatarou wanted to go—and Inugami sets him up with some cool new threads at the Inugami Strangeness Counseling Office, where two other kids—presumably also kemono—show up wondering who the heck he is.

I found Kemono Jihen (literally “Beast Incidents”) to be a fresh, fun supernatural series that immediately pulled me in with its picturesque village setting, and kept me engaged by having a bake-danuki like Inugami act with more human compassion than actual humans towards a kid who didn’t deserve their ire. The beasts are legit creepy, while there’s a palpable sense of excitement and momentousness to Kabane’s arrival in the big city. This looks like a keeper so far.

Rating: 4/5 Stars

TenSura – 25 (S2 E01) – Brandy in the Bath

TenSura returns after a rambling first season finale, multiple OVAs, and full-length recap, only to give us a tedious, redundant, and lazily-executed clip show (it’s literally just clips of past events flying by), followed by a woefully generic opening theme. Thankfully things look up from that rough start, but it’s clear TenSura remains quite unconcerned with exercising airtime discipline in between big arcs.

Once Rimuru leaves the five kids in the care of Tiss-sensei, the main order of business is establishing diplomatic relations with the Animal Kingdom of Eurazania. Rimuru tries on a number of outfits to send off his delegation, led by a much-matured Benimaru, and when his speech is too short, he adds a bit more to the end of it, somehow moving Rigurd and Gabiru to tears.

With Benimaru’s delegation properly sent off, focus shifts to preparing the assembly hall for the arrival of Eurazania’s delegation. Vesta uses his noble background to help ensure all the diplomatic “i’s” and “t’s” are dotted and crossed, while underlings like Treyni announce that the Eurazanians are five days away.

That means they won’t arrive before Youm and his two buddies, who have aligned themselves with Rimuru and Tempest and have been spreading the word to other humans that the monsters of Tempest are nothing to fear. Rimuru welcomes them with brandy and a hot bath, again demonstrating that comfort and relaxation are chief tenets of the Tempest lifestyle.

The next day, Rimuru and his retinue welcome the Eurazanians, who arrive in a procession of gaudy carriages drawn by giant fluffy tigers. The delegates who have come on behalf of Demon Lord Carrion are the Three Beastketeers: Albis, Suphia, and Grucius. Among the three, Suphia is the most outspoken, and the anti-slime insults fly with abandon.

Rimuru asks Youm to fight the rude and fiery Suphia, but Shion steps forward and fights her instead, without her sword, resulting in the episode’s first cool fight between overpowered warriors. The second fight begins shortly thereafter when Grucius, “runt” of the Beastketeers, takes on Youm in a daggers-vs.-sword duel.

Rimuru had hoped things would go a little more smoothly and less violently, but there can be no diplomatic progress without mutual respect, so it becomes necessary to prove to the Beastketeers that the warriors of Tempest should be respected. Or as Seraph from The Matrix Reloaded once said: “You do not truly know someone until you fight them.”

Chuubyou Gekihatsu Boy – 11 (Fin) – Awakening

The schools sports and cultural clubs all defy the StuCo and meet with the members of the former Hero Club to lend them their support and to ask for assistance in the shadows. Everyone probably overdoes it with the disguises—not sure what’s going on with the black klansmen-looking dudes—but both school and town have spoken: they were better off with the Hero Club, and more than willing to accept their eccentricities in exchange for their hard work and kindness.

When the recent string of thefts and attacks leads to the postponement of visits by prospective students, the StuCo can no longer hold the Hero Club back, and they know it. Like astronauts marching towards their rockey, the heroes led by Mizuki approach the StuCo president and voice their intentions to do something. Having done next to nothing except ban their club, the prez can only let them pass.

That night the heroes stake out the location of the attacks, and find an iguana, Faust, and Benjamin, but also a fourth animal: a penguin that has escaped from the zoo. They chase it to the pool, where it has an advantage, and that’s when Mizuki decides to finally “awaken” and join forces with Yamato to unleash the half-drowned Touga’s ultimate attack. What’s described later as a freak meteorological phenomenon occurs, and the penguin is secured by the student who, as it happens, stole food and supplies to keep it happy.

The StuCo president publicly praises the heroes for their services to the school in an assembly, but they want something more than a fancy certificate of gratitude: they want their club room back, and the voices of the assembled student body demand the reinstatement of the club. Thus cornered, the president acquiesces to the will of the people (one wonders where the adults are in all of this…?)

Chuubyou Gekihatsu Boy was a quaint, lighthearted, fun and charming little show about a group of weirdo boys who are actually good people (imagine that!) and a girl who, while reluctant to be associated with them at first, is now proud to call herself a member of the Hero Club. Not much more to say about it. I enjoyed it!

Fruits Basket – 06 – Not One to Ask for the Moon

After a particularly narratively and emotionally heavy episode that ends with Tooru back where she belongs, we get something much lighter, starting with the cultural festival at school, the great success of Tooru’s onigiri, and Yuki giving his upperclassmen the going-away present of cross-dressing for them.

We also meet a Souma relative somehow more annoying than Kagura (though mercifully less violent): Momiji, the pint-sized half-German who is brazen enough to hug Tooru in the middle of school and transform into his Zodiac form, the rabbit. Thankfully Yuki manages to distract the class with his charms.

We also meed Momiji’s minder, Souma Hatori, whose animal remains a mystery for now (my money’s on Ox), and who was the one who altered memories the last time Yuki’s secret was exposed to normies. Once he and Momiji are gone, Yuki laments to Tooru how unmanly it is to be called “cute”, and she can’t deny she thinks he’s cute-looking too.

Yuki throws her for a sudden dokidoki loop when he tells her he’s sure she’d look much cuter than him in his princess dress. While heading inside, Tooru is confronted by her BFFs Uotani and Hanajima, who are concerned she’s hiding something from them from the way she’s acting around the Soumas. When she says she’s living with them, she assures them there’s nothing to worry about.

Uotani and Hanajima decide to determine that for themselves, leading to an impromptu visit and sleepover at Shigure’s house. Tooru learns (and is duly #impressed) that Shigure is an author, of both “high” and “low” literature. While Tooru is grabbing some playing cards, Uotani and Hanajima wonder if they’re actually useful friends to her anymore, considering in her dire need they weren’t there to help.

Kyou and Yuki tell them she doesn’t sweat things like that, nor does she “ask the moon” of her friends. It’s more than enough for Uo and Hana to be by her side, like they were at her mom’s funeral, like they are at school, and like they are tonight at her new home. Tooru confirms this by telling them the story of her baseball cap, which a boy (that looked an awful lot like Yuki or Kyou in silhouette) gave her when she was feeling sad and lonely years ago.

After a good night’s sleep in Tooru’s awesome bed, Uo and Hana have some breakfast and give the Soumas their official approval. Not only are they kind gents (despite their spirited cat-and-rat rivalry), but they already know Tooru well, and appreciate her. Yuki and Kyou also agree that Uo and Hana can come back anytime…as long as the Souma family secret is maintained.

Speaking of which…Souma “Memory Modifier” Hatori is Tooru’s latest “Ominous End-of-Episode Phone Call,” basically ordering her to report to the main house on her next day off school to speak to him and possibly meet Akito, the family head—who admits in a scene with Shigure that he does ask the moon. Now what could they want with Tooru?

Fruits Basket – 05 – Rescuing the Princess

This episode’s cold open moved me to tears. Tooru’s grandfather has informed her that his house is sufficiently ready for them to move back in. Just like that, her new life with her unique new friends has been snatched away from her.

There’s a palpable atmosphere of gloom and emptiness to the scene in which she tells the others, before realizing she hasn’t started dinner. Then, while in the kitchen, her mom suddenly walks in the door, and she’s in her old kitchen, making dinner despite suffering a fever.

When she tells her mom she couldn’t just stay in bed while she’s working so hard, her mom simply hugs her, and says sometimes it’s okay to be discouraged or selfish, once in a while. It’s as if she almost did too good a job raising her daughter!

When the kettle whistles she’s brought back to the Souma house, and declares that no, she’s okay. It doesn’t matter if she can get discouraged, she won’t get discouraged. Gramps’ newly renovated house may well be fine; and definitely better than her tent!

But for someone who’s come so far in so short a time, it feels like moving backwards, and that she’s deferring her happiness in order to go with the flow. Trying to convince herself she and the Soumas can’t be family when they already are just that.

It’s heartbreaking and yes, tear-jerking. It remains so as she tells herself she was never the brightest bulb, hearkening back to grade school when she played in the “Fruits Basket” game that gives this series its name, and in which she was cruelly excluded by being declared an onigiri.

She declares it foolish to ever believe she could join the Fruits Basket group of Zodiac animals that is the Souma clan. But she’s wrong, you see. She’s foolish to think she was or is foolish. It’s when she’s welcomed “home”, where her grandfather can’t even get her fucking name right, when I thought to myself it can’t end this way.

I’m not alone, as a melancholy Yuki and Kyou recall all the good times they had with their dear friend Tooru, whom they allowed to depart without any resistance, and suddenly sport defiant looks on their faces. They’re on my side; they’re not gonna let it end this way.

Every second Tooru is in that hellish house with those trash people, it made my blood boil. Being asked to hurry up and unpack her meager two shopping bags of effects. Her mother’s older sister hiring a P.I. to investigate where Tooru was living to protect her son, who’s going to be a police officer and can’t have any bad apples in the family mucking that up. Calling her sister a bad seed and declaring “like mother, like daughter.” Tooru’s asshole of a cousin, leering at her while asking if the men she lived with did anything indecent.

Gramps may confuse Tooru with his daughter, but he’s still sharp enough to slap his would-be cop punk of a grandson for speaking to “Kyouko” that way, and condemning his family as a bunch of “unpleasant people”…which they most certainly are! Go Gramps! He concedes that he has to put up with them, but tells her that she doesn’t. Her late father said Kyouko deserved to live where she could “spread her wings,” so if there’s a place where she’s happier, she should go there.

Still, Tooru resists. She doesn’t deserve “more.” She has to be grateful with what she has. She’s “blessed”. She shouldn’t say “I want to go home,” and home not be her gramps’. She can’t say “I didn’t want to leave!” If she did, that would be selfish, and mean she’s too soft on herself? “Yes,” replies Yuki, suddenly in the living room, dazzling the stage.

Flashback to before his surprise appearance; he and Kyou are taking out their frustration on each other, as per ususal, with Shigure in the middle. Yuki notices the note with Tooru’s address on the table, and excuses himself to take a walk. Kyou has the same thought, but is just a step behind.

He catches up, and after walking around in circles, remember the exterior walls of the house aren’t finished. They knock on the door but no one answers, then watch the scene we just saw unfold and wait for the right time to swoop in. When that moment arrives, Yuki is there, followed closely by Kyou, who escorts her out while Yuki grabs her things and calls her cousin a lowlife.

Kyou tells her he’s been on edge since the moment she left, and now knows why: she didn’t want to leave. It’d piss him off to indulge someone’s daily selfishness, but in Tooru’s case, it’s okay once in a while, repeating the words her mother said to her. So she finally lets herself be selfish, and declares she wants to go home to where he and Yuki and Shigure are.

Yuki and Kyou take her hands and do just that. Finally, in the Fruits Basket game of her life, the onigiri has been chosen. Her new tribe may not be perfect, and their house always on the verge of being destroyed by familial strife, but she’s home, with her family, where she belongs. As the cameras pan up from the exterior of the house to the dusk sky, it’s never looked more beautiful.

Fruits Basket – 04 – Boarish Manners

That meek, soft-spoken girl at the door who wants to see Ryou? Uh, she’s not so meek once she sees him for the first time in four months. She delivers upon him a beatdown the likes of which we’d yet to see if this series, far beyond his sparring with Yuki. Turns out that’s just how Souma Kagura expresses her affection…with extreme prejudice. Her two-sided personality is voiced by the supremely talented Kugimiya Rie.

Kyou’s two years older, self-professed fiancee (based on a promise he made at knife-point when they were kids), Kagura demands to know where she stands, and doesn’t like how there’s another woman living in his house, albeit one who can’t hug him without making him turn into a cat. Since they’re both Soumas and Zodiac animals, she can hug him freely.

Kagura is clearly much stronger than Kyou, and so basically rolls himself into a ball and endures her savage beatings, but he dares to silence her when she starts mentioning his “true form” to Tooru. As someone who hasn’t yet found her first love, Tooru can’t help but feel a little jealous that Kagura loves someone as deeply as she does.

Repairing the substantial damage to Shigure’s house takes up much of the day (especially with Shigure and Yuki pointedly not helping), and before long, Kyou’s stomach starts to grumble. Tooru offers to start dinner, as is routine, but Kagura stops her in her tracks. Tonight, she’ll be the one to feed her beloved Kyou. The resulting feast reduces the food supply in the fridge to nothing, but as seems to be Kagura’s M.O., she got a little carried away.

As good as the food looked, part of me expected it to taste vile or some such, but nobody even gets to eat any of it, as Kyou snaps at Kagura when she says it’s ready, and she responds by driving him through the floor and onto the feast, ruining it all. With no other food to cook, Kagura heads out to the grocery store in a huff.

It isn’t until she’s at the checkout that she realizes she left her purse at home, but Tooru bails her out by paying for her, and the two women walk home together. When asked, Tooru specifies her “love” the sign of the Cat more than overt romantic love for Kyou himself, and is “humbled” by the extent of Kagura’s love.

Here we have another example of Tooru not judging someone as volatile as Kagura, but rather believing in her and her long-standing love for Kyou. Kagura in turn thanks Tooru for coming for her, and the two make hamburger steaks together. This time, when everything is ready, Tooru climbs up to the roof to tell Kyou.

Up there, she tells him how lucky he is that someone cares for him and worries about him so much—not surprising, coming from someone who was loved by her parents, but lost them far too soon.

She also brings up peoples’ dreams, whether Kagura’s dream of marriage to someone she can truly embrace, to Kyou’s love of martial arts. Tooru sees another side of Kyou as he lights up talking about martial arts. It’s clearly not just about beating Yuki, but becoming better and better at it.

When Tooru gets Kyou to come down to eat, Kagura presents him with a hamburger steak a little different from the others: his has a fried egg on top, like the fried egg he was drawing in the sand when they first met, which was when Kagura basically fell for him. Kyou tastes his dinner and through his sheepish silence expresses his approval and thanks.

The next morning, Kagura has to leave, and bids Kyou farewell with a big hug, followed by one last beatdown. Kyou says some unkind words, and Kagura responds by punching through the front door…and straight into the chest of the paperboy.

Yuki manages to distract the civilian, but Tooru finally learns that Kagura is the sign of the Boar—very appropriate considering her propensity for charging headlong towards her goals. When Tooru compliments her as the cutest boar anyone could ever ask for, she transforms back into a woman—a naked woman, on Kyou’s back.

That brings us to a cliffhanger that threatens the relative peace of the last four episodes, as well as the status as Tooru’s new home and life. She gets a call from her grandfather, and the contents of the message are enough of a shock for her to drop the gardening books she checked out. Is Tooru doomed to lose everything once more, after an all-too-brief taste of happiness?

Fruits Basket – 03 – The Different Shapes of Kindness

Yuki, Tooru and Kyou’s class decides to do an onigiri stand, and we see again the dynamic between Prince Yuki fangirls and Tooru’s delinquent friends, as well as the fact the class has warmed to Kyou despite—or possibly partly due to—his hot temperament. Oh, and because cute cats flock to him!

Still, when they criticize his idea and accept Yuki’s, he storms off to skulk on the roof. Kyou opens up about his long-held resentment of his “golden boy” cousin, who was always respected and trusted more than him, and excelled at everything he did better and faster than Kyou. He admits if he could be like Yuki, he would be.

That sentiment proves vital to Tooru as she attempts to figure out why these two hate each other so much. She gathers more intelligence when Kyou becomes the life of the party when the class plays cards, while Yuki is off rejecting the umpteenth girl to ask him out. She tells him he’s nice, but closed off to people, and that everyone says a “normal girl” isn’t worthy of him.

It doesn’t sound like a compliment to him, and it puts him in a sour mood when he ends up in Kyou’s presence. The two go at it verbally until Yuki loses his cool and kicks Kyou across the room. All Tooru knows is that this is about more than the fact they’re rat and cat; and probably quite a bit about Kyou waning badly to become the thirteenth member of the Zodiac.

In what feels like a non sequitur of a mini-scene, Tooru falls down the steps at work after her shift is over and encounters a strange blonde who speaks German to her and kisses her before Tooru runs outside. Obviously, we’ll see more of this person in the near future, but all I could do for now was chuckle at Tooru’s extremely flusteredness around someone seemingly not from Japan.

When Yuki arrives to walk her home, Tooru tells him he and Kyou are both so kind, and Yuki flashes a sad smile and turns to walk. Tooru stops him to say he can tell her anything that’s troubling him and she’ll listen and try to help. She’s so passionate about this point she doesn’t notice the drunk salaryman who shoves her into Yuki, transforming him into a rat.

While walking with Rat-Yuki, he tells her his deal with Kyou, which is basically that once the ice is broken it’s easy for him to fit into a group of people, who flock to him just like cats do once they learn the rough edges are only skin deep. Thus Tooru learns that Kyou and Yuki resent each other because they’re both jealous of the ways they’re not like the other. Tooru tells him how kind he is and how that draws people to him too, but Yuki dismisses his kindness as merely self-serving; phony.

When a typhoon suddenly hits, Tooru assists Yuki in protecting his secret base—a vegetable garden—from the harsh weather. Tooru tells him what his mom told her to be, which is a believer and not a doubter in people. When everyone is born they have nothing but desires, but gradually develop their own unique “shape” of kindness; their hearts growing with their bodies and minds. To her, Yuki’s kindness is like a warm, bright candle.

Yuki apologizes for bringing this stuff up, but she assures him she’s glad he did, because it means he trusts her enough to share his problems, and that they’re becoming closer as friends. Yuki promises to try harder to interact naturally with people at school, even if it’s intimidating, because that’s what he wants.

After a night protecting the vegetables, Tooru decides to use some as she spends the rest of the morning experimenting with onigiri in the kitchen. Kyou wakes up before Yuki, but since he’s cat-based he hates the chive filling, and would prefer something meatier. He makes some of his own, showing Tooru that he’s actually a natural at forming onigiri, though he doesn’t think it’s so great.

Tooru disagrees. In fact, she decides to create another metaphor to describe both Kyou and Yuki’s issue, which is not so rare: if a person is a rice ball and the plum is what’s great about them, they have “plums on their backs,” meaning they can’t see them. But people are drawn to both of them, just as all people are drawn to their friends, because they can see those plums. Hence, both he and Yuki are great.

With that, Yuki arrives on cue and force-feeds Kyou a chive onigiri to show him that one politely eats something someone has made for you, even if you don’t like it. Then a knock comes at the door, and Tooru finds a shy young woman outside, asking about Kyou. Could this be an admirer of his, or another member of the Souma clan? Whoever she is, it seems pretty clear she can see his plum!

Tooru could come of to some as overly preachy and poetic this week, but she’s so goshdarn cute and sincere it’s hard to fault her. She had such a good Mama, and duitifully honors her memory by being the best possible person she can be, while sharing the lessons she learned from  her.

For all the loss, grief, and pain she endured, Tooru remains a staunch believer in people, as well as in her ability to help those people. If Kyou and Yuki can’t find each other’s good aspects or make any kind of peace with each other on their own, then she’ll lend them a hand.

Fruits Basket – 02 – Sodium in Water

When Kyou, Yuki and Shigure all transform into animals, Tooru panics, right up until the dog signs for a package with his seal, and they start talking with human speech. Turns out each member of the Souma clan is possessed by an animal of the Zodiac, and when hugged by the opposite sex, they transform into those animals for a time, eventually changing back to (buck naked) humans.

To call Yuki and Kyou like oil and water would be inaccurate: oil kinda just sits on top of water. Yuki’s more like sodium and Kyou water; it always ends up with an unpleasantly violent explosion. Once’s everyone’s dressed they go at it again, and Kyou breaks a table in his rage, accidentally injuring Tooru’s forehead. Yuki has had enough, and decides to show why sparring with Kyou is never fun for him: he always wins handily.

At school, suspicions from Yuki’s fan club persist, but he doesn’t pay them any mind, and meets with Tooru in an empty classroom, asking if she told anyone about “them.” Tooru takes this to mean the Souma family secret of animal transformation, but it could just as easily be asking if Tooru told her friends she was now friends with Yuki and living in his house.

Regardless, Yuki informs Tooru that Shigure has to report to the Souma family head, Akito, who will determine what if anything is to be done about Tooru knowing, up to and including memory-suppressing hypnosis. Tooru accidentally bumps into him, turning him into a rat, but once the shock of that is over, Tooru expresses her wish that even if her memories do have to be altered, she’d like to still be friends with Yuki afterwards.

Back home, Kyou is making preliminary repairs on Tooru’s ceiling, and is about to offer some kind of apology when Shigure returns home with good news: as long as Tooru keeps their secret, she’s free to live there without any memory modification. Tooru celebrates by putting her well-honed cleaning and cooking skills to use. That night, she learns Shigure has arranged for Kyou to transfer to Yuki and Tooru’s school.

The reason for this is because he essentially dropped out of the school he was attending to train his body and mind to defeat Yuki, and he could use a fresh start to learn more about interacting with people in ways other than confrontation and combat. True to his Zodiac sign, this is better said than done.

He causes an instant sensation at school, as the girls flock to his desk to chat with him. Not used to so much attention, he tries to get away, but one of the girls clings to him, and he puts her in a painful arm lock before jumping out a high window (and landing on his feet, natch). In other words, not a good start!

Outside, Yuki tracks Kyou down and scolds him, and their two diametrically opposed goals are made plain: Kyou wants to work to become a full-fledged member of the Souma clan, something Yuki considers a cage he’d rather escape.

The fight gets heated, and Tooru intervenes, resulting in Kyou transforming into a cat. The enraged Kyou snaps at Tooru once more, and she slinks away, believing Kyou truly hates him. Yuki doesn’t even bother punching him.

Back home, Shigure tells Kyou it’s simply not going to be easy, but he has to keep going to school, and consider it training. That means hurting, being hurt, and developing empathy that informs his future words and actions, not just going with his impulses.

As Tooru walks home from work later that night, she remembers her vow to her mom to cease being a Dog and become a Cat in solidarity for the way the Cat was treated in the Zodiac legend, but now that she’s met the Cat, he seems to hate her. Of course, that’s not strictly true; Kyou simply isn’t sure how to act around Tooru yet, and takes Yuki’s place as her escort home as an olive branch.

He snaps at her again once or twice, but takes the advice from Shigure—not every strike, verbal or physical, needs to be carried through. He can stop short; hold his tongue or fist; consider a less extreme response. He tells her she can call his name even if she doesn’t need anything, can hang around where he can see her, and she’s welcome to hit him if she says or does something she doesn’t like. It’s his way of apologizing, and it lifts Tooru’s spirits considerably. She tells Kyou about her love of the Cat, and her desire to be friends with its vessel.

Kyou reacts somewhat like a tsundere would, and Tooru feels she finally understands Kyou has a gentle heart under the rough exterior. Having thus made peace with Cat and having official permission from the family head to live with Yuki and Shigure, Tooru is looking forward to fun-filled days ahead. Here’s hoping she gets them; she’s already experienced enough of the other kind.

Fruits Basket (2019) – 01 (First Impressions) – Anywhere Can Be Home

Honda Tooru’s backstory is almost comically tragic: her father died of an illness when she was three, and one day her mother was killed in an auto accident. The only relative who’d bring her in was her pensioner grandfather, for whom she didn’t want to be a burden.

Then his house needed months of renovations, so he told her it might be best if she moved into a friend’s house…only she felt too bad about staying at her one friend’s tiny apartment or to be another mouth to feed at her other’s. So she started living in a tent she bought on sale.

Unbeknownst to her, this tent is on private property belonging to the Souma family, one member of which, Yuki, is in her class. When they cross paths while she’s exploring her tent’s surroundings, she meets Yuki’s older cousin, Shigure.

When Yuki and Tooru walk to school together, his fan club, “Prince Yuki” aren’t having it, and give her a multi-pronged verbal attack. She’s saved by her yankee BFFs, Uotani and Hanajima, who you’ll remember, are not aware that their lovely friend is essentially homeless. But they have her back. In exchange, she helps them ace Home Ec by doing all the cooking, which she’s of course happy to do.

After school, Yuki walks with Tooru and they discuss the Zodiac (a subject first broached when she saw Shigure’s Zodiac knickknacks). In particular, Tooru voices her love of the Cat, even though it has no official place in the Chinese Zodiac. Tooru declares the Cat an “idiot” and that the math was never there for it to begin with. Before Tooru rushes off to work, Yuki tells her to look out for her health—no doubt sensing how thin she’s stretched.

After Tooru gives her appalling sad life story so far, through which she’s remained strong, upbeat, and committed to taking care of herself and burdening no one, we see her working so hard at her job that her older co-workers consider her a godsend.

Later that night, as she’s walking (or more accurately teetering) “home”—to her tent—she’s spotted by Yuki and Shigure, on a stroll of their own. That’s when she first learns she’s squatting on Souma land. Shigure can’t help but laugh at the absurdity of a high school girl living in a tent…but as Yuki says, it’s not that funny. And it isn’t! It’s heartbreaking!

It’s doubly heartbreaking because no one, not even someone as strong-willed and determined as Tooru, can go to school, keep up with her studies, and work as many jobs as she can to pay for that school, all while living in a tent. When Shigure hears a wolf howling, that indicates to him that there was a landslide nearby; possibly near her campsite.

They rush there to find her tent buried under a huge mound of earth, but because the photo of her mother is in there, she starts clawing at it, despite the fact she’s already running on fumes and about to keel over from fever and exhaustion. Shigure makes sure she’s in bed at their place while Yuki employs thousands of rats to help him dig out Tooru’s effects.

Wait…thousands of rats? What’s that about???

Before falling asleep, Tooru tells Shigure about how her mom only had a middle school diploma, and wanted her daughter to experience high school life rather than go right into the labor force. Tooru also recalls the last morning her mother was alive. She’s haunted by the fact she was studying all night and so slept in and didn’t get to say “itterasshai.” 

It was the one and only time she never said it, and that was the day she was killed in the accident. Like I said, Tooru’s story would be ridiculous if it weren’t presented to straight-forwardly and soberly. Once she’s out, Yuki admits that compared to her, he’s spoiled beyond belief.

After a dream of her mom that has her waking up with tears in her eyes, her first thought is to recover the picture, only to find Yuki outside, picture in one hand, and her other stuff in the other. He says there’s an extra bedroom on the second floor, and she’s welcome to stay there until the renovations at her grandfather’s are complete.

True to form, Tooru doesn’t want to be any trouble to them…but she isn’t. Besides, he and Shigure were just talking about how their household is in dire need of someone who is good at cooking and cleaning; Tooru likes doing those things—she even cooked for her mom! So it’s not like she’s going to be a freeloader.

All she has to do, Yuki says, is be Tooru and “go at her own pace.” That moves Tooru, because her mom said those same words to her.

It doesn’t take long for Tooru to learn that she’s not going to be the main source of trouble here, nor a source of strangeness. There’s plenty of that in the Souma family, as while they’re airing out her new room, a guy named Kyou who was lurking in a tree bursts through the ceiling and picks a fight with Yuki.

In the ensuing chaos, Tooru trips on a piece of wood and lands in Kyou’s chest in a kind of pseudo-hug. Kyou instantly transforms…into a cat. Her first thought is to rush him to a hospital, but a piece of wood falls on her head, and she falls into both Shigure and Yuki, transforming them into a dog and rat, respectively.

So there you have it; the secrets out: the Soumas are a family of animals representing the Chinese Zodiac, who normally have human form, but transform when hugged. Shigure understanding the wolves’ howling; Yuki’s inherent hatred of cats, it’s all explained. But more importantly, Tooru is no longer on her own.

There are people—strange, supernatural people, but people all the same—who have opened their home to her, and won’t hear of her roughing it any longer as she works herself into another fever. And while neither Yuki or Shigure represent a pig, their place is a mess, which is where Tooru’s skills come in. It’s a mutually beneficial situation.

I’m happy for Tooru, and can’t wait to see how her new housemates handle her discovering their secret. I may have gotten into this show nine weeks late, but it’s right up my alley, with a winning premise reminding me a lot of Kamisama Hajimemashita. Of course, that show is based on a manga first published seven years after the original anime adaptation of this show, so this has the older pedigree.

In any case, there’s a lot of warmth, moving drama, lighthearted comedy, and plenty of potential for romance here, and I’m looking forward to catching up with the rest of the anime-watching masses on what looks like one of the Spring’s consensus best.