Elfen Lied – 13 (Fin) – A Brief Dream in This Hell

As Kouta wanders home in a daze, his memories returning thanks to the violent sights he’s seen, Kurama fishes Nana out of the water, saving his daughter once again and admonishing her for not moving much, much further away (though his instructions should have been more detailed). Lucy neutralizes Bando (though notably doesn’t kill him), and Shirakawa’s assistant keeps the dormant Mariko safe—and keeps her self-destruct safely in his hand.

Mariko’s powers return and she escapes her captors, and then she and Lucy find each other and have a duel. It’s a testament to Lucy’s experience and toughness in Diclonius combat that she manages to last as long as she does against a far superior opponent. But while she loses a horn and a fair amount of blood, Mariko fails to kill Lucy off…because her dad arrives in time to stop her.

Just as she could tell her “mother” was a fake, Mariko can instantly sense that Kurama is indeed her father, and is shocked when he pulls his gun on her. When she spots Nana with Kurama, and hears her call him Papa, Mariko’s jealousy spills out and she proceeds to beat Nana up with her Vectors.

Then Kurama drops his gun, draws in close, and wraps his real daughter in his warm embrace…for the first time. He carries her off while ordering the assistant to activate the device. This time the child whose life he takes is his own, but he goes out with her, assuring her that both her parents loved her to their last breaths.

The assistant is about to shoot Nana, but his head is blown off…by Lucy. She can’t go back home to Kouta after what she’s done, but Nana is innocent and good and kind, so she asks Nana to do what she can’t and live a good and happy life. Nana obeys.

Back at the facility, Kurakawa reveals he’s a wannabe Diclonius just like his son, while Arakawa quietly hides Kouta’s record, feeling bad for him. We’ll never know if she ever got that bath…

Then we have an extended and emotional goodbye between Lucy and Kouta, who finally realizes that she, Nyu, and the girl he met at the orphanage were all her. Lucy tells him the happiest days were the ones with him as a boy. They were a brief and beautiful dream in the hell that was her life, and she survived this long so she could tell him how sorry she was for what went down.

She turns to leave, but Kouta won’t let her go just yet. In fact, he wants her to stay, even if he can’t forgive her. They kiss and embrace, reenacting the Klimt painting, with Lucy flashing an El Greco hand. We then see Lucy on the bridge, facing a huge military force, and a battle ensues…with an intentionally ambiguous result.

Some time later, the household of Kouta, Yuka, Mayu and Nana is a happy one. Nana’s cooking skills are improving, and they have an extra place setting for Lucy. Then they hear Wanta barking outside, and Kouta goes to see who it is.

The silhouette behind the paper door looks a lot like Lucy in her dress, but before he can open the door to confirm it, the grandfather clock Nyu always messed with, which he could’ve sworn was permanently silent, begins to chime.

And so we say farewell to the brutal, haunting, and poignant Elfen Lied, a story as much about how some can continue to endure, love, and be loved after living through unspeakable suffering—and how some can’t—as it is about scientific arrogance and ambition gone awry. Heck, it’s about a lot more than that, and I’ll be thinking about its hard-hitting symbols and themes for a long time.

Elfen Lied was also a blast from the past in the best possible way. Anime character design and animation has evolved quite a bit in sixteen years, but like the Dicloniï that evolution wasn’t necessarily all for the better. I’ve also rarely seen a series mix body horror and comedy with such effectiveness. What could have been a tonal mess only draws you in deeper and made me care about the characters more. You feel every horrible act of violence and cruelty, just as you feel every pulse of warmth and kindness.

Finally, the series is greatly elevated by music from the duo of Konishi Kayo and Kondou Yukio (who’d go on to score House of Five Leaves and … sigh … Pupa). I don’t think I’ll ever see or hear an theme as hauntingly beautiful and sad as “Lilium”. Mine eyes welled up Every. Damn. Time. They truly don’t make ’em like they used to.

Elfen Lied – 12 – Total Recall

Shirakawa and the assault team can only stand around and watch in horror as Mariko continues to toy with Nana like a child rips wings off an insect. Only Nana is, horns and prostheses aside, a human being. Despite this, they allow 35 to have her way with Nana so she’ll be more cooperative. It’s frankly sickening to see other humans stand by and let this happen.

I know they see Dicloniï as an existential threat to humanity, but Shirakawa and the soldiers are abdicating their own humanity by allowing such sickening, wanton cruelty to occur. Lucy may be one thing and 35 another, but Nana is living, breathing proof that Dicloniï can coexist peacefully with humans. Mayu sees Nana and Nyu as sisters and Kouta and Yuka as their mom and dad.

And it’s Kouta who comes to Nana’s aid when no one else will, putting his own life at grave risk. Not only is Mariko eager to have more “fun” killing people, she resents the fact Nana has a friend, something Mariko didn’t believe was possible because, well, she’s been encased in a giant steel enclosure who whole damn life! I can’t blame Mariko for being the way she is, which is a direct result of the dehumanizing, self-defeating actions of the researchers at the facility.

Nana uses her remaining strength to keep him from being hurt, demonstrating she’s far more human than those who wish her dead. She ends up falling off a bridge into the water, and her fate is left unknown. However, when Nyu finally catches up to Kouta, she slips on a pool of Nana’s blood and hits her head. Lucy reawakens and kills Shirakawa and the soldiers one by one right in front of Kouta, whose long-repressed memories finally surface.

The story that unfolded in episode nine is thus completed, as Lucy followed Kouta’s family on the train out of Enoshima. Kanae claims to have witnessed a “girl with horns” killing lots of people at the festival, but Kouta doesn’t believe her. When Lucy appears, Kanae confirms she was the killer, but Kouta won’t hear of it, slaps Kanae, and orders her to apologize.

Kanae just wants to get Kouta away from Lucy, worried he’ll be her next victim and putting herself between the two, but Lucy snaps her in half, and then beheads Kouta’s father. When Kouta asks why she did these things when he thought they were friends, she calmly responds in her cold Lucy voice: “I didn’t kill you because we’re friends,” then vows to kill Yuka next.

Let me be clear: Lucy is this way because of humans. She killed the bullies because they bullied her; had they been nice to her she’d have been nice back. She punishes Kouta by killing those close to him because he lied to her. It may have been a white lie meant to protect her, but someone with her past didn’t make that distinction, and it doesn’t change the fact it was not the truth.

Back in the present, Kouta finally reconciles those newly surfaced memories with Nyu’s true identity, but he has little time to process them as Bando arrives ready to kill Lucy. She flees, baiting him to follow her, and urges Kouta to meet her at the stone steps. Kouta and Lucy have hurt each other gravely, but perhaps, like Shirakawa briefly hoped, there can be a resolution that doesn’t involve killing. Okay, that involves minimal killing. Bando obviously has to go.

Magia Record – 13 (Fin) – Disbanding the Team

Yeesh…that was rough. Even though I felt my expectations for a Puella Magi Madoka Magica “side story” were sufficiently tempered, I wasn’t prepared for an ending this awkward and frustrating. It’s a shame, because we finally learn why Yachiyo is so aloof—her wish was to survive, but that means everyone she teams up with eventually dies—but it’s too little too late.

The fact that Yachiyo’s need to self-isolate is so deep-seated makes it that much more implausible when Iroha pulls her out of the witch, takes her hand, and tells her she’ll defy the effects of that wish and stay alive by her side. Even having lost comrade after comrade, both to death and the Wings of Magius, Yachiyo is convinced.

That’s when things start to fall apart, both literally and narratively. Touka sics Tomoe on Yachiyo and Iroha to prevent them from leaving. Perhaps Tomoe has been overwhelmed by grief over losing her own comrades, but seeing her character reduced to a glorified attack dog is disappointing to say the least. I also wish I could say I was excited by the sudden appearance of Miki Sayaka…if only I had the slightest clue how she got there and what she was doing there!

The episode doesn’t bother explaining Sayaka’s presence, because it’s too busy setting up an interminable battle between the team of her, Yachiyo and Iroha (who both go into Doppel Mode), and a totally berserk Tomoe.

The battle has some cool moments but is undercut by several issues, among them choppy frame rate, half-baked CGI, bits of sloppy animation…and an almost complete lack of emotional investment on my part. This battle felt like it only existed to run out the clock on the season, while the technical shortfalls prevented me from enjoying it for its own sake.

Barely ten minutes after promising she won’t die, Iroha ends up being dragged into an abyss by the defeated(?) Tomoe; Sayaka only manages to save Yachiyo, who is again alone and apparently the victim of her wish to Kyuubey. Baby Kyuubey, whose nature and motives were notably never explained in these thirteen episodes, dives in after Iroha.

From there, we get a The Force Awakens-style address by Touka before thousands of Magius followers, which include the newly-converted Tsuruno, Felicia, Kaede, and even Kuroe, a character who was only in the first episode and then forgotten. Sena and Momoko remain robeless, though one wonders how long.

And that’s pretty much that! I would say that at least there’s a second season on the way, but this episode couldn’t make me less excited about it, except to see if it can pull itself (and Iroha) out of the hole it dug. Magia Record was only ever a pale shadow of its subversive predecessor, and its first season little more than a lengthy prologue to the real battle between Magius and “free” magical girls.

In the end, Magia Record was a show primarily concerned with not saying as much as possible, and employing nostalgia and fanservice to string us along. For proof, look no further than the pointless final battle mostly between two characters from Madoka.

I’d like to say I won’t get fooled again, but I also won’t dismiss a potentially stronger second season out of hand. The first Madoka series and its movies built up a lot of goodwill Magia Record didn’t fully expend. But season two will have its work cut out for it.

Magia Record – 12 – Class is in Session

In the latest blow to Iroha’s eternally troubled investigation, Touka tells her that not only does she not remember any Tamaki Ui, but she never had any memories of her to begin with, because they never met. We and Iroha have no reason to trust Touka, but perhaps something even Touka isn’t aware of stole her memories of Ui, along with everyone else’s.

Meanwhile, at the Villa, ghosts of Yachiyo’s former roommates—and friends—ask if it’s really okay to let her new friends be. Yachiyo protests that Iroha & Co. are not friends—she’ll never make friends again—but as fellow magical girls, she still has a duty to protect them, so she heads to the museum.

Touka is the lecturer for a series of lessons, starting with the basics: When a magical girl’s soul gem shatters, the girl dies, even without any physical harm done to her. That’s because the gem is their soul, and a person cannot survive without it.

This is what happened to Yachiyo and Mifuyu’s former roommate and friend Kanae in a battle with a witch. She was the first casualty on Yachiyo’s road of misery and regret. Tsuruno, Momoko, and third magical girl Mel eventually moved into the villa, and life slowly returned to some kind of normalcy.

Tragedy struck again when the second way for a magical girl to meet her end happened to Mel: witchification. In a witch battle in which Mel protected Yachiyo, her soul gem became murky, turned into a grief seed, and Mel became a witch.

That was probably the beginning of the end of the Mikazuki Villa, and Yachiyo had to endure the unendurable: not only was a second good friend and comrade gone, but she had been transformed into their apparent “enemy.” Kyuubey tells the girls that this is just the way it is, and in the long run it’s good for humanity.

Touka rejects Kyuubey’s system, and preaches a third way: the Doppel. It already happened to Iroha on accident earlier, and she watches it happen to Mifuyu in another recorded memory: the soul gem is murky and she transforms into a witch, but only temporarily. She can return to being a magical girl essentially at will, in direct defiance of Kyuubey deemed a one-way-only road with no U-turns.

In light of all these revelations and clarifications, we can be happy this third way exists, because it mean Iroha could come back from witchification. But one wonders…what is the catch? Why is Yachiyo so opposed to the Wings of Magius? Is the ordinary order of human life now interrupted?

I don’t know, and with only one episode left, I hope there’s a second cour to explore this further. All I know is that Kaede has already gone to her side, which clearly troubles Rena. Will Yachiyo be able to make it in time to offer the other girls the case against conversion?

Tokyo Ghoul:re – 09 – Awful Superheroes

Tsukiyama Shuu……is BACK, YA’LL! He knows Kaneki Ken when he sees him…and “Sasaki Haise” IS Kaneki Ken and Shuu will have him. He’ll chase him round the Moons of Nibia and round the Antares Maelstrom and round Perdition’s flames before he gives him up!

Even if he doesn’t know who he is. That means striding right up to the pack of young Doves that surrounds him…and having to be scooped up and whisked away by Kanae. No matter; it’s great to see the Gourmet has his appetite and vigor back…all thanks to Hori Chie (Kanae seemed particularly clueless about how to quell their master’s slump).

The Quinx are in that ward because Kan…er, Sasaki wants to have them all fitted for masks at Uta’s shop, so they can infiltrate ghouls. Uta is glad to be of service, and has a high opinion of every Quinx member. Kori officially denies Sasaki’s request to go forward on such a plan, but cannot deny it’s a good idea considering how similar the Quinx are to Ghouls.

Meanwhile, creepy-looking Kijima has released a gruesome video of him torturing a member of Shuu’s household staff, presumably out securing food for him. Kijima is dangling his captive as bait, no doubt hoping to snag more important Ghouls. Not the most pleasant methods!

Within a day or so, Shuu’s Kaneki-fueled recovery is complete. The kid’s alive, and so he can keep on living. The hard part will be to get someone who’s forgotten who they are to remember who he is.

Shuu arranges for a number of “chance encounters”, but if we’re generous, he’s basically just stalking Sasaki, and coming to the same roadblock every time: the pesky Quinx kids that keep him from being alone with Kaneki.

Kanae hires a team from Aogiri Tree, including Torso, to eliminate the Quinx Squad so her master can have what he wants (Kanae also gives Shuu a second photo, at which point a much more lucid Shuu realizes his little friend Hori is supplying the pics for his benefit).

Quinx ends up scattered, with Sasaki taking on the bulk of the Ghouls in a parking lot; Tooru and Saiko go one way, while Urie and Shirazu go another. Among the mercs is the “Grave Robber”, who is a fan of burgundy nail polish and, presumably, stealing quinques from the Doves she’s killed.

When up against Kanae, Shirazu’s kagune is damaged and he has to use Nutcracker…but he just can’t. He’s still not okay with how things went down, and especially not okay with using what amounts to her corpse as a weapon. Luckily, a stronger Urie is up to the task of forcing Kanae to retreat, and then intervenes in the battle between Tooru and Grave Robber.

Saiko, who was told to hide, is found by…someone, who proceeds to try to choke her out until she’s saved by…someone else. So many new (or old?) faces to keep up with! Her vague description of her savior causes Sasaki stare into space thoughtfully, as Eto, who we know wants Kaneki to get his memories back, perches atop a building not far away.

Tokyo Ghoul:re – 08 – Live Like a Rose

It’s always more complicated than “good” and “evil” in Tokyo Ghoul; there are plenty sympathetic ghouls and detestable doves, and everything in between. Somewhere on that spectrum lies Kanae, a ghoul who became the ward and attendant of Tsukiyama Shuu.

Shuu taught Kanae to live proudly “like a rose” and never cry alone. But with Shuu withering away, Kanae is worried about being left alone (again). Enter Hori Chie, who may have just the thing to save her friend Shuu’s life.

Meanwhile, not all is ducky at Aogiri Tree, as Ayato’s request to retrieve Hinami from Cochlea is denied by Tatara. Tatara decides they’ll simply have to replace her with someone else, but that doesn’t sit well with Ayato, who has an emotional bond with Hinami and feels responsible for her being caught. Haise tells Hinami that he can’t be Kaneki Ken…but is he sure he has a choice in the matter?

Back at Casa de Tsukiyama, Chie hands Kanae an envelope that contains something that will help Shuu, then goes on her way. She’s very nearly apprehended by CCG for suspected aiding of ghouls, but demonstrates her talent for elusiveness, as well as her stalwart vow to have as much fun in life as she can before dying.

At CCG, Shirazu receives his new quinque derived from Nutcracker…and he can’t handle it. He still has nightmares about how she said all she wanted was to be beautiful. Quinx hooks up with the elite S1 Squad to take care of a group called “Rose.” S1 is led by Special Class Investigator Ui Koori and his pink-haired partner Ihei Hairu.

That creepy-ass dude Kijira Shiki is also there, looking more like the bad guy in some Lerche anime. Saiko, who didn’t have breakfast and is flagging fast, insists that she, Shirazu, and Kuroiwa stop at a bakery for sustenance; one of the bakers there knows Kuroiwa from way back.

S1 corners a squad from Rose, and we see Hairu in action; Urie may think her an “airhead”, but she knows what she’s doing when it comes to fighting ghouls. However, only one of the three is captured; one returns to base to have her injuries treated, and she’s visited by Kanae.

Later, Kanae shows Shuu the item Chie provided: a photo of Sasaki Haise. Seemingly able to discern that there’s something (or rather someone) verrry familiar about the guy, Shuu, demonstrating admirable restraint and calm, asks Kanae to be shown more of this Sasaki Haise guy.

It’s just not right that Shuu should stay in such a state; I’d love to see the guy return to his former vitality. At any rate, whether you’re a ghoul, a dove, or one of the people in between just trying to survive and thrive, the work is never done.

Tokyo Ghoul:re – 07 – Congratulations and Recollections

The sheer number of players big and small in the Tokyo Ghoul universe can make darting from one group to another a daunting task, especially for one not versed in the manga upon which :re is based. Still, the sight of all those myriad faces, most of them familiar, lend the world a lived-in, oddly comforting atmosphere.

Then there’s the new faces, our Quinx Squad, who come out of the great Auction Raid not only none the worse for wear (relatively), but having distinguished themselves to a man (and in Saiko’s case, to a woman). The raid ends abruptly—which I was hoping for. Sasaki takes Hinami into custody (after Arima allows it), and Rabbit and the other members of Aogiri Tree retreat.

Most of the surviving CCG investigators are promoted in a ceremony, with Tooru jumping from 3rd to 1st class for his conspicuous valor (no doubt irking Urie, who probably wishes he outranked his Quinxmate) Their leader Sasaki becomes a Senior Investigator at a very young age.

As the Doves celebrate their victory, Akira visits her father’s grave, eager new members join a “cursed” squad, Tooru is coached in knifesmanship by Juuzou, and a familiar green-haired lady leaves something in the Quinx Squad’s house’s mailbox.

The celebrations continue when Sasaki invites Akira and Arima over for a dinner party, preparing a sumptuous feast for them and his squad, and giving everyone gifts to commemorate their promotions (or in Arima’s case, just ’cause). After so much peril, blood, and death, I liked the return to the warm and cozy home life of the squad.

Even stick-in-the-mud Prince Urie, who manages to be both insufferable and sympathetic, chips in, while the higher-ranked investigators seem happy for the respite; there’s no other motive for Sasaki inviting them except perhaps to show them  how much his ragtag squad has gelled.

Then Sasaki opens the package addressed to him. It contains Kaneki Ken’s mask, as well as a novel by Takatsuki Sen (who also happened to be the deliverer of the package). If this is an effort by her to help Sasaki remember more about Ken, it seems to work in a very specific and poignant way.

As Shirazu visits his injured, unconscious sister in the hospital (something Urie also happens to see) Sasaki ends up in a cafe being served coffee by Touka at the Cafe :re, and thinking how familiar the coffee, the waitress, and the other patrons of the cafe feel.

Then walks past Anteiku in its prime, with Yoshimura looking on before walking in. Sasaki looks again, and the cafe is gone, replaced by a cleared lot and orange cone barriers. He must have been seeing through Ken’s eyes.

Tokyo Ghoul:re – 06 – Filling the Void

The Quinx Squad remains split into thirds as the raid enters its final stages—and you get the sense that they’d do better as a single unit. Thankfully, Urie is not all alone when he decides it’s time to unleash his “Frame 4” power…because it doesn’t go all too well for him!

Once Big Madam can gauge his power, she realizes he’s punching way above his weight, and takes him out with a barrage of blows. Tooru is there to comfort Urie in his defeat (when “ME! ME! ME!” becomes “O Woe is Me!”), while Juuzou has backup and no qualms about bringing down his former “Mama”.

Meanwhile, Shirazu and Saiko are fighting Nutcracker with Hayashimura…only Saiko…isn’t really doing anything; simply asking what she should do. Shirazu knows what I’ve come to suspect (and which was kind of obvious): Saiko has the highest latent ability among the Quinx Squad members not named Sasaki Haise.

Saiko is also motivated by a desire to help Haise, and her burst of violence, while off-camera, puts the Nutcracker on her ass. Shirazu finishes her off, but not before Nut says something very “human” about always wanting to be pretty.

As Shirazu and Saiko defeat Nutcracker, Juuzou and the XIIIth take out Madam, leaving Owl and Haise as the one remaining main event of the raid.

Haise is scared of giving in too much to the Kaneki Ken within him lest he lose himself, but Owl takes advantage of his hesitation by utterly laying waste to him, while one of his associates broadcasts Haise’s screams of pain over the P.A. system, leading Saiko to race to where he is.

Saving Haise from an early grave is none other than Fueguchi Hinami, who states that Haise is too valuable for Owl to simply eliminate on a whim. Owl doesn’t like that, but Hinami can hold her own against him, at least long enough for Haise to get his shit together and summon enough of Kaneki’s power to fight back against Owl himself.

The process whereby Haise does this is by realizing that while he fears Kaneki—and rightly so—there’s a part of Kaneki within him that is still a child, and similarly terrified. It’s not about competing with the guy; it’s about relating to him. He shouldn’t fear the void, he should embrace it, and Ken. If he doesn’t, he and his squad are toast.

I’ll be honest, the raid lost a bit of steam from the first episode to the second, and between Big Madam’s wildly variable mouth size and the huge number of seemingly mortal wounds that turn out not to be not that bad, the decline in my enthusiasm has continued into the third. The fourth will surely mark the end the raid (one can hope). We’ll see where Haise and the Quinx Squad stands then.

Tokyo Ghoul:re – 05 – Damn You and Your Sexy Body!

The battle continues on numerous fronts—almost too many, to be honest—but this scattered episode manages to linger long enough on the important ones. Kanae learns how fast Tooru heals and aims to relieve him of his limbs, but is thwarted by Haise, backed by Shiazu, Urie, and Saiko. The Quinx squad fares much better than other squads, and one particularly unlucky one must square off against the certifiable Owl.

Another squad bites off more than they can chew in trying to take out Nutcracker, and get their, er…nuts cracked. Naki is certain he’s done for courtesy of Akira, but gets bailed out by Rabbit, who decides to break off from his stalemated duel with Juuzou.

The Quinx manage to do a number on Kanae, but their quarry is retrieved by Matsumae. When Washu orders Quinx to engage Nutcracker, Haise requests Tooru be evacuated out of the shit, and Washi recommends Urie for this purpose—much, initially, to Urie’s annoyance. He’s trying to “distinguish” himself as an investigator, and being relegated to escort duty is hella lame for the self-involved, triangle-eyed brat.

One doomed member of the unlucky squad recognizes Owl as former investigator Takizawa, whose lectures she once attended. Recalling that she talked in class, he impales her with his hand. Meanwhile, Urie does exactly what Washu thought he would do and goes looking for a way to earn some glory by finding a hidden passageway beneath the auction stage.

Juuzou is already down there, and along with Urie and Tooru, start hacking away at the masked auction attendees, whose whereabouts had previously been unknown. Urie is happy he can unleash his full power with someone of Juuzou’s caliber fighting beside him, while Tooru is just trying to contribute in any way he can.

Throughout the battles and dialogue, Yamada Yutaka’s electronic score pulses along, providing a stylish rhythm for the bloody chaos. While the animation is a little iffy, I have zero complaints about TG:re’s soundtrack.

Urie’s hubris gets the best of him, as he ends up falling victim to Big Madam’s predation, and when Tooru catches up to him, she’s in the process of gulping him down like a snake swallowing a rat…so not exactly distinguishing himself!

Finally, the rest of Quinx squad never makes it to Nutcracker; instead, Haise is ordered by Washu to fight Owl one-on-one, no doubt to test the limits of his abilities. Unfortunately, Saiko does absolutely nothing with her giant hammer, and is escorted away by Shirazu.

Even if we assume Haise can handle Owl or at least fight him to a draw, there’s still a lot of players left on the board for next week: Big Madam, Nutcracker, and Rabbit chief among them.

Tokyo Ghoul:re – 04 – It’s Party Time

Oh man, I do love a good big Tokyo Ghoul raid. This week, we get the start of a doozy. Things start out quietly yet ominously, as the pageantry of the Eyes Wide Shut-style human auction commences with a washed up actor and then Tooru in disguise.

As a one-eyed Ghoul, Tooru induces a huge 200 million bid, much to the scantily-clad Nutcracker’s delight. That winning bid belongs to the Doves’ primary target tonight: Big Madam, just beating out Master Shuu’s servant.

One of the trio of Ghoul “Clown” MCs whispers to Tooru that no one is coming to save him, but that’s nonsense, as the very next lot is Juuzou, who’s already seen enough of the auction and decides to get the real party started, unleashing a fusillade of daggers at all the Ghouls around him.

Outside the venue (and shouldn’t the Ghouls have picked a less conspicuous place?) The CCG raiding parties are ready to commence the operation, including the Quinx Squad. Their primary goal: Eliminate All Ghouls—but Big Madam in particular—and rescue any human captives.

As Juuzou ditches the wig and attracts the attention of Rabbit (now Ayato, not Touka), Tooru sheds the Nutcracker and runs, but is pursued not just by Master Shuu’s servant, still sore over losing the bid, but by Torso, who splits off from Ayato (and Hinami, who’s with Aogiri Tree now) who simply wants Tooru’s torso all to himself.

What we don’t see much of at all is the Quinx Squad in action. What we do see is pretty much everyone else. We see how the new young blood among the Doves are the source of some resentment from the old “fogeys”, but when a young hotshot over-confidently rushes into the Clowns and gets himself killed, it’s up to the fogey to clean up the mess, even though he’s also killed by the sudden arrival of Owl.

There’s a lot of pieces being set up this week, as new and old faces prepare to go at it. The whole raid is crackling with electricity. And this is just the beginning, with no clear victor yet in sight. Should be a fun resolution.

Tokyo Ghoul:re – 03

Urie lies and gets his enhancement, confident he can become stronger than Haise and remain in control. Something tells me his internal isolation from his Quinx-mates and massive chip on his shoulder suggest he’ll probably fall flat on his ass again and need bailing out from the people he’s constantly looking down upon in his thoughts.

But meanwhile, there’s an op, and Quinx Squad needs to be at full strength. That means Shirazu, Mutsuki and Urie must join forces to draw Saiko out of her physical isolation, both from them and the rest of the world. Urie ends up convincing Saiko that she’ll be fired and thrown out on the street if she doesn’t do her job.

This is another lie; even if she retired tomorrow the fact she agreed to be in the Quinx squad means the CCG will always look after her…she just doesn’t know that because she didn’t read the handbook!

Regardless, while Urie and his aloofness are kinda bumming me out, I kinda love Saiko. She’s got a great energy…or I should say lack of energy to her, and is utterly unapologetic in her desire to live the NEET’s life of leisure. Whether she’s still hiding heretofore unseen wondrous powers or talents as an investigator or is simply meant to be comic relief…we shall see.

In any event, the whole Quinx Squad is mustered for the briefing about the Nutcracker. Specifically, Haise’s Squad will join two others and Division II in raiding an underground auction for young women the Nutcracker collects at clubs. While Urie goes off for some “tests”, Haise, Mutsuki, Shirazu and Saiko hit up the club, the former three posing as women.

It’s ultimately Mutsuki who manages to make contact and get on the auction list (after a little—or a lot—of liquid courage), so they have their in. Our old weird friend Suzuya Juuzou is also involved in the operation, and will pose as a woman for sale at the auction beside Mutsuki—no doubt to back up the far less-experienced investigator if things go pear-shaped.

After about a week of training (which Urie mostly stays out of), Haise’s squad and the others are all ready to execute the plan, and move in. Meanwhile, Ayato is tasked with bodyguard duty for the Class AA Ghoul “Big Mama”, who will also attend the auction, and has a very Mutsuki-obsessed Torso tag along.

Did I mention our other old friend Tsukiyama Shuu is gravely ill and no longer seems to have any “gourmet” sense, much to his servant’s distress? Well, he doesn’t, so I guess he won’t be at the auction. But with all the parties who are involved, plus a few who may not have shown their faces, it’s shaping up to be quite an op.