Zombieland Saga – 02 – Headless Hip-Hop

A show in which Sakura was solely responsible for babysitting six brainless zombies while a manic Miyano Mamoru yelled at her would probably get old fast (though one should never underestimate Miyano’s ability to entertain with his flexible voice). So it’s good to see all of the young women, save Yamada Tae, “awaken”, since it means they now have personalities. And not all of them are fine simply going along with Tatsumi’s plan for them.

In fact, the two famous idols Konno Junko and Mizuno Ai head for the exit almost immediately, wanting not part of the Saga revitalizaiton plan (also, Tae bites and the zombie dog is scary). But like Sakura, they learn that as soon as a living human sees them, they freak out.

In the case of the local policeman, he shoots wildly at the girls, while the three rappers who were cruising for chicks wig out when they see them in the light. Tatsumi is right: if they’re going to live something like normal lives, they have to hide what they truly are. There’s no place in the world for zombies.

While the idols tried to passively avoid their duties, and Yuugiri and Lily are mostly neutral, biker boss Nikaidou Saki is more actively against the whole enterprise, and doesn’t like how readily Sakura takes Tatsumi’s commands while practicing.

Saki thinks that as zombies they should try to take over the country (even though there are a lot of ways to kill them humans are very familiar with). She, like most of the others, think it’s ludicrous to believe they’ll be able to function as an idol group, and don’t much care about the fate of Saga.

That attitude changes somewhat when Tatsumi works his Hollywood makeup magic, returning all of the young women to their “living” looks, much to their surprise and delight. For the next gig he’s also changed the name of their group to “Green Face.” Once again, they take the stage with very little in the way of a plan.

Sakura starts out, but Tae derails things and ends up losing her head, which the crowd takes to be some kind of magic trick. When Sakura and Saki start fighting over whether Tae’s head should be put back on her shoulders, they erupt into a lively rap battle, with Tatsumi providing the beatboxing, Yuugiri strumming her shamisen, and Lily getting the crowd involved.

It’s another instance of making something fun and entertaining out of nothing, and yet again legitimizes Tatsumi’s grand plans as less cockamamie as originally believed. But the two idols still seem awfully hesitant to involve themselves, while Yae and her biting pose a constant threat to their audience. On the plus side, they seem to have gained a couple of groupies!

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Zombieland Saga – 01 (First Impressions) – A Little Biting Never Hurt Anybody

Minamoto Sakura is your typical upbeat girl (and aspiring idol) starting her first day of high school. She’s so excited, in fact, she doesn’t look both ways before running into the street, and gets absolutely pulverized by a passing Hijet in a shocking needle scratch.

Just when I was thinking to myself this girl…is a bit much, the show immediately flips the script. Her flight through the sky in slo-mo as the bloodstained, death metal opening credits run definitely hint at a show with some Attitude, as well as one with surprises and a black sense of humor to boot.

Sakura wakes up in, a haunted-ass mansion in the middle of a rainstorm, and almost immediately comes afoul of not one but many zombies. Just as the show proved deft at setting a bubbly optimistic atmosphere that it then tore to shreds inside its first ninety seconds, it proves just as deft at setting a classic horror mood.

Dark and tingly and tense, it slowly reveals the monsters that dwell in that mansion and totally freak Sakura the fuck out. There’s no explanation as to what’s going on; we’re just along for the hell-ride, as she is.

Deciding the best plan is to run away as fast as she can, she encounters a partroling policeman, who pulls a gun on her when he gets a good look at her face. Turns out the rain washed off makeup that only made her look alive.

Her “benefactor”, the effortlessly eccentric Tatsumi Koutarou, saves her from the trigger-happy cop and brings her back to the mansion, where all is explained: Sakura died ten years ago, and he brought her and five other young women back in order to make the ultimate idol group, in hopes of saving Saga, the culturally declined city in which he resides.

His undead dream team consists of a former biker boss, Showa idol, courtesan, child actress prodigy, Heisei idol, Sakura…and Yamada Tae, who he calls “legendary” like the others, but does not explain why she’s legendary. But since Sakura is also far from legendary herself, she doesn’t have much room to complain, now does she?

The others haven’t “awakened” yet as Sakura has, so he decides to put them on stage as quickly as possible in order to “stimulate” them into doing so. He uses makeup methods he learned in Hollywood to make them look alive and ushers them into a packed death metal venue.

He gives Sakura your typical heartfelt pep talk…but Sakura still doesn’t think she can do it, because she has no idea what she’s supposed to do on stage with five zombies and no other direction, besides “trust her instincts.”

And at first, it is indeed extremely rough on that stage, as the impatient crowd awaits the music. Finally, it comes over the loudspeakers, and one by one the zombies start to scream and headbang in a way you only could if your neck was broken.

The assembled metalheads like this very much, especially the fact that the girls initially looked like an idol group ready to insult their beloved genre. It all goes swimmingly until the zombies start to bite the crowds, and the show is presumably shut down. But they certainly made an impression, which is what Tatsumi was surely after. You know, the impression of teeth into flesh!

The next day, more of the zombies have awakened, though Yamada Tae is still a mindless biter. It’s no longer only Sakura’s show, as there will be other lucid zombie characters in the second ep. But this was a great and wonderfully irreverent introduction to what looks to be a very bizarre—and funny—new Fall title.