As a battered Touma recovers in hospital, Itsuwa is briefly overcome by regret for being beaten by Acqua so easily, failing so completely in her mission, and yet still being thanked by her charge. Tatemiya snaps her out of it by rattling her cage, and as the rest of Amakusa sharpens their blades for a rematch, Itsuwa regathers her fire and commitment to beat Acqua to a pulp.
If only it were that easy. While Itsuwa talks big and she and Amakusa have a deep bag of tricks including Saint Breakout, specifically designed to deal with saints, all of it is for naught, as Acqua isn’t just a saint, but the Right Hand of God, possessed with the angel Gabriel and master of both human and angelic spells.
Even Breakout isn’t enough to so much as singe his collar, and Itsuwa ends up taking a fall off the dome of the underground district and has her turtleneck burned off, leaving only her crop tank. The rest of Amakusa can’t do any better. With only them between Touma and Acqua, the situation is most dire.
Acqua is about to finish Itsuwa off, but someone shows up he must give his full attention: Kanzaki Kaori herself, there not just to bail out her former sect, but to protect Touma. Miss Half-Cutoffs exchanges words with Acqua, but as much as he’s said this episode, he’s really not interested in talk when it comes to Kanzaki. He wants to see what she can do against him. And so they begin.
Meanwhile, Touma wakes up to find Index dozing by his bedside, but as far as he’s concerned there’s a battle to return to, so he gets up and gets going. I really don’t know what else he can do considering how easily he was taken down by Acqua’s saintly powers, but who knows…when there’s a saint in your corner—even a non-Right Hand one—anything is possible.
On the streets of Academy City, Touma and Index meet Meigo Arisa, a street singer/songwriter with mysterious miracle-like powers. She wins an audition to become the “spokes-idol” for Endymion, a space elevator nearing completion. Touma protects Arisa as she’s pursued by both the church – who believe her to be a saint, and Ladylee Tangleroad, the CEO of the company that built the elevator who has been cursed with eternal life. She sends her employee, the militaristic music-deaf Shutaura Sequenzia to retirev Arisa seeking to use Arisa and the elevator to create a magical device that will end her life – destroying half the world in the process.
When Shutaura learns of Ladylee’s true plans she turns against her. With the help of his many friends, acquaintances, and one-time enemies, Touma and Index launch into orbit to reach the top of the elevator, where Arisa performs before a massive crowd. As the parties on the ground disable Endymion, Index disrupts Ladylee’s spell, while Touma convinces Shutaura not to kill Arisa, punching her in the process. It turns out Arisa was the manifestation of Shutaura’s own wish when she was aboard the doomed space plane piloted by her father. Arisa merges with Shutaura, who regains as Ladylee’s spell is destroyed, ending the crisis. Life returns to normal.
First things first: woe betide ye who attempt to watch this film as a newbie to the Index/Railgun franchise. Aside from having no idea why a normal guy like Touma keeps shrugging off multiple blows and severe burns to his body, and has a tiny bitey nun for a roommate, all of the dozens of cameos in the film will go right over their heads. We ourselves have a certain soft spot for the franchise, and so were eager to see what they could do with a feature-length film. The results were very ambitious, and we came away from the viewing feeling it succeeded insofar as it adapted the spirit of the show – magic vs. science – and was a most entertaining romp, complete with robot fights, mecha/car chases, and space battles, all taking place in gorgeous settings.
We also dug the idea of dual heroines in Arisa and Shutaura. Looking back there were plenty of clues that they were pretty much the same person split in two: music was Arisa’s life, but Shutaura’s ears couldn’t even discern it; Arisa remembers nothing prior to three years ago; they both possess halves of the same blue bracelet. Arisa’s meteoric rise to fame reminded us of Ranka Lee’s similar arc in Macross Frontier, a series we kept thinking of due to the similar space opera-y milieu the film adopts in the second half. The film looked and sounded great, we had a lot of fun watching it. Had it run in a theater near us, we would have definitely felt we got our money’s worth.
Rating: 8 (Great)