Aizawa Tomo (Takahashi Rie) is big, tall, strong, boisterous, and a girl. Her childhood friend Jun (Ishikawa Kaito) once thought she was a boy due to those traits. Now that they’re both in high school, she doesn’t want to be his “bro” anymore. But it’s not so easy to shift such a long-standing dynamic.
This is a dirt-simple premise and the show drops us right into this close-yet-distant relationship. Close because Jun is far more comfortable (and physical) with Tomo than he’d be with any girl or guy. Distant because Tomo still doesn’t feel Jun sees her as a girl or potential romantic partner.
Just having these two bounce off one another would be too simple, so there are some key supporting characters like Gundou Misuzu, another childhood friend of Tomo who is now on bad terms with Jun despite the fact the three basically grew up together.
Misuzu (Hidaka Rina) is a lot of fun as the acerbic meddler of the trio, who makes it her goal to help Tomo get noticed by Jun the way she wants. Tomo is eager for advice but not so great at executing it. But whether she succeeds or fails, Misuzu will be entertained.
There’s some early hope for Tomo when Misuzu arranges things so neither she has to walk with Jun under an umbrella. Tomo is too bashfull to get too close to Jun, and eventually runs off. But because Jun is if anything more athletic than her (they do karate at her family’s dojo), he catches up to her easily.
It’s here where he notices that yes, his “bro” Tomo isn’t just a girl, but a beautiful, busty young woman in a soaked uniform, so it’s his turn to flee. Tomo doesn’t understand what’s up with him, but if she thought about it with both of her brain cells, she’d realize he just felt the same awkward excitement she feels when he gets a little too close.
Aside from Misuzu, we have Misaki, Tomo’s senpai in the karate club (she murdered all the girls so she’s in the boy’s club). Misuzu has a little thing for Tomo, and when she expresses her exasperation and claims to be “a failure of a girl”, he can’t help but rebut the assertion.
When he says she has plenty of “feminine charm” and she crowds him, asking for specifics, Misaki-senpai wisely tells her the truth: there’s no need for her to change, or to be more classically “girly.” She’s plenty charming just being who she is. I gotta agree with him!
Misaki also happens to be a very pretty young man who attracts a couple of gyaru-ish classmates. When they spot Tomo, they invite her to an after-school meet-up. Tomo, naturally, assumes a fight is afoot and is all for it. Misuzu has to break it to her; they’re interested only in verbal sparring, not the kind with fists.
Tomo, not one to back down from a fight, meets the girls at the appointed time and place, and strikes a fighting stance just in case. The girls then tell him how they’re interested in Misaki, and she delightfully misunderstands that they approached her for love advice since she knows him. She’s all too eager—giddy, even—to take them under her wing!
That shows us it’s not just guys like Jun, but girls other than Misuzu who don’t treat her like “one of the girls”. We tend to want what we don’t have, so even though many a girl would be envious of Tomo’s relationship with both Jun and Misaki, she wants something else. Something it will take no small effort to obtain.
And there you have it. I should mention that watching and listening to Tomo is an absolute blast thanks to Takahashi Rie, who really brings it. Jun’s a jolly meathead who, while clueless about Tomo’s true feelings, is clearly not totally unaware of the fact she’s a girl. The only question is how much romantic progress they make in the 12 episodes to follow.